J-A,

Interesting.  I take these quotes, at the beginning and end of LILA, as a 
serious reminder not to get too hung up on the words, concepts, analogy, 
intellectual static patterns: the pointing finger.  Keep your eyes on the 
prize: THE MOON.   The moon is full tonight, don't miss it.  :-).  


Marsha
 
 

On Apr 26, 2013, at 7:55 AM, Jan Anders Andersson <[email protected]> wrote:

> Marsha
> 
> That is why I call it an act of balance. A static pattern is an act of 
> balance to the undefined Quality. Balancing is an attempt to define quality 
> but nothing will last forever, therefore Quality will never be fully defined. 
> The better the longer it works. Chess rules for example is a high quality 
> static pattern because a lot of people like to play it. The periodic table is 
> another, because a lot of particles tend to behave that way and it tells us 
> how to handle the clay and make pottery that pays.
> 
> Jan Anders
> 
> 
> 26 apr 2013 kl. 10.49 skrev MarshaV:
> 
>> 
>> 
>> First from the beginning of the book:  
>> 
>> RMP:
>> "Quality is indivisible, undefinable and unknowable in the sense that there 
>> is a knower and a known, but a metaphysics can be none of these things. A 
>> metaphysics must be divisible, definable and knowable, or there isn't any 
>> metaphysics. Since a metaphysics is essentially a kind of dialectical 
>> definition and since Quality is essentially outside definition, this means 
>> that a 'Metaphysics of Quality' is essentially a contradiction in terms, a 
>> logical absurdity. It would be almost like a mathematical definition of 
>> randomness. The more you try to say what randomness is the less random it 
>> becomes. Or 'zero,' or 'space' for that matter. Today these terms have 
>> almost nothing to do with 'nothing.' 'Zero' and 'space' are complex 
>> relationships of 'somethingness.' If he said anything about the scientific 
>> nature of mystic understanding, science might benefit but the actual mystic 
>> understanding would, if anything , be injured. If he really wanted to do 
>> Quality a favor he should just lea
 v
> e 
>> it alone. 
>> 
>> "What made all this so formidable to Phaedrus was that he himself had 
>> insisted in his book that Quality cannot be defined. Yet here he was about 
>> to define it. Was this some kind of a sell-out? His mind went over this many 
>> times. 
>> 
>> "A part of it said, 'Don't do it. You'll get into nothing but trouble. 
>> You're just going to start up a thousand dumb arguments about something that 
>> was perfectly clear until you came along. You're going to make ten-thousand 
>> opponents and zero friends because the moment you open your mouth to say one 
>> thing about the nature of reality you automatically have a whole set of 
>> enemies who've already said reality is something else.'The trouble was, this 
>> was only one part of himself talking. There was another part that kept 
>> saying, 'Ahh, do it anyway. It's interesting.'"
>> 
>> (RMP, 'LILA', Chapter 5)
>> 
>> 
>> 
>> And then from the end of LILA, RMP writes:
>> 
>> RMP:
>> "Strictly speaking, the creation of any metaphysics is an immoral act since 
>> it's a lower form of evolution, intellect, trying to devour a higher mystic 
>> one. The same thing that's wrong with philosophology when it tries to 
>> control and devour philosophy is wrong with metaphysics when it tries to 
>> devour the world intellectually. It attempts to capture the Dynamic within a 
>> static pattern. But it never does. You never get it right. So why try? 
>> 
>> "It's like trying to construct a perfect unassailable chess game. No matter 
>> how smart you are you're never going to play a game that is 'right' for all 
>> people at all times, everywhere. Answers to ten questions led to a hundred 
>> more and answers to those led to a thousand more. Not only would he never 
>> get it right; the longer he worked on it the wronger it would probably get."
>> 
>> (RMP, 'LILA', Chapter 32)
>> 
>> 
>> 
>> 
>> Marsha 
>> 
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