Re: [backstage] The browser wars, reloaded?

2009-12-14 Thread Mo McRoberts

On 14-Dec-2009, at 13:22, Jim Tonge wrote:

 On 14 Dec 2009, at 12:42, Mo McRoberts wrote:
 
 As somebody who still has to “fix” things for IE 6 on a regular basis, all I 
 can say is: no, it definitely isn‘t, and please don’t come back.
 
 Just a joke :)

Sorry, reading my reply back, it looked deadly serious—wasn’t meant to be: dry 
humour!

M.


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Re: [backstage] The browser wars, reloaded?

2009-12-14 Thread Mo McRoberts

On 14-Dec-2009, at 14:30, Christopher Woods wrote:

 
 The need to support IE6 brings out that kind of reaction in me, too.
 Hopefully sometime next year all the internal users who bump 
 up IE6's market share in our stats will have migrated to 
 something made this century and we might just be able to 
 start thinking about dropping it
 
 
 There's no need to support IE6.

There is when your clients see the browser stats and decide that it’s at a 
significant enough level that you need to support it. Even moreso when _they_ 
use IE6 internally and so expect a grade-A experience. Corporate IT generally 
mumbles something about “security”, even though IE6 doesn’t get all of the 
fixes that IE 7  8 for flaws affecting all three. Mind you, IE 7  8 are still 
as slow as molasses (I can type faster than the browser can open a new tab? in 
2009? are you kidding me?), but at least they consume considerably less effort 
to support and I can degrade a lot of visual things gracefully for them (box  
text shadows, rounded corners, gradient backgrounds, etc., etc.)

 I don't even consider IE6 backward
 competibility when I design web sites, nor do I care if people don't like
 that.

Most web developers don’t have that luxury.

M.

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Re: [backstage] The browser wars, reloaded?

2009-12-14 Thread Mo McRoberts

On 14-Dec-2009, at 16:09, Christopher Woods wrote:

 
 I'll be sure to tell the Secretary of State for Health that 
 when he can't use the next release of www.nhs.uk on his office PC.
 
 The DoH's still using IE6?!

Last I checked, so is (much of) the BBC. I’m sure somebody here is well-placed 
to correct me if this is no longer the case!

M.

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Re: [backstage] The browser wars, reloaded?

2009-12-14 Thread Mo McRoberts

On 14-Dec-2009, at 16:26, Christopher Woods wrote:

 
 Along with many other central government departments - yes. 
 For reasons outlined very well by Phil in his last reply. 
 It's your money we spend.
 
 Santa Claus on a motorbike! It's about time some of that money is allocated
 to a sitewide browser upgrade :( Can't it just be lumped onto the Capita
 spend for the central database? It seems to have a blank cheque already

We can upgrade our nuclear weapons, but not a web browser, etc., etc.

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Re: [backstage] Is this BBC Homeplug product legal?

2009-12-14 Thread Mo McRoberts

On 14-Dec-2009, at 16:29, Brian Butterworth wrote:

 http://www.youtube.com/watch?v=z0ttLGbZI7k
 
 Nice video - but it's using these http://www.homeplugs.co.uk/ Homeplug 
 adaptor.
 
 I can't find anywhere where it says that these Homeplug things are legal.  
 They didn't used to be.

They’ve been sold in the UK since the late 80s…

 Can someone point out where I can find where it says they are legit?  
 
 A number of trolls have descended on my site saying that they are not, and I 
 can't find a definitive answer.  

There’s an going dispute between the The Radio Society and Ofcom (see 
http://www.theregister.co.uk/2009/09/04/power_line_networking/), but kit 
compliant with the standards is perfectly legal.

M.

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Re: [backstage] The browser wars, reloaded?

2009-12-14 Thread Mo McRoberts

On 14-Dec-2009, at 18:10, Christopher Woods wrote:

 ...Until one of only two core LINX routers has a senior moment or Google 
 decides to bork its routing ;) (cf. last week's massive disruption and recent 
 intercontinental slowness courtesy of the Almighty G)
  
 The UK still relies on a surprisingly small number of backbone carriers, and 
 it seems that the UK internet infrastructure is still amazingly brittle. My 
 impression is that ja.net is still more resilient than the public IP space by 
 virtue of just how many HE nodes there are throughout the UK - and the fact 
 that CERN also uses it for GRID). I'd put my money on the Universities having 
 intersite connectivity longer after the public WWW going down 8)

…which is why LINX has redundancy. why some providers opt not to use it (and so 
failover is truncated to just the first syllable) is beyond me.

