I wrote:

> Correct me if I'm wrong, but if the cited article (in October 1995 Pop
> Photo) is the one that I recall ... manual focusing was done by using a
> loupe on a ground glass placed on the film rails ...

Bob Talbot replied:

> Well, rather than focus on the part of the article that don't apply to
> EOS ...

Why would this not apply to EOS?  I simply suggested that MF using a ground
glass in the film plane isn't a practical basis for an MF vs.  AF
comparison because it's not a technique you can use in picture-taking
situations with an SLR, EOS or otherwise.

In any event, as it turn out, neither of the Pop Photo articles cited by
Robert Monaghan isn't the one I recalled, so my comment wasn't directly
relevant.

> ... you could try ...  Why You Can't Rely on Autofocus "in-focus"
> Indicators when using Manual Focus Modes on AF:

I think I agreed with everyone else on the limitations of the "in-focus"
indicators, which is what started this thread.  I further suggested that
simply having the indicator illuminate over a much shorter distance isn't
necessarily the solution.

> With MF the focus "position" of the lens is almost exactly the same no
> matter how many times I repeat it.

I can't argue with this technique--years ago, the Nikon School used to
recommend it as a periodic check of focusing accuracy (precision doesn't
ensure accuracy, but lack of precision strongly suggests that you have
neither).  I made a habit of doing this, especially because I've used a
grid in almost every camera that I've owned, and have had to rely on
groundglass focusing rather than split images or microprisms.  I've
retained this habit since switching to AF.

> With AF the "position" has a marked random element.

In general, this hasn't been my experience (at least with an EOS-1n and an
EOS-1v).  Interestingly enough, the September 1999 Pop Photo article seemed
to reach the same conclusion!  As always, YMMV ...

I don't by any means suggest that AF is perfect, but I do think some
authors go off on tangents in pointing out its shortcomings.  The magazine
article that used the film-plane groundglass as its MF standard was one,
and to an extent, the September 1999 Pop Photo article was another: a
sidebar noted AF inconsistencies that became visible at 45x magnification--
I don't dispute the results, but how in the world can anyone do a 45x
magnification in the viewfinder when using MF?

I actually agree with many of Monaghan's conclusions, especially the
implication that if you really prefer MF, you're better off with an MF
camera and MF lenses. However, I don't share his universal disdain for AF.

Jeff Conrad

*
****
*******
***********************************************************
*  For list instructions, including unsubscribe, see:
*    http://www.a1.nl/phomepag/markerink/eos_list.htm
***********************************************************

Reply via email to