At 4:34 PM 06/20/03, Brad Beyenhof wrote:

>> Layers are clearly more popular than voices around here, but I don't think
>> that everyone "deprecates" voices.  I, for one, use both of them regularly.
>> I've found that which I prefer depends on the context.
>
>What, for you, makes the difference in choosing one over the other?

For me, the main thing is whether I think of it as two separate parts
sharing a staff or one part which splits up temporarily.  In the former
case I use layers, and in the latter I use voices.

For a vocal line, the difference is generally pretty obvious. If a chorus
section is divided throughout the piece, then I'm using layers
consistently. If the section is mostly unison but splits for an occasional
chord, then it's voices.

In a piano part -- which is where the choice really arises -- I suppose
it's a judgment call, but I almost always have a clear sense of whether
it's separate lines or just chords splitting up with different rhythms.

The technical difference between layers and voices tends to reflect the
graphic difference I want (eg, if it's separate parts I do want to fill in
with rests and turn the stems, otherwise I don't; if it's separate parts
I'll want to assign the entire lyric separately; etc.).  Occasionally, I'll
make a decision with ease of input specifically in mind, but mostly it's
about musical context.

mdl


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