Re: PESOs Hale at SFLX

2012-09-19 Thread P. J. Alling

Can't really see her toes...

On 9/19/2012 12:14 AM, Larry Colen wrote:

This musician is a little prettier than the last from head:
http://www.flickr.com/photos/ellarsee/8001992852/
to toe:
http://www.flickr.com/photos/ellarsee/8001990121/

--
Larry Colen l...@red4est.com sent from i4est








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Re: PESOs Hale at SFLX

2012-09-19 Thread Walt

Beautiful subject, Larry!

I love the first shot and think it's the best of the bunch. There were 
several that I think would've been even better but for her having her 
face turned ever-so-slightly away from the camera.


I'm thinking 75283 in particular. What a lovely woman.

-- Walt

On 9/18/2012 11:14 PM, Larry Colen wrote:

This musician is a little prettier than the last from head:
http://www.flickr.com/photos/ellarsee/8001992852/
to toe:
http://www.flickr.com/photos/ellarsee/8001990121/

--
Larry Colen l...@red4est.com sent from i4est








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Re: PESOs Hale at SFLX

2012-09-19 Thread Larry Colen
Thanks Walt, Dan, PJ ...

On Sep 18, 2012, at 11:42 PM, Walt wrote:

 Beautiful subject, Larry!
 
 I love the first shot and think it's the best of the bunch. There were 
 several that I think would've been even better but for her having her face 
 turned ever-so-slightly away from the camera.

There are certain challenges to photographing a concert, with a manual focus 
camera.  Even with the A*200/2.8 stopped down to f/4, it doesn't have a hell of 
a lot of depth of field  fifteen feet from the subject.Then there's the 
detail that singers seem to be more intent on singing than on psychically 
knowing exactly were to look so that I can get the best photo.

 
 I'm thinking 75283 in particular. What a lovely woman.

She is indeed stunning.  It turns out that she's going to school in Denton, 
about 30 miles from where my sister lives.  Kind of makes me want to take a 
road trip to Texas.


 
 -- Walt
 
 On 9/18/2012 11:14 PM, Larry Colen wrote:
 This musician is a little prettier than the last from head:
 http://www.flickr.com/photos/ellarsee/8001992852/
 to toe:
 http://www.flickr.com/photos/ellarsee/8001990121/

Yes, I know the shoes are funky.  A few years ago I discovered that  lot of 
women really like photos of wild shoes. Ever since then, I've been taking a lot 
more pictures of shoes.

 

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Re: Peso: Downburst, Northern Buffalo County, Nebraska (7/28/2012)

2012-09-19 Thread Larry Colen

On Sep 18, 2012, at 9:05 PM, Walt wrote:

 On 9/18/2012 6:58 PM, Darren Addy wrote:
 Didn't spend a lot of time on this one, but hope you like it
 nonetheless. It was one of the rare brief storms of the summer and I
 had to rush about 20 miles to catch it as it died is big exhale of
 wind, hail, and brief hard rain.
 
 http://www.flickr.com/photos/pixelsmithy/8001420606/lightbox/
 
 Comments and evicerations welcome in equal measure.
 
 Sigma EX 10-20mm f4-5.6 on Pentax K-5
 
 I really like it a lot, but less for the weather element than the galvanized 
 tubs. For some reason, my eye was drawn to them more than the downpour.

The lighting on the tubs, and grass, is really wonderful

 
 I'd have never thought to frame the photo that way.
 
 -- Walt
 
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PESO: Sunset cycle

2012-09-19 Thread Tim Bray
Pic at http://www.tbray.org/ongoing/When/201x/2012/09/19/-big/RUNE6125.jpg.html

Bloggage at http://www.tbray.org/ongoing/When/201x/2012/09/19/Bicycle-shadow

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Re: Peso - from a window of the 103 bus

2012-09-19 Thread Larry Colen

On Sep 18, 2012, at 8:37 PM, knarftheria...@gmail.com wrote:

 Holy s%t that is such a great photo!
 
 Edvard Munsch meets Alfred Hitchcock meets Alice Kramden. 

There might be some David Lynch in there too.

 
 Brilliant!

I agree.  
I nearly missed it in the mass of email that was posted when I was off at SFLX.


 
 cheers,
 flank
 
 What can be asserted without proof can be dismissed without proof. -- 
 Christopher Hitchens
 
 --- Original Message ---
 
 From: Ann Sanfedele ann...@nyc.rr.com
 Sent: September 18, 2012 9/18/12
 To: Pentax-Discuss Mail List pdml@pdml.net
 Subject: Peso - from a window of the 103 bus
 
 waiting for the proof copy of my new calendar... this isn't in it :-)
 
 Took this a couple of months ago
 
 Ist-D with the kit DA18-55
 f/6.7 at 1/3000 ISO 400
 Focal Length  40mm (60mm in 35mm)
 
 
 http://annsan.smugmug.com/On-the-Road-or-On-Foot/2012-and-all-that/21847075_D88Ngw/1/2020867290_jd6NcCt/Medium
 
 ann
 
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Re: Peso - from a window of the 103 bus

2012-09-19 Thread Paul Stenquist
An interesting photo. A bit of the scream to the left, and a choice for 
apartment dwellers on the right: bars or a window air conditioner. Very New 
York and lots of fun.
Paul

On Sep 18, 2012, at 11:11 PM, Ann Sanfedele ann...@nyc.rr.com wrote:

 waiting for the proof copy of my new calendar... this isn't in it :-)
 
 Took this a couple of months ago
 
 Ist-D with the kit DA18-55
 f/6.7 at 1/3000 ISO 400
 Focal Length  40mm (60mm in 35mm)
 
 
 http://annsan.smugmug.com/On-the-Road-or-On-Foot/2012-and-all-that/21847075_D88Ngw/1/2020867290_jd6NcCt/Medium
 
 ann
 
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Re: Hey Cory! New Canon 6D has wi-fi!

2012-09-19 Thread Steve Cottrell
On 17/9/12, Mark Roberts, discombobulated, unleashed:

Some people are way beyond pixel-peeping, they've
started peeping at pixels that don't even exist yet.

Mark!

-- 


Cheers,
  Cotty


___/\__
||   (O)  | People, Places, Pastiche
--  http://www.cottysnaps.com
_



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Re: OT For those who wanted to pay for fewer features ...

2012-09-19 Thread Steve Cottrell
On 17/9/12, Godfrey DiGiorgi, discombobulated, unleashed:

I think we might all be chipping in to buy Cotty a new hat sometime soon. ;-)

Well I hate to say it, but even I might have to agree with you. BUT do
you think Photokina is where they will announce a FF? I somehow doubt
it. But I think it could only be a matter of months away to an announcement...

-- 


Cheers,
  Cotty


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Re: To Filter or not to Filter your Lens

2012-09-19 Thread Bob Sullivan
Christine,
Motorcycle helmuts - OK  necessary!
Filters - not so much.
Regards,  Bob S.

On Wed, Sep 19, 2012 at 12:02 AM, Christine Aguila
christ...@caguila.com wrote:
 I use filters!  When I did the construction shoot a while back, I was glad I 
 was a filter-girl.  One of those little trucks would come zooming by and soon 
 enough I and my cameras were covered head to toe in dirt-dust, and, of 
 course, tiny rock particles would fly about as well.  One dinged my B + W 
 polarizing filter real nice, but thankfully the pesky little rock particle 
 didn't get the front element.

 This thread reminds me of the time I was at Bob Sullivan's house years ago 
 after just joining the PDML. He began a long lecture on how PDMLers do not 
 use filters and that if I wanted to be a true PDMLer I should give up the 
 habit real fast.  I said I would, but I had my fingers croxxed, and have been 
 hiding my untruth all these good long years--until now, of course, but 
 despite being junior to most, I am senior to some, so I'm feeling cocky and 
 bold and devil may care and decided to come clean!

 I say use filters, but buy good ones.  That reminds me:  I need to replace my 
 semi-cheap UV filters. I think I'll head over to the B + W store.  To me, 
 shooting without a filter is like riding a motorcycle without a helmut.  You 
 won't find filter-girl--aka helmut-girl--without either.

 Cheers, Filter-girl from Chicago






 On Sep 17, 2012, at 11:45 PM, Bipin Gupta bip...@gmail.com wrote:

 Yes this is an oft repeated old stuff. But here is a version bottled
 anew. Since my retirement I have been travelling a lot. Last weekend
 we were in San Francisco. We love the wharf area and pier 39 plus the
 rides on the historic cable cars. A very windy and chilly day. Lots
 and lots of birds flying around for scraps of food. And eat means they
 have to drop too. So bits of bird droppings broken up and propelled by
 the wind do hit your camera and the lens. I was not spared.
 Back at the hotel, I tried cleaning the filter with a blower brush and
 the Japanese high fiber lens cloth (no China stuff). Faint spots still
 remained on the Hoya 77mm Pro 1 Filter. Back home I tried a lens
 cleaner. No luck. I could still see very faint spotting on the filter.
 My daughter was quick to point out that bird droppings have strong
 chemicals that can stain a lens coating, perhaps damage it.
 I would now love to hear from our photographer friends, a) for whom a
 filter is absolutely sacrilege, b) the Buddha's middle path takers who
 say they take the filter off for important events, and c) those who
 swear by the filter.
 Bipin.
 camp: San Mateo, CA and not from the far away enchanting land.

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Re: Peso - from a window of the 103 bus

2012-09-19 Thread Jack Davis
This moving image is one that I'll possibly not forget. Is it a yawn or a 
desperate cry for help?
Just great, Ann.

Jack Davis
http://www.pentaxphotogallery.com/artists/jackdavis
http://www.photolightimages.com/


- Original Message -
From: Ann Sanfedele ann...@nyc.rr.com
To: Pentax-Discuss Mail List pdml@pdml.net
Cc: 
Sent: Tuesday, September 18, 2012 8:11 PM
Subject: Peso - from a window of the 103 bus

waiting for the proof copy of my new calendar... this isn't in it :-)

Took this a couple of months ago

Ist-D with the kit DA18-55
f/6.7 at 1/3000 ISO 400
Focal Length    40mm (60mm in 35mm)


http://annsan.smugmug.com/On-the-Road-or-On-Foot/2012-and-all-that/21847075_D88Ngw/1/2020867290_jd6NcCt/Medium

ann

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RE: PESO - Lunch

2012-09-19 Thread knarftheria...@gmail.com
Thanks, Bob. I may have overdone it a bit with curves.

;-)

And as for the noise, I was shooting at high ISO. I don't know how to pull the 
exif data on my phone, but I do recall shooting as high as 1250 ISO that day. I 
wanted to try a really tiny aperture for a wide dof - I think that shot was f16.

Thank you for your comment. All your points well-taken.

Cheers,
frank

What can be asserted without proof can be dismissed without proof. -- 
Christopher Hitchens

--- Original Message ---

From: Bob W p...@web-options.com
Sent: September 18, 2012 9/18/12
To: 'Pentax-Discuss Mail List' pdml@pdml.net
Subject: RE: PESO - Lunch

 From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
 knarftheria...@gmail.com
 
 I was having second thoughts about the title for exactly that reason.
 Also, the photo was taken late afternoon so it wasn't even lunch time.
 
 I'm glad you commented because I was beginning to wonder if my post
 made the list. I was getting paranoid: Is it that bad a photo?
 
 So, if anyone's reading this, let me know what you think, even if you
 think it's bad. As Boris says, be brutal.
 
 I actually think it's a good photo but on my android the colour looks
 off. Also I am now wondering if it needs to be cropped a bit so we
 can't see the bottom edge of the wing. I think this is a very detailed,
 well-focused close up. Maybe my feelings have affected my ability to
 properly critique this photo.
 
 So, have at it! Yay or nay (to quote another list member). If it can
 be improved let me know that, too. As I said I think I have at least
 the seed of a very good photo, so if you think it can be saved I'd like
 to know how.
 

It's a nice subject and nicely composed - difficult to get anything new or
astounding with such subject matter though unless you're a lepidopterist, or
whatever manner of person it is that knows about these things. The light is
just right for it, but it does seem over-saturated to me, and there seems to
be a lot of noise in there among the greenery. I like being able to see the
pollen standing out on the butterly's wings.

B

 Thanks everyone!
 
 ;-)
 
 cheers,
 frank
 
 What can be asserted without proof can be dismissed without proof. --
 Christopher Hitchens
 
 --- Original Message ---
 
 From: Bob W p...@web-options.com
 Sent: September 18, 2012 9/18/12
 To: 'Pentax-Discuss Mail List' pdml@pdml.net
 Subject: RE: PESO - Lunch
 
  From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf
  Of frank theriault
 
  http://knarfdummyblog.blogspot.ca/2012/09/lunch.html
 
 
 you ate a butterfly? I thought you were Vegan!
 



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Fixed lens digital cameras : Why not go larger than 24x36?

2012-09-19 Thread J.C. O'Connell


-
J.C.O'Connell
hifis...@gate.net
-

If your gonna put a fixed lens on a camera, why not have the 
sensor even bigger than 24x36?  Quality could increase substantially


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RE: PESO - Lunch

2012-09-19 Thread knarftheria...@gmail.com
Thanks, Ken. Appreciate it. Again, point well-taken.

