Stanley Halpin wrote:
On May 9, 2016, at 10:37 PM, Larry Colen<l...@red4est.com> wrote:
Stanley Halpin wrote:
On May 9, 2016, at 8:55 PM, Larry Colen<l...@red4est.com> wrote:
Stanley Halpin wrote:
In sum, the 35/2.8, 40/2.8, and 55/1.4 all seem to have value when used with
the K-1, without too much compromise.
And the evidence…
A small gallery here. I didn’t keep these full size as the vignetting at
question is visible, or not, even at reduced image size.
The first image is from the 24/2.0 [Yes Larry, NOT 1.4] to show the scene. Then
one or more shots from the DA 15mm, 35mm macro, 40mm, and 55mm and one from the
50-135/2.8.
I was wondering if it might be a Samyang.
http://photos.stanhalpin.com/p1033969621
Thanks a bunch. At first I thought that they were all vignetting down the left
side, then I realized that was a tree trunk.
Sorry about that. Not a good setup. After initial setup (with a longer lens) I
never looked through the viewfinder. Just swapped lenses, did a sequence of
shots, repeat for i = 1 to p where p=# of lenses.
But even with the dark tree trunk you can still get a sense of the vignette
effect (or not).
I'm bummed about the 50-135, that is a range I need in FF for photographing
tests at my dojo. I guess I'll just use the 28-75 in crop mode for now.
Which part of the 50-135 range are you actually using? And are you just
thinking about focal length? Or equivalent field of view? My guess would be
that on the K-1 the FOV you want would put you the long end of the 50-135 and
so it might work out alright…
On APS, I use the 28-75, and would appreciate both wider and longer, so
that would be 42-105 on FF. That is why I thought that 50-135 would be
a nice range on FF. Wider is more important than longer, because I can
crop.
So, a 24-70 on FF and one on APS and switching between the two might
work. :-)
--
Larry Colen l...@red4est.com (postbox on min4est) http://red4est.com/lrc
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