Well, actually, I *do* know: cost. cf. RapidSwitch being invisible to an awful 
lot of the world last week while an many other providers with LINX 
interconnects were just fine. You get what you pay for.

(The number of “backbone carriers” is largely irrelevant: it’s peering points 
what matter and the ability of IP networks to utilise multiple paths is 
predicated on there being more than one; that’s why intersite connectivity 
between universities probably would be maintained while many cheap and nasty 
hostcos go to the wall).

M.

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[backstage] What is TV?

2009-12-14 Thread Mo McRoberts
Discuss.

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Re: [backstage] What is TV?

2009-12-14 Thread Mo McRoberts

On 14-Dec-2009, at 21:24, Brian Butterworth wrote:

 That's what people who haven't bought a computer yet do, isn't it pops?  
 Where people wait to be provided what's given?  Don't they use a tube or 
 something?

That’s “a TV”, the device. what is “TV” the medium?

:)

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Re: [backstage] Websites to get Panic Buttons

2009-12-07 Thread Mo McRoberts
On Mon, Dec 7, 2009 at 13:35, Lee Ball l...@leenukes.co.uk wrote:
 Seems like a good idea for me:

 Facebook and other social networking websites are to install panic
 buttons so children can alert the sites' operators if obscene or
 inappropriate material is posted.

 http://technology.timesonline.co.uk/tol/news/tech_and_web/the_web/article6946162.ece

 There is a chance this could be abused though.

There is, certainly.

That said, I’m not sure how this is especially different from the
“Report Abuse” links attached to pretty much everything on every
social networking site in existence.

Smells like a PR campaign.

M.

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Re: [backstage] Websites to get Panic Buttons

2009-12-07 Thread Mo McRoberts

On 7-Dec-2009, at 17:54, Graeme Mulvaney wrote:

 Why should facebook need a panic button for children ? - the TCs clearly set 
 a minimum age.

In rare defence of the proposals, plenty of teenagers are above the minimum age 
but still vulnerable to bullying, inappropriate content, etc.

And, in fact, on reading the TCs just there, I can’t actually see any 
reference to a minimum age at all:

http://www.facebook.com/terms.php?ref=pf

M.

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Re: [backstage] Google Wave

2009-12-01 Thread Mo McRoberts
On Tue, Dec 1, 2009 at 11:20, Ant Miller ant.mil...@gmail.com wrote:

 Unless it sorts this out, and introduces a robust (and I mean properly
 robust) contributor management model I'd actual recommend we don't use
 it for work dialogues.

I’d recommend waiting for a self-hosted server for “proper” use. I’d
consider Google’s server to be more of a proof-of-concept than
anything useful for real purposes.

 On the other hand for properly public conversatios, like these, it
 might well be an excellent tool.  Maybe.  Not sure.

If the UX was cleaned up and streamlined a bit, then yeah, could
supplant mailing lists/discussion groups to an extent.

M.

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Re: [backstage] iplayer css broken in chrome?

2009-11-29 Thread Mo McRoberts

On 29-Nov-2009, at 23:03, James Crowley wrote:

 Don’t know if it’s just me, but the CSS files seem to be broken for the 
 iPlayer in Google Chrome for the last day or two? (works fine in Firefox).
  
 Had a look and the stylesheet reference off to 
 http://www.bbc.co.uk/iplayer/r18179/style/style.css comes back as something 
 that’s definitely not a stylesheet!

Working fine over here in both Safari and Chrome (and that resource is 
definitely CSS for me).

Cheers,

Mo.

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[backstage] Redux and iPlayer

2009-11-24 Thread Mo McRoberts
Bear with me on this, if you can!

This is a sheer matter of curiosity, but I’m a fairly curious chap.

I’ve a had a bit of to and ’fro with James Mockett (on the iPlayer team) via 
Twitter, and it seems we disagree (although neither of us actually *knows*) 
about the back-end of iPlayer. Hopefully, somebody on here will know for sure, 
or knows who to ask and wouldn’t mind doing the honours.

James believes that Red Bee handles all of the transcoding, and pointed me at 
their case studies page (http://www.redbeemedia.com/html/iptv.html) which talks 
of iPlayer, and also this BBC Internet Blog post from Anthony Rose 
(http://www.bbc.co.uk/blogs/bbcinternet/2008/03/bbc_iplayer_on_iphone_behind_t.html).

