walking to my car and then driving home.
(Not the smartest idea on my part to tape while driving on the freeway,
by the way!) No modification of speed was used this time, except in one
brief shot towards the end (150%).
mwp
editing. 400x speed.
mwp
, for a DVD release, which may
or may not be commercially available, in an upcoming month.
The compression on this is pretty brutal, but it’s the best of several
options I tested, alas.
http://mwp.jaycloidt.com/mpmov2006/Comp8.mp4
3 minutes, silent, 5.67MB
mwp
educated, as you say.
m
On Mar 24, 2006, at 5:39 AM, mIEKAL aND wrote:
mwp
Thanks for the pictures. One thing I'm struck by in the collection of photos is how the absence of college kids gutter punks the motley collection of younguns that usually show up at protests in these parts (Madison, WI
://mwp.jaycloidt.com/mpmov2006/PAP2006.mp4
Slideshow, silent, 39 sec, 1.2MB
mwp
://mwp.jaycloidt.com/mpmov2006/Sony012006.mp4
2 min, silent, 3.2MB
mwp
who's crumbling to pieces from
within.
Silent, approx 20 sec., 338KB.
http://mwp.jaycloidt.com/mpmov2006/PDTy.mp4
mwp
://mwp.jaycloidt.com/mpmov2006/BWC012006.mov
silent, endless loop, 638KB
mwp
- for example Tony Conrad? - Alan
On Mon, 20 Mar 2006, mwp wrote:
THE FIRST MOVIE
2006
This movie simply alternates between black and white frames, but I
find the effect produced by such a simple device to be far more
interesting than the description might suggest. If you gaze directly
On Mon, 20 Mar 2006, mwp wrote:
Yes, I've seen both Jacobs and Conrad. And Kubelka, Sharits, etc.
This is the most minimal of flicker films, of all films for that matter, in that it is simply b/w in alternation, with no attempt at making analogies to music, etc.
m
On Mar 20, 2006, at 11:09
/
-Original Message-
From: mwp [EMAIL PROTECTED]>
To: WRYTING-L@LISTSERV.UTORONTO.CA
Sent: Sun, 19 Mar 2006 10:12:58 -0800
Subject: Hard Mix Week-end
Hard Mix Week-end, after a still by Jean-Luc Godard (2006).
http://mwp.jaycloidt.com/mpmov2006/HMG2006.mov
1min20sec, 8MB
mwp
The artists and musicians I know who get grants devote 30% of their
week at minimum just to the gruntwork of filling out applications,
writing up resumes, making demo tapes for jury viewing, and such. I
think the reason they succeed is mainly due to their tenacity and hard
work at pursuing this
I don't understand how the rehabilitation of the WU is pomo's fault.
Can anybody explain?
m
On Jan 27, 2006, at 8:42 PM, Alan Sondheim wrote:
-- Forwarded message --
Date: Fri, 27 Jan 2006 23:02:16 -0500 (EST)
From: [EMAIL PROTECTED]
Reply-To: [EMAIL PROTECTED]
To: [EMAIL
JB, do you mind sharing a story or two about the writer William
Wantling? I'm reading up on the guy and am curious to get more info.
You mention that you connected with him here:
http://www.rattle.com/rattle11/poetry/jbennett.html
so I thought there might be more to the story you could tell.
Links, anybody?
m
Begin forwarded message:
Histoires du Cinema
Histoire(s) du cin?ma 1A: Toutes les histoires (1989)
http://rapidshare.de/files/10235363/Godard_-_histoires
-1a__lower_resolution_.wmv
73.13 MB
Histoire(s) du cin?ma 1B: Une histoire seule (1989)
MR
I've got excerpts from the Meltzer reading ready to upload, any time
your guy is ready.
MP
Okay, guys, here’s the deal. I’m in the process of putting the
finishing touches on a 2-hour videotaping I did in 2005 of a lecture by
the filmmaker Jean-Paul Gorin. Gorin was 1/2 of the Dziga Vertov team
in the 1960s-70s that was formed by him and Jean-Luc Godard; – yes,
THAT Jean-Luc Godard.
