But they didn't have such strings. If we are trying to seek the sounds
   heard by the Old Ones it's necessary to start from what we do know ie
   they generally used gut trebles.
   MH

   --- On Wed, 6/10/10, Sauvage Valery <[email protected]> wrote:

     From: Sauvage Valery <[email protected]>
     Subject: [LUTE] Re: Carbon strings + Titanium Nylon?
     To: [email protected]
     Date: Wednesday, 6 October, 2010, 14:47

   Can we imagine at the renaissance-baroque time if they had choice to
   play
   with nice sounding strings, but so expensive, fragile and difficult to
   stay
   in tune, or less expensive strings, staying in tune and lasting longer,
   (and
   even sounding louder and not so bad) what would have been their choice
   ?
   I don't know for them, I know for me (and I know some have different
   opinion...)
   Don't forget the quality of sound is also very much the way we pluck
   the
   strings (perhaps more than the material and quality of strings...)
   So much talk about this subject. Lets just spend this time playing,
   than
   cutting hairs (or strings) in four (in the longer side) ;-)
   Valery
   -----Message d'origine-----
   De : [1][email protected] [mailto:[2][email protected]]
   De la part
   de Martyn Hodgson
   Envoye : mercredi 6 octobre 2010 15:06
   A : Edward Martin; Anthony Hind; JosephMayes
   Cc : [3][email protected]
   Objet : [LUTE] Re: Carbon strings + Titanium Nylon?
      Well, we don't know absolutely - but it would surely be incorrect to
      say we don't have any idea whatsover.
      Certainly we know gut trebles were used and 'titanium nylon' were
   not,
      which is the point at issue.
      MH
        From: Mayes, Joseph <[4][email protected]>
        Subject: [LUTE] Re: Carbon strings + Titanium Nylon?
        To: "Edward Martin" <[[email protected]>, "Martyn Hodgson"
        <[6][email protected]>, "Anthony Hind"
   <[7][email protected]>
        Cc: "[8][email protected]" <[9][email protected]>
        Date: Wednesday, 6 October, 2010, 13:04
      Just to be contrary, I should point out that we have no idea how
   lutes
      sounded. Admittedly, carbon fiber was not all that prevalent in the
      renaissance.
      Joseph Mayes
      On 10/6/10 7:37 AM, "Edward Martin" <[1][[email protected]>
   wrote:
      > Thanks for the note, Marytn.  I agree with you, totally.  For the
      > most part, I have played gut exclusively for the past 18 years or
   so,
      > as the sound is so beautiful, not to mention that it _is_ the way
      > lutes sounded.
      >
      >
      > ed
      >
      >
      >
      >
      > At 02:01 AM 10/6/2010, Martyn Hodgson wrote:
      >
      >
      >>    Dear Anthony,
      >>
      >>    This seems a very retrograde step. Surely if we are wishing to
      hear
      >>    something even approaching how the Old Ones sounded we ought
   to
      >>    eschew treble strings which are so very different from what
   they
      had.
      >>    Clearly gut was generally used for trebles and there's no
   reason
      to
      >>    suppose their density has changed significantly since then -
   in
      short a
      >>    material close to gut, if not gut, ought to be our goal for
   these
      >>    strings rather than significantly lower density, and hence
      thicker (and
      >>    plummier sounding), strings.
      >>
      >>    Of course it's quite possible these particular players to
   which
      you
      >>    refer don't wish to try and achieve this sort of sound and
   quite
      like
      >>    the modern guitar type tone......
      >>
      >>    regards
      >>
      >>    M.
      >>    --- On Tue, 5/10/10, Anthony Hind
   <[2][11][email protected]>
      wrote:
      >>
      >>      From: Anthony Hind <[3][12][email protected]>
      >>      Subject: [LUTE] Re: Carbon strings + Titanium Nylon?
      >>      To: "Edward Martin" <[4][[email protected]>
      >>      Cc: [5][14][email protected]
      >>      Date: Tuesday, 5 October, 2010, 14:24
      >>
      >>       Dear Ed and All
      >>             For the reason you state below :
      >>       %
      >>> The density of carbon is so much
      >>> more than gut, therefore a smaller size is appropriate, around a
      >>    0.38
      >>> or so. Because of the need for a smaller diameter, the sound is
      >>> certainly more sharp sounding.
      >>>
      >>> ed
      >>       %
      >>       two lutenists on the French list, who have adopted
   synthetic
      strings
      >>       for their stability, (rather than just for their low cost),
      and who
      >>    are
      >>       ready to experiment to achieve the sound they are looking
