On 14/05/2018 10:37, Jordi Bares wrote:
The opposite of trolling actually, I hope it is obvious I only mean to share my experiences and ideas on how to get the best possible Houdini ride.But I won’t insist any more on the “try it” part… jbOn 14 May 2018, at 10:32, Alastair Hearsum <[email protected] <mailto:[email protected]>> wrote:Is this trolling? I'm not sure. But I feel I have to keep shooting this kind of thing down. Without naming names you know the guy that created a very complex feather system in ICE here at Glasswork, on the job. We have been using Houdini as you know for a few years now, so with the combination of a technically minded artist who operates at a high level exposed to Houdini for few years who is still tearing his hair out in frustration points to the issues with Houdini. They need to seriously look at improving their user interaction. Its not just about getting used to it.On 12/05/2018 16:18, Jordi Bares wrote:I would suggest to give it a proper go, if you have used ICE you will see how easy it is.jbOn 12 May 2018, at 10:48, Tom Kleinenberg <[email protected] <mailto:[email protected]>> wrote:This is a really interesting discussion and covers thoughts from all angles. There is an element to the discussion of technical types telling the rest of us we just need to "git gud" which is a bit disheartening though. (It's disheartening not because it's patronising but because the only way to use Houdini is to master it at fairly high technical level which will exclude a number of people, myself included). I understand that there is a technical learning curve to any piece of software but Houdini is a different beast to the other big three (Max, Maya, eXSI). You can drop a Maya artist in XSI and tell them to achieve a task and they'll do it - maybe not the most efficient way, but a way that works. I don't feel that's the same in Houdini. There's too much "well, nobody really models in Houdini" or "you can, but nobody really animates in Houdini". That's not necessarily bad, Zbrush is probably the "best" software on the market in terms of expectations to results but it's clear about it's narrow focus.To put it in a personal way, I've worked to some level in 3DS Max, Maya, Lightwave and XSI. I wouldn't consider myself particularly artistically gifted or technically proficient but I am good at understanding the needs of a non-technical person (eg art-director), drawing up a list of requirements and achieving them, getting support from concept artists are pipeline TD's if needed. XSI was* the software that allowed me to go the furthest independently (*was