Bent image files. Never heard of these before. Am I late to the party?
m
http://www.animalswithinanimals.com/bent/
While I agree with AS that no computer will ever reproduce the nuanced touch of a human performer, there are many things one could do to flesh out today's generic samples and make them sound more “human.”
Just as in video games where the player picks out the specific features his avatar will have
into a long self-imposed glottal hibernation...
On Dec 18, 2005, at 8:46 PM, Alan Sondheim wrote:
On Sun, 18 Dec 2005, mwp wrote:
[Arggh, I feel the hostility meter starting to flutter into the red…
If that’s the case, I’m outta here.]
No hostility intended.
Don’t know why such a list
I have a few dozen photos from this that I took at the protest in SQ
last night. It may take me a couple of days before I can process them,
in case anybody cares.
m
On Dec 13, 2005, at 1:00 AM, Alan Sondheim wrote:
-- Crips gang co-founder Stanley Tookie Williams has been executed in
- but they're worth waiting for. You
have
an incredible eye. I wish we were there... - Alan
On Tue, 13 Dec 2005, mwp wrote:
Well, you're in luck, because I just finished uploading the file this
very minute! It's a slideshow with 49 photos, 22.5mb quicktime.
Photos from the Tookie Williams
portside on Arnold's 'reasoning' - it's
more
horrifying than I thought. - Alan
On Tue, 13 Dec 2005, mwp wrote:
Thanks! I wanted to rush this into availability while the emotional
wounds surrounding the issue were still fresh, so I didn't put much
effort into figuring out an optimal compression
I have AS's monumental Evening Edged in Gold, in English translation,
which must have been a life-altering experience for the translator. The
book's dimensions are 12x16 and fills over 200 pages with dense,
indescribable prose.
m
On Dec 11, 2005, at 9:17 AM, Alan Sondheim wrote:
I have the
be forewarned! In the future, I am looking to vary the rhythm more, open up the sound with more silences, etc. but this gives you a pretty good bare-bones idea of what is to come. . .
mwp
get to the audiomulch stuff, it's 50 i think but
well
worth it, might be less and i think there might be a trial period
in any case this is hardly unbearable, quite easy to listen to -
On Fri, 9 Dec 2005, mwp wrote:
HeyBullGod
2005
http://www.kunst.no/bjornmag/mpphp2004/MPDiv01x2005.mp3
[3MB
amount
of music is squeezed into an increasingly smaller space...
mwp
to me.
What happened to the music I was intending to upload and exactly how
it got transformed remains under investigation, as I would love to
be able to compose something like this myself via conscious
algorithmic methods.
mwp
__
Dr. John M. Bennett
Curator
remains under investigation, as I would love to be able to compose
something like this myself via conscious algorithmic methods.
mwp
Thanks! Of course I mean download, not upload, in my note. I always get
those terms mixed up, a kind of topographical dyslexia, I suppose.
m
On Dec 7, 2005, at 5:44 AM, cris cheek wrote:
the 'boys' never sounded so gd
it's just how i remember it
On Dec 7, 2005, at 5:03 AM, mwp wrote
this is my webpage if I say it is
2005
A page from the Geert Dekkers nznl.com website, reclaimed as my own:
http://nznl.com/geert/get.php
mwp
On Dec 7, 2005, at 7:45 AM, Geert Dekkers wrote:
nznl.com digest
Dec 01, 2005 - Dec 07, 2005
Posts 1284 - 1290
http://nznl.com
1284. Dec 01, 2005
HSV Exhaustions 01
2005
http://www.kunst.no/bjornmag/mpphp2004/HSV022005.mov
All 216 (= 6^3) permutations of the HS and V parameters of an image taken at 6 levels are assembled into a movie for your optimal viewing pleasure.
mwp
/SelfPortrait88spitbite.jpg
mwp
like.
