Team Leader for Instructional Services
University of Arizona Library
brew...@u.library.arizona.edu
*From:* videolib-boun...@lists.berkeley.edu [mailto:
videolib-boun...@lists.berkeley.edu] *On Behalf Of *Jessica Rosner
*Sent:* Wednesday, June 09, 2010 10:07 AM
*To:* videolib
FYI quick check reveal about half are Sony and New Yorker can license them,
the others would require a lot of work as they appear to have no current US
contract meaning you have to find the rights holders who are almost surely
in Europe.
On Thu, Jun 10, 2010 at 4:31 PM, Jessica Rosner maddux2
own production company.
Sony did own the rights for almost all -- if not all -- were distributed by
them just a while ago.
Dennis
On Thu, Jun 10, 2010 at 4:37 PM, Jessica Rosner maddux2...@gmail.comwrote:
FYI quick check reveal about half are Sony and New Yorker can license
them, the others
The film had a complicated legal history because it was an independent
production. I am not aware that Criterion EVER owned the rights.
It is odd that to the best of knowledge there has been no run or showing
beyond one special one the restored material. This may indicate that those
rights which
Mark
Will you dump titles that can not be replaced and have circulated in the
last year or so ? Just curious.
On Mon, Jan 4, 2010 at 11:00 AM, Val Gangwer vgang...@mbc.edu wrote:
We still have a few, but except for the occaisional ILL request, they don't
get used anymore. I have replaced
I would just say don't get your hopes up. Any change would still
require Congressional approval which seems unlikely to me.
On Tue, Jan 12, 2010 at 3:13 PM, Linda Tadic lindata...@optonline.net wrote:
Hi all,
Does anyone have an update on the Section 1201 anti-circumvention rule? It
was set
Russell, who after 10 years in Washington, DC still does not
know what all of the acronyms mean
Message: 3
Date: Tue, 12 Jan 2010 15:27:45 -0500
From: Jessica Rosner maddux2...@gmail.com
Subject: Re: [Videolib] DMCA Section 1201 extension update?
To: videolib@lists.berkeley.edu
Message-ID
Well either it is still owned by New Yorker, you can e mail Linda
Duchin at newyorkerfilms...@thomson.net but I would only do this if
you know the film was owned by them and out on DVD when they went down
( an update on that soon) or it is owned by a company in Europe that
is going to be very
I am probably a little prejudice since I am working on a group of
documentaries in the $350-$400 range. I think it pretty much depends
on the value of the film to your school. If it is a film that will be
needed and used for more than one class or more than one semester you
, it probably is
Is BT that much more than other wholesalers or is it just the idea of
losing up to 50% by going through any wholesale company ?
Universities can almost always buy direct for what they need, but
public libraries are more constrained. As noted below Midwest tape is
highly regarded by public
Good thing the ones I am selling ( putting up a videonews sale
shortly) are under $400 ( for now). So back in the day Gary you never
bought an 3/4 or rare VHS for more than $400? Does seem kind of hard
to believe. I don't agree with your corporate comparison. I know there
are some VERY expensive
Yes Swank does it. I assumed that is who you were referring to re
pricing. Both Criterions do it too. I think small companies, Kino,
Milestone, Zeitgeist would probably do it for a fairly reasonable fee.
I remain cynical of streaming for feature films because there are far
too many that can not be
)
2. Re: Streaming feature films (Jessica Rosner)
3. Re: Streaming feature films (Sarah E. McCleskey)
4. Re: Streaming feature films (Elizabeth Sheldon)
--
Message: 1
Date: Thu, 21 Jan 2010 10:31:54 -0800
From
Damn, you beat me to it.
On Thu, Jan 21, 2010 at 4:15 PM, Hallman, Philip phall...@umich.edu wrote:
Hi Marilyn,
There are two used vhs copies for sale on amazon.com
One is $50.00 and the other is $90.00
Philip Hallman
Film Studies Librarian
Dept of Screen Arts Cultures/Hatcher
Basically you have it right. Feature films are very different from the
non-fiction educational films which are often sold with the PPR
rights. Studio product is never sold with PPR rights. You need to get
a license from Swank, Criterion or whichever company has those rights
from the studio. Often
Michael,
I can confirm New Yorker DOES own it so you should be able to license
through Linda and the email below.
