Apologies for not citing the writer, but 
apparently I didn't save the post I had intended 
to.  Just a small correction for someone 
regarding the labels usually used for the 9 
movable clefs.

C on the bottom line is usually called the 
Soprano Clef.  That's the clef Bach used for his 
soprano voice parts and sometimes for his violin 
parts, as well as the right hand parts of his 
keyboard music fairly often.  The C on the second 
line is usually called the mezzo-soprano clef, 
used mainly for voices in a slightly lower range, 
and used by Bach for the various d'amore 
woodwinds, often pitched in A.

And the G clef first turns up in 15th century 
sacred music on parts intended for boys (pueri), 
not in baroque violin parts.  In fact you may 
have been thinking of the so-called French Violin 
clef, with G on the bottom line, which in fact 
was used more often for flute parts than for 
violin parts.

The trend has been toward simplification, with 
some efforts at simplification defying the use of 
only treble or bass clef even today.  The ranges 
of horns and some saxes are difficult to notate 
in concert-pitch scores using G or F clefs, since 
they actually span a range that's perfect for one 
of the C clefs.

John


-- 
John R. Howell, Assoc. Prof. of Music
Virginia Tech Department of Music
School of Performing Arts & Cinema
College of Liberal Arts & Human Sciences
290 College Ave., Blacksburg, Virginia 24061-0240
Vox (540) 231-8411  Fax (540) 231-5034
(mailto:john.how...@vt.edu)
http://www.music.vt.edu/faculty/howell/howell.html

"Machen Sie es, wie Sie wollen, machen Sie es nur schön."
(Do it as you like, just make it beautiful!)  --Johannes Brahms

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