firedog;461713 Wrote: 
> 
> I've seen all those "scientific" tests. Basically, they prove nothing.
> Why? Again, what equipment was used, and how was it set up? Is it
> really good enough to bring out the differences? Some of the tests you
> bring up fail on these counts.
> 

You also probably have to be under 25 years old to hear any major
differences and you should not have been listening to 100 dB pop all the
time. Over 50 your hearing greatly deteriorates.

Most standard FM broadcast don't seem to be much better quality then
128 kb/s.

Anyone who uses an $10, or even standard iPod earplugs also can ignore
this discussion completely.

I rip CD's standard on 192 kb/s for popular music or older recordings
up to 320 kb/s for complex classical music. Once I had a rip I didn't
like (192 kb/s) for which I could hear a small but discernible
difference with the original CD. I re-ripped at 320 kb/s. I think now it
is o.k.

'Radified Guide to Ripping & Encoding CD audio (with EAC & the LAME MP3
encoder)' (http://mp3.radified.com/) has references into research of and
listening to ripping.

[PS. I wished I still had the hearing of 25].


-- 
RabanePaco

Squeezebox really fulfills my dreams: having all my music at my
fingertips (same as on my iPod and on my computers) and lots of good
radio stations.
Project: Ripping and tagging the second half of my 600 odd CD's.
Rip, music manager and tag editing: *'MediaMonkey'
(www.mediamonkey.co)*. With iTunes the only good music managers for
classical. But MM is by far *the best.*
Tag editor: *'Mp3Tag' (www.mp3tag.de/en/)*. The *only good* (and very
good) tag editor. Because it is the only one that uses *regular
expressions*.
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