On Tue, Jan 19, 2010 at 3:09 PM, Jessica Rosner maddux2...@gmail.com wrote:
Well either it is still owned by New Yorker, you can e mail Linda
Duchin at newyorkerfilms
I don't see the link. There is some irony here though. While Lessing
is correct that underlying copyrights on clips and songs are a big
hurdle for many older documentaries, the majority are doomed by the
very things Mr. Lessing has supported in terms use. I have mentioned
in the past that there is
Oh sure get the free plug.
Dennis, you guys to great work and there absolutely needs to be more
public support for these projects. The problem is there are tens of
thousands of documentaries, independent and foreign films that can't
all get funding to be released. The educational community and
First Susan, I don't mean JUST streaming I mean a variety of illegal
uses including streaming. Actually Dennis has the stats. As I recall
he found many illegal copies of KILLER OF SHEEP in academic
institutions BEFORE he released it and it had far more ILLEGAL
downloads than copies sold. I have
No problem with any of this Sarah. I think the problem for Larry, Allen, and
others, are institutions that condone illegal use of film in liu of just
using the the old fashioned way, in class and available in the library.
The professors ( and administrators who support them) who think they get a
Oh you just want to support those foreign films over our great American
film industry.
On Mon, Feb 8, 2010 at 1:48 PM, May, Margery m...@wesleyan.edu wrote:
Yes, my apologies---I managed to overlook the whole in America part, in
my eagerness to help!
MM
Margery L. May
Acquisitions
So if I have a copy of Xica de Silva and it's out of print, and the VHS
tape that i have is going bad, the i can migrate it to DVD as long as it
stays in the library?
On Mon, Feb 8, 2010 at 3:44 PM, Jessica Rosner maddux2...@gmail.com
wrote:
Tons of problems on this. First, you can never
The sad thing is that many filmmakers are genuinely ignorant of copyright
law. Many sincerely believe that institutions must have special rights pay
more to use a film in an academic setting. Needless to say the flip side are
professors who believe they can copy, stream, download any film because
Might I add, why in the world does he want it? You can find pretty detailed
analyses of how METROPOLIS was cut in the US and elsewhere.
On Mon, Feb 15, 2010 at 6:28 PM, Dennis Doros milefi...@gmail.com wrote:
Metropolis is licensed to Kino. I don't believe the original 1927 MGM
release still
discussion.
mb
Michael Brewer
Team Leader for Instructional Services
University of Arizona Library
brew...@u.library.arizona.edu
*From:* videolib-boun...@lists.berkeley.edu [mailto:
videolib-boun...@lists.berkeley.edu] *On Behalf Of *Jessica Rosner
*Sent:* Monday, February 15, 2010 4:43
Chuck,
Do you think UCLA lawyers are idiots and just pulled their streaming for
fun? You want to encourage another school to have to pay legal fees while
this is still ongoing? Remember Federal Law trumps professors who think
they have a right to digitize and stream copyrighted material. Between
Does that mean you advice people to do something that is illegal so they
should do it in such a way as not to get caught?
On Wed, Feb 17, 2010 at 11:20 AM, Chuck McCann cmcc...@fsu.edu wrote:
Jessica, thank you but no thank you.
On Wed, Feb 17, 2010 at 11:03 AM, Jessica Rosner maddux2
The court's don't make rules? That is a new one. There is a long history of
law on fair use and how it can and cannot be used. If either UCLA or
Georgia State decided to pursue their case ( my current understanding is
that the publishers are trying to pursue Georgia State which wants the court
to
Nope never out. .
On Tue, Feb 23, 2010 at 5:14 PM, Tatar, Becky blt...@aurora.lib.il.uswrote:
Hi! Just checking for a patron on this. She was looking for the vhs or
dvd of this title. First search yielded only 2 records - both on film
at UCLA's library. I told her it probably had never
Also a sad follow up on MAN BY THE SHORE by Raul Peck, which I had
recommended. It is long out of print of video, never released on DVD and I
have no clue who owns the rights. Unfortunately this is not an unusual
situation with a foreign film distributed in the US.
