In the taking of a photograph, time is condensed into a moment or two. While in 
making a drawing, time is spread out.
Of course, if one works with photographs, such as in a darkroom, or with 
Photoshop, the difference is just a matter of technique.
Also, I was going to say that we "take" a photograph; and thus, unlike a 
drawing, it's a process of appropriation. However, in drawing a portrait, for 
example, the feeling is, even more than with a photograph, of "stealing a soul."
Comparison is always a matter of which points you choose to compare.   

-Joel
 
  ----- Original Message ----- 
  From: Michael Szpakowski 
  To: NetBehaviour for networked distributed creativity 
  Sent: Sunday, January 15, 2012 6:11 AM
  Subject: Re: [NetBehaviour] fail better


  Once again thanks for the interesting, helpful and encouraging responses.
  I feel strangely the same when I point my camera at something and when I do a 
sketch "in the moment" - I'm quite impressed by Patrick Maynard's argument 
which seems to be that drawing and photography are essentially both just 
processes of mark making....
  I think I could quite quickly produce you a photo of a unicorn actually - I'm 
deeply sceptical about all the indexical , one-one correspondence to reality - 
blather about photos. It was pretty much never the defining feature ( ask Joe 
Stalin) and it certainly isn't now.
  Moreover I'm not convinced that when I draw I'm any less a "mechanism" of 
some kind for creating a kind of map of at least some parts of reality than I 
am when I photograph (or remix photos which is something I've been doing a 
lot). I'm with Baldessari who scratched his head ( I'm dramatising of course 
and quoting from memory here) and said he couldn't really see that much 
difference between painting and photographs...
  Anyway, theory aside, that I should get such kind and helpful feedback is one 
of the reasons I love netbehaviour :)
  warm wishes
  michael


  OK -just found it:
  John Baldessari : “A photograph and a painting are essentially the same 
thing. One is just a series of pigments in emulsifier put down on canvas, while 
the other is silver nitrate deposits put down on paper. There is very little 
difference between the two.� 





------------------------------------------------------------------------------
  From: Perry Bard <[email protected]>
  To: NetBehaviour for networked distributed creativity 
<[email protected]> 
  Sent: Sunday, January 15, 2012 1:53 PM
  Subject: Re: [NetBehaviour] fail better





  Last night a philosopher friend Nick Pappas and I had this very 
conversation-about the properties of photo vs painting and drawing. WJT 
Mitchell in Intention and Artifice isolates an essential difference- the 
referent adheres in a photo- you can paint a unicorn but not photograph one 
(irrefutable, no?). Nick argued that a camera is an object- you point and 
record, even if you make a mistake or someone jostles your hand you record a 
specific moment in time whereas a drawing records a moment in consciousness.
  Perry


  On Sun, Jan 15, 2012 at 8:19 AM, Annie Abrahams <[email protected]> wrote:

    I do think Michael you have a lot of formal technique - the way you chose, 
frame and compose the image, the way you look at things is very "sophisticated".
    I was wondering what for you makes these drawings so different from your 
photos? Why do you want to do it? 
    Is it a question of time? of attention?of meditation? of trying to grasp 
something in a world too full of information? 
    For me your drawings are full of time and 
    they are brave
    I love to see them.
    Annie



    On Sun, Jan 15, 2012 at 1:56 PM, Rob Myers <[email protected]> wrote:

      On 14/01/12 17:00, Michael Szpakowski wrote:
      > thank-you Joel...
      > I don't honestly know how I expect people to react. I'm pretty obsessed
      > at the moment...
      > I know that drawing is something I really want to keep doing.
      > warm wishes
      > michael


      You have a good eye for form, space and tone. As someone who's an
      enthusiastic rather than a competent draughtsperson I really admire what
      you are doing here. Do keep doing!

      - Rob.

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    -- 


    Extrait en photo et son de la performance HUIS-CLOS / NO EXIT Training for 
a Better World 
    http://www.documentary-art.net/tag/watch-now.php?&ref=344
    Plus de photos :  
http://www.flickr.com/photos/bramorg/sets/72157628514083331/

    "Die Ewigkeit/ L'éternité", Antye GREIE / Annie ABRAHAMS - DUET - SATZ 4  
- Rêves / Utopia / Dreams http://vimeo.com/33907750
    http://www.bram.org


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  -- 
  www.perrybard.net
  http://dziga.perrybard.net


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