Thank you for this example which explains me lot of things. Also I found the solution with the model Aikema proposed, that is when you write the music voices (soprano, alto or what else in another part of the file you should give them the same name of the new voice you write in the \score part. I
On Sun 21 Apr 2024 at 18:45:35 (+0200), Hans Aikema wrote:
> > On 21 Apr 2024, at 17:58, Gian Paolo Renello wrote:
> >
> > I read as you suggested but didn't find the way. Here is hte piece of score
> > code:
> >
> > \score{
> > \new StaffGroup <<
> > \new Staff \with {
> >
On Sun, 21 Apr 2024 at 20:44, Gian Paolo Renello
wrote:
>
> Your right, thanks. I noticed it and changed as well in my code, but the
problem won't solve (see previous mail about the context)
Hello,
The Lyrics should come after the \new Voice = "sopranoVoice".
If you get an error please send a
Your right, thanks. I noticed it and changed as well in my code, but the problem won't solve (see previous mail about the context) GP21.04.2024, 19:12, "Hans Aikema" :Fixing up my reply... spotted that I had a difference between the name I gave to the staff and the reference to it in the
this part of code: \new Staff = "sopranoStaff" \with { midiInstrument = "choir aahs" instrumentName = "Soprani" } { \new Voice = "sopranoVoice" { \soprano } } works well, but the second part: \new Lyrics \with { alignAboveContext = "sopStaff" } { \lyricsto
Fixing up my reply... spotted that I had a difference between the name I gave to the staff and the reference to it in the alignAboveContext. Both have now been synchronised to "sopranoStaff" belowOn 21 Apr 2024, at 18:46, Hans Aikema wrote:On 21 Apr 2024, at 17:58, Gian Paolo Renello wrote:I
> On 21 Apr 2024, at 17:58, Gian Paolo Renello wrote:
>
> I read as you suggested but didn't find the way. Here is hte piece of score
> code:
>
> \score{
> \new StaffGroup <<
> \new Staff \with {
> midiInstrument = "choir aahs"
> instrumentName =
I read as you suggested but didn't find the way. Here is hte piece of score code: \score{ \new StaffGroup << \new Staff \with { midiInstrument = "choir aahs" instrumentName = "Soprani" } { \soprano } \addlyrics {\sopranoVerse_sup} \addlyrics {
Hi, i have a question:ho can i add a 5th voice (for soprano) in a SATB choral work. The 4 voices are all under the staff. I need the fifth one to be over the Soprano staff while the second soprano voices sings the part under the staff. See attached image. Thank you. Gian Paolo
Hi, I am new to lilypond, using Frescobaldi.I read manuals and other stuff but i am not able to repduce with lilypond such a score: There are 8 voices plus the oktavist.The lirycs are above the soprano, for voice 1 and under soprano for voice 2. The same happens for Alto and Tenor voices (when the
> Le 27 août 2023 à 16:32, Knute Snortum a écrit :
>
> I think for the emails to thread, the subject lines must be the same (after
> Re:).
This is not required. Each message contains an identifier (the Message-Id
field, if you look at the raw email source), and if
Thank you very much for this step-by-step guide. I followed the
instructions, and now I can also write Lily files on my mobile. Not the
most comfortable thing, but very useful for little things on the fly
anyway! With a Bluetooth keyboard it's certainly much better, but for a
first try I really
Hi, I tried the tips given by Martin Tarenskeen and thought that a small
sample guide may be useful for other users.
Open PlayStore > search app Termux >
Open the terminal Termux and write: pkg install guile
Then write: pkg install lilypond
LilyPond 2.24.0 will be installed
Create a new
Hello,
*Problem*
I have got an extra treble clef on the second Staff when using a PianoStaff
with two \clef bass staves. See the example below
*Example*
\version "2.23.14"
\score {
\new PianoStaff = bayan {
<<
\new Staff = rightHand {
\tempo Lento
\clef bass
Как определить в define-scheme-function аргументы "lyricup" и "lyricdown", чтобы их значения брались из данных \makeScore? При этом у верхней и нижней строк текста должны быть заданы разные шрифты. \version "2.22.1" \header { title = "Сборник мелодических формул знаменного распева" composer=
Dear lilypond fellow users,
it sometimes occurs in barock music that only every other barline is
visible, (see e.g. Haendel's Salomo, choir at the end of Act II ) or that
every other barline is printed in reduced size.(see e.g. Bach Mass in
H-moll, nr 27 "dona nobis pacem" ).