There was a fascinating mix of people at the event. Young, old, black,
white, Hispanic, etc. I wish I could have done the experience justice
of witnessing the injustice of the State, but this will have to stand
as the best I have to offer.
mwp
I think it refers to the vagina dentata, or what the tooth fairy left under your pillow while you were having a nocturnal emission. . .
m
On Nov 22, 2005, at 10:41 AM, John M. Bennett wrote:
What is the tradition of oneiricriticism involving the loss of teeth? Sounds mighty intriguing -
John
Have you, anybody, read Twain's War Prayer? If not, do. It's eerily
relevant to today. (Or maybe not so eerily, alas.)
m
On Nov 22, 2005, at 9:02 PM, Alan Sondheim wrote:
It's unbelievable. I keep thinking continuously how thin civilization,
whatever passes for enlightenment, is. Look
SIX BOOS
2005
A horizontally-normalized interweaving of sound samples.
(Source: Series 6000 sound effects library.)
http://www.kunst.no/bjornmag/mpphp2004/AUDPhon01x.ogg
(1.7 MB OGG Audio File)
mwp
Long ago, I made a cassette that used a looped strip of sandpaper
instead of magnetic tape. Needless to say, nobody would ever dare play
it, not even me.
m
On Nov 7, 2005, at 6:02 PM, JOHN BENNETT wrote:
Whew - that DOES take one back-
Reminds me of the edition I did that consisted of
.
. . .
I really don't know.
. . .
I can't deny that, I just – I have no memory of that at all.
mwp
Aren't they cute? And talented, too!
http://www.prussianblue.net/
They’ve made a number of Situationist films available for download at
UBUWEB.
I must say that my response to these works is not positive. Can you
argue in favor of anybody seeing them, aside from the historical
perspective they provide? Debord’s fims in particular are tedious to
watch, I
Testing the Means 3, I II
An extension of the idea of Testing the Means. This time with diagonals
added.
1) AFTER MATISSE
http://www.kunst.no/bjornmag/mpphp2004/RYBMeans.jpg
2) XPLICITXXX
http://www.kunst.no/bjornmag/mpphp2004/RYBMeans2.jpg
mwp
mwp
/RYBMeans04d2005.jpg
mwp
spoematazoa
m
On Oct 9, 2005, at 9:00 AM, Steve Dalachinsky wrote:
smeop
mwp
/mpphp2004/JJDevice01x2005.jpg
mwp
Testing the Means I
2005
(AFTER MATISSE)
http://www.kunst.no/bjornmag/mpphp2004/RYBMeans01x2005.jpg
mwp
the number of sine waves, utilizing different waveforms, and other
variations.
It seems to have worked reasonably well in this case, in which the
original file is Ezra Pound’s reading of his poem Usura.
mwp
/
20050924SF.mov
(c) mwp
On Sep 29, 2005, at 12:40 AM, Alan Sondheim wrote:
This is quite beautiful; I certainly prefer it to De Kooning (except
the
late De Kooning, another story and there's one, altogether). This is
also
amazing from an aesthetic viewpoint - and how much does aesthetics
play a
role in your work?
I don’t think it would be possible to go back and reconstruct the
original, even if one knew the process. Naturally, at the programming
stage one could position-stamp every transformation of the data to
allow it to be reconstructed later on, but as it stands now, the
information simply gets
? -- that interpolates between
the pixels and reveals the structural glue that holds the
pixel-particles together and makes them into an image, a work.
This version is shrunken and compressed from the original, alas.
mwp
and Bruces,
Richards and Geres
there’s a fate worse than death
awaiting humanity
Jesus has up his sleeve:
It’s called Christianity.
Uh-huh. . .
mwp
Only the Primes, Ma’am
2005
http://www.kunst.no/bjornmag/mpphp2004/AUDPr012005.mp3
(audio file 1MB)
Your Unlistenable Music Moment of the Day -
Process:
Size of audio file SXXX = SIZX
# of primes lessthanORequalto SIXZ = PXXX
Selection of PXXX prime samples in audio file SXXX = SXXP
mwp
/EPUPr01x.mp3
mp3 audio – 4MB
(+ No added processing.)
mwp
gutterbreath
2005
http://www.kunst.no/bjornmag/mpphp2004/EPUxBreaths2005.aif
(AIFF sound file: 8MB)
EP’s reading of his famous Usura Canto, retaining only the intakes and
exhalations of breath.
