I've received two replies both having to do with *insertion point* and
*cursor.* But I enter notes with MIDI/Speedy Entry. I'm not saying I haven't
missed something obvious, but believe me when I say I've tried to spot a
pattern to how Finale works with voice stems when entering notes with MIDI
and so far I haven't spotted it. Am I just missing it?

--Richard

> From: Harold Owen <[EMAIL PROTECTED]>

> Finale's stem positioning using Voice 1, Voice 2 is completely
> predictable, once you understand how it works. If Voice one has the
> upper note, position the insertion point below it to enter Voice 2.
> Then the upper note will have an up stem and the lower a down stem.
> The opposite is true. If Voice 2 is to be the upper note, position
> the insertion point above the Voice 1 note before entering the Voice
> 2 note. Notice, however, that I said "note' - singular. When Voice 1
> on top has more than one note, you must toggle the stem on any
> down-stem noes after the first one. Once you understand this, it's
> not really a problem.
> 
> I use layers when the music is contrapuntal or when there is a
> passage of more than a measure with two voices in one staff. However,
> the Voice 1, Voice 2 method is very convenient for the occasional
> note or series of notes in one bar often encountered in keyboard
> music. Those of us who started with Finale Verion 1 will remember
> that V-1, V-2 was the only way to deal with contrapuntal keyboard
> music. The introduction of layers was a very welcome event indeed.

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