Cheers,
frank

What can be asserted without proof can be dismissed without proof. -- 
Christopher Hitchens

--- Original Message ---

From: Kenneth Waller kwal...@peoplepc.com
Sent: September 18, 2012 9/18/12
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: RE: PESO - Lunch

I like it but the biggest issue for me is the cutoff of both wings.

-Original Message-
From: Bob W p...@web-options.com
Subject: RE: PESO - Lunch

 From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
 knarftheria...@gmail.com
 
 I was having second thoughts about the title for exactly that reason.
 Also, the photo was taken late afternoon so it wasn't even lunch time.
 
 I'm glad you commented because I was beginning to wonder if my post
 made the list. I was getting paranoid: Is it that bad a photo?
 
 So, if anyone's reading this, let me know what you think, even if you
 think it's bad. As Boris says, be brutal.
 
 I actually think it's a good photo but on my android the colour looks
 off. Also I am now wondering if it needs to be cropped a bit so we
 can't see the bottom edge of the wing. I think this is a very detailed,
 well-focused close up. Maybe my feelings have affected my ability to
 properly critique this photo.
 
 So, have at it! Yay or nay (to quote another list member). If it can
 be improved let me know that, too. As I said I think I have at least
 the seed of a very good photo, so if you think it can be saved I'd like
 to know how.
 

It's a nice subject and nicely composed - difficult to get anything new or
astounding with such subject matter though unless you're a lepidopterist, or
whatever manner of person it is that knows about these things. The light is
just right for it, but it does seem over-saturated to me, and there seems to
be a lot of noise in there among the greenery. I like being able to see the
pollen standing out on the butterly's wings.

B

 Thanks everyone!
 
 ;-)
 
 cheers,
 frank
 
 What can be asserted without proof can be dismissed without proof. --
 Christopher Hitchens
 
 --- Original Message ---
 
 From: Bob W p...@web-options.com
 Sent: September 18, 2012 9/18/12
 To: 'Pentax-Discuss Mail List' pdml@pdml.net
 Subject: RE: PESO - Lunch
 
  From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf
  Of frank theriault
 
  http://knarfdummyblog.blogspot.ca/2012/09/lunch.html
 
 
 you ate a butterfly? I thought you were Vegan!


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RE: PESO: Sunset cycle

2012-09-19 Thread knarftheria...@gmail.com
Love it! Great light, those long, long shadows and a bike.

Wonderful composition.

Cheers,
frank 

What can be asserted without proof can be dismissed without proof. -- 
Christopher Hitchens

--- Original Message ---

From: Tim Bray tb...@textuality.com
Sent: September 19, 2012 9/19/12
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: PESO: Sunset cycle

Pic at http://www.tbray.org/ongoing/When/201x/2012/09/19/-big/RUNE6125.jpg.html

Bloggage at http://www.tbray.org/ongoing/When/201x/2012/09/19/Bicycle-shadow

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RE: PESOs Hale at SFLX

2012-09-19 Thread knarftheria...@gmail.com
Those are quite the shoes!

And a beautiful portrait of the other end. She's got a real 40s look going with 
the hair and makeup, helped by that older-looking mic.

Great stuff!

cheers,
frank

What can be asserted without proof can be dismissed without proof. -- 
Christopher Hitchens

--- Original Message ---

From: Larry Colen l...@red4est.com
Sent: September 19, 2012 9/19/12
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: PESOs  Hale at SFLX

This musician is a little prettier than the last from head:
http://www.flickr.com/photos/ellarsee/8001992852/
to toe:
http://www.flickr.com/photos/ellarsee/8001990121/

--
Larry Colen l...@red4est.com sent from i4est





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RE: PESO: Sax Solo

2012-09-19 Thread knarftheria...@gmail.com
I must be brutally honest here: that is a rather static and undynamic (if 
that's a word) photo.

And to me that's always a difficulty shooting jazz. The guy can be blowing the 
most amazing Coltranesque solo and be standing stock-still staring into space 
(as this guy seems to be doing). Sometimes they will get into it physically but 
that can be hard to capture as well as that can be sporadic and unpredictable. 
Some are physically gesturing all the time, but my guess is that this player 
isn't one of them.

;-)

So, whatever the reason, I have to say that this is unfortunately a fairly 
uninspiring photo of a musician who was likely playing amazing music - but not 
showing the outward indicators of it.

Cheers,
frank

What can be asserted without proof can be dismissed without proof. -- 
Christopher Hitchens

--- Original Message ---

From: Daniel J. Matyola danmaty...@gmail.com
Sent: September 18, 2012 9/18/12
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: PESO: Sax Solo

http://photo.net/photodb/photo?photo_id=16469093

Comments are always welcome.

Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola

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Re: OT For those who wanted to pay for fewer features ...

2012-09-19 Thread P. J. Alling

On 9/19/2012 7:30 AM, Steve Cottrell wrote:

On 17/9/12, Godfrey DiGiorgi, discombobulated, unleashed:


I think we might all be chipping in to buy Cotty a new hat sometime soon. ;-)

Well I hate to say it, but even I might have to agree with you. BUT do
you think Photokina is where they will announce a FF? I somehow doubt
it. But I think it could only be a matter of months away to an announcement...

I've already predicted, just a bit too late for the Christmas buying 
season.


--
Don't lose heart, they might want to cut it out, and they'll want to avoid a 
lengthly search.


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RE: GESO The '57 Ford Fairlane

2012-09-19 Thread Don Guthrie
Thanks to everyone who viewed  commented on these photos. I am glad 
there were different favorites among the group.


I was fortunate in my location which was a small river town pretty much 
unchanged for the last 100 yrs. I also took a photo of the car's owners 
which I will post at some point. They look not so much proud as satisfied.


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Re: To Filter or not to Filter your Lens

2012-09-19 Thread Charles Robinson
On Sep 19, 2012, at 24:02 , Christine Aguila christ...@caguila.com wrote:

 I use filters!  When I did the construction shoot a while back, I was glad I 
 was a filter-girl.  One of those little trucks would come zooming by and soon 
 enough I and my cameras were covered head to toe in dirt-dust, and, of 
 course, tiny rock particles would fly about as well.  One dinged my B + W 
 polarizing filter real nice, but thankfully the pesky little rock particle 
 didn't get the front element.
 

I can understand 'em for sand/rocks and crap flying at the lens.

I stopped using them years ago when I was shooting the inside of a dark 
abandoned cathedral in Ireland.  I pointed up to the dark arches above me and 
everything in my viewfinder looked grey.  Hmm.

Looked up with my eyeballs and it was dark.

Back to the viewfinder: grey.

Took filter off, looked through - dark.

The lighting coming in from the (empty/open) windows on each side was hazing 
out the filter and SERIOUSLY reducing contrast.

Maybe a super-high-buck expensive filter wouldn't have done that, but… hard 
hoods, keeping the camera in the bag, and capping the lenses when they're not 
actually mounted to the camera seems to have been doing the trick for the past 
10 years for me.

 -Charles

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Re: PAW141 - Buried

2012-09-19 Thread DagT
Thanks, Rick and frank :-)

DagT

Den 17. sep. 2012 kl. 01:18 skrev knarftheria...@gmail.com:

 Love it!
 
 cheers,
 frank
 
 What can be asserted without proof can be dismissed without proof. -- 
 Christopher Hitchens
 
 --- Original Message ---
 
 From: DagT li...@thrane.name
 Sent: September 16, 2012 9/16/12
 To: Pentax-Discuss Mail List pdml@pdml.net
 Subject: PAW141 - Buried
 
 http://www.thrane.name/Pictures/PAW/files/page7-1000-full.html
 
 Kind of OT, as the K-5 is in for focus adjustment. The camera here is the 4x5 
 large format camera shown here:
 http://www.thrane.name/Pictures/Razzle/Razzle.html
 
 I even updated the Razzle gallery with a couple of snapshots.
 
 DagT
 http://www.thrane.name/


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Re: PESO- I believe I can fly

2012-09-19 Thread Tim Bray
Aww, that’s so sweet. Lovely. -T

On Mon, Sep 17, 2012 at 10:59 AM, Doug Brewer d...@alphoto.com wrote:
 Been a while since I posted a PESO, and some of you have seen this if you're
 following me elsewhere, but still, I think it's a pretty decent shot.

 http://dougbrewer.wordpress.com/2012/09/13/i-believe-i-can-fly/

 laters

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Re: On wi-fi, flashes, batteries etc.

2012-09-19 Thread Igor Roshchin

John,

Let me comment on a few points that you made:
1. focus adjustment,
2. battery difference, and
3. SDM.


1. Sorry, but you apply the logic about the focus-adjustment functionality 
backwards.

It is not the need to adjust the focus on the newer cameras, but rather
a possibility. 
I don't think that K5/K7/.. are produced with more louse clearances than 
*ist D(S) cameras. Deviations from the perfect sizes exist
in any [mass-]manufactured cameras and lenses. When those add up in
a negative way, you have less than perfect focus.

I haven't done any focus adjustment with any of my lenses as I moved
from *ist DS to K-7. I don't see any difference between the two.
It doesn't mean that they all focus perfectly. It's just that I am too
lazy (or as I think, - busy) to play with that. I actually suspect that
one of the lenses can benefit from the fine adjustment.

2. As for the batteries, - when I was switching from *istDS to K7, I also
was not very happy at first that I had to use a proprietary battery.
I was considering getting a grip just to be able to use AAs.
However, having used it K7 with D-Li70, I see several big advantages 
beyond those experienced by the designers (Li-ion batteries provide 
more stable voltage/current values).
First, Li-ion batteries tend to hold the charge better when they are not
being used. Second, (while this is not a direct comparison), in
my experience one charge of the D-Li90 lasts a bit longer in K-7, then
fully charged set of 2000 mAh-2300 mAh rechargeable batteries in DS.
That's despite the fact that the original Pentax D-Li90 is rated at
1860 mAh. The difference might be due to the higher efficiency of K-7, or
due to the fact that AA's voltage falls off at an earlier point
(i.e. the camera is not able to use the entire capacity of the
batteries).

Second, from the practical point of view of travel load.
With K7, when I am flying, I also take 2 sets of spares:
one D-Li90 spare and one set of freshly charged AAs.

A spare D-Li90 is smaller in size, and probably slightly lighter than 4 AAs.
The charger for D-Li90 is smaller and lighter than that for 4 AAs 
(I am using LaCrosse one for AAs).
But, obviously, you'd carry two chargers instead of one. Let's see
how this works for me in different scenarios. I assume the trips
when I am flying, and hence the volume and weight is important.

a) A trip where I don't need/take the flash. Those are rear, but when
they happen, the advantage of D-Li90 is clear.

b) A trip where I take both, and shoot a lot with both (such as a 
dance festival). On such trips, I sometimes take 500-1000 shots within one
evening, and need to recharge both, camera and flash batteries
overnight, to have them ready by the morning. 
With D-Li90 (K-5), I have no choice but taking two chargers. But 
that allows me to charge the batteries in parallel.
With all AAs (DS), I had to either swap the batteries in the middle 
of the night, or take extra battery sets that I can be using next
morning, while the last night batteries are still charging.
In this case, D-Li90 (K-5) also has obvious advantage.

c) A trip where I take both, and shoot moderate number of photographs
at a relatively slow pace. Here is where one charger for all batteries
has an advantage. However, if such a trip is short, I don't take
the full set (spares and chargers), but only a part that I might need.


As for the higher cost of spare batteries. I actually didn't by a spare
for D-Li90 until almost two years later. As described above, I never
had a shoot where I fully exhausted it.
When I bought it, - it was $14.50 from a 3rd party, - you can read
about that here:
http://www.mail-archive.com/pdml@pdml.net/msg635940.html
That battery is fine, except that a small piece of plastic 
(one that looks like a small strip) broke off at the end, - so,
now I need to be a bit more careful when inserting that battery.

The bottom line is that in my typical usage scenarios, D-Li90 has 
considerable advantage for most scenarios (despite my original
reservations that are similar to yours). YMMV.


3. If it is of interest to you:
SDM focusing provides speed advantage. And, except for a failing chip
in my 17-70 that was replaced under warranty, I did not have
problems with SDM (I have 50-135 and 17-70 on my K-7),
knock-on-the-wood.


Having said all of that, - I agree with the main point of yours, - if
your camera does all you need/want, there is no reason to upgrade it.


Igor


Wed Sep 19 01:13:14 EDT 2012
John Coyle wrote:

 One advantage of not having moved on from the *ist-D is that I can use simple 
 old widely
 available AA batteries in both camera and flash (AF330FTZ)!  
 Normally carrying two sets of spare recently-recharged batteries means I have 
 seldom run
 out of juice.
 There seem to be other advantages too, from what I read here: 
 no problems with fancy-shmancy SDM focussing. 
 no need to calibrate my lenses - they all seem to focus pretty well.
 I don't attempt to shoot in available light where I 

Re: PESO Up

2012-09-19 Thread P. J. Alling

There's an awful lot of visible noise in that sky...

Actually that's very good for the small sensor camera.  It really does 
appear to have better low light response than the K20d/K7 sensors.  Nice 
composition too.