(+ Noise reduction and reverberation.)
mwp
to
tell the difference.. I'd be much more likely to listen to a lot more
of these... ~mIEKAL
sorry, Im a snob about using compression formats suited toward low
bandwidth net delivery...
On Sep 18, 2005, at 4:36 PM, mwp wrote:
gutterbreath
2005
http://www.kunst.no/bjornmag/mpphp2004
://www.kunst.no/bjornmag/mpphp2004/ERE02d2005.jpg
mwp
of the original.)
mwp
CORRECTION
Make that link:
http://www.kunst.no/bjornmag/mpphp2004/WSIofOx22005.aif
And it's 13MB, not 18.
m
On Sep 13, 2005, at 2:58 PM, mwp wrote:
The Idea of Disorder, or Ketjak in Key West
2005
http://www.kunst.no/bjornmag/mpphp2004/WSIofOx22005.mov
18MB (audio only)
Elaborating
The Place of a Mountain
2005
http://www.kunst.no/bjornmag/mpphp2004/WS02+32005.aif
2.5MB
Same process as before, different poem, different numbers.
mwp
Stuttering Daddy
2005
http://www.kunst.no/bjornmag/mpphp2004/mpmerenxx3x.aif
9MB (audio only)
(Elaborating on the ideas of LLR in my previous post. . .)
A polyrhythmic mix of entropy-threshold blocks, at 44100 / 1000, /
1250, / 1500 and / 1750 block-samples per sec.
mwp
/MPIS01b.jpg
http://www.kunst.no/bjornmag/mpphp2004/MPIS01c.jpg
http://www.kunst.no/bjornmag/mpphp2004/MPIS01d.jpg
Detail of upper left of image #1:
http://www.kunst.no/bjornmag/mpphp2004/MPIS02.jpg
Detail of lower right of image #1:
http://www.kunst.no/bjornmag/mpphp2004/MPIS03.jpg
mwp
) of the Green River
Killer (male), who was recently given a life sentence for his serial
crimes; -- a gruesome subject indeed, so be forewarned. The method of
transformation is quadtree decomposition, in case you are curious.
http://www.kunst.no/bjornmag/mpphp2004/GRK2005/index.html
mwp
The Colorfields of Battle, or
Greenberg’s Revenge
2005
http://www.kunst.no/bjornmag/mpphp2004/Medals2005.jpg
mwp
Wow! Would you like this event professionally videotaped for CD quality?
I can do the single-camera taping myself, and make the mini-DV and/or DVD available to you and all for free.
Backchannel me, if interested. . .
Mark P
On Aug 18, 2005, at 9:13 AM, Michael Rothenberg wrote:
David
/VangWhite022005.jpg
Detail of pic (upper left-hand corner):
http://www.kunst.no/bjornmag/mpphp2004/VangWhite02detail2005.jpg
mwp
FYI
Here are the Chladni patterns for a square surface from 1-10 in the X
and Y directions. I did this in Matlab today. (In a later version, I
might be able to make this in color, which will have more detail and be
even more spectacular!)
http://www.kunst.no/bjornmag/mpphp2004/Chladni012005.jpg
FYI cont. . .
The same thing in polar coordinates – so cool!
Lots of nasty words being bandied about today. (In jest, I hope.) Here’s a series of beautiful images to act as karmic counterweight:
http://www.kunst.no/bjornmag/mpphp2004/ChladALLPC2.jpg
m
On Aug 16, 2005, at 12:30 PM, mwp wrote
Not to try anybody’s patience, but here’s two more images to add to the corpus:
http://www.kunst.no/bjornmag/mpphp2004/PixelDustf/PixelDust03b2005.jpg
http://www.kunst.no/bjornmag/mpphp2004/PixelDustf/PixelDust03c2005.jpg
m
On Aug 13, 2005, at 8:08 PM, mwp wrote:
PixelDust 2005
After Seraut
things.
