According to the MOQ, we're submerged in culture. Intellectual patterns, or
meaning, arises from social values, or context. If we used binary code in a
cultural setting then the above represents writing. To me, it doesn't. It's
just a bunch of 1s and 0s.

Taking a book and making a work of art from it changes the intellectual
value, wouldn't you say? It's sort of like a kidnapper cutting letters from
ads and pasting them together to form a ransom note. The meaning is there
but it has been changed from its original intent.



On Fri, Dec 27, 2013 at 4:58 AM, MarshaV <[email protected]> wrote:

>
> Hi Dan,
>
> 01010110 01100101 01110010 01111001 00100000 01100100 01101001 01110011
> 01100001 01110000 01110000 01101111 01101001 01101110 01110100 01100101
> 01100100 00100000 01110100 01101000 01100001 01110100 00100000 01111001
> 01101111 01110101 00100000 01100001 01110010 01100101 00100000 01101110
> 01101111 01110100 00100000 01100011 01100001 01110000 01110100 01101001
> 01110110 01100001 01110100 01100101 01100100 00100000 01100010 01111001
> 00100000 01110100 01101000 01100101 00100000 01000111 01100101 01110010
> 01101101 01100001 01101110 00100000 01101100 01100001 01101110 01100111
> 01110101 01100001 01100111 01100101 00101110
>
> Yes, I was aware she was a student of William James.  That makes a nice
> story, doesn't it?
>
> I was more wondering what affect words, sentences, paragraphs, &etc. have
> on human beings if they do not have access to their meaning like in a
> collage.  Will they try to discover the meaning?  Does the above represent
> writing?
>
>
> Marsha
>
>
>
>
> > On Dec 27, 2013, at 5:32 AM, Dan Glover <[email protected]> wrote:
> >
> > She seems like an interesting woman who led a full life though her
> writing
> > style is not quite my cup of tea. Doing a bit of research I see William
> > James was one of her teachers and mentors. He encouraged her writings
> > though apparently they were never quite on the same page, so to speak.
> > Thank you for the reference.
> >
> > I would say words always have meaning, otherwise they're gibberish. Now,
> > whether or not they convey the intended meaning is questionable if taken
> > out of context.
> >
> > Also, I think the MOQ would say we are continually defining not only
> words
> > but all static patterns that arise from experience. You may want to
> define
> > 'writing.' I for one am not particularly captivated by the German
> language
> > though I do from time to time use Google Translator to discover what
> > someone is trying to say to me.
> >
> >
> >
> >> On Thu, Dec 26, 2013 at 8:20 AM, MarshaV <[email protected]> wrote:
> >>
> >>
> >> Greetings,
> >>
> >>   "Sound sight and sense around sound by sight with sense around by with
> >> sound sight sense will apologise truthfully.  Com to allowing.
> >>
> >>   "As often as not as often as not they as often as not were to be going
> >> away.
> >>
> >>   "A plan that is made and causes it to be that if they were after all
> >> not behaving as if they could by an indifference to an extravagantly
> >> prepared advantage which is by nearly their importance advising them to
> be
> >> more than as well as if by the time that it is to be comparatively
> obtained
> >> in an intentional adjustment of the renewal and bestowal of whether by
> the
> >> chance of their adjoining they may be colliding without an impatience
> which
> >> can be changed to an addition of their bestowal which is in a way might
> it
> >> be shadowed as because of this which is an objection to their having it
> can
> >> be an interval of it just the same which is preferably not only a reason
> >> because they may be that is if it could be to notice that having looked
> to
> >> see.  It should never be an exact copy.  What is the difference between
> >> starting and starting when may they like it looking part of the time as
> if
> >> very much their hope that they will be without in the meantime
> furnishing
> >> it as an advantage which it
> >>  is to the more delighted explanation of their being very ready to send
> >> very many apples."
> >>         (Stein, Gertrude, 'How to Write')
> >>
> >>
> >> Marsha:
> >> Very dynamic, don't you think?  Fitting of the code of art?  Too
> dynamic?
> >> This is from the chapter titled 'A Vocabulary of Thinking'.  Ms. Stein
> was
> >> a very clever intellectual.  Some would say far far more clever than
> Joyce,
> >> but, alas, a woman.  Her writing was extremely influential on the Beat
> >> writers.  I am wondering how these torn pages of words will be
> experienced
> >> in a collage.  Do words, without meaning, affect the viewer?  Are we
> human
> >> beings so captivated by writing that we will be compelled to try to
> >> discover a meaning?
> >>
> >>
> >> Marsha
> >>
> >>
> >>
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