Jean-Marie,

I am glad somebody agrees with me on this issue.  Theis topic, 8 course 
lutes, was discussed some tome ago on this list.  I also have an 8 course 
lute., and I like it ever so much more than a 7 course lute I once had.

ed


At 01:02 PM 4/3/2008 +0200, Jean-Marie Poirier wrote:
>  Martin,
>
>I totally agree with all of that, including your non-ostracizing the poor 
>8c ;-) !
>So much music, Elizabethan and continental as well, is designed for 8c 
>that it seems more than strange to reject this type of lute. If it's only 
>a matter of personnal taste, then I can understand and accept it, but I 
>can think of no music-ologic-al reasons to do so.
>Obviously, the 9c lived  a very short life, a quarter of a century at 
>best, but 7c and 8c lasted much longer, if the repertoire can be an 
>indication af anything regarding instruments in use at the time...
>Another obvious thing is that lute players used several instruments simply 
>because it was easier, and sort of cheaper, to get them then than now.
>
>Just my tupence (let's make it three pence ;-)) thought on that matter,
>
>Jean-Marie
>
>======= 03-04-2008 12:29:04 =======
>
> >Dear Anthony and All,
> >
> >I assume the "Martin" you refer to is me.  I don't remember ever saying
> >that I thought Dowland changed from 7c to 9c without ever using an 8c,
> >or that any of these changes coincided with his change from TI to TO.
> >We simply don't know the answer to any of these questions.
> >
> >I do think it likely that the change from TI to TO is related to the
> >increase in number of courses, and also to the change in musical style
> >from equal-voiced polyphony to a more treble-and-bass style.
> >
> >Best wishes,
> >
> >Martin
> >
>
>
>[EMAIL PROTECTED]
>http://poirierjm.free.fr
>03-04-2008
>
>
>
>
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>
>
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Edward Martin
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