On Dec 28, 2011, at 13:16 , P. J. Alling wrote:
On 12/26/2011 3:59 PM, Joseph McAllister wrote:
On Dec 26, 2011, at 06:34 , Cotty wrote:
On 25/12/11, John Sessoms, discombobulated, unleashed:
The school I went to we used an audio recorder to simultaneously record
a quality audio track.
On 12/26/2011 3:59 PM, Joseph McAllister wrote:
On Dec 26, 2011, at 06:34 , Cotty wrote:
On 25/12/11, John Sessoms, discombobulated, unleashed:
The school I went to we used an audio recorder to simultaneously record
a quality audio track. The on camera audio was only used to synchronize
the
On 25/12/11, John Sessoms, discombobulated, unleashed:
The school I went to we used an audio recorder to simultaneously record
a quality audio track. The on camera audio was only used to synchronize
the audio with the video when we edited.
This is an excellent idea. Two people with
On Dec 26, 2011, at 06:34 , Cotty wrote:
On 25/12/11, John Sessoms, discombobulated, unleashed:
The school I went to we used an audio recorder to simultaneously record
a quality audio track. The on camera audio was only used to synchronize
the audio with the video when we edited.
This
On 26/12/11, Joseph McAllister, discombobulated, unleashed:
Stick with cassette recorders. They're a proven technology. :-)
What proven shite? -- ;-)
--
Cheers,
Cotty
___/\__
|| (O) | People, Places, Pastiche
-- http://www.cottysnaps.com
On Dec 26, 2011, at 13:01 , Cotty wrote:
On 26/12/11, Joseph McAllister, discombobulated, unleashed:
Stick with cassette recorders. They're a proven technology. :-)
What proven shite? -- ;-)
You know it's working 'cause you can see the hubs go round Cotty.
Couldn't do that with
From: Joseph McAllister
On Dec 26, 2011, at 06:34 , Cotty wrote:
On 25/12/11, John Sessoms, discombobulated, unleashed:
The school I went to we used an audio recorder to simultaneously record
a quality audio track. The on camera audio was only used to synchronize
the audio with the video
On 27 December 2011 10:25, John Sessoms jsessoms...@nc.rr.com wrote:
From: Joseph McAllister
School used Zoom H4.
I have the H4n but the new H2n looks like a nice compact and very
capable recorder too.
--
Rob Studdert (Digital Image Studio)
Tel: +61-418-166-870 UTC +10 Hours
Gmail, eBay,
Cotty wrote:
On 22/12/11, Dario Bonazza, discombobulated, unleashed:
1 - I'd like a directional mic for recording at a concert, hopefully
getting
music instead of public noise.
Mate, I hate to say this but with a cheap and cheerful camera-mounted
3.5mm jack unbalanced mic, you are not
Cory Waters wrote:
I don't believe the impedance mismatch is the source of your problems.
Most audio electronics will have a much higher specified input impedance
than the corresponding output of the source device.
Thanks!
There's some quick reading here:
On 24/12/11, Dario Bonazza, discombobulated, unleashed:
This
boost in the microphone output allows the user to reduce the camera's preamp
level (or mic-input level), effectively reducing the amount of noise
generated by the camera's comparatively low quality audio circuitry.
Is there a manual
Cotty wrote:
On 24/12/11, Dario Bonazza, discombobulated, unleashed:
This
boost in the microphone output allows the user to reduce the camera's
preamp
level (or mic-input level), effectively reducing the amount of noise
generated by the camera's comparatively low quality audio circuitry.
I bet the camera has some bit automatic circuitry that adjusts the input
level for external sources. Given the lack of importance video people
generally place in how the audio sounds (really tall Empire-types
excluded, of course), I wouldn't be surprised if that circuit was
designed by the
The school I went to we used an audio recorder to simultaneously record
a quality audio track. The on camera audio was only used to synchronize
the audio with the video when we edited.
From: Cory Waters
I bet the camera has some bit automatic circuitry that adjusts the input
level for
Hi all,
Anybody here having experience with Pentax DSRL video recording? I
especially ask which mic is better for the K-5.
I've tried the SG-108:
http://www.amazon.co.uk/SG-108-Microphone-microphone-Samsung-Camcorders/dp/B004UN9I2O
and the result is crap: almost unintellegible and nothing
On 22/12/11, Dario Bonazza, discombobulated, unleashed:
Anybody here having experience with Pentax DSRL video recording? I
especially ask which mic is better for the K-5.
I've tried the SG-108:
http://www.amazon.co.uk/SG-108-Microphone-microphone-Samsung-Camcorders/
dp/B004UN9I2O
and the result
Dario, I purchased the RODE VideoMic that is show in all the images from Pentax
re: video recording. It works great, but the formed mic muffler that covers it
from the factory is only good for indoor use. You have to spend a few bucks
more for a proper wind attenuating cover, the ones that look
Cotty wrote:
Dario, I'm afraid I can't answer your specific questions about recording
video and mics for DSRLs as they use an unbalanced system. I do however
use balanced systems and have a reasonable knowledge of video an audio.
There are some interesting tutorials and links which may be of
Joseph McAllister wrote:
Dario, I purchased the RODE VideoMic that is show in all the images from
Pentax re: video recording. It works great, but the formed mic muffler
that covers it from the factory is only good for indoor use. You have to
spend a few bucks more for a proper wind attenuating
On 22/12/11, Dario Bonazza, discombobulated, unleashed:
Is the
200 ohm output of the cheap Chinese Sg-18 mic responsible for the barely
audible sound level I got? I had this suspect since the K-5 specs say that
input impedance is 2.2 Kohm.
If so, why should the Rode SVM mic everybody suggest be
On 22/12/11, Dario Bonazza, discombobulated, unleashed:
1 - I'd like a directional mic for recording at a concert, hopefully getting
music instead of public noise.
Mate, I hate to say this but with a cheap and cheerful camera-mounted
3.5mm jack unbalanced mic, you are not going to get the sound
From: Dario Bonazza
Hi all,
Anybody here having experience with Pentax DSRL video recording? I
especially ask which mic is better for the K-5.
I've tried the SG-108:
http://www.amazon.co.uk/SG-108-Microphone-microphone-Samsung-Camcorders/dp/B004UN9I2O
and the result is crap: almost
I don't believe the impedance mismatch is the source of your problems.
Most audio electronics will have a much higher specified input impedance
than the corresponding output of the source device.
There's some quick reading here:
http://hyperphysics.phy-astr.gsu.edu/hbase/audio/imped.html#c1
If you have to deal with me, you're SOL, buddy...
CW
On 12/22/2011 11:28 AM, Cotty wrote:
On 22/12/11, Dario Bonazza, discombobulated, unleashed:
1 - I'd like a directional mic for recording at a concert, hopefully getting
music instead of public noise.
Mate, I hate to say this but with a
On 22/12/11, Cory Waters, discombobulated, unleashed:
If you have to deal with me, you're SOL, buddy...
Actually that would be cl ;-)
--
Cheers,
Cotty
___/\__
|| (O) | People, Places, Pastiche
-- http://www.cottysnaps.com
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