I know in Gimp, at least the older versions, you could write
mathematical filters directly and/or modify the mathematics of
already-written filters. You might be interested in that - Alan
On Sun, 14 Aug 2005, mwp wrote:
Not to try anybody’s patience, but here’s two more images
On Aug 14, 2005, at 9:52 PM, Alan Sondheim wrote:
I use Mathematica on and off, but my current instantiation won't take
images, only works on straightforward mathematics. Don't ask. So it's
been frustrating. Years ago I tried Matlab (an early version I think
for DOS) and got nowhere - can
://www.kunst.no/bjornmag/mpphp2004/PixelDustf/PixelDust02c2005.jpg
Blowup (Ex. 3)
http://www.kunst.no/bjornmag/mpphp2004/PixelDustf/PixelDust02cx2005.jpg
mwp
From: mwp [EMAIL PROTECTED]
Reply-To: WRYTING-L : Writing and Theory across Disciplines
WRYTING-L@LISTSERV.UTORONTO.CA
To: WRYTING-L@LISTSERV.UTORONTO.CA
Subject: August is Entropy Month!
Date: Thu, 11 Aug 2005 12:27:23 -0700
August is Entropy Month! (For me, at least.)
In this so-called Age
is your comment
it is not about the 'one' piece
, it is about the flow of experiments
jmcs3
Joel Weishaus wrote:
As someone who likes your work, I don't find this piece interesting.
-Joel
- Original Message -
From: mwp [EMAIL PROTECTED]>
To: WRYTING-L@listserv.utoronto.ca>
likes your work, I don't find this piece interesting.
-Joel
- Original Message -
From: mwp [EMAIL PROTECTED]
To: WRYTING-L@listserv.utoronto.ca
Sent: Saturday, August 06, 2005 9:29 PM
Subject: ANY WAY YOU SLICE IT
ANY WAY YOU SLICE IT
AFTER Jackson Pollock’s Blue Poles
2005
JP’s Blue
of the other, along with the original Blue Poles at
the very top.
http://www.kunst.no/bjornmag/mpphp2004/JPBP16Slx2005.jpg
mwp
/bjornmag/mpphp2004/ALB/Alb13.jpg
http://www.kunst.no/bjornmag/mpphp2004/ALB/Alb14.jpg
http://www.kunst.no/bjornmag/mpphp2004/ALB/Alb15.jpg
http://www.kunst.no/bjornmag/mpphp2004/ALB/Alb16.jpg
mwp
!
m
On Aug 5, 2005, at 12:45 PM, Allen Bramhall wrote:
mwp wrote:
FOUND PHOTOS 2005
Selected from an abandoned photo album found in 2005 along the train
tracks in Albany, CA. The photos in the album were heavily soiled,
scratched, faded, waterlogged, sun-damaged, nature-infiltrated, etc
, but I was curious to
see what it would sound like, and if you are too, you will want to
listen.
You will need a program that can play MIDI files.
http://www.kunst.no/bjornmag/mpphp2004/Chess2Midi.mid
mwp
28
109 Kb5 12
110 Kd6 29
mwp
On Aug 4, 2005, at 7:34 AM, { brad brace } wrote:
nice! (like to hear more) -- were the same/similar notes
assigned to the same white/black positions?
/:b
On Wed, 3 Aug 2005, mwp wrote:
Chess2MIDI 01
AFTER FISCHER-SPASSKY 01 1972
2005
http://www.kunst.no
.
This is my mission, God willing.
This I will do without flinching, God willing.
I will not be deterred, Motherfuck.
mwp
HVRand
7 SVRand 8 HSVRand
mwp
about FAUX-VISM
or faux-vision.. at any rate, you still have Derain and Vlaminck..
M a dame S am ur ai Ma tisse
lq
- Original Message -
From: mwp [EMAIL PROTECTED]>
To: WRYTING-L@listserv.utoronto.ca>
Sent: Tuesday, August 02, 2005 7:22 PM
Subject: Re: RGBPerm 01
> Well, yes,
Well, yes, LQ, your point definitely has been taken into consideration
prior to the conceptualization of the work. Like it or not, I think we
all have learned to live with the fact that there will never be a pure,
unmediated representation of this – or any -- image available for
HSVPerm 01
Individual HSV values of the image subjected to individual inversion in
all combinations, resulting in a cycle of 8 transformations:
123 - (123, -123, 1-23, -1-23, 12-3, -12-3, 1-2-3, -1-2-3).
http://www.kunst.no/bjornmag/mpphp2004/PermHSV012005.jpg
m
the original (digitized) image.