On 9/19/2012 12:48 PM, Toine wrote:

http://www.repiuk.nl/index.php/blog-mainmenu-97/234-up

Q, 01 lens, 30s, f2.8

Toine




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Photokina opens nothing beyond the already announced items on display.

2012-09-19 Thread P. J. Alling
So far my snark at Ricewhine stands.  I wish I could say it makes me 
feel good but I had really hoped for a 24mp APS-C DSLR, a FF was just to 
much to hope for.


--
Don't lose heart, they might want to cut it out, and they'll want to avoid a 
lengthly search.


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About newest models (K5 II, iphone 5, etc.) (Was: DA 17-70mm AS IS (without correction))

2012-09-19 Thread Igor Roshchin

Tue Sep 18 08:17:12 EDT 2012
Roman Melihhov wrote:

 ^^^ thanks to pentax with its just another K-5 mockup. Who'd need just
 another similar camera with very few modifications. 

Maybe those who did not buy K-5 in the first place?


Why people assume that they have to buy every new model of their
favorite gadget line?! It's a stupid frenzy of people trying to get
the newest and the bestest [sic] model, which is catered to and kept 
heated up by the manufacturers. These people feel entitled to receive the
great innovated model every year.  It is the same frenzy that fires 
back at the manufacturers as a f.. flatus from the same fans who are 
unhappy that the new model is only incrementally better than the previous one.


[Resume your regular activities. :-) ]

Igor


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Re: PESO Up

2012-09-19 Thread Toine
Yes and it doesn't have the ugly banding effect of the K20 sensor.

Toine

On 19 September 2012 19:04, P. J. Alling webstertwenty...@gmail.com wrote:
 There's an awful lot of visible noise in that sky...

 Actually that's very good for the small sensor camera.  It really does
 appear to have better low light response than the K20d/K7 sensors.  Nice
 composition too.


 On 9/19/2012 12:48 PM, Toine wrote:

 http://www.repiuk.nl/index.php/blog-mainmenu-97/234-up

 Q, 01 lens, 30s, f2.8

 Toine



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 Don't lose heart, they might want to cut it out, and they'll want to avoid a
 lengthly search.


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Re: PESO - Nocturnal Hyatt

2012-09-19 Thread Igor Roshchin

Rick,

You seem to be _captivated_ by that Hyatt. :-)

IMHO, the first two shots are much more interesting, especially
the first one, with the fish-eye. That one was a great shot.
(The last one, nocturnal, didn't touch me.)

Igor

PS. I stayed in that Hyatt for a 4-day conference in November of 2010.
The conference was in those subterranean conference rooms as well.
It was just two days ago that I erased the wi-fi networks from
that hotel from my laptop as I was cleaning the list of the networks 
it was allowed to connect to.


Tue Sep 18 21:43:16 EDT 2012
Rick Womer wrote:

One at right angles to the one I was photographing; the International Tower.  
I was paroled after 2 nights and 2 12-hour days in subterranean conference 
rooms.

 
http://photo.net/photos/RickW


- Original Message -
From: Ann Sanfedele annsan at nyc.rr.com
To: Pentax-Discuss Mail List pdml at pdml.net
Cc: 
Sent: Tuesday, September 18, 2012 9:21 PM
Subject: Re: PESO - Nocturnal Hyatt



On 9/18/2012 21:01, Rick Womer wrote:
 A bit more conventional than the last two:
I would'd say that...
which cell block were you in?

ann

 http://photo.net/photodb/photo?photo_id=16464256size=lg

 Comments always appreciated!

 Rick


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Re: Peso - from a window of the 103 bus

2012-09-19 Thread steve harley

on 2012-09-18 21:11 Ann Sanfedele wrote


http://annsan.smugmug.com/On-the-Road-or-On-Foot/2012-and-all-that/21847075_D88Ngw/1/2020867290_jd6NcCt/Medium


this one's a real keeper; attention-getting, but it's the geometry and tones 
that give it depth



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Re: Photokina opens nothing beyond the already announced items on display.

2012-09-19 Thread Bruce Walker
I'm with you there. A jump in rez of that amount would be welcome, and
would continue to justify my investment in only DA and DA* lenses.

Anyways, so far my K20D isn't stopping me from just shutting up and
shooting. :-)


On Wed, Sep 19, 2012 at 1:08 PM, P. J. Alling
webstertwenty...@gmail.com wrote:

 So far my snark at Ricewhine stands.  I wish I could say it makes me feel
 good but I had really hoped for a 24mp APS-C DSLR, a FF was just to much to
 hope for.

 --
 Don't lose heart, they might want to cut it out, and they'll want to avoid
 a lengthly search.


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--
-bmw

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Re: Photokina opens nothing beyond the already announced items on display.

2012-09-19 Thread DagT
A 24MP APS-C without AA-filter would have been nice.

DagT

Den 19. sep. 2012 kl. 20:03 skrev Bruce Walker:

 I'm with you there. A jump in rez of that amount would be welcome, and
 would continue to justify my investment in only DA and DA* lenses.
 
 Anyways, so far my K20D isn't stopping me from just shutting up and
 shooting. :-)
 
 
 On Wed, Sep 19, 2012 at 1:08 PM, P. J. Alling
 webstertwenty...@gmail.com wrote:
 
 So far my snark at Ricewhine stands.  I wish I could say it makes me feel
 good but I had really hoped for a 24mp APS-C DSLR, a FF was just to much to
 hope for.
 
 --
 Don't lose heart, they might want to cut it out, and they'll want to avoid
 a lengthly search.

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Re: Photokina opens nothing beyond the already announced items on display.

2012-09-19 Thread Paul Stenquist
But improved autofocus will be even nicer. If it's truly a step up, the K5 IIs 
will take the lead spot ahead of my K5, and the current backup, a K7, will go 
on ebay.

Paul

On Sep 19, 2012, at 2:11 PM, DagT li...@thrane.name wrote:

 A 24MP APS-C without AA-filter would have been nice.
 
 DagT
 
 Den 19. sep. 2012 kl. 20:03 skrev Bruce Walker:
 
 I'm with you there. A jump in rez of that amount would be welcome, and
 would continue to justify my investment in only DA and DA* lenses.
 
 Anyways, so far my K20D isn't stopping me from just shutting up and
 shooting. :-)
 
 
 On Wed, Sep 19, 2012 at 1:08 PM, P. J. Alling
 webstertwenty...@gmail.com wrote:
 
 So far my snark at Ricewhine stands.  I wish I could say it makes me feel
 good but I had really hoped for a 24mp APS-C DSLR, a FF was just to much to
 hope for.
 
 --
 Don't lose heart, they might want to cut it out, and they'll want to avoid
 a lengthly search.
 
 -- 
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 PDML@pdml.net
 http://pdml.net/mailman/listinfo/pdml_pdml.net
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Re: PESO - Nocturnal Hyatt

2012-09-19 Thread P. J. Alling

Maybe he's just a captive of the Hyatt.

On 9/19/2012 1:24 PM, Igor Roshchin wrote:

Rick,

You seem to be _captivated_ by that Hyatt. :-)

IMHO, the first two shots are much more interesting, especially
the first one, with the fish-eye. That one was a great shot.
(The last one, nocturnal, didn't touch me.)

Igor

PS. I stayed in that Hyatt for a 4-day conference in November of 2010.
The conference was in those subterranean conference rooms as well.
It was just two days ago that I erased the wi-fi networks from
that hotel from my laptop as I was cleaning the list of the networks
it was allowed to connect to.


Tue Sep 18 21:43:16 EDT 2012
Rick Womer wrote:

One at right angles to the one I was photographing; the International Tower.  
I was paroled after 2 nights and 2 12-hour days in subterranean conference rooms.

  
http://photo.net/photos/RickW



- Original Message -
From: Ann Sanfedele annsan at nyc.rr.com
To: Pentax-Discuss Mail List pdml at pdml.net
Cc:
Sent: Tuesday, September 18, 2012 9:21 PM
Subject: Re: PESO - Nocturnal Hyatt



On 9/18/2012 21:01, Rick Womer wrote:

A bit more conventional than the last two:

I would'd say that...
which cell block were you in?

ann

http://photo.net/photodb/photo?photo_id=16464256size=lg

Comments always appreciated!

Rick




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lengthly search.


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OT: Fire Evacuation

2012-09-19 Thread Tom C
Evacuated self, people, pets, pictures, computers, cameras, other important 
items of sentimental value yesterday @ 7:30 AM.

I'm currently here in case I need to fell a couple of trees near the house.

No flames in sight. Fire's on other side of ridge about a mile away.

Everyone is safe.

As Karney Fire grows, more homes evacuated

Tom C.

http://www.ktvb.com/home/As-Karney-Fire-grows-more-people-evacuated-170286736.html
-- 
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Re: Photokina opens nothing beyond the already announced items on display.

2012-09-19 Thread Larry Colen

On Sep 19, 2012, at 11:17 AM, Paul Stenquist wrote:

 But improved autofocus will be even nicer. If it's truly a step up, the K5 
 IIs will take the lead spot ahead of my K5, and the current backup, a K7, 
 will go on ebay.


I recognize that I tend to take photos in conditions that are a bit more 
challenging than most people face.  I've spent the past couple of days going 
through my photos from last weekend.  I'd say that I lost the most shots 
through mis-focus.  Unfortunately I can't easily tell in lightroom which were 
manual and which were auto focus.  The biggest camera change to improve my 
keeper ratio would probably be more focus points, each one restricted to a 
narrower range.  I lost several photos because the camera focused on someone 
closer to the camera that was just barely in the frame.  Then, of course, there 
is the ongoing problem with focusing on the microphone.

Beyond that, faster accurate focus in stupid low light would really help.  
Dancers just are not considerate enough to only move perpendicular to the line 
of focus.

One feature that would really help me would be different exposure metering 
modes, one where I could say to not meter on the bright back lighting, another, 
where it would ignore dark backgrounds (though that is more a lightroom issue). 
 I mostly just shoot manual exposure anyways, but sometimes when people are 
moving around from light to dark areas, I don't have that luxury and have to go 
to TAv.

There were also a bunch of pictures that weren't lost per se, but were 
rougher than I'd like because in order to have a fast enough shutter speed for 
lindy hop, I was shooting in the ISO 12,800-25,600 range.  An 8MP sensor with 
the latest technology would do me more good than a 24MP sensor. 

Well done mirrorless technology could alleviate a lot of my problems.  Without 
the mirrorbox and needing retrofocus lenses, I could get faster wide lenses.  
When focus is an issue, a sharp 30/1.4 on APS would do me more good than a FF 
50/1.4.  Likewise, for manually focusing in the dark, liveview, and I imagine 
focus peaking , would be an immense aid.

However, most of these things would make no difference to a landscape 
photographer.  Sure, fast wide glass would be nice, but it's not as big of an 
issue if you have a tripod.  Ralf's probably the only one crazy enough to shoot 
landscapes at night.  


--
Larry Colen l...@red4est.com sent from i4est





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RE: Peso: Downburst, Northern Buffalo County, Nebraska (7/28/2012)

2012-09-19 Thread Don Guthrie
Looks a lot like Iowa all summer. Have you guys been keeping all the 
rain for yourselves?



pdml-requ...@pdml.net wrote:

- Original Message -
From: Darren Addypixelsmi...@gmail.com
To: Pentax-Discuss Mail Listpdml@pdml.net
Cc:
Sent: Tuesday, September 18, 2012 7:58 PM
Subject: Peso: Downburst, Northern Buffalo County, Nebraska (7/28/2012)

Didn't spend a lot of time on this one, but hope you like it
nonetheless. It was one of the rare brief storms of the summer and I
had to rush about 20 miles to catch it as it died is big exhale of
wind, hail, and brief hard rain.

http://www.flickr.com/photos/pixelsmithy/8001420606/lightbox/

Comments and evicerations welcome in equal measure.

Sigma EX 10-20mm f4-5.6 on Pentax K-5



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Re: OT: Fire Evacuation

2012-09-19 Thread Paul Stenquist
Sorry to hear. Be safe. And good luck.

Paul
On Sep 19, 2012, at 3:24 PM, Tom C caka...@gmail.com wrote:

 Evacuated self, people, pets, pictures, computers, cameras, other important 
 items of sentimental value yesterday @ 7:30 AM.
 
 I'm currently here in case I need to fell a couple of trees near the house.
 
 No flames in sight. Fire's on other side of ridge about a mile away.
 
 Everyone is safe.
 
 As Karney Fire grows, more homes evacuated
 
 Tom C.
 
 http://www.ktvb.com/home/As-Karney-Fire-grows-more-people-evacuated-170286736.html
 -- 
 Sent from my Android phone with K-9 Mail. Please excuse my brevity.
 
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Re: OT: Fire Evacuation

2012-09-19 Thread Darren Addy
Stressful times. Thoughts and prayers are with you and yours, Tom.
20% chance of rain Wed. night and Thurs. and then again Friday through
Saturday, but a mile is far too close. Looks like you have next to no
wind right now, which is good.
The fires we had down here in NW Nebraska got into pine forest and
those trees can go up instantly. Hope they can contain it while it is
still relatively small.