Jessica
On Thu, Feb 25, 2010
but part of the rights to all his
films and is in the midst of making DVDs for all the earlier prints.
Guetty
On Feb 25, 2010, at 9:38 AM, Jessica Rosner wrote:
Also a sad follow up on MAN BY THE SHORE by Raul Peck, which I had
recommended. It is long out of print of video, never released on DVD
...@gmail.com wrote:
Raoul works with Icarus for his documentary films. I don't know who is
distributing Man by the Shore in the US, I can find out.
On Feb 25, 2010, at 11:16 AM, Jessica Rosner wrote:
I will keep my fingers crossed, but directors rarely own rights for home
video market. Perhaps is he
I suspect they are genuinely clueless and I second Dennis on sending them a
copy of the copyright law dealing with
the Face to Face exemption. I think there are some people who know better
who try to claim that libraries and colleges must pay more, even if a film
has been released in the home
Let us know if you get a response and Dennis will be sending you a bill for
his legal advice.
On Fri, Feb 26, 2010 at 2:23 PM, Chris McNevins chris.mcnev...@uconn.eduwrote:
Dear Mr. Norelli,
While I understand that the library does not have the right to publicly
screen this DVD with or
Little jeanne.lit...@uni.edu wrote:
Jessica,
Where might I clear some of these through?
Thanks.
Jeanne
On 3/1/2010 2:04 PM, Jessica Rosner wrote:
You can clear some of these, but I think a few of them are going to be very
difficult
On Mon, Mar 1, 2010 at 2:29 PM, ghand
They can be sued and forced to stop BUT as a state institution they won't
have to pay any damages for what they do. This makes it more expensive for
rights holders to sue them, but under the circumstances I don't think they
have any choice.
On Wed, Mar 3, 2010 at 2:59 PM, Shoaf,Judith P
Is the Art Institute a for profit institution? Otherwise you can use any
legal copy ( and those are pretty much all released) in a class re face to
face teaching
Do you want to stream them?
On Tue, Mar 9, 2010 at 10:49 AM, Edwards, Mary meedwa...@aii.edu wrote:
Anyone know where to get rights
...@aii.edu
*From:* videolib-boun...@lists.berkeley.edu [mailto:
videolib-boun...@lists.berkeley.edu] *On Behalf Of *Jessica Rosner
*Sent:* Tuesday, March 09, 2010 8:02 AM
*To:* videolib@lists.berkeley.edu
*Subject:* Re: [Videolib] TV shows?
Is the Art Institute a for profit institution
Speaking for FEATURE films only, be careful. Rights CHANGE. The
standard studio libraries are relatively stable, but since none of
them are EVER sold with PPR it may not matter much. If you need
PPR/Streaming you just pretty much figure if it is Swank or Criterion
Pictures USA.
Foreign and Indie
there are but they would likely be very expensive.
On Tue, Mar 23, 2010 at 10:20 AM, Chuck McCann cmcc...@fsu.edu wrote:
Do we have a list of agents that can be consulted when it comes to clearing
copyright for images, video, audio for when folks want to add this sort of
stuff in their print
I don't know who holds the worldwide rights , but it is most likely
one of the large French companies. I would try to see who originally
released it, otherwise perhaps someoen at Janus could look it up in
their data base for you . Since they handle it in the US they would
know who owns it. Good
...@lists.berkeley.edu
[videolib-boun...@lists.berkeley.edu] On Behalf Of Jessica Rosner
[maddux2...@gmail.com]
Sent: Tuesday, March 23, 2010 5:53 PM
To: videolib@lists.berkeley.edu
Subject: Re: [Videolib] Copyright Question on movie still image
I don't know who holds the worldwide rights
No problem Gary, but please put the same caveat re UCLA and every time
someone posts something by Lessigg etc.
On Thu, Mar 25, 2010 at 1:27 PM, ghand...@library.berkeley.edu wrote:
Thanks, Betty
I think it is very important to point out that Mr. Lutzker's primer was
developed for AIME, an
I am pretty sure this is true of anything done by the Federal
Government, not sure about everything produced by state or local
agencies.