My understanding was that although the content was shipped in by Red Bee, the 
actual transcoding was done by Redux, which tallies with this other Internet 
Blog post 
(http://www.bbc.co.uk/blogs/bbcinternet/2008/10/history_of_the_bbc_redux_proje.html)
 on the history of Redux.

This is bolstered a bit by this recent article (which James posted a link to, 
and prompted this discussion) which talks about the encoding farm used — 
http://www.cxo.eu.com/news/john-linwood-iplayer/. This seems to tally with the 
“History of the BBC Redux Project” post, and also this presentation from Tom 
Bird at UKNOF13 — http://uknof.com/uknof13/Bird-Redux.pdf

So, which of us (either, neither?) is right?

(This’ll teach me to drop in a mild query about whether OpenSolaris+ZFS is 
still used for it all…)

Cheers!

Mo.

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Re: [backstage] Redux and iPlayer

2009-11-24 Thread Mo McRoberts
Hi Brendan,

Thanks for the fairly comprehensive answer!

On 24-Nov-2009, at 14:25, Brendan Quinn wrote:

 Encoding for the other (non-iphone) services is done by Red Bee from
 material used for broadcast playout*.
 
 * well my knowledge isn't 100% up to date but I think that's still how
 it works. I wouldn't be surprised if all those new platforms mean that
 it's even more complicated than that...

See, that’s the bit that got me—the “History of redux” post (amongst other 
things) suggested that its forté was being able to plug in new sets of 
transcoder parameters in order to support new platforms, so it struck me as 
perhaps a bit silly if Red Bee were doing that part of it. Mind you, I’m sure 
there’s a very sensible reason for it if so ;)

All the best,

Mo.

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Re: [backstage] BBC News - Googlejuice vs Usability

2009-11-21 Thread Mo McRoberts
On Sat, Nov 21, 2009 at 15:51,  backst...@gorge.org wrote:
 On Sat, Nov 21, 2009 at 03:11:28PM +, Frank Wales wrote:
 So, am I supposed to conclude that:

  43.2 Floods body is missing policeman

 is noticeably easier to read than:

  22.6 Whisky body backs safe drinking

 Well, use of the word body is less ambiguous in the first
 headline. Also, if I knew nothing about the stories I could
 conclude that a policeman, who had been missing, had drowned
 in floods and his body been discovered. However I don't know
 anything about a whisky body and I can't guess at what it
 means other than a group of either whisky drinkers or
 distillers? I would have to read that story to understand it.
 Also, what is safe drinking - is drinking ever safe? etc.

Reading those specific headlines, my initial assumption while reading
the first one was to take “floods body” as the entity (e.g., the
Environment Agency), which I would have to mentally correct to “body
found in floods…”. That headline is initially ambiguous because in
that context the term “Floods body” could mean either, and indeed
would more likely refer to an organisation than an individual (e.g., a
debate about funding or flood defences). In contrast, I wouldn’t ever
think that “Whisky body” was anything other than a group of people
connected to whisky production or drinking.

Whether there’s such a thing as “safe drinking” isn’t necessary in
order to parse the headline.

I’d contend that in terms of sheer readability of the headlines, the
floods one is far worse—in that it takes far more effort, but having
successfully parsed both, I’d have a reasonable idea of what both
stories relate to (enough for me to decide whether to read them or
not).

M.

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Re: [backstage] BBC News - Googlejuice vs Usability

2009-11-20 Thread Mo McRoberts

On 20-Nov-2009, at 11:45, Brian Butterworth wrote:

 Here's a nice little dillemma.
 
 http://www.bbc.co.uk/blogs/theeditors/2009/11/changing_headlines.html
 
 BBC News headlines go from 33 characters (because of Ceefax) to 66 
 
 One the one hand, king of usability Jacob Neilson has said the BBC News 
 headlines are the world's best
 
 http://www.useit.com/alertbox/headlines-bbc.html
 
 On the other, Google likes lots of relevant keywords, the higher the reading 
 score the better in fact.  
 
 It's not like BBC News comes bottom of any Google search, is it?  
 
 My question - which is more important, SEO or usability?

Given the context: short headlines on the linking pages, longer headlines on 
the pages themselves, I’d suggest it strikes a good balance.

However, I can’t stand the short headlines. Everything’s phrased as though it’s 
a lie. Yes, I know the reasons, it still reads terribly, no matter what Neilson 
reckons. So in fact, I’d actually prefer to see the longer headlines all of the 
time (which does SEO no harm at all).