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Re: PESO - Nocturnal Hyatt

2012-09-19 Thread Don Guthrie
Nocturnal Hyatt sounds like some sort of marsupial. I think the one 
light upper right makes it of interest. I did poke around a little there 
and I did like cleaning windows also.




pdml-requ...@pdml.net wrote:

Message: 2
Date: Tue, 18 Sep 2012 18:01:01 -0700 (PDT)
From: Rick Womerrwomer1...@yahoo.com
To: Pentax Listpdml@pdml.net
Subject: PESO - Nocturnal Hyatt
Message-ID:
1348016461.74157.yahoomail...@web121801.mail.ne1.yahoo.com
Content-Type: text/plain; charset=us-ascii

A bit more conventional than the last two:

http://photo.net/photodb/photo?photo_id=16464256size=lg

Comments always appreciated!

Rick



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Re: OT: Fire Evacuation

2012-09-19 Thread Paul Sorenson
Keep safe, Tom.  If you have to get out, git while the gitten's good. 
 That 18 year old ought to be strung up by his thumbs.


-p

On 9/19/2012 2:24 PM, Tom C wrote:

Evacuated self, people, pets, pictures, computers, cameras, other important 
items of sentimental value yesterday @ 7:30 AM.

I'm currently here in case I need to fell a couple of trees near the house.

No flames in sight. Fire's on other side of ridge about a mile away.

Everyone is safe.

As Karney Fire grows, more homes evacuated

Tom C.

http://www.ktvb.com/home/As-Karney-Fire-grows-more-people-evacuated-170286736.html



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Re: Photokina opens nothing beyond the already announced items on display.

2012-09-19 Thread John Francis
On Wed, Sep 19, 2012 at 12:31:43PM -0700, Larry Colen wrote:
 
 Beyond that, faster accurate focus in stupid low light would really help.

From some of the reports I've seen, this is one area where the K-5 II has 
significant improvements.

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Re:Subject: Peso - from a window of the 103 bus

2012-09-19 Thread Don Guthrie
Calls to mind the painting The Scream which just went on exhibit again 
this week. Like the painting this photo begs more questions than it 
answers. Intriguing.





pdml-requ...@pdml.net wrote:

Message: 9
Date: Tue, 18 Sep 2012 23:11:49 -0400
From: Ann Sanfedeleann...@nyc.rr.com
To: Pentax-Discuss Mail Listpdml@pdml.net
Subject: Peso - from a window of the 103 bus
Message-ID:505937f5.7040...@nyc.rr.com
Content-Type: text/plain; charset=ISO-8859-1; format=flowed

waiting for the proof copy of my new calendar... this isn't in it:-)

Took this a couple of months ago

Ist-D with the kit DA18-55
f/6.7 at 1/3000 ISO 400
Focal Length40mm (60mm in 35mm)


http://annsan.smugmug.com/On-the-Road-or-On-Foot/2012-and-all-that/21847075_D88Ngw/1/2020867290_jd6NcCt/Medium

ann



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Re: Photokina opens nothing beyond the already announced items on display.

2012-09-19 Thread Paul Stenquist

On Sep 19, 2012, at 3:31 PM, Larry Colen l...@red4est.com wrote:

 
 On Sep 19, 2012, at 11:17 AM, Paul Stenquist wrote:
 
 But improved autofocus will be even nicer. If it's truly a step up, the K5 
 IIs will take the lead spot ahead of my K5, and the current backup, a K7, 
 will go on ebay.
 
 
 I recognize that I tend to take photos in conditions that are a bit more 
 challenging than most people face.  I've spent the past couple of days going 
 through my photos from last weekend.  I'd say that I lost the most shots 
 through mis-focus.  Unfortunately I can't easily tell in lightroom which were 
 manual and which were auto focus.  The biggest camera change to improve my 
 keeper ratio would probably be more focus points, each one restricted to a 
 narrower range.  I lost several photos because the camera focused on someone 
 closer to the camera that was just barely in the frame.  Then, of course, 
 there is the ongoing problem with focusing on the microphone.

Use single point autofocus.  For singers with microphones use the top spot and 
place it right on the eyeball when you squeeze the trigger halfway down. For 
dancers, you probably want to use the second one down on verticals and put it 
on the head. When shooting horizontals, you can use the upper left of upper 
right and put it on the head of one of the two dancers. Once you get used to 
using single spots, you can switch back and forth rapidly with your thumb.

That being said, a narrower range and more points would be nice, even when 
using single point.

 
 Beyond that, faster accurate focus in stupid low light would really help.  
 Dancers just are not considerate enough to only move perpendicular to the 
 line of focus.
 
 One feature that would really help me would be different exposure metering 
 modes, one where I could say to not meter on the bright back lighting, 
 another, where it would ignore dark backgrounds (though that is more a 
 lightroom issue).  

You already have that. It's called exposure com. If you don't want it to meter 
on the bright background, give it a plus one stop or more. If you don't want it 
to meter on the dark background, minus the exposure.


 I mostly just shoot manual exposure anyways, but sometimes when people are 
 moving around from light to dark areas, I don't have that luxury and have to 
 go to TAv.
 
 There were also a bunch of pictures that weren't lost per se, but were 
 rougher than I'd like because in order to have a fast enough shutter speed 
 for lindy hop, I was shooting in the ISO 12,800-25,600 range.  An 8MP sensor 
 with the latest technology would do me more good than a 24MP sensor. 
 
 Well done mirrorless technology could alleviate a lot of my problems.  
 Without the mirrorbox and needing retrofocus lenses, I could get faster wide 
 lenses.  When focus is an issue, a sharp 30/1.4 on APS would do me more good 
 than a FF 50/1.4.  Likewise, for manually focusing in the dark, liveview, and 
 I imagine focus peaking , would be an immense aid.
 
 However, most of these things would make no difference to a landscape 
 photographer.  Sure, fast wide glass would be nice, but it's not as big of an 
 issue if you have a tripod.  Ralf's probably the only one crazy enough to 
 shoot landscapes at night.  
 
 
 --
 Larry Colen l...@red4est.com sent from i4est
 
 
 
 
 
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OT interesting development in the patent wars

2012-09-19 Thread Larry Colen
Motorola asks the ITC to ban almost every Apple device:
http://arstechnica.com/apple/2012/09/motorola-asks-itc-to-ban-every-mac-ipad-and-most-iphones/

--
Larry Colen l...@red4est.com sent from i4est





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Re: Photokina opens nothing beyond the already announced items on display.

2012-09-19 Thread Bruce Walker
On Wed, Sep 19, 2012 at 3:52 PM, Paul Stenquist pnstenqu...@comcast.net wrote:

 On Sep 19, 2012, at 3:31 PM, Larry Colen l...@red4est.com wrote:

 One feature that would really help me would be different exposure metering
 modes, one where I could say to not meter on the bright back lighting,
 another, where it would ignore dark backgrounds (though that is more a
 lightroom issue).

 You already have that. It's called exposure com. If you don't want it to meter
 on the bright background, give it a plus one stop or more. If you don't want
 it to meter on the dark background, minus the exposure.

Then there's the spot-metering exposure mode. That's been available
for a while too. :-)

-- 
-bmw

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Re:PESO - Not Aung San Suu Kyi

2012-09-19 Thread Don Guthrie
I like the photo but I wonder if my reaction or critical senses would be 
different if I did not know that it was a phone pic. I also wonder if it 
would differ somehow if it was taken with Q or 4/3 camera. Not why you 
posted I know. So nice portrait of concentration.





pdml-requ...@pdml.net wrote:

Message: 13
Date: Wed, 19 Sep 2012 15:54:56 +1000
From: John Coylejco...@iinet.net.au
To: 'Pentax-Discuss Mail List'pdml@pdml.net
Subject: PESO - Not Aung San Suu Kyi
Message-ID:002901cd962b$4bf21990$e3d64cb0$@iinet.net.au
Content-Type: text/plain;   charset=us-ascii

Taken while having a coffee and waiting for my granddaughter to finish work.
http://www.members.iinet.net.au/~jco...@iinet.net.au/PESO_011.html

One of the few I've taken on my smartphone, having no other camera with me.


John Coyle
Brisbane, Australia




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Re: PESO: Sunset cycle

2012-09-19 Thread Don Guthrie

The long shadow of Dad conjures up a series of metaphors. Nice work.



pdml-requ...@pdml.net wrote:

Message: 4
Date: Wed, 19 Sep 2012 00:17:46 -0700
From: Tim Braytb...@textuality.com
To: Pentax-Discuss Mail Listpdml@pdml.net
Subject: PESO: Sunset cycle
Message-ID:
cahbu6isrmt-6cnugjqrj2bnwrghp8pzv4avautevmmydos2...@mail.gmail.com
Content-Type: text/plain; charset=ISO-8859-1

Pic athttp://www.tbray.org/ongoing/When/201x/2012/09/19/-big/RUNE6125.jpg.html

Bloggage athttp://www.tbray.org/ongoing/When/201x/2012/09/19/Bicycle-shadow



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Re: Photokina opens nothing beyond the already announced items on display.

2012-09-19 Thread George Sinos
Paul and Bruce have given great advice.  You also might find it
helpful to de-couple focus from the shutter button and use the back
focus button.  Once you focus on something, the camera will stay
focused at that distance, eliminating the camera's need to re-focus
every time you touch the shutter button.

gs

George Sinos

gsi...@gmail.com
www.georgesphotos.net
plus.georgesinos.com


On Wed, Sep 19, 2012 at 3:04 PM, Bruce Walker bruce.wal...@gmail.com wrote:
 On Wed, Sep 19, 2012 at 3:52 PM, Paul Stenquist pnstenqu...@comcast.net 
 wrote:

 On Sep 19, 2012, at 3:31 PM, Larry Colen l...@red4est.com wrote:

 One feature that would really help me would be different exposure metering
 modes, one where I could say to not meter on the bright back lighting,
 another, where it would ignore dark backgrounds (though that is more a
 lightroom issue).

 You already have that. It's called exposure com. If you don't want it to 
 meter
 on the bright background, give it a plus one stop or more. If you don't want
 it to meter on the dark background, minus the exposure.

 Then there's the spot-metering exposure mode. That's been available
 for a while too. :-)

 --
 -bmw

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RE: Fire Evacuation

2012-09-19 Thread Bob W
that's bad news - hope it stays well away from your house.

B

 -Original Message-
 From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
 Tom C
 Sent: 19 September 2012 20:24
 To: Pentax-Discuss Mail List
 Subject: OT: Fire Evacuation
 
 Evacuated self, people, pets, pictures, computers, cameras, other
 important items of sentimental value yesterday @ 7:30 AM.
 
 I'm currently here in case I need to fell a couple of trees near the
 house.
 
 No flames in sight. Fire's on other side of ridge about a mile away.
 
 Everyone is safe.
 
 As Karney Fire grows, more homes evacuated
 
 Tom C.
 
 http://www.ktvb.com/home/As-Karney-Fire-grows-more-people-evacuated-
 170286736.html
 --
 Sent from my Android phone with K-9 Mail. Please excuse my brevity.
 
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Re: OT: Fire Evacuation

2012-09-19 Thread Bob Sullivan
Tom, Be safe, hope they strike it.  Regards,  Bob S.

On Wed, Sep 19, 2012 at 2:24 PM, Tom C caka...@gmail.com wrote:
 Evacuated self, people, pets, pictures, computers, cameras, other important 
 items of sentimental value yesterday @ 7:30 AM.

 I'm currently here in case I need to fell a couple of trees near the house.

 No flames in sight. Fire's on other side of ridge about a mile away.

 Everyone is safe.

 As Karney Fire grows, more homes evacuated

 Tom C.

 http://www.ktvb.com/home/As-Karney-Fire-grows-more-people-evacuated-170286736.html
 --
 Sent from my Android phone with K-9 Mail. Please excuse my brevity.

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Re: OT: Fire Evacuation

2012-09-19 Thread steve harley

on 2012-09-19 13:24 Tom C wrote

Evacuated self, people, pets, pictures, computers, cameras, other important 
items of sentimental value yesterday @ 7:30 AM.

I'm currently here in case I need to fell a couple of trees near the house.


be sure to get out before it gets at all tight, and let firefighters know you 
are there



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RE: Photokina opens nothing beyond the already announced items ondisplay.

2012-09-19 Thread J.C. O'Connell
Has anyone suggested focussing manually?

-
J.C.O'Connell
hifis...@gate.net
-

-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
George Sinos
Sent: Wednesday, September 19, 2012 4:10 PM
To: Pentax-Discuss Mail List
Subject: Re: Photokina opens nothing beyond the already announced items
ondisplay.

Paul and Bruce have given great advice.  You also might find it
helpful to de-couple focus from the shutter button and use the back
focus button.  Once you focus on something, the camera will stay
focused at that distance, eliminating the camera's need to re-focus
every time you touch the shutter button.

gs

George Sinos

gsi...@gmail.com
www.georgesphotos.net
plus.georgesinos.com


On Wed, Sep 19, 2012 at 3:04 PM, Bruce Walker bruce.wal...@gmail.com
wrote:
 On Wed, Sep 19, 2012 at 3:52 PM, Paul Stenquist pnstenqu...@comcast.net
wrote:

 On Sep 19, 2012, at 3:31 PM, Larry Colen l...@red4est.com wrote:

 One feature that would really help me would be different exposure
metering
 modes, one where I could say to not meter on the bright back lighting,
 another, where it would ignore dark backgrounds (though that is more a
 lightroom issue).