   for,
      have
      >>       adopted very low density Titanium Nylon fishing lines for
      their top
      >>       strings, which they claim give a thicker, and therefore,
      sweeter
      >>    warmer
      >>       sounding top string for the same tension, compared to high
      density
      >>    KF
      >>       carbon (which they use for their Meanes) or even compared
   to
      >>    slightly
      >>       higher density nylon.
      >>       %
      >>       They liked the sound of the old nylgut (with its density
   close
      to
      >>    gut),
      >>       but claimed that it tended to break too easilly (which
      presumably
      >>    has
      >>       been resolved with the latest version)..
      >>       %
      >>       In fact, they were looking for a sound similar to that
   which
      is
      >>       achieved with titanium nylon guitar strings, but these do
   not
      exist
      >>    in
      >>       diameters suitable for the lute.
      >>       It would seem that such a string can be found in a suitable
      diameter
      >>       (0,35 to 0,50) in fishing line, under the name, Nylon
      Powerline
      >>       Titanium; but there is also Asari Falcon titanium G2, which
      might be
      >>       suitable.
      >>       (for those interested these are special fishing lines for
   surf
      >>    casting)
      >>       %
      >>       FranAS:ois Pizette gave the following comparative table of
      densities
      >>       (which I have not checked out):
      >>       %
      >>       titanium nylon :1.04
      >>       nylon: 1.12
      >>       perlon: 1.22
      >>       nylgut: 1.3
      >>       gut: 1.36
      >>       KF pvf: 1.81
      >>       %
      >>       FranAS:ois actually sent me a trial string for my
   Renaissance
      lute,
      >>    but
      >>       I never got round to trying it out, myself. I had just
   begun
      >>       experimenting a Kathedral gut top string at the time, so I
      passed it
      >>    on
      >>       to a friend who was using a nylon top string, and I believe
   he
      found
      >>       the Titanium Nylon quite good, but a little "too sweet".
      >>    Nevertheless,
      >>       he kept it on for a time, so it may not have been at all
   bad
      to his
      >>       taste.
      >>       %
      >>       As you say, string density determines the diameter, and
      presumably,
      >>    all
      >>       things being equal, 'thinner than nylon' could lead to a
      sharper
      >>    tone,
      >>       while thicker could lead to a sweeter one. However,
   FranAS:ois
      >>    Pizette
      >>       claimed he heard the carbon top string as "colder", and the
      titanium
      >>       nylon as "warmer".
      >>       Nevertheless, relative top string thickness also plays a
   role
      in
      >>    terms
      >>       of feel and playability. It is not easy to "dig into" a
   thin
      string,
      >>       although an over thick string could possibly become too
      damped.
      >>       %
      >>       A comparison between Alliance Savrez carbon and Addario
      >>    Titanium-nylon
      >>       can be heard here on a Ukelele in this You/Tube video (if
   you
      have
      >>    the
      >>       patience, as there are two other strings tested):
      >>       [1][1][6][15]http://www.youtube.com/watch?v=BGK8pXqr9yY
      >>       %
      >>       One player's comments on this test seem interesting. He
   says
      it is
      >>    more
      >>       the feel of the Titanium Nylon he prefers than the sound
      difference
      >>       with the Savarez:
      >>       "You were the one that goti>>? me into Savarez strings,
   though
      I
      >>    still
      >>       prefer my D'Addrios only because they are thicker and give
   me
      a
      >>    little
      >>       more "feel" under my fingers." (a Ukele player)
      >>       %
      >>       Is this not why some Baroque lutenist gut users prefer a
   lower
      >>    diapason
      >>       (say 392 over  415, with the same tension). This also gives
   a
      >>    thicker
      >>       top string, with more material to "dig into"?
      >>       %
      >>       I think this question may be just as interesting for gut as
      for
      >>       synthetics users.
      >>       While personally, I have been experimenting with the sound
   and
      feel
      >>    of
      >>       gut in relation to hypotheses about historic strings, I am
      happy to
      >>       report on these synthetic string user's experiments,
      attempting to
      >>       achieve a better sound and playability with their choice of
