On p.260 of his dissertation Alex Dean has reproduced two passages from
Matteis's False consonances.
In his transcription of the excerpt at the top of the page Dean
proposes that the open 1st and 5th courses should be included in
all the chords in the 2nd and 3rd bars.
(in the first full bar) with dots, but the
second time (bar 5) there are no dots!
Monica
- Original Message -
From: [1]Martyn Hodgson
To: [2]Monica Hall
Sent: Thursday, November 14, 2013 4:08 PM
Subject: Re: [VIHUELA] Matteis
Page no in 1682 original plse
the notation?
As ever
Monica
- Original Message -
From: Natasha Miles natasha.mi...@hotmail.co.uk
To: Monica Hall mjlh...@tiscali.co.uk
Cc: Vihuela List vihuela@cs.dartmouth.edu
Sent: Thursday, November 14, 2013 6:13 PM
Subject: [VIHUELA] Re: Matteis
Hi Monica,
I've been tackling similar
Actually I just noticed that Dean's transcription of Fig.4.12A is
wrong. In the 2nd measure the B major chord is repeated, not the the C
major one.
Monica
- Original Message -
From: [1]Natasha Miles
To: [2]Monica Hall
Sent: Thursday, November 14, 2013 8:57
Reply below.
- Original Message -
From: WALSH STUART s.wa...@ntlworld.com
To: Monica Hall mjlh...@tiscali.co.uk
Cc: Vihuelalist vihuela@cs.dartmouth.edu
Sent: Thursday, November 14, 2013 9:59 PM
Subject: [VIHUELA] Re: Matteis
On 14/11/2013 21:48, Monica Hall wrote:
Yes
that a similar dissonance is intended when
there is no obvious practical reason for not doing the correct thing.
As ever
Monica
- Original Message -
From: Lex Eisenhardt eisenha...@planet.nl
To: 'Martyn Hodgson' hodgsonmar...@yahoo.co.uk; 'Monica Hall'
mjlh...@tiscali.co.uk; 'WALSH
Hertzbook Guitar Book
I have a few queries about this manuscript which was mentioned some time ago
when Are Hansen posted information about it on-line at
http://folk.uio.no/henninho/Gitar.html
It is now in the National Library of Norway - Mus. Ms.a 5038
and the catalogue
entry includes a
the information
you need without leaving home!
Monica
- Original Message -
From: [1]Rockford Mjos
To: [2]Monica Hall
Cc: [3]Vihuelalist
Sent: Saturday, January 11, 2014 5:39 AM
Subject: Re: [VIHUELA] Hertzberg Guitar Book
Hans Olav Gorset, Vegard Lund, and Kristian
Never! it is included in the earliest surviving edition of 1626 and was
included (uncorrected) in all subsequent editions right through to the end
of the 18th century.
It is also included in the plagiarized edition edited by Andres Sotos
printed in 1764 in Madrid.
Monica
- Original
I am trying to trace printed editions and recordings of S de Murcia's music
in any format which pre-date 1987 - the year in which the Saldivar Codex
came to light or at least was recognized as being a source of his music.
People like Pujol, Graciano Tarrago, Jose Azpiazu and Alexander Bellow
!
Monica
- Original Message -
From: [1]Rob MacKillop
To: [2]Monica Hall
Cc: [3]Vihuelalist
Sent: Monday, May 12, 2014 3:01 PM
Subject: Re: [VIHUELA] Santiago de Murcia
You mean before his music became flamencofied ;-)
Rob
On 12 May 2014 14:03, Monica
message didn't seem to appear on that list and I haven't had any
response. Perhaps it is now defunct.
Regards to all
Monica
- Original Message - From: Azalais
To: Monica Hall
Sent: Monday, May 12, 2014 7:32 PM
Subject: Lorimer's bibliography? (ISBN 0-9618527-1-2
Hello Monica,
Your
to all
Monica
- Original Message - From: Azalais
To: Monica Hall
Sent: Monday, May 12, 2014 7:32 PM
Subject: Lorimer's bibliography? (ISBN 0-9618527-1-2
Hello Monica,
Your mention of the pre-1987 cut off date for de Murcia references
leads me
to believe that you must
: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Namens
Monica Hall
Verzonden: maandag 12 mei 2014 15:03
Aan: Vihuelalist
Onderwerp: [VIHUELA] Santiago de Murcia
I am trying to trace printed editions and recordings of S de Murcia's
music
in any format which pre-date 1987 - the year
That is even more helpful!
Thank you.
