The drawings and photographs are revelations as to how a creative mind
cants the commonplace. They give me hope that there are still some
humans who can/see/.
-Joel
On 1/6/2015 6:51 AM, Alan Sondheim wrote:
Want to add my appreciation for Michael's recent pieces - one of the
things I
Hi Dave;
I don't know about Linkedin, but I've lived my life by taking many
different jobs, which I used not only to stay alive. but also to learn
various skills, and, most importantly, work alongside people in all
strata of society, from sweatshops to executive offices.
I felt, and feel,
Hi James;
It seems incongruous to me to say that Art (I assume you mean visual
art) is more powerful even than the pen, while using the pen (I assume
you mean writing) to say this.
From at least the Upper Paleolithic, visual art has been a form of
writing. And from the Neolithic on, writing
Better than Basquiat.
On 11/30/2014 7:35 AM, michael szpakowski wrote:
4 more paintings for children and adults:
currently here:
https://www.flickr.com/photos/szpako/
permanent links:
https://www.flickr.com/photos/szpako/15726012987/
https://www.flickr.com/photos/szpako/15725745189/
No surprise.
-Joel
On 11/24/2014 6:41 PM, Alan Sondheim wrote:
See images below:
A Missouri grand jury has decided not to indict Ferguson police
Officer Darren Wilson [www.cnn.com] in the August 9 shooting death of
Michael Brown, prosecutor Robert McCulloch said Monday.
The incident
Hi Michael;
All this work, which I've been looking through, is very engaging.
I'm wondering if there's a philosophical core that holds it together.
-Joel
On 11/15/2014 10:26 AM, michael szpakowski wrote:
https://www.flickr.com/photos/szpako/15610046710/
cheers
michael
wishes
michael
*From:* Joel Weishaus joelweish...@gmail.com
*To:* michael szpakowski mich...@dvblog.org; NetBehaviour for
networked distributed creativity netbehaviour@netbehaviour.org
*Sent:* Saturday, November 15, 2014 7
michael
*From:* Joel Weishaus joelweish...@gmail.com
*To:* michael szpakowski mich...@dvblog.org; Netbehaviour
netbehaviour@netbehaviour.org
*Sent:* Saturday, November 15, 2014 8:47 PM
*Subject:* Re: [NetBehaviour] a graduate
This all reminds me of something psychologist James Hillman wrote: a
web of endless intricate relations---and no spider.
-Joel
On 11/13/2014 4:27 PM, Rob Myers wrote:
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On 09/11/14 11:18 PM, ruth catlow wrote:
This is article from Adam Rothstein
This has been around for about 20 years, when Roger Penrose proposed it,
and later Stuart Hameroff, an anesthesiologist, became aware of it, and
developed it further.
Hameroff has been hammered by physicists, because they see the brain as
too wet and noisy for quantum vibrations; and by
of collectives, networking, peer production
practices and social media, I think individuation needs to be held
forth and clarified.
-Joel
--
Joel Weishaus
Artist-in-Residence
Engaged Humanities the Creative Life Program
Depth Psychology, Jungian Archetypal Studies
Pacifica Graduate Institute
249
My favorite Szpakowski site remains (for the time being):
https://www.flickr.com/photos/szpako/sets/72157625473925530
-Joel
On 11/6/2014 9:08 AM, michael szpakowski wrote:
book of primes, an altered book:
https://www.flickr.com/photos/szpako/sets/72157649139453835/
japanese paints /or ink
And Nicholas Royle wrote The Uncanny.
-Joel
On 11/5/2014 7:28 AM, Simon Mclennan wrote:
A film of mine - THE VISITORS - is showing at
Exploding Cinema on Friday in Nunhead.
The Exploding Cinema is usually worth going to - diverse range of underground
films and performance,
well presented and
A college degree from an art department, or an art school, does not make
anyone an artist.
In any case, the media and the Art World have made the title meaningless.
-Joel
On 10/22/2014 4:17 PM, Rob Myers wrote:
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On 22/10/14 05:44 AM, aharon
The cutting edge always becomes dull.