On Tue, Mar 30, 2010 at 12:28 PM, Moshiri, Farhad mosh...@uiwtx.edu wrote:
What about government publications? If National Wildlife Federation was a
If you go on eBay there seem to be a number of copies from Greece
that are supposedly legal and NTSC. It seems pretty strange but the
seller seems adamant that they are legal copies ( they say the quality
is not as good as the US release) I am not sure what to make of it ,
but it is not some
Most likely owned by the director Mario Van Peebles. You might see if
either the Directors Guild or Screen Actors Guild ( he would be a
member of both) can give you office or agent contact. Sony handled the
DVD release so someone would there would have contact info but I would
not hold your breath
Which one? Try a company called Rainbow Releasing in the LA area. You
should find them on google. I know they had HOLY GRAIL theatrically.
On Mon, Apr 5, 2010 at 10:36 AM, Edwards, Mary meedwa...@aii.edu wrote:
Hi,
Does anyone have a clew as to who can grant rights to show this film in a
[mailto:videolib-boun...@lists.berkeley.edu] On Behalf Of Jessica Rosner
Sent: Monday, April 05, 2010 7:44 AM
To: videolib@lists.berkeley.edu
Subject: Re: [Videolib] Rights to Monty Python films?
Which one? Try a company called Rainbow Releasing in the LA area. You
should find them on google. I know
.)
meedwa...@aii.edu
-Original Message-
From: videolib-boun...@lists.berkeley.edu
[mailto:videolib-boun...@lists.berkeley.edu] On Behalf Of Jessica Rosner
Sent: Monday, April 05, 2010 7:44 AM
To: videolib@lists.berkeley.edu
Subject: Re: [Videolib] Rights to Monty Python films?
Which
Neither. I looked it up on IMDB. It is some kind of homage feature
made by Mario Van Peeples re his father's work.
On Mon, Apr 5, 2010 at 11:13 AM, ghand...@library.berkeley.edu wrote:
Wait...are we talking about Sweet Sweetback or the compilation of
blaxploitation trailers entitled
Pretty sure it reverted to the director. I remember speaking to him
years ago when he was trying to reclaim some prints from a bankrupt
distributor that had handled it. Again try the Directors Guild for
contact info.
On Mon, Apr 5, 2010 at 12:38 PM, Edwards, Mary meedwa...@aii.edu wrote:
You
www.arayafilm.com
www.exilesfilm.com
www.wordisoutmovie.com
www.killerofsheep.com
AMIA Philadelphia 2010: www.amianet.org
Join Milestone Film on Facebook!
On Mon, Apr 5, 2010 at 12:52 PM, Jessica Rosner maddux2...@gmail.com
wrote:
Pretty sure it reverted to the director. I remember speaking
Kino did make a major upgrade.
On Tue, Apr 20, 2010 at 3:59 PM, Dennis Doros milefi...@gmail.com wrote:
Dear Christine,
A comparative site, DVD Beaver, has this info:
http://www.dvdbeaver.com/
They suggest Kino's and I agree. The frameline through the top of most of
the Image dvd is a
I hate to break the news to you Deg, but the 1929 version was never
legally released . Warner Bros which owns it, does not have any
material of its own but there is material at LOC. There is also some
rights issues. Very curious to know what kind of label your VHS has.
Jessica
On Tue, Apr 20,
brew...@u.library.arizona.edu
-Original Message-
From: videolib-boun...@lists.berkeley.edu
[mailto:videolib-boun...@lists.berkeley.edu] On Behalf Of Jessica Rosner
Sent: Tuesday, April 20, 2010 8:52 PM
To: videolib@lists.berkeley.edu
Subject: Re: [Videolib] One more title - Desert Song
They were pretty notorious for bootlegs. I think Dennis told me he
went after them for carrying several films he owned. What I find so
interesting is how they could even find anything remotely decent
enough to put out. If you get a chance ask someone to pop it in and
see what it looks like.
