GuyDebord;271514 Wrote: 
> Im sorry but I have never liked measurments and any arguments made
> around them, and this for one simple reason: I dont listen to music
> with my eyes or mathematic skills, I listen to music with my ears, and
> my ears dont understand measurements.
> 
> Saying this, I agree with all of you that prove a cd has a lower noise
> floor, I cant argue with science on this. However, if I forget about
> science and immerse in feeling and truth to music, the lp has the
> lowest noise floor of all, dead black.
> 
OK, so you aren't interested in measurements.  Well, I also LISTENED to
the noise that I measured.  Sure enough it sounded like noise, mostly
hiss with a little hum mixed in.  And when I cranked the volume enough
to hear the CD dither (which contained no hum BTW), the analog tape
noise fairly blasted from the speaker compared with low level hiss from
the dither.

My point is that a 1960-era recording is completely inappropriate as a
demonstration of the noise floor of CD.  The dynamic range window
offered by the tape formulations available at the time is nowhere near
CD.  I'm not questioning the artistic qualities of the music or the
recording.  I enjoy this and similar recordings because of the musical
and sonic artistic inspiration they embody, not for how they measure. 
But I do understand the limitations of the technology used to record
them.   And with no knowledge of the lineage of the CD vs the LP's
lineage, we can only guess as to where in the process which noise was
introduced by what, but it is obvious, both measuring AND listening,
the noise was digitized and RECORDED from an analog source onto the CD.
My guess is that, at most, your LP vs. CD comparison simply shows that
they got a quieter transfer from the source tape when they cut the LP
that when to CD was mastered, which could be the case for any number of
reasons, from using a lower-generation tape for the LP to, if it was in
fact the same tape, it probably had hundreds of playback passes between
when the LP was cut and when the CD was mastered.

To move back toward "Turn Me Up", there are those who feel that one
cannot tell anything about how a song will sound by looking at its
waveform in the editor.  That's partially right and partially wrong. 
Although you can make a reasonable guess as to how certain things will
affect the sound, the only way to know is to listen.  However, there is
one thing you can KNOW, that sounds with clipped peaks will not be an
ACCURATE reproduction of the original sound.  Will that inaccuracy be
detectable to a person's ear?  Well, THAT is the question...  Will
different people have different opinions regarding which clipping their
ears can detect?  Almost certainly.


-- 
Timothy Stockman
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