Is there a way to get
Starting lilypond-windows.exe 2.21.4 [the-conflict-of-the-ages.ly]...
Processing `C:/Users/yming
tsang/Documents/CHOIR_2020/the-conflict-of-the-ages/
the-conflict-of-the-ages.ly'
Parsing...
Interpreting music...
Preprocessing graphical objects...
Interpreting music...
fatal error: cannot
Dear community,
the following code is very old, written by Rune Zedeler, but it is very
useful.
It allows You define a motive like:
\motiv #'Stefan {c'8 d' c' d' e2}
and later it can be used like this:
\Stefan {e f g }
and You will get
{e8 f e f g2 }
it can save a lot of typing.
Unfortunately it
It's the most controversial topic I know!
Andrew
On Fri, 25 Oct 2019 at 14:08, wrote:
> On Fri, 25 Oct 2019, Andrew Bernard wrote:
> > complex part of this, along with SPF and DKIM. The change that is being
> made
> > here is clearly necessary to me, and explains some of the list issues
>
On Fri, 25 Oct 2019, Andrew Bernard wrote:
> complex part of this, along with SPF and DKIM. The change that is being made
> here is clearly necessary to me, and explains some of the list issues people
> were having lately. Sadly, it's probably unintelligible to non-experts.
I run a mail server
I have been setting up a server for a mailing list I created for
harpsichord discussion. It took three months full time work by me to set up
all the open source software. So I have deep knowledge of this area
currently. A large part of the technical difficulty is actually getting
mails out through
At 21:38 24/10/2019 -0400, Matthew Skala wrote:
On Thu, 24 Oct 2019, sysad...@gnu.org wrote:
Any list administrator for this list is free to change these
settings back, instructions are below.
I hope that it will be changed back. The subject tag is useful for
automatic categorization
On Thu, 24 Oct 2019, sysad...@gnu.org wrote:
> Any list administrator for this list is free to change these settings
> back, instructions are below.
I hope that it will be changed back. The subject tag is useful for
automatic categorization of incoming messages.
--
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The Free Software Foundation has changed the GNU Mailman settings on
this list. The short version is that any subject prefix or message
footer has been removed, allowing us to turn off DMARC from munging.
Any list administrator for this list is free to change these settings
back, instructions
Hi Aaron,
thank you for looking into it. I think I'll get along with the suggestion in
the current score, but I'll also file a bug report because I think this should
not happen in the first place, and the notation is not terribly excentrly ...
Best
Urs
24. September 2019 19:23, "Aaron Hill"
On 2019-09-24 9:35 am, Urs Liska wrote:
Is there any reason why the slrus in the attached example come out the
way they do (i.e. so horizontal, with the left edge being so far away
from the notehead)?
Seems to be a combination of slurring identical pitches and the
articulation on the one
Is there any reason why the slrus in the attached example come out the way they
do (i.e. so horizontal, with the left edge being so far away from the notehead)?
What would be the best way to deal with that? Of course I could \shape them
individually, but there's a lot of them in the scores, so
get index hpschd96
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Hi everyone,
Has anyone encountered this error in Terminal before? I'm on a Mac (latest
OS) and invoking Lilypond on about 30 parts. This error came up on about
the 25th part.
warning: g_spawn_sync failed (0): gs: Too many open files
All the best,
CRaig
--
[image: photograph]
*Craig
> -- Forwarded message --
> Subject: Re: Function template (or whatever it's called)
> On 20.06.2018 11:18, Urs Liska wrote:
> > (let*
> > ((elts (ly:music-property mus 'elements))
> > (cnt (length elts)
>
> OT: Is ‘cnt’ a common abbrevi
Dear LilyPond fellows,
who has some experience in creating PNG files on MacOSX?