Monica
- Original Message -
From: Peter Kooiman pkooi...@multimediabit.com
To: Monica Hall mjlh...@tiscali.co.uk
Cc: Vihuelalist vihuela@cs.dartmouth.edu
Sent: Monday, May 12, 2014 8:40 PM
Subject: Re: [VIHUELA] Santiago de Murcia
Some googling
-course guitar (I can check the
exact phrasing in the liner notes when home from the office), but he
certainly favored a modern functionality when dabbling in early
instruments.
Best,
Eugene
-Original Message-
From: Monica Hall [mailto:mjlh...@tiscali.co.uk]
Sent: Monday, May 12, 2014 4
Many thanks for the information. Most helpful.
Monica
- Original Message -
From: Braig, Eugene brai...@osu.edu
To: Monica Hall mjlh...@tiscali.co.uk
Cc: Vihuelalist vihuela@cs.dartmouth.edu
Sent: Tuesday, May 13, 2014 4:56 AM
Subject: RE: [VIHUELA] Re: Lorimer's bibliography? (ISBN
.
It seems that Segovia included this piece too in vol. 3 of his Obras de
guitarra series.
Amazing what you can find on the internet.
Monica
- Original Message -
From: Braig, Eugene brai...@osu.edu
To: Monica Hall mjlh...@tiscali.co.uk
Cc: Vihuelalist vihuela@cs.dartmouth.edu
Sent
Yes it is - I remember watching it on the tele.
Monica
- Original Message -
From: Braig, Eugene brai...@osu.edu
To: Martyn Hodgson hodgsonmar...@yahoo.co.uk; Monica Hall
mjlh...@tiscali.co.uk
Cc: Vihuelalist vihuela@cs.dartmouth.edu
Sent: Tuesday, May 13, 2014 12:59 PM
Subject
: [1]lute-...@cs.dartmouth.edu [mailto:[2]lute-...@cs.dartmouth.edu]
Namens
Martyn Hodgson
Verzonden: dinsdag 13 mei 2014 13:30
Aan: Monica Hall; Braig, Eugene
CC: Vihuelalist
Onderwerp: [VIHUELA] Re: Lorimer's bibliography? (ISBN 0-9618527-1-2
Yes it is interesting. But it's surely
with overwound strings for the bourdons and it
wouldn't surprise me if it did have fixed frets.
But it is difficult to tell from a Youtube clip.
Monica
- Original Message -
From: Chris Barker csbarker...@att.net
To: 'Monica Hall' mjlh...@tiscali.co.uk
Sent: Tuesday, May 13, 2014 1:18 PM
://www.kentguitarclassics.com/classical-guitars/jose-luis-romanillos/jose-luis-romanillos-of-semley-3
Enjoy.
Eugene
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On
Behalf Of Monica Hall
Sent: Tuesday, May 13, 2014 8:47 AM
To: Chris Barker
Cc: Vihuelalist
Subject
Returning to my original query I wonder whether anyone on the list actually
has a copy of this
Prélude pour guitare ; Allegro pour guitare ; edited by Emilio Pujol. Paris
: Max Eschig, 1955. [Autors Anciens no. 1026].
I just want to be sure that it is the same pieces that Bream and Segovia
in Madrid. I
wonder how Pujol got hold of it.
That's another mystery to solve. Did he come to England.
Thank you both again.
Monica
- Original Message -
From: Peter Kooiman pkooi...@multimediabit.com
To: Monica Hall mjlh...@tiscali.co.uk
Cc: Vihuelalist vihuela@cs.dartmouth.edu
Sent
Many thanks for that! Well obviously he must have seen it. When you
start delving into these things it is amazing what you find.
Regards
Monica
- Original Message -
From: [1]Azalais
To: [2]Monica Hall
Sent: Tuesday, May 13, 2014 10:26 PM
Subject: Re
I just wondered whether anyone else on this list is on the Guitar
Summit list and if so whether they ever get any messages. I haven't
had any for months and was wondering whether it is defunct or whether I
have been struck off!
Thanks to all
Monica
--
To get on or
but messages I have sent have not got
through and I haven't received any for ages.
Monica
- Original Message -
From: Martyn Hodgson hodgsonmar...@yahoo.co.uk
To: Monica Hall mjlh...@tiscali.co.uk; Vihuelalist
vihuela@cs.dartmouth.edu
Sent: Monday, June 23, 2014 6:37 PM
Subject
-
From: Braig, Eugene brai...@osu.edu
To: Monica Hall mjlh...@tiscali.co.uk
Sent: Monday, June 23, 2014 7:55 PM
Subject: RE: [VIHUELA] Re: Guitar Summit
So, I went to the list's web interface
(http://lists.topica.com/lists/guitar-summit) to look for any of Monica's
e-mail notes to have been
Dmth
Onderwerp: [VIHUELA] Re: Guitar Summit
On 24/06/2014 09:25, Martyn Hodgson wrote:
A A - Forwarded Message -
A A From: Martyn Hodgson [5][5]hodgsonmar...@yahoo.co.uk A A
To: Monica Hall [6][6]mjlh...@tiscali.co.uk A A Sent: Tuesday, 24
June 2014, 7:26 A A Subject: Re
articles in Early Music 41/4
and
42/1 were all reviewed by outside readers.