 You already have that. It's called exposure com. If you don't want it to
meter
 on the bright background, give it a plus one stop or more. If you don't
want
 it to meter on the dark background, minus the exposure.

 Then there's the spot-metering exposure mode. That's been available
 for a while too. :-)

 --
 -bmw

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Re: Fire Evacuation

2012-09-19 Thread kwaller

Be safe Tom.
My prayers are with you and your family

Kenneth Waller
http://www.pentaxphotogallery.com/kennethwaller

- Original Message - 
From: Tom C caka...@gmail.com

Subject: OT: Fire Evacuation


Evacuated self, people, pets, pictures, computers, cameras, other 
important items of sentimental value yesterday @ 7:30 AM.


I'm currently here in case I need to fell a couple of trees near the 
house.


No flames in sight. Fire's on other side of ridge about a mile away.

Everyone is safe.

As Karney Fire grows, more homes evacuated

Tom C.

http://www.ktvb.com/home/As-Karney-Fire-grows-more-people-evacuated-170286736.html
--
Sent from my Android phone with K-9 Mail. Please excuse my brevity.



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Re: OT: Fire Evacuation

2012-09-19 Thread Jack Davis
Hoping you're all safe and stay so. Will add my wish for all worldly goods 
(especially CAMERAS) are saved.
Am, seriously, hoping to read soon that it's over and that all folks, pets and 
good are safe.

Jack 


- Original Message -
From: Tom C caka...@gmail.com
To: Pentax-Discuss Mail List pdml@pdml.net
Cc: 
Sent: Wednesday, September 19, 2012 12:24 PM
Subject: OT: Fire Evacuation

Evacuated self, people, pets, pictures, computers, cameras, other important 
items of sentimental value yesterday @ 7:30 AM.

I'm currently here in case I need to fell a couple of trees near the house.

No flames in sight. Fire's on other side of ridge about a mile away.

Everyone is safe.

As Karney Fire grows, more homes evacuated

Tom C.

http://www.ktvb.com/home/As-Karney-Fire-grows-more-people-evacuated-170286736.html
-- 
Sent from my Android phone with K-9 Mail. Please excuse my brevity.

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Re: Photokina opens nothing beyond the already announced items on display.

2012-09-19 Thread Igor Roshchin
Wed Sep 19 15:31:43 EDT 2012
Larry Colen wrote:


 Beyond that, faster accurate focus in stupid low light would really
 help.  Dancers just are not considerate enough to only move
 perpendicular to the line of focus.

I feel for you Larry!
Those damn dancers!  Shoot them! ;-)


Igor


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Re: Photokina opens nothing beyond the already announced items on display.

2012-09-19 Thread Igor Roshchin
Larry Colen lrc at red4est.com
Wed Sep 19 15:31:43 EDT 2012

 On Sep 19, 2012, at 11:17 AM, Paul Stenquist wrote:
 
  But improved autofocus will be even nicer. If it's truly a step up,
  the K5 IIs will take the lead spot ahead of my K5, and the current
  backup, a K7, will go on ebay.
 
 
 I recognize that I tend to take photos in conditions that are a bit
 more challenging than most people face.  I've spent the past couple of
 days going through my photos from last weekend.  I'd say that I lost
 the most shots through mis-focus.  Unfortunately I can't easily tell
 in lightroom which were manual and which were auto focus.  The biggest
 camera change to improve my keeper ratio would probably be more focus
 points, each one restricted to a narrower range.  I lost several
 photos because the camera focused on someone closer to the camera that
 was just barely in the frame.  Then, of course, there is the ongoing
 problem with focusing on the microphone.

Often suggested technique to deal with those cases is to set the AF to
use the central point. That can be done for centered objects
or for static ones even when they are off center (AF, hold, reframe).
That can work for shooting single musicians who are more steady, and/or 
typically are in the middle of the frame.
The problem with that when you are shooting dancing couples is that 
in many cases, the central AF point is right between the dancers.
A possible work-around that is that you switch AF to a point that you
choose off center, where you expect one of the two to be.
This is not universal and requires switching (so it is not suitable
if you are trying to shoot several couples within one song), but 
it is good, e.g. when you are trying to get a good shot of a particular
couple and taking a series of their shots with simillar framing and
camera orientation.

I've done this with *istDS, and it seemingly worked.
I haven't done it much with K7, as its frame-based AF engine improved
drastically. But I am considering using that again at some events.

 
 Beyond that, faster accurate focus in stupid low light would really
 help.  Dancers just are not considerate enough to only move
 perpendicular to the line of focus.

I feel for you Larry! 
Those damn dancers!  Shoot them! ;-)

 
 One feature that would really help me would be different exposure
 metering modes, one where I could say to not meter on the bright back
 lighting, another, where it would ignore dark backgrounds (though that
 is more a lightroom issue).  I mostly just shoot manual exposure
 anyways, but sometimes when people are moving around from light to
 dark areas, I don't have that luxury and have to go to TAv.

When there is a large variation of the light throughout the frame,
and the camera either cannot cover the full dynamic range, or you
don't care for the extreme parts of it (direct light, dark background
shadows), you can try a very similar technique as described in relation 
to AF above: use the central point metering.
I haven't tried it myself yet, but in principle you can couple the
metering and the AF points (in the menu), - and use the same approach
for dancers who are off-center.
You can play with that when not on assignment. :-)


 
 There were also a bunch of pictures that weren't lost per se, but
 were rougher than I'd like because in order to have a fast enough
 shutter speed for lindy hop, I was shooting in the ISO 12,800-25,600
 range.  An 8MP sensor with the latest technology would do me more good
 than a 24MP sensor. 

I think you mean that the noise level from a larger pixel is lower.
I didn't think about it in full depth, but I would assume that
averaging the signal, say, 3 adjacent pixels while downsampling from 24 MP
to 8 MP, if done correctly from the RAW format, should produce close, if
not equivalent result. It might, actually, produce even a better result
under certain conditions (that's my guess only).
But then the question is whether the software you are using (e.g. LR)
is doing a good job in averaging those pixels in a right way in the
process of downsampling.
After all, - you see a similar noise-smoothing effect on a 900pxx600px 
image, where the noise is not that pronounced.


 
 Well done mirrorless technology could alleviate a lot of my problems.
 Without the mirrorbox and needing retrofocus lenses, I could get
 faster wide lenses.  When focus is an issue, a sharp 30/1.4 on APS
 would do me more good than a FF 50/1.4.  Likewise, for manually
 focusing in the dark, liveview, and I imagine focus peaking , would be
 an immense aid.
 

I am not sure what you mean by retrofocus.
Are you talking about the crop-factor of the lenses on FF and APS?
If that guess is correct, it's just a question of the sensor size on 
the mirroless camera, not the fact that it is mirrorless.
I suspect I am just not understanding what you are trying to say here
about the mirrorless.


Best,

Igor


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RE: Photokina opens nothing beyond the already announced items ondisplay.

2012-09-19 Thread Bob W
 From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
 J.C. O'Connell
 
 Has anyone suggested focussing manually?
 

The man who suggested focussing manually:
http://www.hmbateman.com/images/watermarked/13_royal_enclosure.jpg

B


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Re: PESO: Sax Solo

2012-09-19 Thread Daniel J. Matyola
Point well taken, Frank.

This group was playing cool jazz.  Great stuff, to my taste, but not
the kind of music that results in animated performers.  I loved his
performance, and he looked like a cool guy, so I liked this image.  On
reflection, I will admit that it lacks much interest.


Thanks for looking and commenting.

Dan
Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola


On Wed, Sep 19, 2012 at 9:51 AM, knarftheria...@gmail.com
knarftheria...@gmail.com wrote:
 I must be brutally honest here: that is a rather static and undynamic (if 
 that's a word) photo.

 And to me that's always a difficulty shooting jazz. The guy can be blowing 
 the most amazing Coltranesque solo and be standing stock-still staring into 
 space (as this guy seems to be doing). Sometimes they will get into it 
 physically but that can be hard to capture as well as that can be sporadic 
 and unpredictable. Some are physically gesturing all the time, but my guess 
 is that this player isn't one of them.

 ;-)

 So, whatever the reason, I have to say that this is unfortunately a fairly 
 uninspiring photo of a musician who was likely playing amazing music - but 
 not showing the outward indicators of it.

 Cheers,
 frank

 What can be asserted without proof can be dismissed without proof. -- 
 Christopher Hitchens

 --- Original Message ---

 From: Daniel J. Matyola danmaty...@gmail.com
 Sent: September 18, 2012 9/18/12
 To: Pentax-Discuss Mail List pdml@pdml.net
 Subject: PESO: Sax Solo

 http://photo.net/photodb/photo?photo_id=16469093

 Comments are always welcome.

 Dan Matyola
 http://www.pentaxphotogallery.com/danieljmatyola

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Re: Fixed lens digital cameras : Why not go larger than 24x36?

2012-09-19 Thread lrc
You mean like a 645D?

J.C. O'Connell hifis...@gate.net wrote:



-
J.C.O'Connell
hifis...@gate.net
-

If your gonna put a fixed lens on a camera, why not have the 
sensor even bigger than 24x36?  Quality could increase
substantially

-- 
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Re: Fixed lens digital cameras : Why not go larger than 24x36?

2012-09-19 Thread Larry Colen

On Sep 19, 2012, at 2:01 PM, l...@red4est.com wrote:

 You mean like a 645D?

Oops, didn't notice the fixed lens bit until after I hit send.


 
 J.C. O'Connell hifis...@gate.net wrote:
 
 
 
 -
 J.C.O'Connell
 hifis...@gate.net
 -
 
 If your gonna put a fixed lens on a camera, why not have the 
 sensor even bigger than 24x36?  Quality could increase
 substantially
 
 -- 
 Sent from my Android phone with K-9 Mail. Please excuse my brevity.
 
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RE: OT: Fire Evacuation

2012-09-19 Thread knarftheria...@gmail.com
Glad to hear all are safely evacuated. You must now keep yourself safe!

My thoughts are with you and all in your community.

Take care,
frank

What can be asserted without proof can be dismissed without proof. -- 
Christopher Hitchens

--- Original Message ---

From: Tom C caka...@gmail.com
Sent: September 19, 2012 9/19/12
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: OT: Fire Evacuation

Evacuated self, people, pets, pictures, computers, cameras, other important 
items of sentimental value yesterday @ 7:30 AM.

I'm currently here in case I need to fell a couple of trees near the house.

No flames in sight. Fire's on other side of ridge about a mile away.

Everyone is safe.

As Karney Fire grows, more homes evacuated

Tom C.

http://www.ktvb.com/home/As-Karney-Fire-grows-more-people-evacuated-170286736.html
-- 
Sent from my Android phone with K-9 Mail. Please excuse my brevity.

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Re: To Filter or not to Filter your Lens

2012-09-19 Thread Larry Colen

On Sep 19, 2012, at 8:54 AM, Charles Robinson wrote:

 On Sep 19, 2012, at 24:02 , Christine Aguila christ...@caguila.com wrote:
 
 I use filters!  When I did the construction shoot a while back, I was glad I 
 was a filter-girl.  One of those little trucks would come zooming by and 
 soon enough I and my cameras were covered head to toe in dirt-dust, and, of 
 course, tiny rock particles would fly about as well.  One dinged my B + W 
 polarizing filter real nice, but thankfully the pesky little rock particle 
 didn't get the front element.
 
 
 Maybe a super-high-buck expensive filter wouldn't have done that, but… hard 
 hoods, keeping the camera in the bag, and capping the lenses when they're not 
 actually mounted to the camera seems to have been doing the trick for the 
 past 10 years for me.

What is it with people and looking for a one size fits all answer.  Asking 
whether or not to use a protective filter is like asking whether or not to use 
a zoom lens.  There are cases where going one way will lead to problems, there 
are also cases where going the other way will lead to problems, and the vast 
majority of the time it doesn't make much difference.

The UV filter on my lens is kind of like wearing a helmet when I ride my 
bicycle. I don't always wear a helmet, and  I've only actually used a bike 
helmet once.

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Re: PESO- I believe I can fly

2012-09-19 Thread Doug Brewer

On 9/19/12 12:41 PM, Tim Bray wrote:

Aww, that’s so sweet. Lovely. -T


Thank you, Tim. er, I mean, +1.

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RE: OT: Fire Evacuation

2012-09-19 Thread John Sessoms

From: Tom C


Evacuated self, people, pets, pictures, computers, cameras, other
important items of sentimental value yesterday @ 7:30 AM.

I'm currently here in case I need to fell a couple of trees near the
house.

No flames in sight. Fire's on other side of ridge about a mile away.

Everyone is safe.

As Karney Fire grows, more homes evacuated

Tom C.

http://www.ktvb.com/home/As-Karney-Fire-grows-more-people-evacuated-170286736.html


I hope it spares you and your neighbors. Shame about how it started.

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RE: Peso: Downburst, Northern Buffalo County, Nebraska, (7/28/2012)

2012-09-19 Thread John Sessoms
No they haven't. We've had heavy rain  thunderstorms at least twice a 
week here in Raleigh since National Severe Weather Preparedness Week 
back in April.


