I am enjoying this discussion.  
I always feel the need to defend War of the Worlds (Spielberg's).  I think it 
is a better and more interesting film than most people give it credit for.  I 
firmly believe that the entire film is a dream (e.g. Invaders from Mars)- Tom 
Cruise's dream.  He falls asleep and then everything starts happening.  The 
entire film is an exaggerated nightmare- his worst nightmare- his parental 
abilities are tested to the extreme.  The very beginning of the film lays out 
the fact that he is a questionable parent at best.  Then, throughout the 
nightmare, he is faced with parents' worst  fears realized (best e.g. is the 
scene where Cruise is simultaneously dealing with strangers trying to take his 
daughter and his son being pulled inexplicably towards the military- both 
primal parental fears).  By film's end he proves his parental prowess and in 
one of the most maligned scenes in the film (the last scene) he hand  delivers 
his children back to his wife safe with his judgmental in-laws ther!
 e to lay witness.  To me this was absolutely Spielberg's intent.  Throughout, 
the film works more in the realm of dream logic (e.g. Cruise's car is the ONLY 
one that works).  
If you are still reading, I also find myself defending Kubrick's Eyes Wide Shut 
for one very specific and unique reason:  I firmly believe that the film is one 
big cosmic joke- a black comedy -that even the critics, as far as I could tell, 
missed entirely.  In the simplest of terms it is a story of a husband who get's 
so jealous about his wife having an imaginary tryst that he spends the rest of 
the film trying to get laid and he CAN'T! Mr.Tom-universal-sex-symbol-Cruise 
cannot get laid!  And the most exaggerated case in point is that he ends up 
going to a super deluxe orgy and he STILL can't get laid.  I think Kubrick 
threw a curve ball at us before he died.  A very funny curve ball.

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