The problem is that conversion from EPS to PNG fails:
---
Processing `OOoLilyPond.ly'
Parsing...
Interpreting music...
Preprocessing graphical objects...
Only telling the Truth sincerely, frankly, is powerful, helpful, hopeful.
Who is telling the Truth sincerely, frankly, is powerful, helpful,
hopeful — even when is telling about his/her false, powerless,
helpless, hopeless, desperate — is paradoxically powerful, helpful,
hopeful, and is begging
I'm finding that when I use a TabStaff and also set some properties (either
or both of minimumFret and restrainOpenStrings), my first line has an extra
TabStaff! What can I do to get rid of it? Thanks!
Here's what it looks like:
[image: Screen Shot 2017-03-26 at 4.46.59 PM.png]
And here's the
Hello,
Is it possible to use lily pond online from a server so I can use it on
my chromebook!
thanks
cr
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Exporting to image file in LilyPond version 2.18.2.
1. Command line help tells that lilypond can export prints not only to
pdf but also to png format.
2. Command line help does not tell how set resolution for image
format. I have found the setting in Learning help file. The setting
is: "lilypond
Thiago,
The parentheses are not needed in the tempo marking.
\tempo Andante
Mark
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Dear All, I would like to add an up bow symbol to the
middle of a tie between two notes. The file seg.pdf is a snippet
of the problem. In the second tie I would like to place a V to denote
up bow. However, the up bow and down bow symbols are attached
to notes in the lilypond file.
Is there some
So I downloaded lilypond... All I get when I start the application is the
following message: "%{
Welcome to LilyPond
===
Congratulations, LilyPond has been installed successfully.
Now to take it for the first test run.
1. Save this file
2. Select
Compile > Typeset
> From: Riccardo <rmaren...@email.it>
> Subject: drum staves
> Hi, i just started to use lilypond (with frescobaldi editor).
Welcome.
> I use it for writing drum set scores.
> My problem is this: i need the small tom to be in the place of the hi hat
(in the last upper space
Hi guys,
I just downloaded the Lilypond Notation Reference pdf for version 2.19.38
from here:
http://www.lilypond.org/doc/v2.19/Documentation/notation.pdf
and I noticed that in the Table of Contents the page numbers next to the
entries are not clickable hyperrefs like in previous verisons.
Do
Dear All, here is perhaps a silly little question.
I am trying to get a slur from a crotchet "into" one of the voices in a
polyphonic voicing. In measure 1 the third blue note should have a
slur connecting it to the next blue note, which is in the polyphonic part.
I tried ( ) and \( \) with no
xample.
Thanks for your willingness to look at this file. I hope that I can get it
to work.
Joe Srednicki
-Original Message-
From: lilypond-user-bounces+jos.srednicki=verizon@gnu.org
[mailto:lilypond-user-bounces+jos.srednicki=verizon@gnu.org] On Behalf
Of lilypond-user-requ...@
2015-05-26 18:09 GMT+02:00 Peter Gentry peter.gen...@sunscales.co.uk:
Thanks very much for your solution - I'm not yet sure why it works...how
does 'tweaks know about notehead color? All very baffling
Well, most (every?) music-event may be tweaked.
Look at the terminal-output from:
Thanks very much for your solution - I'm not yet sure why it works...how does
'tweaks know about notehead color? All very baffling
Outlook strikes again - try this
\version 2.19.15
#(define (naturalize-instrument-range p instrument )
(let ((o (ly:pitch-octave p))
(a (* 4
i thought i sent you something showing how to move it
anyway not sure where you want it, but do it like this
HTH
Stephen
VS.ly
Description: Binary data
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On 10 Mar 2015, at 02:14, Flaming Hakama by Elaine ela...@flaminghakama.com
wrote:
BTW, I also tend to prepare lead sheets in F and A. Of course, you may not
need this. But if you are preparing a template, it might be helpful to
include other common transpositions.
