Hi Dan,

01010110 01100101 01110010 01111001 00100000 01100100 01101001 01110011 
01100001 01110000 01110000 01101111 01101001 01101110 01110100 01100101 
01100100 00100000 01110100 01101000 01100001 01110100 00100000 01111001 
01101111 01110101 00100000 01100001 01110010 01100101 00100000 01101110 
01101111 01110100 00100000 01100011 01100001 01110000 01110100 01101001 
01110110 01100001 01110100 01100101 01100100 00100000 01100010 01111001 
00100000 01110100 01101000 01100101 00100000 01000111 01100101 01110010 
01101101 01100001 01101110 00100000 01101100 01100001 01101110 01100111 
01110101 01100001 01100111 01100101 00101110

Yes, I was aware she was a student of William James.  That makes a nice story, 
doesn't it?  

I was more wondering what affect words, sentences, paragraphs, &etc. have on 
human beings if they do not have access to their meaning like in a collage.  
Will they try to discover the meaning?  Does the above represent writing?  
 
 
Marsha




> On Dec 27, 2013, at 5:32 AM, Dan Glover <[email protected]> wrote:
> 
> She seems like an interesting woman who led a full life though her writing
> style is not quite my cup of tea. Doing a bit of research I see William
> James was one of her teachers and mentors. He encouraged her writings
> though apparently they were never quite on the same page, so to speak.
> Thank you for the reference.
> 
> I would say words always have meaning, otherwise they're gibberish. Now,
> whether or not they convey the intended meaning is questionable if taken
> out of context.
> 
> Also, I think the MOQ would say we are continually defining not only words
> but all static patterns that arise from experience. You may want to define
> 'writing.' I for one am not particularly captivated by the German language
> though I do from time to time use Google Translator to discover what
> someone is trying to say to me.
> 
> 
> 
>> On Thu, Dec 26, 2013 at 8:20 AM, MarshaV <[email protected]> wrote:
>> 
>> 
>> Greetings,
>> 
>>   "Sound sight and sense around sound by sight with sense around by with
>> sound sight sense will apologise truthfully.  Com to allowing.
>> 
>>   "As often as not as often as not they as often as not were to be going
>> away.
>> 
>>   "A plan that is made and causes it to be that if they were after all
>> not behaving as if they could by an indifference to an extravagantly
>> prepared advantage which is by nearly their importance advising them to be
>> more than as well as if by the time that it is to be comparatively obtained
>> in an intentional adjustment of the renewal and bestowal of whether by the
>> chance of their adjoining they may be colliding without an impatience which
>> can be changed to an addition of their bestowal which is in a way might it
>> be shadowed as because of this which is an objection to their having it can
>> be an interval of it just the same which is preferably not only a reason
>> because they may be that is if it could be to notice that having looked to
>> see.  It should never be an exact copy.  What is the difference between
>> starting and starting when may they like it looking part of the time as if
>> very much their hope that they will be without in the meantime furnishing
>> it as an advantage which it
>>  is to the more delighted explanation of their being very ready to send
>> very many apples."
>>         (Stein, Gertrude, 'How to Write')
>> 
>> 
>> Marsha:
>> Very dynamic, don't you think?  Fitting of the code of art?  Too dynamic?
>> This is from the chapter titled 'A Vocabulary of Thinking'.  Ms. Stein was
>> a very clever intellectual.  Some would say far far more clever than Joyce,
>> but, alas, a woman.  Her writing was extremely influential on the Beat
>> writers.  I am wondering how these torn pages of words will be experienced
>> in a collage.  Do words, without meaning, affect the viewer?  Are we human
>> beings so captivated by writing that we will be compelled to try to
>> discover a meaning?
>> 
>> 
>> Marsha
>> 
>> 
>> 
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