-Joel
On 10/16/2014 7:33 PM, Pall Thayer wrote:
I don't visit rhizome.org http://rhizome.org much any more but when
I do... all they do is convince me more of their irrelevance.
They recently posted what they refer to as Five Ambitious
Commisions. Bear
Beautiful Jason.
Seems like you're a brilliant disciple of Apollinaire.
-Joel.
On 10/15/2014 6:22 AM, Jason Nelson wrote:
All,
Just wanted to share a new digital poem of mine:
The Required Field
http://www.dpoetry.com/field/
cheers, Jason Nelson
--
Jason Nelson
Net Art/Digital Poetry and
*Brazilian Digital Art and Poetry on the Web*
http://www.vispo.com/misc/BrazilianDigitalPoetry.htm
On 10/14/2014 3:44 AM, br...@netart.org.uy wrote:
;-)
in southamerica there are good examples of e-poetry, e-narratives,
etc. also there is a nice tradition of experimental poetry.
another one i
Annie;
Thanks for the link.
For-profit, now even not-for-profit, companies all begin by sounding
like they are humanitarians, but as they become profitable their will to
power, knows no limit, and unfortunately there is no limit imposed on them.
Too big to fail,//means that in Wall Street's
Feeling isolated is kind of weird when, without Facebook, et al. you
have already more information resources and social contacts than anyone
in the history of the planet.
-Joel
On 9/30/2014 12:59 PM, dave miller wrote:
I left facebook about a year ago and don't miss it, though I feel
Nathan;
Terrific, important, work.
Thanks so much for this.
-Joel
--
Joel Weishaus
Artist-in-Residence
Engaged Humanities the Creative Life Program
Depth Psychology, Jungian Archetypal Studies
Pacifica Graduate Institute
249 Lambert Road
Carpinteria, CA 93013
Homepage and Archives Portal
Not to worry. The best artists do not breed, original voices who are not
seen (if seen at all) as curate-able, until late in life, if they live
that long.
In the long run (if there is one), Google will disappear and art will
still be there. All that glitters is not gold.
-Joel
On 9/17/2014
Ana;
Thank you for this.
It's an example of how artists can supply insight.
Best,
Joel
On 9/16/2014 8:34 AM, Ana Valdés wrote:
As I wrote before I think the exhibition and discussions initiated by
Catherine David and Jordan Crandall were among the best I read and I
am very happy I
At bottom, ISIS comes from a feeling of powerlessness, even by those
who/look/ powerful.
It's just the newest catchy acronym. When the media gets tired of one,
another will pop-up.
One is more violent than the last, just as one film is more violent than
the one before.
We're dealing with the
/netbehaviour
Got it.
Thanks Curt. I will read it soon.
-Joel
--
Joel Weishaus
Artist-in-Residence
Engaged Humanities the Creative Life Program
Depth Psychology, Jungian Archetypal Studies
Pacifica Graduate Institute
249 Lambert Road
Carpinteria, CA 93013
Homepage and Archives Portal:
http
Right on, Michael.
-Joel
On 9/14/2014 9:30 AM, dave miller wrote:
Brilliantly put - well said My greatest hope (and belief) is that
sometime before I shuffle off we will show them how wrong they were -
yes
On 14 September 2014 17:03, michael szpakowski mich...@dvblog.org
Rob:
I assume that your computer was manufactured by a corporation, so it is
not strange it would tag the article as a scam.
-Joel
On 9/14/2014 11:39 AM, Rob Myers wrote:
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On 14/09/14 03:12 AM, marc garrett wrote:
The privileged few are
., first need to appear, and not those who are
academics (to take your side), but (self)educated amateurs. Edward has
the talent!
-Joel
On 9/6/2014 1:00 PM, Rob Myers wrote:
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On 04/09/14 06:24 PM, Joel Weishaus wrote:
Interesting that we're
Isabel;
You're right to call me on this.