OK. The
From: Michael Hendry hendry.mich...@gmail.com
To: Davide Liessi davide.lie...@gmail.com
Cc: Lilypond-User Mailing List lilypond-user@gnu.org
Subject: Re: Subject: String Concatenation, and Use of Unicode characters
[sic]
On 7 Mar 2015, at 11:22, Davide Liessi davide.lie...@gmail.com wrote
@gnu.org
mailto:lilypond-user@gnu.org
Subject: Re: Subject: String Concatenation, and Use of Unicode characters
[sic]
On 7 Mar 2015, at 11:22, Davide Liessi davide.lie...@gmail.com
mailto:davide.lie...@gmail.com wrote:
Il 03/03/15 07.56, Michael Hendry ha scritto:
Forgive me
BTW, I also tend to prepare lead sheets in F and A. Of course, you may
not need this. But if you are preparing a template, it might be helpful to
include other common transpositions.
OK. The choice there is either to compile the file three times, adjusting
\PieceTranspose in the sequence
On 7 Mar 2015, at 11:22, Davide Liessi davide.lie...@gmail.com wrote:
Il 03/03/15 07.56, Michael Hendry ha scritto:
Forgive me for suggesting, but I suggest it improves mental health to
think of transpose in the form:
\transpose to from \musicExpression
This is what I do, too: I
Il 03/03/15 07.56, Michael Hendry ha scritto:
Forgive me for suggesting, but I suggest it improves mental health to
think of transpose in the form:
\transpose to from \musicExpression
This is what I do, too: I usually think of transpose as `\transpose to
from` when tranposing
Mar 2015 16:40:27 +
From: Michael Hendry [hidden email]
Subject: String Concatenation, and Use of Unicode characters
Typically, I want PDF output in three files, (Concert pitch, Bb
and Eb), and I would like to modularise this as much as possible.
You will enjoy
#(define output
On 3 Mar 2015, at 05:58, Flaming Hakama by Elaine ela...@flaminghakama.com wrote:%{ Date: Mon, 2 Mar 2015 16:40:27 + From: Michael Hendry hendry.mich...@gmail.com Subject: String Concatenation, and Use of Unicode characters Typically, I want PDF output in three files, (Concert pitch, Bb and Eb
%{
Date: Mon, 2 Mar 2015 16:40:27 +
From: Michael Hendry hendry.mich...@gmail.com
Subject: String Concatenation, and Use of Unicode characters
Typically, I want PDF output in three files, (Concert pitch, Bb and Eb),
and I would like to modularise this as much as possible.
You will enjoy
I understand that however you still can not control what note it goes to.
\slashedGrace b8_( e, a c4 )
How would I indicate to have the slur attach to the 'a' note?
And, until there is a
better solution, you may have to tweak the shape of the slur to go to
the correct note (say you wanted to
, the { ... }\\{ ... } implicitly applies
\voiceOne and \voiceTwo, so those are unnecessary.
HTH,
Abraham
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hey for partial after first one in statement use
% part bars
\set Score.measureLength = #(ly:make-moment 1 8)
% done
a'' -4\f |
% set back
\set Score.measureLength = #(ly:make-moment 4 8)
% done
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a command that puts the output of
TextSpanner to the top staff in the system, regardless of which staff it is
defined in. Is it possible by tweaking something or do I need to make the
dynamics voice separate?
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Am 15.01.2014 09:53, schrieb jensgc:
Are there any plans on making a SystemSpanner or similar that will combine
the flexibility from the TextSpanner with the only on top of system
property from \tempo and \mark ?
This sounds like a reasonable idea.
If it isn't possible to do something like
hi,
On Wed, Jan 15, 2014 at 9:53 AM, jensgc jen...@gmail.com wrote:
thanks for the answer. I am aware of the possibility to have the dynamics in
a separate voice - and it might be the solution here. I am however not fond
of having to enter dynamics in a voice without music - for the score in
with empty properties each time you override a
Score.TextSpanner (this could be tedious...)
Eluze
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jensgc jen...@gmail.com writes:
Eluze wrote
you can define the spanner in its own (dynamic) context and move it
wherever you want:
thanks for the answer. I am aware of the possibility to have the dynamics in
a separate voice - and it might be the solution here. I am however not fond
of
that is not active before bar 70).
