The opposite of trolling actually, I hope it is obvious I only mean to share my 
experiences and ideas on how to get the best possible Houdini ride.

But I won’t insist any more on the “try it” part…
jb


> On 14 May 2018, at 10:32, Alastair Hearsum <[email protected]> wrote:
> 
> Is this trolling? I'm not sure. But I feel I have to keep shooting this kind 
> of thing down. Without naming names you know the guy that created a very 
> complex feather system in ICE here at Glasswork, on the job. We have been 
> using Houdini as you know for a few years now, so with the combination of a 
> technically minded artist who operates at a high level exposed to Houdini for 
> few years who is still tearing his hair out in frustration points to the 
> issues with Houdini.  
> They need to seriously look at improving their user interaction. Its not just 
> about getting used to it.
> 
> On 12/05/2018 16:18, Jordi Bares wrote:
>> I would suggest to give it a proper go, if you have used ICE you will see 
>> how easy it is.
>> 
>> jb
>> 
>> 
>> 
>>> On 12 May 2018, at 10:48, Tom Kleinenberg <[email protected] 
>>> <mailto:[email protected]>> wrote:
>>> 
>>> This is a really interesting discussion and covers thoughts from all 
>>> angles. There is an element to the discussion of technical types telling 
>>> the rest of us we just need to "git gud" which is a bit disheartening 
>>> though. (It's disheartening not because it's patronising but because the 
>>> only way to use Houdini is to master it at fairly high technical level 
>>> which will exclude a number of people, myself included). I understand that 
>>> there is a technical learning curve to any piece of software but Houdini is 
>>> a different beast to the other big three (Max, Maya, eXSI). You can drop a 
>>> Maya artist in XSI and tell them to achieve a task and they'll do it - 
>>> maybe not the most efficient way, but a way that works. I don't feel that's 
>>> the same in Houdini. There's too much "well, nobody really models in 
>>> Houdini" or "you can, but nobody really animates in Houdini". That's not 
>>> necessarily bad, Zbrush is probably the "best" software on the market in 
>>> terms of expectations to results but it's clear about it's narrow focus.
>>> 
>>> To put it in a personal way, I've worked to some level in 3DS Max, Maya, 
>>> Lightwave and XSI. I wouldn't consider myself particularly artistically 
>>> gifted or technically proficient but I am good at understanding the needs 
>>> of a non-technical person (eg art-director), drawing up a list of 
>>> requirements and achieving them, getting support from concept artists are 
>>> pipeline TD's if needed. XSI was* the software that allowed me to go the 
>>> furthest independently (*was because I've had to move to Maya). I would 
>>> love to replace that and Houdini appears to be a good fit but I'm not sure. 
>>> Maybe the "uber-nodes" you're discussing are anathematic to Houdini's 
>>> overall workflow but would be streamline the on-boarding process. XSI was 
>>> excellent at getting people into the software and then allowing you to get 
>>> into the more complex bits on your own; although ICE was the main weapon in 
>>> my arsenal, it's possible to work for years without ever touching it.
>>> 
>>> On 12 May 2018 at 09:34, Jordi Bares <[email protected] 
>>> <mailto:[email protected]>> wrote:
>>> @Matt, Exactly my thoughts (but clearly better explained)
>>> 
>>> I would certainly advocate to improve things in terms of node functionality 
>>> or assisting better in certain aspects (blend shape manager, exporting 
>>> bundles in and out, or adding hierarchical overrides in takes, or adding 
>>> certain tools we use every single day, or bringing more “uber nodes” to 
>>> VOPs so we don’t have to be so granular) but always without sacrificing 
>>> proceduralism or breaking their core design.
>>> 
>>> Jb
>>> 
>>> 
>>> 
>>>> On 11 May 2018, at 22:04, Matt Lind <[email protected] 
>>>> <mailto:[email protected]>> wrote:
>>>> 
>>>> Given Houdini is a node based system, there is a simple paradox at play 
>>>> that in order to get the level of cohesiveness Softimage employed, tools 
>>>> need to share information and work together. A node based system, by 
>>>> design, requires each node to act independently. To get the Softimage 
>>>> workflow in Houdini requires either monolithic nodes with enough 
>>>> intelligence to cover all the bases of a particular task, or the UI needs 
>>>> to take control and hide the nodes behind the scenes slapping user's 
>>>> wrists if they attempt to fiddle with the nodes involved. In either case, 
>>>> it works against a node based system's mantra.
>>>> 
>>>> In short, I don't think it's possible for Houdini to ever become another 
>>>> Softimage. You'll have to settle for something that has great power but 
>>>> some degree of cumbersome workflow.
>>>> 
>>>> Matt
>>>> 
>>>> Message: 2 Date: Fri, 11 May 2018 18:44:10 +0100 From: Alastair Hearsum 
>>>> <[email protected] <mailto:[email protected]>> Subject: 
>>>> Re: Houdini : non VFX jobs? To: [email protected] 
>>>> <mailto:[email protected]>
>>>> I think there is real danger in pinning all this grumbling on lack of 
>>>> familiarity and not acknowledging that there are some fundamental design 
>>>> issues . The first step to recovery is to admit that there a problem. As 
>>>> everyone knows there is some fantastic technology in there but its strung 
>>>> together in an awful way. Its like putting the organs of a 20 year old in 
>>>> an octagenarian; each organ very capable in its own right but not in the 
>>>> ideal host to get the best out if it.
>>>> 
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>>>> 
>>>> 
>>> 
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> 
> -- 
> Alastair Hearsum
> Creative Director of 3d
> 
>  
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>  
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