What I had in mind is that awards (I mean by this blue ribbons) tend
to make some artists think that they can get away with whatever they
make as long as they sign it. (Duchamp).
I shouldn't have included grants. However, with rising prices, only the
artists;
they'd probably just give up and get a better paying job elsewhere :-)
On 7 September 2014 08:59, Joel Weishaus joelweish...@gmail.com
mailto:joelweish...@gmail.com wrote:
Isabel;
You're right to call me on this.
What I had in mind is that awards (I mean by this blue
think of giving it up :-)
On 7 September 2014 10:22, Joel Weishaus joelweish...@gmail.com
mailto:joelweish...@gmail.com wrote:
Hi Isabel;
But isn't it sad, in view of the sacrifices past artists were
willing to make, at least when they were young, as with Picasso,
and many
The invasion of art by a corporation is not new, if we think of the
Catholic Church during the Renaissance.
But it is very dangerous, especially with a nascent art. The danger is
that it will be poisoned it at its roots.
And with an art that draws its tools from the business world, the alarm
Thanks Rob.
Best,
Joel
On 9/4/2014 4:25 PM, Rob Myers wrote:
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On 03/09/14 11:24 AM, Joel Weishaus wrote:
Rob;
Is there a link to this story?
- From my Links the other day:
http://www.theepochtimes.com/n3/902625-computers-can-find-similarities
. It is the kind of art history practiced in
today’s universities, rather than
the auction houses, that is asking precisely these bigger questions.
-Joel
On 9/4/2014 4:25 PM, Rob Myers wrote:
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On 03/09/14 11:24 AM, Joel Weishaus wrote:
Rob
/09/14 05:19 PM, Joel Weishaus wrote:
I think you're wrong about this. She concludes:
There was, until recently, virtually no art history that ever
asked how women or African-Americans, or non-Europeans 'influenced'
the direction of art, or even traced any kind of links between such
artists
Rob;
Is there a link to this story?
Thanks,
Joel
On 9/3/2014 10:37 AM, Rob Myers wrote:
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On 03/09/14 05:10 AM, { brad brace } wrote:
artworld-history fosters socially irresponsible financial
ponzi/tax-evasion
I recently read an article
My wife giving a paper on Lacan and the sublime, at Cambridge U. next
week, so it seems the word is in.
The dictionary says sublime means impressing the mind with a sense of
grandeur or power; inspiring awe, veneration, etc
So what is new about the New Sublime?
-Joel
On 9/2/2014 8:30 AM, Rob
Myers wrote:
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On 02/09/14 11:08 AM, Joel Weishaus wrote:
My wife giving a paper on Lacan and the sublime, at Cambridge U.
next week, so it seems the word is in. The dictionary says
sublime means impressing the mind with a sense of grandeur or
power
What's new is a global market and global communications. So that now we
can see how pervasive, how common, how /ordinary/, as Hannah Arendt
said, human greed/power/insanity is, whose shadow, since WW II, is cast
on a global scale.
Marshall McLuhan once pointed out that in order to meet an
I wish I could be as generous as some posts on this thread; but she
reminds me of Kafka's Hunger Artist; only here it's the spectators who
are starving.
-Joel
On 8/23/2014 11:18 AM, dave miller wrote:
I just tried to see the show but had to give up as the queues were 3
hours long, and they
Liu was the Chair of The University of California Santa Barbara's
English Department when I was a Visiting Scholar there.Thus, I know that
his vision is more complex than it seems on the book's surface. Although
I don't agree with much that he has to say, I think it's important know
what he
You may want to take a look at Alan Liu's. The Laws of Cool.
http://www.amazon.com/The-Laws-Cool-Knowledge-Information/dp/0226486990/ref=sr_1_1?ie=UTF8qid=1408371006sr=8-1keywords=Alan+Liu
-Joel
On 8/14/2014 10:27 AM, Bezdomny wrote:
Let's start the movement post cool or better yet oblomov
for free, Digital Art made for the Internet is hostage to
corporations.