From: Don Guthrie


Looks a lot like Iowa all summer. Have you guys been keeping all the
rain for yourselves?


pdml-requ...@pdml.net wrote:

- Original Message -
From: Darren Addypixelsmi...@gmail.com
To: Pentax-Discuss Mail Listpdml@pdml.net
Cc:
Sent: Tuesday, September 18, 2012 7:58 PM
Subject: Peso: Downburst, Northern Buffalo County, Nebraska (7/28/2012)

Didn't spend a lot of time on this one, but hope you like it
nonetheless. It was one of the rare brief storms of the summer and I
had to rush about 20 miles to catch it as it died is big exhale of
wind, hail, and brief hard rain.

http://www.flickr.com/photos/pixelsmithy/8001420606/lightbox/

Comments and evicerations welcome in equal measure.

Sigma EX 10-20mm f4-5.6 on Pentax K-5


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RE: OT interesting development in the patent wars

2012-09-19 Thread John Sessoms

From: Larry Colen


Motorola asks the ITC to ban almost every Apple device:
http://arstechnica.com/apple/2012/09/motorola-asks-itc-to-ban-every-mac-ipad-and-most-iphones/


Sew the wind, reap the whirlwind.

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Re: Photokina opens nothing beyond the already announced items on display.

2012-09-19 Thread Larry Colen

On Sep 19, 2012, at 12:52 PM, Paul Stenquist wrote:

 
 On Sep 19, 2012, at 3:31 PM, Larry Colen l...@red4est.com wrote:
 
 
 On Sep 19, 2012, at 11:17 AM, Paul Stenquist wrote:
 
 But improved autofocus will be even nicer. If it's truly a step up, the K5 
 IIs will take the lead spot ahead of my K5, and the current backup, a K7, 
 will go on ebay.
 
 
 I recognize that I tend to take photos in conditions that are a bit more 
 challenging than most people face.  I've spent the past couple of days going 
 through my photos from last weekend.  I'd say that I lost the most shots 
 through mis-focus.  Unfortunately I can't easily tell in lightroom which 
 were manual and which were auto focus.  The biggest camera change to improve 
 my keeper ratio would probably be more focus points, each one restricted to 
 a narrower range.  I lost several photos because the camera focused on 
 someone closer to the camera that was just barely in the frame.  Then, of 
 course, there is the ongoing problem with focusing on the microphone.
 
 Use single point autofocus.  For singers with microphones use the top spot 
 and place it right on the eyeball when you squeeze the trigger halfway down. 
 For dancers, you probably want to use the second one down on verticals and 
 put it on the head. When shooting horizontals, you can use the upper left of 
 upper right and put it on the head of one of the two dancers. Once you get 
 used to using single spots, you can switch back and forth rapidly with your 
 thumb.

To a first approximation, that is the only way that I use autofocus.  Sometimes 
on the center, and recompose, sometimes I pick a point off of center for rule 
of thirds composition.  I seem to have gotten into some difficulty on a few 
shots, where I rotated the camera for a vertical composition and didn't adjust 
the focus point from being in the lower third to the upper third and the camera 
did a great job of focusing on the feet rather than the face.  Who knew that 
there was enough angle that it would make a difference?  Well, I do now.

Also, George, what I do is pretty much the opposite of what you suggest.  I 
have the AF button set to disable auto focus.  I set focus with half a shutter 
press, then use my thumb to hold focus. 

As to focusing manually, I often do so.  I find the split prism focusing screen 
invaluable for that. Especially with my non-autofocus lenses. I've also found 
that in low light, low contrast, situations, manually focusing with the screen 
is nearly impossible, and in almost every case, if autofocus will work, and it 
happens to focus on the right thing, it is both faster and more accurate than 
manually focusing.  What I frequently do in situations where the light is too 
low for either normal manual focus, or autofocus, is to put the camera in live 
view, maybe use the info button to zoom in, and manually focus that way.  
Unfortunately, it takes so long to take a picture in live view mode that 
leaving the camera in live view when shooting action is useless. Even without 
shutter lag, the visual lag in live view, in low light, is a significant 
fraction of a second. I have to focus in live view, switch it back to optical, 
then hope that my subject doesn't move out of focus.  I also have to remember 
to move my face to the camera, rather than move my camera to my face, or I'll 
front focus by 10-20 cm.

 
 That being said, a narrower range and more points would be nice, even when 
 using single point.
 
 
 Beyond that, faster accurate focus in stupid low light would really help.  
 Dancers just are not considerate enough to only move perpendicular to the 
 line of focus.
 
 One feature that would really help me would be different exposure metering 
 modes, one where I could say to not meter on the bright back lighting, 
 another, where it would ignore dark backgrounds (though that is more a 
 lightroom issue).  
 
 You already have that. It's called exposure com. If you don't want it to 
 meter on the bright background, give it a plus one stop or more. If you don't 
 want it to meter on the dark background, minus the exposure.

If the background were consistent, and exposure compensation would work, I 
could just set the exposure manually and leave it be.  What I need is to be 
able to tell the metering to ignore any point that is above (or below) a 
certain EV.   A case that I run into often is photographing dancers, or martial 
artists, in a room where the light source is often, but not always, in the 
frame of the picture, and there is nothing that I can do about it. The light 
source is where it is, I am where I am, and the subject moves around.  I'm 
going to pull numbers out of the air, I don't know what EV actually relates to 
how much light.  I don't use a manual meter enough for that. Sometimes the 
light is falling on the subject and they might be at EV 7, sometimes they have 
their back to the light and they are at EV 3, and the light is EV 17.   What I 
need is to tell 

Re: PESO: Sunset cycle

2012-09-19 Thread David J Brooks
Very nice

Dave

On Wed, Sep 19, 2012 at 3:17 AM, Tim Bray tb...@textuality.com wrote:
 Pic at 
 http://www.tbray.org/ongoing/When/201x/2012/09/19/-big/RUNE6125.jpg.html

 Bloggage at http://www.tbray.org/ongoing/When/201x/2012/09/19/Bicycle-shadow

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Re: Peso: Downburst, Northern Buffalo County, Nebraska (7/28/2012)

2012-09-19 Thread David J Brooks
Captured very well.

Dave

On Tue, Sep 18, 2012 at 7:58 PM, Darren Addy pixelsmi...@gmail.com wrote:
 Didn't spend a lot of time on this one, but hope you like it
 nonetheless. It was one of the rare brief storms of the summer and I
 had to rush about 20 miles to catch it as it died is big exhale of
 wind, hail, and brief hard rain.

 http://www.flickr.com/photos/pixelsmithy/8001420606/lightbox/

 Comments and evicerations welcome in equal measure.

 Sigma EX 10-20mm f4-5.6 on Pentax K-5

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Re: Peso - from a window of the 103 bus

2012-09-19 Thread David J Brooks
Ann. Thats one of your finest shots IMNSHO

Dave

On Tue, Sep 18, 2012 at 11:11 PM, Ann Sanfedele ann...@nyc.rr.com wrote:
 waiting for the proof copy of my new calendar... this isn't in it :-)

 Took this a couple of months ago

 Ist-D with the kit DA18-55
 f/6.7 at 1/3000 ISO 400
 Focal Length40mm (60mm in 35mm)


 http://annsan.smugmug.com/On-the-Road-or-On-Foot/2012-and-all-that/21847075_D88Ngw/1/2020867290_jd6NcCt/Medium

 ann

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Re: PESO Up

2012-09-19 Thread David J Brooks
That is quite nice

Dave

On Wed, Sep 19, 2012 at 12:48 PM, Toine to...@repiuk.nl wrote:
 http://www.repiuk.nl/index.php/blog-mainmenu-97/234-up

 Q, 01 lens, 30s, f2.8

 Toine

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Re: PESO - iAudience

2012-09-19 Thread David J Brooks
Well done. Love the composition and facials here. Dave

On Tue, Sep 18, 2012 at 12:09 PM, Bruce Walker bruce.wal...@gmail.com wrote:
 One of the sidewalk troubadours at Shop The Shore last Saturday ...

 http://www.flickr.com/bruce_m_walker/8000110049/in/photostream/lightbox/

 K100D Super, DA 18-55 @ 43mm/f:14, 1/1000th sec, ISO 1600
 Lr 4.1, Silver Efex Pro 2.0

 Comments welcome.

 --
 -bmw

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Re: PESO - Ragtime John

2012-09-19 Thread David J Brooks
Great

Dave

On Tue, Sep 18, 2012 at 4:20 PM, Bruce Walker bruce.wal...@gmail.com wrote:
 Another street troubadour: Ragtime John Layton. With his antique
 resonator he didn't need an amp.

 http://www.flickr.com/bruce_m_walker/8000832205/lightbox/

 K100D Super, DA 18-55 @ 35mm/f:5.6, 1/1000th sec, ISO 1600
 Lr 4.1, Silver Efex Pro 2.0

 Still polishing my BW workflow; comments appreciated.

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Re: Photokina opens nothing beyond the already announced items on display.

2012-09-19 Thread Larry Colen

On Sep 19, 2012, at 1:40 PM, Igor Roshchin wrote:

 Larry Colen lrc at red4est.com
 Wed Sep 19 15:31:43 EDT 2012
 
 On Sep 19, 2012, at 11:17 AM, Paul Stenquist wrote:
 
 
 Often suggested technique to deal with those cases is to set the AF to
 use the central point. That can be done for centered objects
 or for static ones even when they are off center (AF, hold, reframe).
 That can work for shooting single musicians who are more steady, and/or 
 typically are in the middle of the frame.
 The problem with that when you are shooting dancing couples is that 
 in many cases, the central AF point is right between the dancers.
 A possible work-around that is that you switch AF to a point that you
 choose off center, where you expect one of the two to be.
 This is not universal and requires switching (so it is not suitable
 if you are trying to shoot several couples within one song), but 
 it is good, e.g. when you are trying to get a good shot of a particular
 couple and taking a series of their shots with simillar framing and
 camera orientation.

This is pretty much exactly what I do.

 Beyond that, faster accurate focus in stupid low light would really
 help.  Dancers just are not considerate enough to only move
 perpendicular to the line of focus.
 
 I feel for you Larry! 
 Those damn dancers!  Shoot them! ;-)

I had the feeling that you would know exactly what I'm dealing with.  And lindy 
hop, as you know, is even worse than tango or blues.

 
 
 One feature that would really help me would be different exposure
 metering modes, one where I could say to not meter on the bright back
 lighting, another, where it would ignore dark backgrounds (though that
 is more a lightroom issue).  I mostly just shoot manual exposure
 anyways, but sometimes when people are moving around from light to
 dark areas, I don't have that luxury and have to go to TAv.
 
 When there is a large variation of the light throughout the frame,
 and the camera either cannot cover the full dynamic range, or you
 don't care for the extreme parts of it (direct light, dark background
 shadows), you can try a very similar technique as described in relation 
 to AF above: use the central point metering.
 I haven't tried it myself yet, but in principle you can couple the
 metering and the AF points (in the menu), - and use the same approach
 for dancers who are off-center.
 You can play with that when not on assignment. :-)

My camera is set to lock AE with AF point.  

 
 
 
 There were also a bunch of pictures that weren't lost per se, but
 were rougher than I'd like because in order to have a fast enough
 shutter speed for lindy hop, I was shooting in the ISO 12,800-25,600
 range.  An 8MP sensor with the latest technology would do me more good
 than a 24MP sensor. 
 
 I think you mean that the noise level from a larger pixel is lower.

Lower noise, more DR.

 I didn't think about it in full depth, but I would assume that
 averaging the signal, say, 3 adjacent pixels while downsampling from 24 MP
 to 8 MP, if done correctly from the RAW format, should produce close, if
 not equivalent result. It might, actually, produce even a better result
 under certain conditions (that's my guess only).

I think that may work.

 But then the question is whether the software you are using (e.g. LR)
 is doing a good job in averaging those pixels in a right way in the
 process of downsampling.

That is an important question.  And one I don't know the answer to.

 After all, - you see a similar noise-smoothing effect on a 900pxx600px 
 image, where the noise is not that pronounced.
 
 
 
 Well done mirrorless technology could alleviate a lot of my problems.
 Without the mirrorbox and needing retrofocus lenses, I could get
 faster wide lenses.  When focus is an issue, a sharp 30/1.4 on APS
 would do me more good than a FF 50/1.4.  Likewise, for manually
 focusing in the dark, liveview, and I imagine focus peaking , would be
 an immense aid.
 
 
 I am not sure what you mean by retrofocus.

http://en.wikipedia.org/wiki/Wide-angle_lens

If the registration distance is greater than the focal length, you need extra 
elements to move the focus point back to the sensor (film).  

 Are you talking about the crop-factor of the lenses on FF and APS?
 If that guess is correct, it's just a question of the sensor size on 
 the mirroless camera, not the fact that it is mirrorless.
 I suspect I am just not understanding what you are trying to say here
 about the mirrorless.

With a mirrorless camera, you don't have to have the rear element far enough 
from the sensor for the mirror to swing up out of the way.  In theory, the rear 
element could be practically touching the the sensor.  This is why my friend 
Marco has a 25mm f/0.95 lens for his u4/3 camera, and for camera systems based 
on 35mm SLRs there aren't a lot (any?) really sharp lenses shorter than 30mm 
and faster than f/1.8, though reasonably sharp 50/1.4 lenses are so common as 
to have been almost the default.



