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Dear Maphisters

A woman sitting on a crocodile was used to personify the African continent 
since the late 16th century. Painters and engravers working in Antwerp at the 
end of the 16th century such as Marten de Vos, Adrien Collaert, Philip Galle 
and Marcus Gheeraerts all contributed independently to the creation of standard 
personifications by their symbolism. See for instance:
http://commons.wikimedia.org/wiki/File:Marten_de_Vos_Adriaen_Collaert_Africa.jpg

The iconography of the continents has been dealt with in several studies since 
the 1960's. One of the first and most extensive contributions is the article by 
Erich Köllmann a.o., 'Erdteile', in Reallexikon zur Deutschen Kunstgeschichte, 
ed. by Ludwig H. Heidenreich and Karl-August Wirth (Stuttgart, 1967), vol. 5, 
cols 1107-1202. The literature on the subject has been assimilated in the 
thorough study by Sabine Poeschel, Studien zur Ikonographie der Erdteile in der 
Kunst des 16.-18. Jahrhunderts (München, 1985).

It is not surprising that mapmakers were among the first to incorporate 
personifications of the continents in the decoration of their products. The 
symbolic figures supplemented very suggestively the geographical contents of 
their world maps and title pages of atlases. Abraham Ortelius included a set of 
personifications on the title page of his Theatrum orbis terrarum (1570). He 
depicted four contintents as women, while a fifth continent, the unknown 
southern continent 'Magallanica' is represented only by a woman's bust.

Only two Dutch mapmakers represented even six parts of the world on their world 
maps. On his famous world map from 1594, Petrus Plancius depicted Africa (in 
the lower right corner) as an almost naked figure riding a crocodile, armed 
with bow and arrows . A hat and a parasol protect her from the heat of the day. 
See: http://www.zoomcatch.com/wallpapers/download/97702/1421/1101
In 1604 Pieter van den Keere (Petrus Kaerius) issued a new edition of 
Plancius's world map, but the positioning of the scenes in the elaborate 
pictorial borders has been reversed. Van den Keere still mentioned Plancius as 
the author of the map on the 1604 issue, but replaced Plancius by his own name 
on the second issue of 1607. Only very few examples of Van den Keere's map are 
known. 
Both cartographers also produced a large wall map surrounded by the 
personifications of the six parts of the world. Plancius's wall map of the 
world of 1607 is only known in two later states. The 1651 state with the 
imprint of Cornelis Danckerts (Royal Library, Copenhagen) and a 1676 state 
(private collection in Sweden). Van den Keere's wall map, issued in 1611, is 
only known by a unique and well preserved copy in the Sutro Library in San 
Francisco.

Best regards

Joost Depuydt | consulent wetenschappelijk werk
Stad Antwerpen | FelixArchief
Oudeleeuwenrui 29 | 2000 Antwerpen
tel + 32 3 338 94 59 | fax +32 3 338 94 10 
[email protected] | [email protected]
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-----Oorspronkelijk bericht-----
Van: [email protected] [mailto:[email protected]] Namens Rehav 
Rubin
Verzonden: zondag 25 september 2011 14:40
Aan: [email protected]
Onderwerp: [MapHist] personification of Egypt

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