On Mon, 18 Feb 2002, Marvin Long, Jr. wrote:

>
> [spoilers]
> .
> .
> .
> .
> .
>
> On Mon, 18 Feb 2002, Dan Minette wrote:
>
> > ------------------------------------------------------------------------------
> >
> >
> > I'm guessing that DB didn't worry a whole lot about the symbolism of color.  I 
>think he may have been careful to make black good, but that's about it. I think more 
>effort went into the plot and into the metaphysics.
> >
>
> I would also guess that color assignment was based mostly on whimsy, with
> some sensitivity to stereotypes.  The thing that struck me about the
> black/white dichotomy is that it's a reversal of traditional Western
> bigotries, which assume that white = intellectual and black = oversexed.
> Of course, white is also the dominant "beauty-paradigm" in Western and
> many other colors, so that may have had an influence on the choice of
             ^^^^^^
> color for sex-dittos.
>

I meant "cultures" of course.  Dang that Freud and his undergarments.

Marvin Long
Austin, Texas

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