It's a situation of control that, as far as I know, artists, and their
audience, have never faced before.
-Joel
Joel Weishaus
Artist-in-Residence
Engaged Humanities the Creative Life Program
Depth Psychology, Jungian Archetypal
It's always good to see someone gifted in the basics of art, such as
drawing. And these are amazing!
-Joel
On 8/12/2014 9:33 AM, Edward Picot wrote:
Michael -
I particularly like the third one and the last one, both of which give
a real feeling of the solidity and glassiness of the jar.
Why?
On 8/12/2014 12:17 PM, michael szpakowski wrote:
thanks Joel Edward. gifted in the basics of art fills me with
intense anxiety though :)
cheers
michael
*From:* Joel Weishaus joelweish...@gmail.com
at least, would be
flying under false colours...
I wrote a piece called learning to draw in public -it's here
http://www.michaelszpakowski.org/
and it enlarges upon my uncertainties at some length...
cheers
michael
From: Joel Weishaus joelweish...@gmail.com
How can one talk about the posthuman, or the latest software, and say
that research can't solve dementia or Alzheimer's?
Are our engineer's smarter than our biologists?
I think it's a matter of where you put your research money, what you value.
Presently it's going for weapon systems that kill
Michael;
Thanks for these pictures.
What's most important is that Jewish people around the world demonstrate
against the Israeli government and its military thugs, which acts as
though it represents them.
-Joel
On 8/10/2014 3:51 AM, michael szpakowski wrote:
150,000 on the streets of
I must remember to save my old socks!
-Joel
On 8/10/2014 12:46 PM, Rob Myers wrote:
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A screenshot of a 4chan post pondering the nature of art has raked in
$90,900 in an eBay auction. -
Strangely, it reminded me of Bill Viola's early work.
-Joel
On 8/9/2014 7:53 AM, c...@lab404.com wrote:
Hi Annie and Alan,
Yes, Richard Long. I was actually thinking of Robert Smithson's site/non-site with the
two categories onsite/online.
Annie, I went up there without any source
Hi Edward;
I found this both chilling and compassionate, a piece of art more
important than what the Art World can tolerate.
So, the blackbird is still circling?
Warmly,
Joel
On 8/7/2014 10:17 AM, Edward Picot wrote:
A text-animation (with sound) on the subject of dementia.
On my site:
Doesn't we're looking for put everything submitted into a quantifiable
matrix?
Perhaps the only true artists these days are ghosts who haunt only
themselves.
-Joel
On 8/8/2014 3:55 AM, marc garrett wrote:
Transmediale 2015 CAPTURE ALL Call for Works / Deadline Reminder : 10
August 2014
critique is
that I'd rather the hand not be shown opening the shack's door, as it
took me out of the weirdly inclusive atmosphere.
Best,
Joel
--
Joel Weishaus
Artist-in-Residence
Engaged Humanities the Creative Life Program
Depth Psychology, Jungian Archetypal Studies
Pacifica Graduate
Alan;
I certainly agree with you. If iyour work any culturally redeeming
value, which I'm sure it does, then what Google is doing is
unconstitutional.
We fought this battle before, with banned books. It's a very important
fight! There must be an organization whose lawyers you can turn to for
Of course art has always had to interface with commercial culture, but
the harsh realities of the commercial world is not the point.
If you're an artist, you belong to a tradition that is older than Google
by at least forty thousand years.
Living and working with this in mind is what's most
Michael;
As I went through these pictures, several times, I really was amazed at
how much brilliance there is.
Warmly,
Joel
On 7/30/2014 4:29 AM, michael szpakowski wrote:
https://www.flickr.com/photos/szpako/14592777697/
cheers
michael
___
A novel that gives a lot of information on the Art Market---perhaps too
much, as it takes away from character development and from the story
itself--is Noah Charney's. The Art Thief.
In nonfiction, Jed Perl's, Eyewitness: Reports From an Art World in
Crisis, is very worthwhile (and inexpensive
Edward;
Scarier than ever.