because I've had to move to Maya). I would love to replace that and Houdini appears to be a good fit but I'm not sure. Maybe the "uber-nodes" you're discussing are anathematic to Houdini's overall workflow but would be streamline the on-boarding process. XSI was excellent at getting people into the software and then allowing you to get into the more complex bits on your own; although ICE was the main weapon in my arsenal, it's possible to work for years without ever touching it.On 12 May 2018 at 09:34, Jordi Bares<[email protected] <mailto:[email protected]>>wrote:@Matt, Exactly my thoughts (but clearly better explained) I would certainly advocate to improve things in terms of node functionality or assisting better in certain aspects (blend shape manager, exporting bundles in and out, or adding hierarchical overrides in takes, or adding certain tools we use every single day, or bringing more “uber nodes” to VOPs so we don’t have to be so granular) but always without sacrificing proceduralism or breaking their core design. JbOn 11 May 2018, at 22:04, Matt Lind <[email protected] <mailto:[email protected]>> wrote: Given Houdini is a node based system, there is a simple paradox at play that in order to get the level of cohesiveness Softimage employed, tools need to share information and work together. A node based system, by design, requires each node to act independently. To get the Softimage workflow in Houdini requires either monolithic nodes with enough intelligence to cover all the bases of a particular task, or the UI needs to take control and hide the nodes behind the scenes slapping user's wrists if they attempt to fiddle with the nodes involved. In either case, it works against a node based system's mantra. In short, I don't think it's possible for Houdini to ever become another Softimage. You'll have to settle for something that has great power but some degree of cumbersome workflow. Matt Message: 2 Date: Fri, 11 May 2018 18:44:10 +0100 From: Alastair Hearsum <[email protected] <mailto:[email protected]>> Subject: Re: Houdini : non VFX jobs? To:[email protected] <mailto:[email protected]> I think there is real danger in pinning all this grumbling on lack of familiarity and not acknowledging that there are some fundamental design issues . The first step to recovery is to admit that there a problem. As everyone knows there is some fantastic technology in there but its strung together in an awful way. Its like putting the organs of a 20 year old in an octagenarian; each organ very capable in its own right but not in the ideal host to get the best out if it. ------ Softimage Mailing List. To unsubscribe, send a mail [email protected] <mailto:[email protected]>with “unsubscribe” in the subject, and reply to confirm.