Re: To Filter or not to Filter your Lens

2012-09-19 Thread Larry Colen

On Sep 19, 2012, at 2:28 PM, knarftheria...@gmail.com wrote:

 Well, first of all, Larry, you're not most people. Neither are most list 
 members.

But that doesn't stop people on the PDML from arguing that their size should 
fit everyone.

--
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RE: Fixed lens digital cameras : Why not go larger than 24x36?

2012-09-19 Thread J.C. O'Connell
NO, I mean a fixed lens digital camera with very large sensor

-
J.C.O'Connell
hifis...@gate.net
-

-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
l...@red4est.com
Sent: Wednesday, September 19, 2012 5:01 PM
To: Pentax-Discuss Mail List
Subject: Re: Fixed lens digital cameras : Why not go larger than 24x36?

You mean like a 645D?

J.C. O'Connell hifis...@gate.net wrote:



-
J.C.O'Connell
hifis...@gate.net
-

If your gonna put a fixed lens on a camera, why not have the 
sensor even bigger than 24x36?  Quality could increase
substantially

-- 
Sent from my Android phone with K-9 Mail. Please excuse my brevity.

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Re: OT: Fire Evacuation

2012-09-19 Thread Larry Colen

On Sep 19, 2012, at 12:24 PM, Tom C wrote:

 Evacuated self, people, pets, pictures, computers, cameras, other important 
 items of sentimental value yesterday @ 7:30 AM.

Ouch!  Too much excitement!


 
 I'm currently here in case I need to fell a couple of trees near the house.

Good luck.

 
 No flames in sight. Fire's on other side of ridge about a mile away.
 
 Everyone is safe.
 
 As Karney Fire grows, more homes evacuated

Please keep us posted.  

I didn't realize you lived near Boise. I have several other friends in the 
area, including one that is often playing with old warbirds.

 
 Tom C.
 
 http://www.ktvb.com/home/As-Karney-Fire-grows-more-people-evacuated-170286736.html
 -- 
 Sent from my Android phone with K-9 Mail. Please excuse my brevity.

I did a double take when I saw that, as it's the same .sig I use on my phone.

 

--
Larry Colen l...@red4est.com sent from i4est





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RE: To Filter or not to Filter your Lens

2012-09-19 Thread Bob W
 From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
 Larry Colen
 
 
 On Sep 19, 2012, at 2:28 PM, knarftheria...@gmail.com wrote:
 
  Well, first of all, Larry, you're not most people. Neither are most
 list members.
 
 But that doesn't stop people on the PDML from arguing that their size
 should fit everyone.
 

I don't think they do. I think they say This is what I do, and this is why
I do it that way. It's one of the reasons the list doesn't collapse into
flame wars very often.

B


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I had a great idea, too bad that it didn't work

2012-09-19 Thread Larry Colen
The dance venue for the evening dances at SFLX had the lights turned way down.  
Not only did this make photographing dancers dancing to fast music a challenge, 
but it brought the color temperature way down below the 2000K that lightroom 
will adjust for.

In the past, I've cheated by exporting my finished lightroom file as a tiff, 
reimporting it, and then setting the color balance on the intermediate file, 
thereby expanding the adjustment range of lightroom.  Realizing that the 
adjustment brush will also adjust color balance, I hoped I could add a bit more 
temperature adjustment by using that on top of the adjustment for the whole 
frame.  No joy, it only seems to work within the parameters which I already 
have maxed out.

--
Larry Colen l...@red4est.com sent from i4est





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Re: Fixed lens digital cameras : Why not go larger than 24x36?

2012-09-19 Thread Mark C
Like a digital version of a Fujifilm GSW 6x7 or 6x9 camera? That would 
be swt


Mark

On 9/19/2012 5:48 PM, J.C. O'Connell wrote:

NO, I mean a fixed lens digital camera with very large sensor

-
J.C.O'Connell
hifis...@gate.net
-

-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
l...@red4est.com
Sent: Wednesday, September 19, 2012 5:01 PM
To: Pentax-Discuss Mail List
Subject: Re: Fixed lens digital cameras : Why not go larger than 24x36?

You mean like a 645D?

J.C. O'Connell hifis...@gate.net wrote:



-
J.C.O'Connell
hifis...@gate.net
-

If your gonna put a fixed lens on a camera, why not have the
sensor even bigger than 24x36?  Quality could increase
substantially



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Re: PESOs Hale at SFLX

2012-09-19 Thread Tim Bray
That first portrait is delicious. -T

On Tue, Sep 18, 2012 at 9:14 PM, Larry Colen l...@red4est.com wrote:
 This musician is a little prettier than the last from head:
 http://www.flickr.com/photos/ellarsee/8001992852/
 to toe:
 http://www.flickr.com/photos/ellarsee/8001990121/

 --
 Larry Colen l...@red4est.com sent from i4est





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RE: Fixed lens digital cameras : Why not go larger than 24x36?

2012-09-19 Thread J.C. O'Connell
I wasnt thinking that large of sensor, but its a good idea if cost wasnt
prohibitive for the sensor alone...

-
J.C.O'Connell
hifis...@gate.net
-

-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of Mark
C
Sent: Wednesday, September 19, 2012 7:34 PM
To: Pentax-Discuss Mail List
Subject: Re: Fixed lens digital cameras : Why not go larger than 24x36?

Like a digital version of a Fujifilm GSW 6x7 or 6x9 camera? That would 
be swt

Mark

On 9/19/2012 5:48 PM, J.C. O'Connell wrote:
 NO, I mean a fixed lens digital camera with very large sensor

 -
 J.C.O'Connell
 hifis...@gate.net
 -

 -Original Message-
 From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
 l...@red4est.com
 Sent: Wednesday, September 19, 2012 5:01 PM
 To: Pentax-Discuss Mail List
 Subject: Re: Fixed lens digital cameras : Why not go larger than 24x36?

 You mean like a 645D?

 J.C. O'Connell hifis...@gate.net wrote:


 -
 J.C.O'Connell
 hifis...@gate.net
 -

 If your gonna put a fixed lens on a camera, why not have the
 sensor even bigger than 24x36?  Quality could increase
 substantially


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Re: PESOs Hale at SFLX

2012-09-19 Thread Larry Colen

On Sep 19, 2012, at 4:38 PM, Tim Bray wrote:

 That first portrait is delicious. -T

Thank you.

It helps that the subject is rather yummy to start with.


 
 On Tue, Sep 18, 2012 at 9:14 PM, Larry Colen l...@red4est.com wrote:
 This musician is a little prettier than the last from head:
 http://www.flickr.com/photos/ellarsee/8001992852/
 to toe:
 http://www.flickr.com/photos/ellarsee/8001990121/
 
 --
 Larry Colen l...@red4est.com sent from i4est
 
 
 
 
 
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Re: Fixed lens digital cameras : Why not go larger than 24x36?

2012-09-19 Thread Godfrey DiGiorgi
On Wed, Sep 19, 2012 at 4:34 PM, Mark C pdml-m...@charter.net wrote:
 Like a digital version of a Fujifilm GSW 6x7 or 6x9 camera? That would be
 swt

It would be grand, but it would be very very costly. A big sensor like
that is the most expensive component of the camera.

I'd love a true 6x6 digital camera with a 75 mm lens. The available,
new film cameras (Fuji GF670 $1600, or Voigtländer Bessa III $2995, or
Rolleiflex TLR $5500) are already a great deal of money. Add a $10,000
sensor/data system package ... Eventually, someone will make it, I'm
sure.

-- 
Godfrey
  godfreydigiorgi.posterous.com

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Re: I had a great idea, too bad that it didn't work

2012-09-19 Thread Godfrey DiGiorgi
You can get more out of those image files by using the Adobe DNG
Profile Editor and creating a customized camera calibration profile to
bring the values into ACR/Lightroom's operating adjustment range.

On Wed, Sep 19, 2012 at 3:49 PM, Larry Colen l...@red4est.com wrote:
 The dance venue for the evening dances at SFLX had the lights turned way 
 down.  Not only did this make photographing dancers dancing to fast music a 
 challenge, but it brought the color temperature way down below the 2000K that 
 lightroom will adjust for.

 In the past, I've cheated by exporting my finished lightroom file as a tiff, 
 reimporting it, and then setting the color balance on the intermediate file, 
 thereby expanding the adjustment range of lightroom.  Realizing that the 
 adjustment brush will also adjust color balance, I hoped I could add a bit 
 more temperature adjustment by using that on top of the adjustment for the 
 whole frame.  No joy, it only seems to work within the parameters which I 
 already have maxed out.

 --
 Larry Colen l...@red4est.com sent from i4est





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-- 
Godfrey
  godfreydigiorgi.posterous.com

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Re: I had a great idea, too bad that it didn't work

2012-09-19 Thread Larry Colen

On Sep 19, 2012, at 5:06 PM, Godfrey DiGiorgi wrote:

 You can get more out of those image files by using the Adobe DNG
 Profile Editor and creating a customized camera calibration profile to
 bring the values into ACR/Lightroom's operating adjustment range.

Can you post a link to some good written directions on how to do that?

 
 On Wed, Sep 19, 2012 at 3:49 PM, Larry Colen l...@red4est.com wrote:
 The dance venue for the evening dances at SFLX had the lights turned way 
 down.  Not only did this make photographing dancers dancing to fast music a 
 challenge, but it brought the color temperature way down below the 2000K 
 that lightroom will adjust for.
 
 In the past, I've cheated by exporting my finished lightroom file as a tiff, 
 reimporting it, and then setting the color balance on the intermediate file, 
 thereby expanding the adjustment range of lightroom.  Realizing that the 
 adjustment brush will also adjust color balance, I hoped I could add a bit 
 more temperature adjustment by using that on top of the adjustment for the 
 whole frame.  No joy, it only seems to work within the parameters which I 
 already have maxed out.
 
 --
 Larry Colen l...@red4est.com sent from i4est
 
 
 
 
 
 --
 PDML Pentax-Discuss Mail List
 PDML@pdml.net
 http://pdml.net/mailman/listinfo/pdml_pdml.net
 to UNSUBSCRIBE from the PDML, please visit the link directly above and 
 follow the directions.
 
 
 
 -- 
 Godfrey
  godfreydigiorgi.posterous.com
 
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RE: Fixed lens digital cameras : Why not go larger than 24x36?

2012-09-19 Thread J.C. O'Connell
As long as the megapixels arent too great, say 24MP, I dont know
why a larger sensor is more expensive to make, it should be cheaper
than a small one intuitively. limiting the resolution would keep cost
down while still allowing for many advantages of larger format sensor.

Another cool camera would be a digital version of the 6x17.

-
J.C.O'Connell
hifis...@gate.net
-

-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
Godfrey DiGiorgi
Sent: Wednesday, September 19, 2012 8:04 PM
To: Pentax-Discuss Mail List
Subject: Re: Fixed lens digital cameras : Why not go larger than 24x36?

On Wed, Sep 19, 2012 at 4:34 PM, Mark C pdml-m...@charter.net wrote:
 Like a digital version of a Fujifilm GSW 6x7 or 6x9 camera? That would be
 swt

It would be grand, but it would be very very costly. A big sensor like
that is the most expensive component of the camera.

I'd love a true 6x6 digital camera with a 75 mm lens. The available,
new film cameras (Fuji GF670 $1600, or Voigtländer Bessa III $2995, or
Rolleiflex TLR $5500) are already a great deal of money. Add a $10,000
sensor/data system package ... Eventually, someone will make it, I'm
sure.

-- 
Godfrey
  godfreydigiorgi.posterous.com

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Re: OT interesting development in the patent wars

2012-09-19 Thread Paul Ewins
Interesting that they should ask for a ban on sales of hardware, based on a 
software patent. I guess that is just an ambit claim unless there is something 
at the hardware level that actually infringes the patent. FWIW the Australian 
government science  body, CSIRO, sued all of the big hardware manufacturers 
over a wifi patent and one by one they settled. I can't remember the details 
but it was an algorithm developed for radio telescopes and was fundamental to 
how wifi works. 

Paul


On 20/09/2012, at 5:55 AM, Larry Colen l...@red4est.com wrote:

 Motorola asks the ITC to ban almost every Apple device:
 http://arstechnica.com/apple/2012/09/motorola-asks-itc-to-ban-every-mac-ipad-and-most-iphones/
 
 --
 Larry Colen l...@red4est.com sent from i4est
 
 
 
 
 
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Re: I had a great idea, too bad that it didn't work

2012-09-19 Thread Godfrey DiGiorgi
I learned everything I know about it from the Adobe pages and from using it:

http://labs.adobe.com/wiki/index.php/DNG_Profiles
http://labs.adobe.com/wiki/index.php/DNG_Profiles:FAQ
http://labs.adobe.com/wiki/index.php/DNG_Profiles:Editor



On Wed, Sep 19, 2012 at 5:08 PM, Larry Colen l...@red4est.com wrote:

 On Sep 19, 2012, at 5:06 PM, Godfrey DiGiorgi wrote:

 You can get more out of those image files by using the Adobe DNG
 Profile Editor and creating a customized camera calibration profile to
 bring the values into ACR/Lightroom's operating adjustment range.