By the way, I read recently that your Prime Minister is angling to sell
the NHS to Wall Street (as part of Obama's Grand Neo-Liberal Treaty) and
give England the expensive, inefficient, screwed-up health system with
which we in the US suffer.
-Joel
On 7/24/2014
This is valuable work. What a loss this artist leaving us is!
-Joel
On 7/20/2014 3:00 AM, ruth catlow wrote:
Hello,
Thank you for letting us know Annie. I feel so sorry that I will never
meet Yann and find out more about his work with networks.
As x-arn.org, along with Gregoire Cliquet
...
Cheers Joel,
Simon
On 19 Jul 2014, at 00:02, Joel Weishaus joelweish...@gmail.com
mailto:joelweish...@gmail.com wrote:
Hi Simon;
I wasn't aware that I made that particular link. But I do agree with
everything you say, except for inert rocks, as everything moves.
Some rocks just move very
in a specific culture find pleasing.
This is where the artist differs, as there is no algorithm for what's
beautiful the imagination obeys.
-Joel
--
Joel Weishaus
Artist-in-Residence
Engaged Humanities the Creative Life Program
Depth Psychology, Jungian Archetypal Studies
Pacifica Graduate Institute
249
Hi Michael;
I remember a series on Stevens' Blackbird poem done maybe in a different
century.
Was that Edward? Or you?
-Joel
On 7/7/2014 12:32 PM, michael szpakowski wrote:
Had a bit of a burst of activity recently:
https://www.flickr.com/photos/szpako
cheers
michael
: Joel Weishaus joelweish...@gmail.com
To: michael szpakowski mich...@dvblog.org; NetBehaviour for networked distributed
creativity netbehaviour@netbehaviour.org
Cc:
Sent: Monday, July 7, 2014 8:56 PM
Subject: Re: [NetBehaviour] some new drawings and photos
Hi Michael;
I remember a series
.
- Original Message -
From: Joel Weishaus joelweish...@gmail.com
To: NetBehaviour for networked distributed creativity
netbehaviour@netbehaviour.org
Cc:
Sent: Tuesday, July 1, 2014 2:57 AM
Subject: Re: [NetBehaviour] photos with people for contrast to london street
Hi James;
People in public act out
Hi James;
People in public act out.
This acting out reveals a part of themselves, ourselves, not displayed
in the (shrinking) zone of privacy.
For example, the banker is aware that he or she has a role to play, and
thus self-consciously looks and walks like a banker.
I see some of this
Hi Michael;
There's so much to like here!
Strange, for example, how people look being themselves on a public street!
So much, just so much. An embarrassment of glitches.
Warmly,
Joel
--
Joel Weishaus
Artist-in-Residence
Engaged Humanities the Creative Life Program
Depth Psychology, Jungian
Killing is only the means. War's objective, at least in the US, is to
make money for corporations. Everything is becoming this, from elections
to education.
-Joel
On 6/12/2014 7:38 PM, Pall Thayer wrote:
The code was kind of blurted out. But thinking about it afterwards, it
makes sense...
a morally corrupt
system takes it for granted, which is what we see now.
-Joel
On 6/13/2014 10:27 AM, Alan Sondheim wrote:
Not just corporations, the long slow domestic war is for religion and
staes' rights and white male dominancy.
On Fri, 13 Jun 2014, Joel Weishaus wrote:
Killing is only
One day the Zen Master said, Everything is an illusion.
The next day the Master said, Nothing is an illusion.
-Joel
On 6/13/2014 1:01 PM, Alan Sondheim wrote:
On Fri, 13 Jun 2014, Rob Myers wrote:
Kraussian obsolete media doesn't work in Internet time. Everything is
already obsolete
Joel Weishaus
Honorary Fellow,
Department of English,
3431 South Hall
University of California
Santa Barbara, CA 93106-9580
Digital Archive:
www.cddc.vt.edu/host/weishaus/index.htm
Paper Archive:
http://rmoa.unm.edu/docviewer.php?docId=nmu1mss456bc.xml
Edward;
Of course I agree with you here.
