At 2:37 AM +1000 9/28/11, Nigel Hanley wrote:
>Thanks Chuck and Darcy, you have together proven 
>my dilemma. I'm in Australia, and was always led 
>to believe in the hand drums, stems up, and foot 
>drums stems down system. Apparently this isn't 
>gospel truth. I can see both arguments, so I'm 
>pleased to hear both sides.
>
>cheers,
>
>Nigel Hanley

Nigel:  I'm not aware of any firm convention.  In 
fact there are a number of different practices, 
and drummers seem to be fairly intelligent in 
figuring them out.

Since I come from a long history of hand copying 
my parts, I have my own layout that dates from 
when I studied drums in high school (rudimental, 
not drum set).  And it is the same layout that is 
the basis for classical percussion parts, 
including a long history of marching and concert 
band parts:

Snare on 3rd space, stems up.  Kick or bass on 
1st space, stems down.  (This is the basis; 
everything else is fitted in around them.)

Hat on 4th space, x-noteheads, stems up, since it 
very often doubles the snare.  Crash and ride 
cymbals above the staff, x-noteheads, stems up, 
with different cymbals indicated by different 
heighths above the staff (sort of like medieval 
heightened neumes!).

Toms distributed between the 2nd line and the 4th 
line, although I often run out of lines and 
spaces for a larger drum set.

No drummer has ever had any problem reading this 
layout.  And it never occurred to me to use 
layers, or to separate the cymbals from the 
drums.  And while I understand and approve of the 
logic of separating hands and feet, I've never 
thought that stems-down for the hat made any 
sense.

John


-- 
John R. Howell, Assoc. Prof. of Music
Virginia Tech Department of Music
School of Performing Arts & Cinema
College of Liberal Arts & Human Sciences
290 College Ave., Blacksburg, Virginia 24061-0240
Vox (540) 231-8411  Fax (540) 231-5034
(mailto:[email protected])
http://www.music.vt.edu/faculty/howell/howell.html

"Machen Sie es, wie Sie wollen, machen Sie es nur schön."
(Do it as you like, just make it beautiful!)  --Johannes Brahms

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