      strings.
      >>       Best regards
      >>       Anthony
      >>       ---- Message d'origine ----
      >>> De : "Edward Martin" <[2][7][[email protected]>
      >>> A : "Edward Mast" <[3][8][17][email protected]>;
      >>> "Roman Turovsky" <[4][9][18][email protected]>
      >>> Objet : [LUTE] Re: Carbon strings?
      >>> Date : 04/10/2010 15:10:06 CEST
      >>> Copie A  : "Paul Kieffer"
   <[5][10][19][email protected]>;
      >>> "EUGENE BRAIG IV" <[6][11][20][email protected]>;
      >>> [7][12][21][email protected]
      >>>
      >>> No, it would have too much tension. The density of carbon is so
      >>    much
      >>> more than gut, therefore a smaller size is appropriate, around a
      >>    0.38
      >>> or so. Because of the need for a smaller diameter, the sound is
      >>> certainly more sharp sounding.
      >>>
      >>> ed
      >>>
      >>>
      >>>
      >>>
      >>>
      >>> At 07:50 AM 10/4/2010, Edward Mast wrote:
      >>>> The .40-.41 mm diameter line sounds like it would be suitable
   for
      >>>> the top course, yes?
      >>>
      >>>
      >>>
      >>> Edward Martin
      >>> 2817 East 2nd Street
      >>> Duluth, Minnesota 55812
      >>> e-mail: [8][13][[email protected]
      >>> voice: (218) 728-1202
      >>>
      [2][9][14][23]http://www.facebook.com/profile.php?id=1660298871&ref=
   name
      >>> [3][10][15][24]http://www.myspace.com/edslute
      >>>
      >>>
      >>>
      >>>
      >>> To get on or off this list see list information at
      >>>
   [4][11][16][25]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
      >>>
      >>       --
      >>    References
      >>       1. [12][17][26]http://www.youtube.com/watch?v=BGK8pXqr9yY
      >>       2.
      [13][18][27]http://www.facebook.com/profile.php?id=1660298871&ref=na
   me
      >>       3. [14][19][28]http://www.myspace.com/edslute
      >>       4.
      [15][20][29]http://www.cs.dartmouth.edu/%7Ewbc/lute-admin/index.html
      >>
      >>    --
      >>
      >> References
      >>
      >>    1. [21][30]http://www.youtube.com/watch?v=BGK8pXqr9yY
      >>    2.
      [22][31]http://uk.mc263.mail.yahoo.com/mc/compose?to...@gamutstrings
   .com
      >>    3.
      [23][32]http://uk.mc263.mail.yahoo.com/mc/[email protected]
   m
      >>    4.
      [24][33]http://uk.mc263.mail.yahoo.com/mc/compose?to=r.turov...@veri
   zon.net
      >>    5.
      >>
      [25][34]http://uk.mc263.mail.yahoo.com/mc/compose?to=paul.nicholas.k
   ieffer@
      gmail.com
      >>    6.
      [26][35]http://uk.mc263.mail.yahoo.com/mc/[email protected]
      >>    7.
      [27][36]http://uk.mc263.mail.yahoo.com/mc/[email protected]
   th.edu
      >>    8.
      [28][37]http://uk.mc263.mail.yahoo.com/mc/compose?to...@gamutstrings
   .com
      >>    9.
   [29][38]http://www.facebook.com/profile.php?id=1660298871&ref=name
      >>   10. [30][39]http://www.myspace.com/edslute
      >>   11.
   [31][40]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
      >>   12. [32][41]http://www.youtube.com/watch?v=BGK8pXqr9yY
      >>   13.
   [33][42]http://www.facebook.com/profile.php?id=1660298871&ref=name
      >>   14. [34][43]http://www.myspace.com/edslute
      >>   15.
   [35][44]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
      >
      >
      >
      > Edward Martin
      > 2817 East 2nd Street
      > Duluth, Minnesota  55812
      > e-mail:  [36][[email protected]
      > voice:  (218) 728-1202
      > [37][46]http://www.facebook.com/profile.php?id=1660298871&ref=name
      > [38][47]http://www.myspace.com/edslute
      >
      >
      >
      --
   References
      1.
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      2.
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      3.
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      4.
   [51]http://uk.mc263.mail.yahoo.com/mc/[email protected]
      5.
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      6. [53]http://www.youtube.com/watch?v=BGK8pXqr9yY
      7.
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      9.
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   gmail.com
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     12.
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     38. [85]http://www.myspace.com/edslute

   --

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   4. http://uk.mc263.mail.yahoo.com/mc/[email protected]
   5. http://uk.mc263.mail.yahoo.com/mc/[email protected]
   6. http://uk.mc263.mail.yahoo.com/mc/[email protected]
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  85. http://www.myspace.com/edslute

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