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On Wed, Jan 15, 2014 at 11:28 AM, jensgc jen...@gmail.com wrote:
Just a quick thought - if I with the temporary polyphony construct shown in
your example can direct TextSpanner content to a special Dynamics context -
would it then be possible to skip the Dynamic context (and the spacer
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always goes to the System - I just don't
understand why it is much more difficult to give a ritardando or stringendo
the same behavior.
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jensgc wrote Wednesday, January 15, 2014 1:03 PM
In regards to tempo markings, it is a different matter, since any change in
tempo needs to apply to each and every voice in the system. It makes perfect
sense that the \tempo marking always goes to the System - I just don't
understand why it
Hi,
In regards to tempo markings, it is a different matter, since any change in
tempo needs to apply to each and every voice in the system. It makes perfect
sense that the \tempo marking always goes to the System - I just don't
understand why it is much more difficult to give a ritardando or
a \startTempoChange \ritardandoAl %%music%% \stopTempoChange
(with 2nd parameter options like \ritardando, \ritardandoAl, \rallentando,
\rallentandoAl, \stringendo, \stringendoAl)
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hi kieren,
On Wed, Jan 15, 2014 at 3:04 PM, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
In regards to tempo markings, it is a different matter, since any change in
tempo needs to apply to each and every voice in the system. It makes perfect
sense that the \tempo marking always goes
Hi,
Not a bad idea - but I would then have to abandon the idea of the normal
rit. _ _ _ _ _ _ _ _ _ al construct where the text spans the entire
duration of the ritardando.
Why not just put everything “global” in a global variable?
Then all of this is handled for you easily.
Thanks,
Kieren.
Hi,
he doesn't want to use a global structure variable:
Sorry… I missed this. =\
The reason I don't like the idea of a global structure definition is that
I have the individual parts (e.g. the quartet and the choir parts) defined
in seperate files to be able to test and work with them
/4
ais cis b |
ais2.\fermata ~ |
}
voiceAA = {
\time 2/4
R2 |
\time 3/4
R2. |
\time 2/4
R2 |
\time 3/4
R2. |
R2. |
}
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Hi,
Hi. Not sure if you have seen my earlier posts
Sorry… yeah, I missed those.
I don't have my \tempo and \mark items in a global variable.
I do recommend using a global variable in the future.
I wrote the quartet part (starting at
approx. bar 70) in a separate file, making proofreading
On Wed, Jan 15, 2014 at 3:48 PM, jensgc jen...@gmail.com wrote:
Kieren MacMillan wrote
It’s not… I do exactly this all the time.
Simply put your ritardando or stringendo in the same global variable as
your \tempo and \mark items.
Hi. Not sure if you have seen my earlier posts - but I don't
the list
archives.
I've been glancing through the archive for the current month + doing a
couple of searches without discovering any relevant topics.
Can you give a hint to what terms I need to search for?
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Hi. In a large choral score I'd like to write a ritardando that appears
only in the top of the entire system (together with \tempo markings) -
without having to define the ritardando in the topmost staff. The voices in
the top staffgroup have no music (just a long series of rests) where the
s1
}
\new Dynamics \myDynamics
\new Staff { R1*3 }
\new ChoirStaff
...
...
Eluze
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Message: 2
Date: Thu, 5 Dec 2013 18:34:53 +0100
From: Janek Warcho? janek.lilyp...@gmail.com
To: Jacques Menu imj-...@bluewin.ch
Cc: lilypond-user@gnu.org discuss lilypond-user@gnu.org
Subject: Re: improving LilyPond useability
Message-ID:
canyddppocc3isejmudwi4a3m2_35kyuw54yfr9muxjxqmob
Hello to all. I quote from the file usage.pdf in the section about
lilypond-book:
Each snippet will call the Following macros if they have been defined by
the user:
\preLilyPondExample [...]
\postLilyPondExample [...]
\betweenLilyPondSystem [...]
»
A few pages after this point, there is a
Hello to all,
here's a minimal code:
%%
\version 2.16.2
\relative c {
\clef bass
\key c \major
\cadenzaOn
c,2
^\markup { \tiny { Serie armonica del fa (+: crescente; -: calante) } }
^\markup {\small { Corno in Fa } }
c' \clef treble g' c e g \stemUp bes4-- \stemDown c2
hello can someone please help me export my file to lilypond it will not do
it for some reason :(
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Is it possible, with LilyPond, to have something like the \hfill effect
in TeX, that is, fill the rest of the staff with blank space?