 Can you post a link to some good written directions on how to do that?


 On Wed, Sep 19, 2012 at 3:49 PM, Larry Colen l...@red4est.com wrote:
 The dance venue for the evening dances at SFLX had the lights turned way 
 down.  Not only did this make photographing dancers dancing to fast music a 
 challenge, but it brought the color temperature way down below the 2000K 
 that lightroom will adjust for.

 In the past, I've cheated by exporting my finished lightroom file as a 
 tiff, reimporting it, and then setting the color balance on the 
 intermediate file, thereby expanding the adjustment range of lightroom.  
 Realizing that the adjustment brush will also adjust color balance, I hoped 
 I could add a bit more temperature adjustment by using that on top of the 
 adjustment for the whole frame.  No joy, it only seems to work within the 
 parameters which I already have maxed out.

 --
 Larry Colen l...@red4est.com sent from i4est





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 follow the directions.



 --
 Godfrey
  godfreydigiorgi.posterous.com

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 Larry Colen l...@red4est.com sent from i4est





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Re: Fixed lens digital cameras : Why not go larger than 24x36?

2012-09-19 Thread David Parsons
It's not the sensel density, it's the chip size.  The larger the chip,
the fewer that you can fit onto standardized silicon wafers.  Since
the defect rate is fairly constant across a wafer, having larger chips
means that you have fewer chips per wafer, and with the defect rate, a
smaller percentage of usable chips.

That's the reason why MFD is so expensive.

On Wed, Sep 19, 2012 at 8:11 PM, J.C. O'Connell hifis...@gate.net wrote:
 As long as the megapixels arent too great, say 24MP, I dont know
 why a larger sensor is more expensive to make, it should be cheaper
 than a small one intuitively. limiting the resolution would keep cost
 down while still allowing for many advantages of larger format sensor.

 Another cool camera would be a digital version of the 6x17.

 -
 J.C.O'Connell
 hifis...@gate.net
 -

 -Original Message-
 From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
 Godfrey DiGiorgi
 Sent: Wednesday, September 19, 2012 8:04 PM
 To: Pentax-Discuss Mail List
 Subject: Re: Fixed lens digital cameras : Why not go larger than 24x36?

 On Wed, Sep 19, 2012 at 4:34 PM, Mark C pdml-m...@charter.net wrote:
 Like a digital version of a Fujifilm GSW 6x7 or 6x9 camera? That would be
 swt

 It would be grand, but it would be very very costly. A big sensor like
 that is the most expensive component of the camera.

 I'd love a true 6x6 digital camera with a 75 mm lens. The available,
 new film cameras (Fuji GF670 $1600, or Voigtländer Bessa III $2995, or
 Rolleiflex TLR $5500) are already a great deal of money. Add a $10,000
 sensor/data system package ... Eventually, someone will make it, I'm
 sure.

 --
 Godfrey
   godfreydigiorgi.posterous.com

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 PDML@pdml.net
 http://pdml.net/mailman/listinfo/pdml_pdml.net
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-- 
David Parsons Photography
http://www.davidparsonsphoto.com

Aloha Photographer Photoblog
http://alohaphotog.blogspot.com/

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Re: Fixed lens digital cameras : Why not go larger than 24x36?

2012-09-19 Thread Larry Colen

On Sep 19, 2012, at 5:11 PM, J.C. O'Connell wrote:

 As long as the megapixels arent too great, say 24MP, I dont know
 why a larger sensor is more expensive to make, it should be cheaper
 than a small one intuitively. limiting the resolution would keep cost
 down while still allowing for many advantages of larger format sensor.

The probability of errors is proportional to the area of the chip.  If there is 
a 1% chance of an error on any square centimeter, and you can put 150 1cm^2 
sensors on a wafer, but only 10 10cm^2 on a singe round wafer, you'll get about 
135 1cm^2 sensors, and 10*(.9^10) 10cm^2 sensors.

In short, out of each wafer you'll get fewer sensors, and each sensor will have 
a much higher chance of failure.

Then there is the economy of scale issue, the development of an APS sensor is 
amortized over millions of units, a MF sensor is amortized over thousands of 
units.


 
 Another cool camera would be a digital version of the 6x17.
 
 -
 J.C.O'Connell
 hifis...@gate.net
 -
 
 -Original Message-
 From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
 Godfrey DiGiorgi
 Sent: Wednesday, September 19, 2012 8:04 PM
 To: Pentax-Discuss Mail List
 Subject: Re: Fixed lens digital cameras : Why not go larger than 24x36?
 
 On Wed, Sep 19, 2012 at 4:34 PM, Mark C pdml-m...@charter.net wrote:
 Like a digital version of a Fujifilm GSW 6x7 or 6x9 camera? That would be
 swt
 
 It would be grand, but it would be very very costly. A big sensor like
 that is the most expensive component of the camera.
 
 I'd love a true 6x6 digital camera with a 75 mm lens. The available,
 new film cameras (Fuji GF670 $1600, or Voigtländer Bessa III $2995, or
 Rolleiflex TLR $5500) are already a great deal of money. Add a $10,000
 sensor/data system package ... Eventually, someone will make it, I'm
 sure.
 
 -- 
 Godfrey
  godfreydigiorgi.posterous.com
 
 -- 
 PDML Pentax-Discuss Mail List
 PDML@pdml.net
 http://pdml.net/mailman/listinfo/pdml_pdml.net
 to UNSUBSCRIBE from the PDML, please visit the link directly above and
 follow the directions.
 
 
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 the directions.

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Larry Colen l...@red4est.com sent from i4est





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Re: Fixed lens digital cameras : Why not go larger than 24x36?

2012-09-19 Thread Larry Colen
Wow, you said it in English, I was lazy and said it in math.

On Sep 19, 2012, at 5:22 PM, David Parsons wrote:

 It's not the sensel density, it's the chip size.  The larger the chip,
 the fewer that you can fit onto standardized silicon wafers.  Since
 the defect rate is fairly constant across a wafer, having larger chips
 means that you have fewer chips per wafer, and with the defect rate, a
 smaller percentage of usable chips.
 
 That's the reason why MFD is so expensive.
 
 On Wed, Sep 19, 2012 at 8:11 PM, J.C. O'Connell hifis...@gate.net wrote:
 As long as the megapixels arent too great, say 24MP, I dont know
 why a larger sensor is more expensive to make, it should be cheaper
 than a small one intuitively. limiting the resolution would keep cost
 down while still allowing for many advantages of larger format sensor.
 
 Another cool camera would be a digital version of the 6x17.
 
 -
 J.C.O'Connell
 hifis...@gate.net
 -
 
 -Original Message-
 From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
 Godfrey DiGiorgi
 Sent: Wednesday, September 19, 2012 8:04 PM
 To: Pentax-Discuss Mail List
 Subject: Re: Fixed lens digital cameras : Why not go larger than 24x36?
 
 On Wed, Sep 19, 2012 at 4:34 PM, Mark C pdml-m...@charter.net wrote:
 Like a digital version of a Fujifilm GSW 6x7 or 6x9 camera? That would be
 swt
 
 It would be grand, but it would be very very costly. A big sensor like
 that is the most expensive component of the camera.
 
 I'd love a true 6x6 digital camera with a 75 mm lens. The available,
 new film cameras (Fuji GF670 $1600, or Voigtländer Bessa III $2995, or
 Rolleiflex TLR $5500) are already a great deal of money. Add a $10,000
 sensor/data system package ... Eventually, someone will make it, I'm
 sure.
 
 --
 Godfrey
  godfreydigiorgi.posterous.com
 
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 David Parsons Photography
 http://www.davidparsonsphoto.com
 
 Aloha Photographer Photoblog
 http://alohaphotog.blogspot.com/
 
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Re: PESO - Dog Boy

2012-09-19 Thread Mark C

On 9/13/2012 9:58 PM, frank theriault wrote:

Not sure about his painted face:

http://knarfdummyblog.blogspot.ca/2012/09/dog-boy.html

Hope you enjoy.  Comments welcome.

cheers,
frank


LOL - cute shot.

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PESO: 3rd Alaska Coastal Image

2012-09-19 Thread kwaller
Awoke one morning  the first thing I saw was the attached scene. Taken in 
Glacier Bay on the way to the Johns Hopkins Glacier


http://photo.net/photodb/photo?photo_id=16470662

Comments appreciated.

Kenneth Waller
http://www.pentaxphotogallery.com/kennethwaller 



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Re: Fixed lens digital cameras : Why not go larger than 24x36?

2012-09-19 Thread Anthony Farr
On 20 September 2012 10:03, Godfrey DiGiorgi gdigio...@gmail.com wrote:
 On Wed, Sep 19, 2012 at 4:34 PM, Mark C pdml-m...@charter.net wrote:
 Like a digital version of a Fujifilm GSW 6x7 or 6x9 camera? That would be
 swt

 It would be grand, but it would be very very costly. A big sensor like
 that is the most expensive component of the camera.

 I'd love a true 6x6 digital camera with a 75 mm lens. The available,
 new film cameras (Fuji GF670 $1600, or Voigtländer Bessa III $2995, or
 Rolleiflex TLR $5500) are already a great deal of money. Add a $10,000
 sensor/data system package ... Eventually, someone will make it, I'm
 sure.


Granted, they aren't fixed lens cameras, but in their configuration
some of the Alpas are functionally like fixed lens cameras.  They
don't look like they'd be very handy for quick change of lenses, and
extra lenses on their boards would be very UNhandy to carry about.
But a set up Alpa looks sweet.  I'd love to hit the streets with an
Alpa 12 TC, http://www.alpa.ch/en/products/cameras/camera-bodies/alpa-12-tc.html

It's got the kind of presence that says, Never mind me, I'm just a
photographer going about my business.  I'm certainly not a creepy old
guy with a big, expensive black camera.

regards, Anthony

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Re: Peso - from a window of the 103 bus

2012-09-19 Thread Mark C

On 9/18/2012 11:11 PM, Ann Sanfedele wrote:

waiting for the proof copy of my new calendar... this isn't in it :-)

Took this a couple of months ago

Ist-D with the kit DA18-55
f/6.7 at 1/3000 ISO 400
Focal Length40mm (60mm in 35mm)


http://annsan.smugmug.com/On-the-Road-or-On-Foot/2012-and-all-that/21847075_D88Ngw/1/2020867290_jd6NcCt/Medium 



ann


Wow - that is fabulous. Excellent shot, Ann.

Mark

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Re: PESO: 3rd Alaska Coastal Image

2012-09-19 Thread Bruce Walker
An intriguing abstract pattern, Ken. Nicely composed and rendered.


On Wed, Sep 19, 2012 at 9:05 PM,  kwal...@peoplepc.com wrote:
 Awoke one morning  the first thing I saw was the attached scene. Taken in
 Glacier Bay on the way to the Johns Hopkins Glacier

 http://photo.net/photodb/photo?photo_id=16470662

 Comments appreciated.

 Kenneth Waller
 http://www.pentaxphotogallery.com/kennethwaller

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-- 
-bmw

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Re: OT: Fire Evacuation

2012-09-19 Thread P. J. Alling

Keep safe.

On 9/19/2012 3:24 PM, Tom C wrote:

Evacuated self, people, pets, pictures, computers, cameras, other important 
items of sentimental value yesterday @ 7:30 AM.

I'm currently here in case I need to fell a couple of trees near the house.

No flames in sight. Fire's on other side of ridge about a mile away.

Everyone is safe.

As Karney Fire grows, more homes evacuated

Tom C.

http://www.ktvb.com/home/As-Karney-Fire-grows-more-people-evacuated-170286736.html



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Don't lose heart, they might want to cut it out, and they'll want to avoid a 
lengthly search.


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Re: PESO: Sunset cycle

2012-09-19 Thread Daniel J. Matyola
That is quite macroscian!

Good photography also.

Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola


On Wed, Sep 19, 2012 at 3:17 AM, Tim Bray tb...@textuality.com wrote:
 Pic at 
 http://www.tbray.org/ongoing/When/201x/2012/09/19/-big/RUNE6125.jpg.html

 Bloggage at http://www.tbray.org/ongoing/When/201x/2012/09/19/Bicycle-shadow

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Re: OT interesting development in the patent wars

2012-09-19 Thread P. J. Alling
A lot of hardware is dependent on the firmware imbedded in to function, 
more true 15 years ago than today, with a lot of hardware entirely 
dependent on software to function at all.


On 9/19/2012 8:19 PM, Paul Ewins wrote:

Interesting that they should ask for a ban on sales of hardware, based on a 
software patent. I guess that is just an ambit claim unless there is something 
at the hardware level that actually infringes the patent. FWIW the Australian 
government science  body, CSIRO, sued all of the big hardware manufacturers 
over a wifi patent and one by one they settled. I can't remember the details 
but it was an algorithm developed for radio telescopes and was fundamental to 
how wifi works.

Paul


On 20/09/2012, at 5:55 AM, Larry Colen l...@red4est.com wrote:


Motorola asks the ITC to ban almost every Apple device:
http://arstechnica.com/apple/2012/09/motorola-asks-itc-to-ban-every-mac-ipad-and-most-iphones/

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