------ Softimage Mailing List. To unsubscribe, send a mail [email protected] <mailto:[email protected]>with "unsubscribe" in the subject, and reply to confirm. ------ Softimage Mailing List.To unsubscribe, send a mail [email protected] <mailto:[email protected]>with "unsubscribe" in the subject, and reply to confirm.------ Softimage Mailing List. To unsubscribe, send a mail [email protected] with "unsubscribe" in the subject, and reply to confirm.-- Alastair Hearsum Creative Director of 3d 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See our latest work_here_ <https://u7507473.ct.sendgrid.net/wf/click?upn=5SmYwFIJXHmC5X9wAP0G6mg4oLGBuQENbeDkYXezg3m6vjHxJcC6rUMd8QE2MtqzS3nHFJpHH1mihN2vNWVF73yH4QzPTUaj-2BU-2FV4xCvLLTnZ7suFMzmFdGmjVRnYdJAxVY-2F5M380PkfQ8TNK8ovM5rxNeeTCOnkRGaT-2F-2Fqta38pWvWMaql23pwdaAWmes-2Fu-2FwoONKissOPCP2dnxYlCF8MuvS9SagvsIc6CtFXU7v7dMieqREDdkqKDPcfejV-2FTJALRx-2FMJGI6QHbuV-2FHw0uBsrqBwZqKsEIKfi08-2BMglco-2FAf5Ij0DpTquDyK4UilAXojn2o-2Fis60uBLhnFAhocA6l2ABM-2BEpWkN95irHSp4K-2F7pKCRBsqu5aetIzzQ51Wl-2BYQ0tPceebd4dLxKXe7Vr6cRQYWNgTU40Es-2BjQyU1WHtV-2FpP4cYBt-2FkCgsKJHTpsU9Ym4jPLqae8WjqGgqMZD6jF1UNLBpnTwcJU9aPhvi1aHYBYt6DJHAQOGP6R2UXu4HHLTDylqVtmd-2BiEkryw5SDWu7ehmC4sV-2FXpApioR9a6MFeki5VGxB3aA1CaWFMV-2BtBxFtDmI3dv2IMRgqAdha1tu7J-2BhZLGmtKDFmhkYIyJx8H78cFPjKM7eoFlrAWvpiYq-2BEEt2HnoW-2FAeeDmmTuuPy0jzo-2BBwkopQRJU4kEPBy172OWufw3co6sSdApBCBZB3O0PD7s85MnIQkYOVwuq-2FGjFosTvfz-2FKIDwa886-2BkGgMP5Fi5VltcDCXnl-2FnJXxJi-2BBctXd7V-2BWkQNAGHnpIes5mrnRRVECPMw5Cw1Ew30DdhdYLv-2FRcK999TzBzYlXhF-2FwF9bxlaRmA33aPaC4aakmofT-2BVDSP4ps1wf1u-2F5rR1OpECGgFAM8C3-2FQlt-2F1Aj1YZcXmWiqzRaZmWz-2FPH2LnLkeC1iR-2FhmqIK8KR6W7aO7BpvjXY7KOGT-2BJ3ftRwOeBPIRAZ-2Fz2VPBOw-2FpNCNthHMSMpAQlhook8-2FBAchkt2fvidkY3IJbw748Ds5aTokkanuFCkDuF9mWlt31P5t96gdt9qmwzkYrzV2Od-2FjbG2yIeIyLyO-2F5kzuA9DZgyvY6sT6f8XggY4iAue-2BIwzBnHPjc-2Fq0nfKo1ien5iqqY3uvPcE1TjzcTiu7hdRPadzrBcFXD64eP4MmqbwSrp3cDtptQEjIKrkJzD-2BAIgp8ubi-2FmjjRyCKoOOZciyPlkv1jfpKtMkMzo0Yt0Ed-2FqucO72xWeWdEOIA6B9h47idZbGh7W-2FCFdBtWmVJAadncqIuvWELvfmC33JpdfJuhWM3nl4JKvobtQrOmemJuiDNc-3D_fEc0MJ3UMUtRVEqOrnyADYRtMhWx8v-2FEFQrnJN7E9-2F-2Fj1WoaxCmF6Dc-2FxcQLpVQUYYLibK2r57-2BzX0PXUoq8-2F-2BqLoXnjTzKtAnXG4HBblYuxD-2BAhRAABnGM3hfCBnqF0vm0MyMv6frHr6pumKkGuT6diwsMlK8eUfuadW41ZE0fsRtsMpg-2BhFguIJDVqd2X4h4jPu0fbu9LKvUFC13BcPOqoDc9D696PV6KOs2jkw7k-3D>The Penthouse, 5th Floor, 87-91 Newman Street London W1T 3EY T +44 (0)20 7434 1182glassworks.co.uk <https://u7507473.ct.sendgrid.net/wf/click?upn=5SmYwFIJXHmC5X9wAP0G6mg4oLGBuQENbeDkYXezg3m6vjHxJcC6rUMd8QE2MtqzS3nHFJpHH1mihN2vNWVF73yH4QzPTUaj-2BU-2FV4xCvLLTnZ7suFMzmFdGmjVRnYdJAxVY-2F5M380PkfQ8TNK8ovM5rxNeeTCOnkRGaT-2F-2Fqta38pWvWMaql23pwdaAWmes-2Fu-2FwoONKissOPCP2dnxYlCF8MuvS9SagvsIc6CtFXU7v7dMieqREDdkqKDPcfejV-2FTJALRx-2FMJGI6QHbuV-2FHw0uBsrqBwZqKsEIKfi08-2BMglco-2FAf5Ij0DpTquDyK4UilAXojn2o-2Fis60uBLhnFAhocA6l2ABM-2BEpWkN95irHSp4K-2F7pKCRBsqu5aetIzzQ51Wl-2BYQ0tPceebd4dLxKXe7Vr6cRQYWNgTU40Es-2BjQyU1WHtV-2FpP4cYBt-2FkCgsKJHTpsU9Ym4jPLqae8WjqGgqMZD6jF1UNLBpnTwcJU9aPhvi1aHYBYt6DJHAQOGP6R2UXu4HHLTDylqVtmd-2BiEkryw5SDWu7ehmC4sV-2FXpApioR9a6MFeki5VGxB3aA1CaWFMV-2BtBxFtDmI3dv2IMRgqAdha1tu7J-2BhZLGmtKDFmhkYIyJx8H78cFPjKM7eoFlrAWvpiYq-2BEEt2HnoW-2FAeeDmmTuuPy0jzo-2BBwkopQRJU4kEPBy172OWufw3co6sSdApBCBZB3O0PD7s85MnIQkYOVwuq-2FGjFosTvfz-2FKIDwa886-2BkGgMP5Fi5VltcDCXnl-2Fn7hiUWrGNSb0Ugmqf1fH5WuXfI1cQqsPqoT9CJiHFO6wEfRB4X2Tez6oxKJfnse869T-2BoepNn5u460-2BxjsEksD3yg82jn-2B7pJj02W2ycU3uXEx2Dl4OSlJ8Q6ShmKYdoj5q6zPaOTPw29irn4EzDrcNgJfbAims59d5mLUrFj2ONT4lIQ-2B-2FBZ33T6I8PoZ0VbzMJTmoXavlOWqLjdS69ejyk2lG5zm-2BUQXIz0a-2FVOS9rvWYl4CR4lYV9isQUeQGutWHD-2BNpImjyy8eqGpoHQ0e5Qe4EZHouSUP6ECe93Xr3f-2BkBEaayeEb02gpoVVUj7S36jTIijH5C0AZkgFHM8FbW-2BGnv3Ghi25wfBqMUbmTu4Zb1pPyGpu-2FULvnYnsL30ZAcDQOF3qV0I0Kl94xNHFDVyRBjqhUklsQj6H4a-2FQ5Zchjp-2F7J-2FXYGI4ugmEnChzd9IXjNrv1MmXSDVd8ERPenq-2Ba-2BCjGvLEMCZv00ykq0CBkFrK6iNYUzyy3BpqDBmHjq4TRusTLraWp-2FxFPR1Croty-2F6mZf-2Bi31et1xeYKszk8-3D_fEc0MJ3UMUtRVEqOrnyADYRtMhWx8v-2FEFQrnJN7E9-2F-2Fj1WoaxCmF6Dc-2FxcQLpVQUYYLibK2r57-2BzX0PXUoq8-2Fw2o3oKg2vG7TxVJE-2Bw6VcdasY46SjDqXpG4AHNeE4y5M9ftpp4-2FG564CTz2S1WazCkq-2BTBDe5eCVsWAFTxFy-2Bseo6VdOzF6hlrHxBcDbEC9342fcnQeEMAjxQ2zAkx7xdQRR9Jo1Y6MGwpSgb44M9s-3D> Glassworks Terms and Conditions of Sale can be found atglassworks.co.uk <https://u7507473.ct.sendgrid.net/wf/click?upn=5SmYwFIJXHmC5X9wAP0G6mg4oLGBuQENbeDkYXezg3m6vjHxJcC6rUMd8QE2MtqzS3nHFJpHH1mihN2vNWVF73yH4QzPTUaj-2BU-2FV4xCvLLTnZ7suFMzmFdGmjVRnYdJAxVY-2F5M380PkfQ8TNK8ovM5rxNeeTCOnkRGaT-2F-2Fqta38pWvWMaql23pwdaAWmes-2Fu-2FwoONKissOPCP2dnxYlCF8MuvS9SagvsIc6CtFXU7v7dMieqREDdkqKDPcfejV-2FTJALRx-2FMJGI6QHbuV-2FHw0uBsrqBwZqKsEIKfi08-2BMglco-2FAf5Ij0DpTquDyK4UilAXojn2o-2Fis60uBLhnFAhocA6l2ABM-2BEpWkN95irHSp4K-2F7pKCRBsqu5aetIzzQ51Wl-2BYQ0tPceebd4dLxKXe7Vr6cRQYWNgTU40Es-2BjQyU1WHtV-2FpP4cYBt-2FkCgsKJHTpsU9Ym4jPLqae8WjqGgqMZD6jF1UNLBpnTwcJU9aPhvi1aHYBYt6DJHAQOGP6R2UXu4HHLTDylqVtmd-2BiEkryw5SDWu7ehmC4sV-2FXpApioR9a6MFeki5VGxB3aA1CaWFMV-2BtBxFtDmI3dv2IMRgqAdha1tu7J-2BhZLGmtKDFmhkYIyJx8H78cFPjKM7eoFlrAWvpiYq-2BEEt2HnoW-2FAeeDmmTuuPy0jzo-2BBwkopQRJU4kEPBy172OWufw3co6sSdApBCBZB3O0PD7s85MnIQkYOVwuq-2FGjFosTvfz-2FKIDwa886-2BkGgMP5Fi5VltcDCXnl-2Fnelo7ZBaXPuEOhHvE97C-2Bj-2FSHlHH7TCNTVojk-2FJbZPt4gcvUnbVOwZNWsBW8PKt3LkWY-2BqF-2BpMy9od0l-2FfO-2FPfCnnXxgepKWE0vbBaMS-2FWbOE7necVz0QN-2BBk3kRo7vSjnE9yLI-2B9T4M6-2BFpAPAghIDlAzaURIdwRr-2BQntyNzIkHmkaB-2Bpe-2BRWFIupNnKvFPtaLcQ1Y2Mhqq0X6EPRb2z4Ru8tu1E40RybrZvyURo3OwTNzsSsjAQyCRFqZhYtsSuEnWGOi6MTWvKacmvBC-2FkdV-2FQ9dYFofvIrWZK2ztp-2FTCOX4-2F-2Fqh30usZpfctpiullbPMOl8ENWbzRxxk8u2IEeuKguH-2BkajcghxVDsfSmf7puOshfHJRJUWqi9l-2Bcoeq-2B7xILH28xFRNRKgLt7GGsXb-2BqBgPNroUlhh9tAYQdUj6ZVtUMFptr-2FeaF5GjTJ9t3XKBO3wx9cTm3Yi20VNeasW2-2BOyeGdT6lmg9WPJy5RW89362IlofJHbW4BzVQ9aGktkwXb47DYpFZVv5-2Fql8DbQ-3D-3D_fEc0MJ3UMUtRVEqOrnyADYRtMhWx8v-2FEFQrnJN7E9-2F-2Fj1WoaxCmF6Dc-2FxcQLpVQUYYLibK2r57-2BzX0PXUoq8-2F3W4ZNfkhrVYumcsIrmkyajVA2Myo0Gpnd50YDNyQuVLxHrIBqNN0Os6IlR0xFhUqLK1ovlmyaftVlD1YldefTNOjEM54T8mB9khYvvmf05o-2FpkVkcBa9P9aUrKKtsYU4Pbj8h0O8oJ5ok3xnQnRjN8-3D> (Company registered in England with number 04759979. Registered office 73 Cornhill, London, EC3V 3QQ.VAT registration number: 198083762) Please consider the environment before you print this email.DISCLAIMER: This e-mail and attachments are strictly privileged, private and confidential and are intended solely for the stated recipient(s). Any views or opinions presented are solely those of the author and do not necessarily represent those of the Company. If you are not the intended recipient, be advised that you have received this e-mail in error and that any use, dissemination, forwarding, printing, or copying of this e-mail is strictly prohibited. If this transmission is received in error please kindly return it to the sender and delete this message from your system.------ Softimage Mailing List.To unsubscribe, send a mail [email protected] <mailto:[email protected]>with "unsubscribe" in the subject, and reply to confirm.------ Softimage Mailing List. 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-- Alastair Hearsum Creative Director of 3d GLASSWORKS<https://urldefense.proofpoint.com/v2/url?u=http-3A__www.glassworks.co.uk&d=DwIFaQ&c=76Q6Tcqc-t2x0ciWn7KFdCiqt6IQ7a_IF9uzNzd_2pA&r=GmX_32eCLYPFLJ529RohsPjjNVwo9P0jVMsrMw7PFsA&m=e-wd0U-HA9Qzd4Ku1prZQ-TEots62e-0r6wvZYfiMdw&s=kslCShLuHVviGwIJboGqDuhIm7MH8LZWaQNm4LcCcuw&e=>Facebook <https://urldefense.proofpoint.com/v2/url?u=http-3A__www.facebook.com_pages_Glassworks_150976168270682&d=DwIFaQ&c=76Q6Tcqc-t2x0ciWn7KFdCiqt6IQ7a_IF9uzNzd_2pA&r=GmX_32eCLYPFLJ529RohsPjjNVwo9P0jVMsrMw7PFsA&m=e-wd0U-HA9Qzd4Ku1prZQ-TEots62e-0r6wvZYfiMdw&s=Byx9QFRK-67eTwSv3Y9U8V_EJM6tKdhIrmHToeAAjjE&e=> Vimeo <https://urldefense.proofpoint.com/v2/url?u=https-3A__vimeo.com_glassworksvfx&d=DwIFaQ&c=76Q6Tcqc-t2x0ciWn7KFdCiqt6IQ7a_IF9uzNzd_2pA&r=GmX_32eCLYPFLJ529RohsPjjNVwo9P0jVMsrMw7PFsA&m=e-wd0U-HA9Qzd4Ku1prZQ-TEots62e-0r6wvZYfiMdw&s=5EhcuPAbhgarm7CQaHCFrptmih6PUWBghP92XKTejfs&e=> Instagram <https://urldefense.proofpoint.com/v2/url?u=http-3A__instagram.com_glassworksvfx_&d=DwIFaQ&c=76Q6Tcqc-t2x0ciWn7KFdCiqt6IQ7a_IF9uzNzd_2pA&r=GmX_32eCLYPFLJ529RohsPjjNVwo9P0jVMsrMw7PFsA&m=e-wd0U-HA9Qzd4Ku1prZQ-TEots62e-0r6wvZYfiMdw&s=q1yxME5OlbimQevwtw40Spq8oK3UjrhmSkneNzpTBZE&e=> Twitter <https://urldefense.proofpoint.com/v2/url?u=https-3A__twitter.com_GlassworksVFX&d=DwIFaQ&c=76Q6Tcqc-t2x0ciWn7KFdCiqt6IQ7a_IF9uzNzd_2pA&r=GmX_32eCLYPFLJ529RohsPjjNVwo9P0jVMsrMw7PFsA&m=e-wd0U-HA9Qzd4Ku1prZQ-TEots62e-0r6wvZYfiMdw&s=qxNDnqoHushRIEHIUe9L9T_gCP_92aT0u8PUIuaGa34&e=>
See our latest work _here_ <https://urldefense.proofpoint.com/v2/url?u=http-3A__www.glassworks.co.uk&d=DwIFaQ&c=76Q6Tcqc-t2x0ciWn7KFdCiqt6IQ7a_IF9uzNzd_2pA&r=GmX_32eCLYPFLJ529RohsPjjNVwo9P0jVMsrMw7PFsA&m=e-wd0U-HA9Qzd4Ku1prZQ-TEots62e-0r6wvZYfiMdw&s=kslCShLuHVviGwIJboGqDuhIm7MH8LZWaQNm4LcCcuw&e=> The Penthouse, 5th Floor, 87-91 Newman Street London W1T 3EY T +44 (0)20 7434 1182 glassworks.co.uk <https://urldefense.proofpoint.com/v2/url?u=http-3A__www.glassworks.co.uk&d=DwIFaQ&c=76Q6Tcqc-t2x0ciWn7KFdCiqt6IQ7a_IF9uzNzd_2pA&r=GmX_32eCLYPFLJ529RohsPjjNVwo9P0jVMsrMw7PFsA&m=e-wd0U-HA9Qzd4Ku1prZQ-TEots62e-0r6wvZYfiMdw&s=kslCShLuHVviGwIJboGqDuhIm7MH8LZWaQNm4LcCcuw&e=>Glassworks Terms and Conditions of Sale can be found at glassworks.co.uk <https://urldefense.proofpoint.com/v2/url?u=http-3A__www.glassworks.co.uk&d=DwIFaQ&c=76Q6Tcqc-t2x0ciWn7KFdCiqt6IQ7a_IF9uzNzd_2pA&r=GmX_32eCLYPFLJ529RohsPjjNVwo9P0jVMsrMw7PFsA&m=e-wd0U-HA9Qzd4Ku1prZQ-TEots62e-0r6wvZYfiMdw&s=kslCShLuHVviGwIJboGqDuhIm7MH8LZWaQNm4LcCcuw&e=> (Company registered in England with number 04759979. Registered office 73 Cornhill, London, EC3V 3QQ.
VAT registration number: 198083762) Please consider the environment before you print this email.DISCLAIMER: This e-mail and attachments are strictly privileged, private and confidential and are intended solely for the stated recipient(s). Any views or opinions presented are solely those of the author and do not necessarily represent those of the Company. If you are not the intended recipient, be advised that you have received this e-mail in error and that any use, dissemination, forwarding, printing, or copying of this e-mail is strictly prohibited. If this transmission is received in error please kindly return it to the sender and delete this message from your system.
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