HALLO KAREN BLISSETTs!!! what a wonderful turn of online art events :)
Karens, i was vry happy to read yr introductions + invitations. in fact they were brought to my attn by my collaborator Jake Elliott (no relations, or mayhaps... distant relations +/or relatives?) in anycase, this is a fortuitous moment for us, b/c we agree w/you when you say that this is: "the right time to experiment with openness, freedom vulnerability on a more personal level" you see, we, have been experimenting w/you also + w/other forms of radical inclusivity in online art whirlds environments for awhiles now. our most recent experiment is running now + is called IN.F3XXX10N.US this is an online art exhibition, organized && initiated by myself && Jake Elliott, running now from July 1 - July 31 2010 @ IN.F3XXX10N.US a domain which will expire, effectively ending our control of the exhibition but opening the opportunity to anyone who wishes to purchase the domain and continue the project in whatever form they may imagine best. we have been giving away the login + password everywhere online in announcements + posts since we began this project: OUR EXHIBITION EMAIL IS: inf3xxx...@gmail.com OUR EXHIBITION LOGIN IS: http://www.tumblr.com/login OUR EXHIBITION PASSWORD IS: N01XXX3F since beginning less than 2 weeks ago we have been infected by over 30 different artists/identities/projects/accounts etc + we remain up + running in a realtime stream of multiple collective subjective consciousness. naming a few identifiable identities would incl: Anonymous, Andy Warhol, Marcel Duchamp, ANON, Rrose Sélavy, 4chan, dump.fm, TRIPTYCH.TV, Shane Mecklenburger, ARAM BARTHOLL, POP.NET.ART, René Magritte, Rosa Menkman, maxcapacity, Wolf D. Schreiber, veterraga, Sian Amoy, The Internet Traveler, kittenglitches, ipretended, i thought i had a virus, etc... ...or rather in Animated GIF format: http://static.tumblr.com/11nbn83/lhtl5fxdq/wildcards.gif TRIPTYCH.TV (AKA jimpunk, abe linkoln + mr tamale) +/or those who may be representing themselves as if they are TRIPTYCH.TV have been in particular among the most active + @ times aggressively active, participating in partially confrontational but still creative, conversational + constructive ways. this is what is most engaging to me personally in the sense of, as Eduardo Navas writes, "a complex act of resampling and reinterpreting material previously introduced, which is obviously not innovative but expected in new media." in other words, that we can take for granted as current forms of communication this ongoing & animated complex communicative social flow/exchange of media/moments/memes also, as you mention "Identity is now a glitch" we are exxxcited by these glitches + glitches as/in vocabularies @ the edges of encoded communities as these glitch vocabularies become pervasive affects. or as we have said before: “The” becomes “teh” and “owned” becomes “pwned” as mistakes fold into the language, dirty glitch becomes linguistic atom moving horizontally + playfully rather than being controlled by linguistic legitimacy. we wrote then that our use of l33t was an attempt to play rather than render our activities illegible but as mez writes we are also interested in the unstable boundaries between spam + art && Spam Art && the unstable boundaries between illegibilities online && off this is a vry engaging hyperthread Karens && we look fwd to you + all those interested other parties to participate w/you: http://in.f3xxx10n.us/post/801386850/in-f3xxx10n-us-is-an-online-art-exhibition jonCates http://blog.furtherfield.org/?q=blog/594 _______________________________________________ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