Here
I am pretty sure this is not what you had in mind but definitely the
most amazing video I have seen recently
http://www.youtube.com/watch?v=FtUlc0-6z8A
On Fri, Apr 23, 2010 at 11:41 AM, Laura Jenemann ljene...@gmu.edu wrote:
Not a feature film, but a video of a performance, an educational
It is out of print and apparently rare enough to get a premium price.
Other than getting a cheaper used copy that are also available from
third party sellers I don't know your options. I do notice it can be
legally downloaded for $10 on Amazon but no idea if that will work for
your situation.
This is strictly between youtube and copyright holder. Basically it
sounds like youtube just does not want to be bothered so they just
give in to any request.
Satire is most definitely covered. I wonder if youtube would remove
all Weird Al Yankovic songs as well. The irony is that there is a
I believe it came out in Australia, but not the US.
On Fri, Apr 30, 2010 at 12:16 PM, Rosen, Rhonda J. rhonda.ro...@lmu.eduwrote:
Is Abel Gance’s *Napoleon* available on dvd?
Per WorldCat, it seems like some people have found it, but I’m not seeing
it at any of the usual places….anyone?
applies to both librarians venders. You can
reply to me directly if Gary does not want the list clutered up.
Does anyone have a list of media related panels or events?
Jessica Rosner
VIDEOLIB is intended to encourage the broad and lively discussion of issues
relating to the selection, evaluation
in accordance with their terms.
mb
Michael Brewer
Team Leader for Instructional Services
University of Arizona Library
brew...@u.library.arizona.edu
*From:* videolib-boun...@lists.berkeley.edu [mailto:
videolib-boun...@lists.berkeley.edu] *On Behalf Of *Jessica Rosner
*Sent
Well I think Lawrence was just reacting to the insanity of the UCLA claims
and the knowledge that they are not alone in illegally streaming and duping
material. Otherwise I think it would be pretty straightforward that when you
buy a film you can use it in class, circulate it and put it on
I think this can easily be worked out. I think it would be more practical
for a purchase agreement to just make it clear what is already the case
under copyright law , the
purchasers can not digitize, stream or copy any title without explicit
permission. I doubt you or most librarians here would
You really can never tell Eileen. It is not totally crazy, like say a film
that had no history of distribution in the US. I would first check with New
Yorker to see if they still own it. I think there is a lot of interest in
putting out Rohmer films. If New Yorker still owns they well might and if
It has come up before. The Netflix terms of use contract forbids it. It has
the home use only type of language. It is possible that this might be
enforceable as a contract, though nothing in copyright law would forbid it.
Jessica
On Tue, May 18, 2010 at 3:19 PM, Elizabeth Barksdale
nope. It would not matter what format, you have no right to make a copy.
Jessica
On Wed, May 26, 2010 at 11:46 AM, Maureen Tripp
maureen_tr...@emerson.eduwrote:
A faculty member just presented me with 2 VHS tapes, copies of DVDs she
purchased. She wants to donate these to our media
http://www.chicagotribune.com/news/local/ct-met-libraries-day-care-20100705,0,7905730.story
VIDEOLIB is intended to encourage the broad and lively discussion of issues
relating to the selection, evaluation, acquisition,bibliographic control,
preservation, and use of current and evolving video
Not sure what kids lit is exactly. Does that mean HEIDI ANNE OF GREEN
GABLES or more serious stuff. Could TO KILL A MOCKINGBIRD be kids it ? If
so top of my list. Also THE YEARLING. One very off beat choice. CHARLIE AND
THE CHOCOLATE FACTORY , the Gene Wilder version of course.
On Thu, Jul 8,
I gather they would not be watching it live because that might be after
hours. Watching it live might not actually be a problem at all since I am
sure you are not charging admission. Only copying and replaying it later
would be an issue as far as I know.
On Thu, Jul 8, 2010 at 9:27 PM, Tatar,
Is there an actual link to the article? I can't find it.
On Tue, Jul 13, 2010 at 10:06 AM, Ciara Healy hea...@uwosh.edu wrote:
here is the citation:
The Journal of Academic Librarianship
Volume 36, Issue 4, July 2010, Pages 351-353
Ciara Healy
Outreach Librarian
Polk Library
University
Very sensible. It allows you circumvent the DMCA in order to use a small
portion of a work for a class etc. I especially appreciate that it really
spells out this is a small portion and for a transformative purpose.
