Of course, of course. I was not referring to the tone color of manner of playing, just that one can well distinguish between a synthesizer's sound and a real live instrument's sound. This is the issue. I'd like something close to the real instrument. As for the voices, it's a given that Leonard Warren sound way different from Frank Sinatra, both lyrical baritones (well, Warren is also dramatic, probably one of the greatest Rigolettos). And so on and so forth. Yeah, it's a matter of taste but canned sound is canned sound and most of the people (at least the well advised) will be able to distinguish it from the real stuff.
john. On Wed, 27 Sep 2006 17:23:02 -0400 dhbailey <[EMAIL PROTECTED]> writes: > dc wrote: > > > dhbailey écrit: > >>> or baritone voice like a real soprano or baritone. > >>> IS THIS THE CASE? > >> > >> Yes that is the case. > > > > Including for voices? > > > > > My answer was sort of tongue in cheek, witness my inclusion of Louis > > Armstong and Maurice Andre -- both excellent trumpet tones in their > styles, but I'd hardly like to hear the Bach Brandenburg #2 played > with > Louis Armstrong's tone, and Maurice Andre's tone just wouldn't cut > it > with All-Stars on a stirring rendition of St. James' Infirmary. > > The voices sound like voices -- are they really GOOD voices? > Depends on > whether you like them or not. ;-) > > > -- > David H. Bailey > [EMAIL PROTECTED] > _______________________________________________ > Finale mailing list > [email protected] > http://lists.shsu.edu/mailman/listinfo/finale > > _______________________________________________ Finale mailing list [email protected] http://lists.shsu.edu/mailman/listinfo/finale