If I type:
{ a b c d \break a b c d \bar |. }
the layout is ugly because the notes are spread over the whole staff. I
know that:
\layout {
ragged-right
Hello,
I start typesetting some songs. I know how to add the lyrics. But the
one song has a short chorus in front of the verses. This looks similar
like this
when I come home
I like the cho - rous { when I sleep at night
but can't
I am a new user of lilypond and tried the (unchanged) example
Defining predefined fretboards for other instruments
from
http://lilypond.org/doc/v2.12/input/lsr/lilypond-snippets/Fretted-strings#Fretted-strings
To my regret I cannot compile it with version 2.14.2
I get an error list starting with
What's special about the \clef command in the following:
According to section 2.2.1 of the manual:
To determine the number of staves in a piece, LilyPond looks at the
beginning of the first expression. If there is a single note, there is
one staff; if there is a simultaneous expression, there is
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Thanks Mark that failed again using IE9 master cannot be downloaded but
worked using Chrome. Without me noticing a folder
structure was created in my downloads folder. No little cloud visible (or web
page) and the whole process happened without further
input.
Another quirk of IE9 to ponder...:)
Yes, I'm a Linux user. Glad to know you got it to download!
MW
On Thu, Oct 18, 2012 at 5:51 AM, Peter Gentry
peter.gen...@sunscales.co.ukwrote:
Thanks Mark that failed again using IE9 master cannot be downloaded but
worked using Chrome. Without me noticing a folder
structure was created in
I have tried downloading this code as part of learning about scheme. Every way
I try is thwarted - I even down loaded the Git for
Windows stuff. I did manage to browse a file but cut and paste just produced
one long line and the download option does not work
which is a shame.
Hi Peter,
There's a link to the left of the repository address with the word zip
and a little icon of a cloud on it that will let you download all the files
as a zip archive. Here's the link:
https://github.com/mwitmer/LyUtil/zipball/master.
Hope that helps!
Mark
On Wed, Oct 17, 2012 at 8:35
Having had my share of gripes re the manuals I am now a born again supporter
- they are great (not perfect) but great.
I recommend that you download all the relevant manuals as pdfs to a folder
withing your Lilypond data file group and use the
advanced search to check through all the manuals
Peter Gentry peter.gen...@sunscales.co.uk writes:
Having had my share of gripes re the manuals I am now a born again
supporter - they are great (not perfect) but great.
I recommend that you download all the relevant manuals as pdfs to a
folder withing your Lilypond data file group and use
Peter Gentry wrote Monday, September 10, 2012 9:28 AM
Having had my share of gripes re the manuals I am now a born again
supporter - they are great (not perfect) but great.
Nice to be appreciated - thanks!
The notation manual is particularly good - the learning manual is fine never
seen
- Original Message -
From: Trevor Daniels t.dani...@treda.co.uk
To: Peter Gentry peter.gen...@sunscales.co.uk; lilypond-user@gnu.org
Sent: Monday, September 10, 2012 10:11 AM
Subject: Re: Subject: Re: lilypond manual intro
An octave mistake on a single note in polyphonic music
Dear Urs,
how can I install this package in my xelatex-system on ubuntu?
Hi Reinhold, Werner and Philippe,
thanks for your feedback. Here are a few ideas before I finally leave.
[I won't read this list (from tomorrow), so if you want to contact me in
the next weeks, please write to
The package doesn't have real installation instructions (or even an
installation procedure) yet (something for 0.1, a first official release).
Fortunately xelatex-ubuntu is what I have, so I can tell you how you
will make it work.
One issue is that there are included files in a subfolder. (I
* place lilyglyphs.sty and the complete definitions/ folder somewhere
on your disk, e.g. in a directory ~/lilyglyphs.
* create symlinks to lilyglyphs.sty and the definitions/ folder _in
the directory_ where your .tex file is located:
ln -s ~/lilyglyphs/lilyglyphs.sty
ln -s
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