-Oorspronkelijk bericht-
Van: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Namens
Martyn Hodgson
Verzonden: woensdag 25 juni 2014 10:59
Aan: Monica Hall; Braig, Eugene
CC: Vihuelalist
Onderwerp
: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On
Behalf Of Monica Hall
Sent: Friday, June 27, 2014 3:42 AM
To: Lex Eisenhardt
Cc: Vihuelalist
Subject: [VIHUELA] Re: Guitar Summit
To be honest - even if these articles are read by outside readers there is
no guarantee
I wonder if anyone who has access to the journal Early Music on line would
be able to send me a copy of this article from no. 42, August 2014 issue
New recordings of early guitar
Gary Boye
Early Music 2014 42: 488-490.
Regards to all - hope you are enjoying summer holidays.
Monica
To
some access through JSTOR but
Early Music has partial coverage.
Arthur
On 08/18/14, Monica Hall[5]mjlh...@tiscali.co.uk wrote:
I wonder if anyone who has access to the journal Early Music on line
would
be able to send me a copy of this article from no. 42, August 2014
issue
the figures indicate and the guitar
part - which to my ears makes better sense at lest in some ways
As ever
Monica
- Original Message -
From: Arto Wikla wi...@cs.dartmouth.edu
To: Monica Hall mjlh...@tiscali.co.uk; Vihuelalist
vihuela@cs.dartmouth.edu
Sent: Tuesday, September 16, 2014 4
The Swedish lutenist Fredrik Bock has just released a very nice CD of
music from Bartolotti's Secondo Libro. It's on the Swedish label Lawo
LWC 1065.
Monicaq
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http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Does anyone have an e-mail address for
Joao Duarte
a Portuguese guitarist who is an authority on Portuguese baroque guitar
manuscripts.
Cheers
Monica
--
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http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
I will answer my own question in case any one is interested. It is in the
Bibliotheque nationale de France.
Monica
- Original Message -
From: Monica Hall mjlh...@tiscali.co.uk
To: Vihuelalist vihuela@cs.dartmouth.edu
Sent: Tuesday, February 24, 2015 2:01 PM
Subject: [VIHUELA
Does anyone know where there is a copy of the second edition of Nicolas
Derosiers' little book i.e. Nouveaux principes de la guitarre printed in
Paris in 1699?
It's mentioned in Tyler's book but he doesn't give a location.
Monica
To get on or off this list see list information at
The Lute Society in England was given a Mexican 5-course instrument which
was supposed to pass as a baroque guitar. I borrowed it for a while and
thought it was awful - very heavy in constuction. It was strung with nylgut
which I had never used before and hated but I am not sure whether gut
For those of you who are interested...
My web site - [1]www.monicahall2.wordpress.com now has on it an
extended study
of Corbetta - the best of all in the words of Sanz and in my
estimation
too.
The highlights of this are
1. An extended biography - I have collected
Thanks - that solves that little mystery.
M
- Original Message -
From: Lex Eisenhardt eisenha...@planet.nl
To: 'Monica Hall' mjlh...@tiscali.co.uk; 'Vihuelalist'
vihuela@cs.dartmouth.edu
Sent: Saturday, July 04, 2015 12:57 PM
Subject: RE: [VIHUELA] My Web Site
Especially
I have added a section to my Corbetta page describing the manuscript
I-Rsc Ms.AS A 4912 which includes some pieces by him. This is Section
VI Part 6, right at the end.
As the ms. also contains music by Bartolotti I have added a section to
my Bartolotti page. It is after the main
at 18:42 Azalais wrote:
Could there possibly be a structural, or a bridge (and bracing) and/or
peg box spacing reason perhaps? Maybe a string oscillation clearance
issue? (I haven't seen photos or images)
azalais
On Wed, Jun 12, 2019 at 11:12 AM Monica Hall <
[1]m
> Monica, this tuning seems very odd? Fifth course a semitone lower than fourth
> course? Same note B on two courses (fifth course on fingerboard and fifth
> unstopped course)?