A healthy culture has many critics who have different viewpoints of a piece of
literary or visual work.
The important thing, I suggest, is to develop knowledgeable, thoughtful, and
courageous critics, and also media that will publish (and pay!) them.
I joined Google's protest, as I figure that will draw the largest amount of
people.
Just go to Google's site.
-Joel
- Original Message -
From: marc garrett
To: NetBehaviour for networked distributed creativity
Sent: Wednesday, January 18, 2012 4:07 AM
Subject: [NetBehaviour]
I strongly recommend Bill Moyers' program, which began again this week, and can
be seen here (I hope out of the US too!):
http://billmoyers.com/episode/on-winner-take-all-politics/
-Joel___
NetBehaviour mailing list
NetBehaviour@netbehaviour.org
Democrats have announced they will move outdoors on the final night of their
national convention in September so President Obama can accept the nomination
before a larger crowd. Obama will deliver his acceptance speech at Charlotte’s
Bank of America Stadium. From, Democracy Now!
.
best
Simon
On 16 Jan 2012, at 15:35, Joel Weishaus wrote:
Simon;
I agree that everyone can do something--I think that's what Beuys
meant---, but I am talking about the gifted artist.
Just like everyone with a normal body can run, but very few can
In the taking of a photograph, time is condensed into a moment or two. While in
making a drawing, time is spread out.
Of course, if one works with photographs, such as in a darkroom, or with
Photoshop, the difference is just a matter of technique.
Also, I was going to say that we take a
Simon;
I've found taking photographs rewarding because the camera seems to have a mind
of its own. Even a digital camera is still a magic lantern.
As for writing code, I personally agree with you. The computer to me is a tool;
although, to paraphrase the poet Gary Snyder, Tools. Now there's a
Hi Simon;
I agree with you, up to a point. And that is, in every art, there is always the
mystery of talent. Some have it; others, no matter how hard they work, never
will be gifted.
-Joel
- Original Message -
From: Simon Biggs
To: NetBehaviour for networked distributed
Hi Michael;
I like the drawings being held in front of the scene, and the page torn from
the pad.
-Joel
- Original Message -
From: Michael Szpakowski
To: netbehaviour
Sent: Saturday, January 14, 2012 3:42 AM
Subject: [NetBehaviour] fail better
at the moment...
I know that drawing is something I really want to keep doing.
warm wishes
michael
--
From: Joel Weishaus weish...@pdx.edu
To: Michael Szpakowski szp...@yahoo.com; NetBehaviour
Regards and Happy New Year to all.
Joel
Joel Weishaus
Honorary Fellow,
Department of English,
3431 South Hall
University of California
Santa Barbara, CA 93106-9580
Digital Archive:
www.cddc.vt.edu/host/weishaus/index.htm
Paper Archive:
http://rmoa.unm.edu/docviewer.php?docId=nmu1mss456bc.xml
Can you give the link again?
Thanks,
Joel
- Original Message -
From: giselle beiguelman
To: NetBehaviour for networked distributed creativity
Sent: Friday, January 06, 2012 5:31 PM
Subject: Re: [NetBehaviour] Learn To Code
in!
gb
2012/1/6 Rob Myers r...@robmyers.org
Michael;
Congratulations.
What are you showing there?
Warm Regards,
Joel
- Original Message -
From: Michael Szpakowski
To: netbehaviour
Sent: Wednesday, December 14, 2011 2:20 AM
Subject: [NetBehaviour] invitation to a show in Norwich
Hi
if anyone is in or near Norwich
But didn't it begin with Duchamp?
