>I would also guess that color assignment was based mostly on whimsy,
>with some sensitivity to stereotypes. The thing that struck me
>about the black/white dichotomy is that it's a reversal of
>traditional Western bigotries, which assume that white =
>intellectual and black = oversexed. Of course, white is also the
>dominant "beauty-paradigm" in Western and many other colors, so that
>may have had an influence on the choice of color for sex-dittos.
I thought about that too. Though the truly pale white as a sex symbol has been out of fashion since the Victorian days, Nicole Kidman notwithstanding. :-)
>
>Maybe a gray ditto represents a balance between the above extremes
>and so represents a "normal" state of rig-representation, as much an
>agent as a servant of the rig.
Interesting thought. The gray certainly seems to have the most expected of it, though I saw it as more of a "formal" ditto, not unlike wearing a suit in modern days.
>I can't think of any reason to make green dittos the laborers, except
>that "It's not easy being green."
I thought that was far to go for a single joke, but that's not stopped the illustrious doctor before, has it? ;-)
>Aren't there some other colors, too, for factory workers and
>specific professions/hobbies?
That's not too well defined in the book, that I recall. For example, the Red golems aren't well-explicated, nor are Beta's yellows.
Jim
- Kiln People [spoilers] (was Re: Soooo...) Jim Sharkey
- Re: Kiln People [spoilers] (was Re: Soooo...) Dan Minette
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- Re: Kiln People [spoilers] (was Re: Soooo...... Marvin Long, Jr.
- Re: Kiln People [spoilers] (was Re: Soooo...) Jim Sharkey
- Re: Kiln People [spoilers] (was Re: Soooo...) Marvin Long, Jr.
- Re: Kiln People [spoilers] (was Re: Soooo...) Jim Sharkey
- Re: Kiln People [spoilers] (was Re: Soooo...) Jim Sharkey
- Re: Kiln People [spoilers] (was Re: Soooo...) Marvin Long, Jr.
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