Jessica
On Mon, Jul 26, 2010 at 12:35 PM, Chris Lewis cle...@american.edu
that the content
doesn't need to be licensed. What do others think?
Linda Tadic
Audiovisual Archive Network
lta...@archivenetwork.org
- Original Message -
From: Jessica Rosner
To: videolib@lists.berkeley.edu
Sent: Monday, July 26, 2010 12:46 PM
Subject: Re
), but it doesn't say that the
content doesn't need to be licensed. What do others think?
Linda Tadic
Audiovisual Archive Network
lta...@archivenetwork.org
- Original Message -
*From:* Jessica Rosner maddux2...@gmail.com
*To:* videolib@lists.berkeley.edu
*Sent:* Monday, July
-
From: Jessica Rosner
To: videolib@lists.berkeley.edu
Sent: Monday, July 26, 2010 12:46 PM
Subject: Re: [Videolib] New copyright rules re: DMCA exemptions are
finallyannounced - and they are now exempt educational uses by all
university professors and students
This is actually funny ironic.since Ms. Aufderheide is a leading
proponent of the claim that ENTIRE works are fair use.I wonder if she
noticed the part about SMALL PORTIONS for use in critique criticism.
Jessica
On Mon, Jul 26, 2010 at 10:26 PM, McGinty Dylan d.mcgi...@nfb.ca wrote:
Just
are
finallyannounced (Jessica Rosner)
--
Message: 1
Date: Mon, 26 Jul 2010 15:18:06 -0500
From: Rudy Leon rudy.l...@gmail.com
Subject: [Videolib] DMCA...what did we win?
To: videolib@lists.berkeley.edu
Message-ID:
aanlktik880+bum
It is DEFINATELY a bootleg. FYI Paramount films of that era are in fact
owned by Universal but it is still a bootleg.
Basically if you don't see a film which is in DVD on Amazon, or in Midwest
Tape , BT etc. there is a 99% chance it is a bootleg. The one big exception
are WB, RKO MGM titles
Looks like good stuff, but I only had time to scan it, so where should I
look for the names being named.
One part I did manage to read was about foundations giving huge chunks of
money for studies or whatever that would have been much better spent on
actually funding films. I was was always
Here is very unusual one. There is government produced dock that was made
more or less in co-operaton with Standard oil in the late 20s called The
story of Petroleum. I think it runs just under 30 minutes. Believe it or
not it an extra on the DVD of THERE WILL BE BLOOD Blu-Ray. Should be worth
Other than in Europe, I would nearly certain the answer is no. I am sure you
checked all the usual suspects. I would say if a film is not available from
Amazon, Midwest Tape or NetFlix , you should be 99% sure it is not out.
These seem like run of the mill Italian films and the VAST majority of
Indeed.
On Thu, Aug 12, 2010 at 4:52 PM, Dennis Doros milefi...@gmail.com wrote:
Naturally. He was a Jersey boy! In the motion picture patent wars in the
early teens, they even sent men with guns after the illegal infringers.
Makes you long for the old days. ;-)
Dennis
On Thu, Aug 12,
In both cases I believe they are owned by the original producers and while
it takes some doing I know places that have tracked them or their companies
down.
On Mon, Aug 16, 2010 at 3:18 PM, Rhonda Pancoe rpan...@colgate.edu wrote:
Does anybody know where I might be able to find the 35mm films
I would start with Eros releasing. Even if they don't own the PPR they would
know who does but it might take some doing to get them to give you contact
info.
Here is their web site for home video , it does have contact link.
http://dvdstore.erosentertainment.com/product/relsoondvd.asp
On Mon,
This comes up a lot. For what it is worth there is a good chance these folks
sincerely believe this and have no understanding of copyright law and the
face to face exemption. I have met a significant number of directors and
producers of independent films who honestly believe that there is actually
For what it is worth the VHS copies of Becket's FILM where illegal as he
refused to allow to be licensed.