-Joel
- Original Message -
From: Rob Myers
To: netbehaviour@netbehaviour.org
Sent: Monday, November 28, 2011 11:30 AM
Subject: Re: [NetBehaviour] How art killed our cult your
On 28/11/11 12:54, IR3ABF wrote:
Andy Warhol did it!
http://moreintelligentlife.com/content/arts/a-one-man-market?page=full___
NetBehaviour mailing list
NetBehaviour@netbehaviour.org
http://www.netbehaviour.org/mailman/listinfo/netbehaviour
This is deja vu to me, as I was involved in the Free Speech Movement at
Berkeley during 1960s and the concurrent Anti-Vietnam War Movement.
Not only has nothing changed, it's gotten much worse. (There was no tuition at
California public universities then; that is, pre-Ronald Reagan.)
The police
A good outcome would be if the two cops, and perhaps the person who ordered
them to use the chemical, could be brought up on assault charges, not just
suspended with pay, which is an insult to the students.
In a democracy, or what's left of it, non-violent protestors need legal
protection from
http://www.nytimes.com/2011/11/20/opinion/sunday/at-occupy-berkeley-beat-poets-has-new-meaning.html?_r=1pagewanted=all___
NetBehaviour mailing list
NetBehaviour@netbehaviour.org
http://www.netbehaviour.org/mailman/listinfo/netbehaviour
An interesting article on the psychopathology of wealth in our present economy.
In a study published by the journal Psychology, Crime and Law, Belinda Board
and Katarina Fritzon tested 39 senior managers and chief executives from
leading British businesses. They compared the results to the same
Hi Peter;
Interesting, as always.
I have my own thoughts about this, but why QR?
Warm Regards,
Joel
- Original Message -
From: Peter ciccariello
To: Peter Ciccariello
Sent: Thursday, November 10, 2011 11:53 AM
Subject: [NetBehaviour] QR poem
“QR poem” – on invisible
Interesting is, The prospect of a restoration by the artist is slim, since
Kippenberger died in 1997, as it holds out some prospect.
-Joel
- Original Message -
From: ruth catlow
To: NetBehaviour for networked distributed creativity
Sent: Sunday, November 13, 2011 6:41 AM
http://news.yahoo.com/blogs/this-could-be-big-abc-news/death-keyboards-monitors-omnitouch-202115388.html___
NetBehaviour mailing list
NetBehaviour@netbehaviour.org
http://www.netbehaviour.org/mailman/listinfo/netbehaviour
Remember when Apple was the hip company? Now it's all for profit anyway it can
get away with. While Microsoft, after many lawsuits, seems to have learned its
lesson.
http://www.nytimes.com/2011/11/05/technology/apple-woos-educators-with-trips-to-silicon-valley.html?_r=1hpw=pagewanted=all
http://www.huffingtonpost.com/2011/10/27/social-justice_n_1035363.html___
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Hi Marc;
And prehistory, as what we call history begins with what we call writing.
While art extends much further back than written languages.
Many prehistories are now being taken seriously, mainly by archaeologists.
As for the transdisciplinary. This is to where art traces its roots, so that
This is strange because the Art Market has been like this--an investment market
for the rich--for centuries, and the only thing most artists did was try break
into it.
In any case, this protest is a good thing for art, and I hope it spreads to the
Art World, which is much larger than New York
Ron;
You may be interested in this project I did a few years ago:
http://www.cddc.vt.edu/host/weishaus/Ghosts/text.htm
Best,
Joel
- Original Message -
From: Rob Myers
To: NetBehaviour for networked distributed creativity
Sent: Saturday, October 15, 2011 7:54 AM
Subject:
Dear friends,
I'm writing from New York City, where the Occupy Wall Street movement is taking
off.
What started as a small group of young people with a vague call to action is
evolving into something truly inspiring -- and our crew at 350.org is excited
to support this nascent movement.Â
Dave;
Look at Hans Haacke's work, which is easily found with a search engine.
On the other hand, I never thought writing political statements and passing
them off as art, such as was in vogue in the 1980s, especially in New York,
was good art.
However, no matter how it's done, political art of
http://chronicle.com/article/College-20-Fear-of/129049/___
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Here's something positive, for a change:
http://www.bigbridge.org/100thousandpoetsforchange/
-Joel___
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