>
>
>
> On 12 June 2019, at 12:08, Monica Hall wrote:
>
>The latest issue of Early Music
The latest issue of Early Music has a short article on the guitarre
theorbee suggesting an interesting tuning/stringing method different
from the one suggested by Donald Gill and myself - to witt -
on the fingerboard - e' c' g c B
1st - 5th unstopped courses - F E D C B,
.
>
> Or perhaps I've misunderstood ..
>
> Marty
>
>
> On Wednesday, 12 June 2019, 14:15:27 BST, Monica Hall
> wrote:
>
>
> Well - the pieces in the Gallot Ms. - the only known source of music for
> the instrument - are all solo pieces an
oved out of the way from the main action.
> But I don't know...
>
> Rob
>
> On 12 June 2019, at 13:51, Monica Hall wrote:
>
> Sorry if it is not clear. It is a twelve course instrument. There are five
> courses on the fingerboard and seven unstopped basses.
>
> Fr
e' c' g c B Unfretted: B C D E F a g
>
> Is that correct? If so, that is highly unusual, so please correct me if
> I'm wrong.
>
> Rob MacKillop
>
>
>
> On Wed, 12 Jun 2019 at 12:07, Monica Hall < mjlh...@cs.dartmouth.edu
> mailto:mjlh...@cs.dartmouth.ed
ze.
>
> regards
>
> Martyn
>
> On Wednesday, 26 June 2019, 09:33:51 BST, Monica Hall
> wrote:
>
>
> Hi Martyn
>
> Thank you for this. I've read your article several times and I think I
> have understood it although when it comes an
ve nature of some of the previous analysis
> means that few unequivocal conclusions may be drawn"Nevertheless, I
> believed then, and still do, it gives a reasonable indication of the tensions
> employed.
>
> regards
>
> Martyn
>
> On Wednesd
I have been puzzling over the Stradivarius stringing instructions for
the chitarra ttiorbata again.
I have two queries.
Why should he compare the strings of the third, fourth and fifth
courses to violin strings rather than those on the (presumably)
standard 5-course guitar.
I wonder if any of our Italian speaking members is willing to translate
this sonnet. I get the general drift of it which seems to be rather
derogatory but some of it is difficult to turn into coherent English.
Muse ui prego di non fare il Muso/
E soffrir à ragion châentra in
Just as a matter of general interest. Rafael Andia has written a novel about
Corbetta - the title is Guitarre royalle - roman. it is in French and
published by Harmattan. Haven't read it yet.
Perhaps it will be made into a film - like Tous les matins du monde!
Monica
--
To get on or off this
I just wondered whether any kind soul familiar with Mersenne's
monumental work could Identify which Book/Chapter/page number in
Harmonie universelle. the following quote appears.
"Il faut remarquer que le genre chromatique de musique a pris son nom
des couleurs , car chroma
le genre Chromatic a peut estre esté
> appellé de ce nom, parce que les Grecs l'escriuoient auec des caracteres
> rouges, ou dautre couleur, car chroma signifie couleur)
> http://www.chmtl.indiana.edu/tfm/17th/MERHU2_5_TEXT.html
>
> On Wed, Feb 5, 2020
https://books.google.com/books?id=fVsiWYQUGpcC
>
> -Original Message-
> From: lute-...@new-old-mail.cs.dartmouth.edu
> On Behalf Of Monica Hall
> Sent: Wednesday 5 February 2020 11:01
> To: VihuelaList
> Subject: [VIHUELA] Mersenne reference
>
>I
cm.org/v9/no1/stein.html#ch4
>
>[2]http://www.sscm-jscm.org/v9/no1/stein.html
>
>Best,
>
>Matthew
>
>On Apr 13, 2020, at 13:08, Monica Hall
><[3]mjlh...@mail.cs.dartmouth.edu> wrote:
>
>Dear List
>I am trying to trace a quot
If anyone is interested in Corbetta - I have revised and rearranged the various
sections in my study of him on my webpage - https://monicahall.co.uk
https://monicahall.co.uk
There are now just four large sections placed at the beginning of the list all
clearly dated 2020.
I haven't deleted
Dear List
I am trying to trace a quotation from Giustinianiâs Discorso sobre la musica
in which he writes about accompanying the voice with theorbo, guitar,
harpsichord or organ and refers to Kapsberger as writing arie to be sung all
spagnola or allâitaliana. I just cannot track it down on
Dear All
I have at last revised and substantially enlarged my study of these enigmatic
instruments. You will find the revised pdf at
https://monicahall.co.uk
in the section
The Chittarra Atiorbata and Guittare Theorbée
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