Calculations are done in Matlab using my own algorithm. The number 12 is variable and can be set to any positive integral amount.
mwp
It's spoken text, but the links don't work because the files aren't
there.
M
On Jul 22, 2005, at 2:24 PM, Lanny Quarles wrote:
well, I don't have real player and it wants a CC number to download it.
i thought they might be interesting. i found the author's name via an
article
called
Those guys fascinate me. Tell me more about the meeting!
M
Here's an interesting statement of theirs referring to the film that I
took from someplace a while ago (I forget where):
‘An unambiguously CORRECT result of experiments exists; this is
obtained when it works, when this construction
, to see what comes out:
ABUSE OF POWER COMES AS NO SURPRISE
http://www.kunst.no/bjornmag/mpphp2004/abuseofpowercomes.jpg
mwp
Holtzer either.
-Joel
- Original Message -
From: mwp [EMAIL PROTECTED]
To: WRYTING-L@listserv.utoronto.ca
Sent: Monday, July 18, 2005 3:30 PM
Subject: Rebus 01
Rebus 01
2005
Words are replaced with the first image that appears in Alltheweb's
image search. If a word appears more than
No, it's just what fits most compactly in the allotted space without
leaving too many blank spaces.
m
On Jul 18, 2005, at 5:26 PM, [EMAIL PROTECTED] wrote:
i didn't even notice the flag.
is the visual arrangement of the images derived procedurally as well?
jUStin
On 7/18/05, mwp [EMAIL
Here’s one that turned out a bit more explicit. I guess it’s inevitable when images are culled from the web nowadays. (This is the last one I will post to Wryting, so no complaints!)
PROTECT ME FROM WHAT I WANT
http://www.kunst.no/bjornmag/mpphp2004/protectmefromw.jpg
processed to output. an equation
right?
jUStin
On 7/18/05, Joel Weishaus [EMAIL PROTECTED] wrote:
I don't get this.
But then, I never got Jenny Holtzer either.
-Joel
- Original Message -
From: mwp [EMAIL PROTECTED]
To: WRYTING-L@listserv.utoronto.ca
Sent: Monday, July 18, 2005 3:30 PM
On the other hand. . .
An outmoded theory is better than no theory at all.
A washed-up aesthetic is better than a dependency on commerce and
audience surveys.
A marginalized politics is better than a cynical rejection of politics
that leads to selfish gain.
-
Yes, art is better than
follow - alan
On Sun, 17 Jul 2005, mwp wrote:
On the other hand. . .
An outmoded theory is better than no theory at all.
A washed-up aesthetic is better than a dependency on commerce and
audience surveys.
A marginalized politics is better than a cynical rejection of
politics that leads
babydaddy
2005
A deliberately crude – (okay, maybe only half deliberate) -- attempt at
programming a noise gate, inflicted upon Sylvia Plath’s classic reading
of Daddy.
http://www.kunst.no/bjornmag/mpphp2004/SPDaddy012005.mov
(Audio file: 9.5MB)
thrx = 0.05; % THRESHOLD VAL
sizx =
shoes on
m
/x-tad-bigger
On Jul 9, 2005, at 12:28 AM, Lanny Quarles wrote:
its interesting of course, but through my own poverty of association
i get mainly the idea that you've reinvented the language of Cousin It..
lq
- Original Message -
From: mwp [EMAIL PROTECTED]>
To: WRYTIN
on cd, check out red.mov I think or
baghad.mov or start.mov or start2.mov - Alan
On Thu, 7 Jul 2005, Lanny Quarles wrote:
so what does it look like? can someone post an example?
- Original Message -
From: mwp [EMAIL PROTECTED]
To: WRYTING-L@listserv.utoronto.ca
Sent: Thursday, July 07, 2005
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