Thank you for recognizing my point. I apologize for the harshness with which it 
was stated, but I tend to react in kind when I'm talked to that way. As I said 
in the previous email, the conversation is over as long as the bad attitude 
continues. Anything that gets said to me in that tone going forward is going to 
be ignored. So you won't have to see this sort of ugliness out of me anymore. I 
unfortunately can't make the same promise for anyone but myself.

On Oct 18, 2012 9:11 AM, John G. Rose <[email protected]> wrote: 

Gentlemen please. Restrain yourselves, let’s keep this cordial 
J John  From: [email protected] [mailto:[email protected]] 

Nothing about what you said is extraordinary except for the consistency with 
which you dismiss examples out of hand.

And btw, I don't appreciate being FUCKING talked to like that. And I find it 
amazing that you of all people just accused me of producing "personal waffle", 
Mr. 
I-can't-say-ONE-FUCKING-concrete-thing-to-save-my-life-but-everyone-else-has-a-different-standard.
 You can say whatever else you like to this. As far as I'm concerned, the 
conversation is over until you learn to have a little respect for your fellow 
human beings instead of talking down to everyone like they're dumb little 
robots who just don't get what you the enlightened sage has to say. You are not 
the only person on this earth or this list who has insights or bothers to 
think, so until you quit acting like it, you can SHOVE IT.

On Oct 18, 2012 5:20 AM, Mike Tintner <[email protected]> wrote: 
You’ve been predictable and produced a lot of personal waffle - but not 
ONE FUCKING EXAMPLE of a single creative thing – a single new element - that 
algorithms have ever produced. It should strike you as extraordinary that 
no one can produce one example – nada. ..unless you’re prepared to look at 
the obvious. The whole of technology so far  – esp algorithmic 
technology – has been about machines that produce routine, predicable,  
“old” courses of action and products. Algorithms – all zillions of them – have 
never produced a single new element. You can’t produce one fucking example 
because there isn’t one. AGI will be a revolution – a whole new epoch of 
technology - because it will be about machines that can produce NEW courses of 
action and products – with NEW combinations of elements – and do so endlessly 
with endless diversity and endless surprises and unpredictability. Like you – 
only hopefully you will start producing something newer than 
excuses... From: Aaron Hosford Sent: Thursday, October 18, 2012 5:17 AMTo: 
AGI Subject: Re: [agi] ONE EXAMPLE Funny you should say that when he just 
said *you're* sticking to a primitive definition of "algorithm". You can't 
imagine anything *people* do (in particular anyone on this list, since that's a 
convenient group to pick on) that's new or creative. Maybe it's *your* 
creativity that's limited, in that your imagination can't follow where our 
imaginations tread. I can easily imagine a program (not an algorithm, mind you, 
but a collection of data structures and algorithms interacting with the real 
world in all its glorious complexity and surprisingness) from which creativity 
emerges. How did all those fonts come about? The randomness of the real world, 
interacting with the pattern recognizers and learning mechanisms that live in 
the human mind. Nobody thought them up from scratch.  I'm a musician and 
songwriter in my spare time, which requires creativity. The worst insult to a 
song writer is to say that it sounds just like another song (unless all he 
cares about is getting paid, in which case formulas work great). When I write 
songs, I start by picking up the guitar, and fiddling around randomly until I 
hear something interesting come out. Then I reverse engineer what I just 
accidentally produced, and I start thinking about how to generalize the "feel" 
of it so I can produce more that goes with it. I try things out, and build onto 
it, not by thinking ahead, but by stumbling in the right direction and either 
backtracking if it sucks or holding on to what I've done if it sounds good. 
This goes on throughout the entire process of writing a song. My experience as 
a song writer serves as a general guide to determine the direction I'm going in 
and reduce the number of bad ideas and false starts I have to try out before I 
stumble onto a good one, but ultimately writing a song comes down to 
accumulating a lot of awesome mistakes together according to a strict measure 
of what sounds good to me. This, I suspect, is exactly what other artists 
and creators go through when they create anything at all. There's nothing 
particularly hard about implementing any of this in a computer program aside 
from determining the measure of goodness, which we humans have built in due to 
evolution. To make it general across multiple domains and not just one, we 
would have to also build in a way to detect the space of possibilities, such as 
that for a guitar, there are such-and-such notes, or for a canvas, there are x 
and y coordinates related to each other by a Euclidean distance metric. This is 
also do-able, albeit probably a lot more difficult. How much experience do 
you personally have with creating things, that you can sit in judgment of us 
and say we don't know what creativity much less how to build it? Are you a 
musician? An artist? A programmer? A writer? A philosopher? What?On Sun, Oct 
14, 2012 at 9:31 AM, Mike Tintner <[email protected]> 
wrote:Frankly, Jim, definitions are for wankers. The last resort of s.o. who 
doesn’t want to get anywhere. Your ideas about algorithms’ powers are 
fictional. There isn’t an algorithm in the world that isn’t mindblowingly 
limited – that just “builds” Lego houses and no other kind of structure, or 
“cooks” one set of dishes and nothing else. Take just about any verb you 
like – “travel”, “fly”, “calculate”, “compute,” “translate,” et al – and an 
algorithm will only be able to do one hyperspecialised version, compared to the 
infinite possibilities. Show us something actual and general/creative, 
with new elements, that algos can do  - or please stop wasting 
air.   From: Jim Bromer Sent: Sunday, October 14, 2012 3:13 
PMTo: AGI Subject: Re: [agi] ONE EXAMPLE Mike,How many times does it take 
to get this idea across to you.  You are confusing a primitive definition 
of algorithm - which might be currently acceptable to many people - as a 
fundamental notion of the characterization of a computer program.JimOn Sun, Oct 
14, 2012 at 10:02 AM, Mike Tintner <[email protected]> 
wrote:P.P.P.S.  Just to ram this home - UNLESS you do something like 
I’ve suggested, (and I know none of you have) - a) tackle a proper 
creative problem (and what better than geometrical/math ones for you?) 
- (you don’t have to come anywhere near solving it, just have a go at it), 
and then b) try and algorithmise/systematise your thinking - unless 
you do that, you will NEVER understand AGI. If you do, note what is the 
“set of elements”/options to be thought about here? (there never is 
one). AGI | Archives | Modify Your Subscription  AGI | Archives | 
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