On Tue, Aug 17, 2010 at 4:38 PM, ghand...@library.berkeley.edu wrote:
The project continues: we've just identified the titles on our big ol'
MRC/Literary Adaptations list that are either
There was of course a very bad adaptation of JUNO AND THE PAYCOCK directed
by Alfred Hitchcock in 1930. I believe you can find it on line but not sure
any of the copies are legal.
I don't believe either of the others has ever been filmed.
Jessica
On Mon, Aug 23, 2010 at 11:43 AM, Bahr, Philip
Well it has shown up a specialized archive showings. I believe MOMA showed
it recently, but those things are not exactly available for rental.
It is still under copyright and the French are very difficult. Only thing I
could find was an out of print French VHS for $125 euros on Amazon France.
You
Peter,
Are these basically pirate copies ? Perhaps the rights holder of this
film is long out of business and not paying attention.
I looked on Amazon France and saw nothing but the out of print VHS for
a high price.
Jessica
On Sat, Aug 28, 2010 at 8:12 AM, Delin, Peter de...@zlb.de wrote:
A
It isn't Disney?
On Fri, Sep 3, 2010 at 1:25 PM, Sarah E. McCleskey
sarah.e.mccles...@hofstra.edu wrote:
Hi, I need PPR for this title. When I checked last fall, they were
available from Criterion but now I don’t see it in their database. Any
tips?? ARG!!
Sarah
Sarah E.
[mailto:
videolib-boun...@lists.berkeley.edu] *On Behalf Of *Jessica Rosner
*Sent:* Friday, September 03, 2010 1:41 PM
*To:* videolib@lists.berkeley.edu
*Subject:* Re: [Videolib] PPR for Princess Mononoke
It isn't Disney?
On Fri, Sep 3, 2010 at 1:25 PM, Sarah E. McCleskey
sarah.e.mccles
Brief follow up on the off air issue. Off air copies are not considered
legal copies so for instance the recently published rules from the LOC on
clips would not specifically apply. It may be possible to make a fair use
claim but usually that requires a legal source. However if you want to push
Home copies are for individuals Gary. If they were legal copies you could
sell and rent them but you can not. There is a BIG difference.
The use of the term legal copies in things like the recent LOC rules as
well as other copyright laws is always understood to mean a copy officially
released by
Good luck on getting them to take responsibility for it. It is rarely Bud
Light commercials.
I would never trust an academic to make a responsible decision on fair use
as their view is usually , I want to use it so it's fair.
On Wed, Sep 8, 2010 at 4:35 PM, Brewer, Michael
Remember the Titans or other similar sports movies about coaches. I think
there are more than a few of these.
On Wed, Sep 8, 2010 at 9:02 PM, Marynelle Chew marynelle.c...@byuh.eduwrote:
I have a faculty member who is looking for feature films of the last decade
(or two) that exemplify
are precisely what
would prevent schools libraries from doing what you say; they don’t allow
retaining off-air tapes for years on end.
Susan
*From:* videolib-boun...@lists.berkeley.edu [mailto:
videolib-boun...@lists.berkeley.edu] *On Behalf Of *Jessica Rosner
*Sent:* Wednesday
It is handled by a company called Newmarket Films. I googled and here is the
email i...@newmarketcap.com.
For future advice. I looked up the original review on the New York Times web
site and they listed Newmarket and then I googled them. This is how I would
check initially check the owner for any
OK my friend at WB reports that indeed the issue was material but they have
just made a lovely new master. It has a small flaw they need to fix and he
had no release date but clearly it is on their front burner. This would be a
release of the Warner
Archive Collection which is not really sold
If you want PPR rights I suggest you contact Facets directly.
On Fri, Sep 10, 2010 at 1:06 PM, Kalantari, Mohammad
mohammad.kalant...@frontrange.edu wrote:
Our social Science department is sponsoring a Pakistan awareness week
and I am looking for a distributor to buy or rent Made in
I think it really depends on the film.
On Fri, Sep 10, 2010 at 4:53 PM, Maureen Tripp maureen_tr...@emerson.eduwrote:
Can anyone give me a ballpark figure on what it costs to rent a film from
Swank for non-admission charging campus viewing? Just an estimate?
Maureen Tripp
Media Librarian
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