BBC headlines ‘lengthened’.

M.

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Re: [backstage] BBC News - Googlejuice vs Usability

2009-11-20 Thread Mo McRoberts

On 20-Nov-2009, at 12:49, Brian Butterworth wrote:
 As I pointed out if you calculate the reading score for these longer 
 headlines, they score higher, meaning they are less good to those (unlike 
 ourselves) who have lower reading skills.
 
 For higher skilled people, they just take longer to scan.
 
 If you said it was for SEO, that would be fine.  But for usability, it sucks. 
  

er, you’re missing the point: the short headlines remain on the “section” 
pages. It’s only the article itself which has the long headline, by which point 
you’ve already clicked through.

the other use-case is arriving at the page via a search engine—in which case 
richer titles are helpful (you’ve already told the SE what it is you’re looking 
for in any case).

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Re: [backstage] NO Encryption of HD by the BBC !

2009-11-10 Thread Mo McRoberts

On 10-Nov-2009, at 10:50, Andrew Bowden wrote:

  
 The big shock was that (and I read all of the responses) no content 
 provider was prepared to say why they asked the BBC for it in the first 
 place.  No PACT.  No BSkyB.  
 I reckon (and this is a personal, uninformed view) the relevant content 
 providers were in the US rather than the UK.  And if so, they probably 
 wouldn't have seen the Ofcom consultation.

One would have thought somebody might have tipped them off, considering. 
’course, the fact that nobody did lends weight to the view that the BBC didn’t 
really want to be doing it in the first place.

One question does remain, though.

Graham Plumb stated back in September:

“But a form of content management is required to enable us to launch Freeview 
HD to audiences in early 2010”

http://www.bbc.co.uk/blogs/bbcinternet/2009/09/freeview_hd_copy_protection_up.html

I took pelters from some quarters for suggesting that this might actually not 
be the case.

As far as I know, the launch schedule for FVHD hasn’t changed (and isn’t likely 
to this late on in the game), and there’s been nothing put forward to the Trust 
for a new service (e.g., BBC HD with the tricky-to-license bits taken out).

So, what was he on about?

M.

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Re: [backstage] NO Encryption of HD by the BBC !

2009-11-10 Thread Mo McRoberts

On 10-Nov-2009, at 13:00, Mo McRoberts wrote:

 
 On 10-Nov-2009, at 12:50, Brian Butterworth wrote:
 
 Out of interest, does anyone have the new list of 20 Freeview HD 
 transmitters?  My Freeview contact seems to be away.
 
 Does digital.co.uk not tell you (in a slightly cubersome way)?
 
 http://www.digitaluk.co.uk/when_do_i_switch/

Wait, ignore me. That has things pegged for first-half 2011 which are being 
talked about this week as being early 2010 now. Apologies.

(Though if digital.co.uk is now wrong and a revised list has leaked, that’s all 
manner of screw-ups in one go).

M.

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Re: [backstage] Interview with Rupert Murdoch

2009-11-10 Thread Mo McRoberts

On 10-Nov-2009, at 13:29, Scot McSweeney-Roberts wrote:

 There's an article on the guardian about how he wants to sue the BBC
 
 http://www.guardian.co.uk/media/greenslade/2009/nov/10/rupert-murdoch-bbc
 
 Apparently, the BBC is stealing his news.
 
 
 
 I wonder how long it will be before he retires.

I wouldn’t count on that being much help. James, at the very least, is even 
worse than he is (and has the current Shadow Culture Secretary on-side).

M.

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Re: [backstage] FYI: Open iPlayer

2009-10-23 Thread Mo McRoberts


On 23-Oct-2009, at 01:14, Tom Loosemore wrote:


There’s no (public) evidence,
beyond the existence of Kangaroo, that other broadcasters are  
actually all
that interested in a one-stop aggregation portal (I’d be tempted to  
say

“more fool them”—right now, they need all the help they can get).


coughs http://testtubetelly.channel4.com /coughs



Oh, I take it back, “prototype” though it is! Some listings  
integration wouldn’t go amiss, but at least somebody’s doing  
*something*.


M.

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Re: [backstage] FYI: Open iPlayer

2009-10-22 Thread Mo McRoberts


On 20-Oct-2009, at 21:51, I wrote:


That said, it’s never entirely clear when people talk about “licensing
iPlayer” whether they mean the front-end, with its myriad per-platform
tweaks, clever Flash applet and AIR downloader, the back-end which
ingests content, hooks it up appropriately, and transcodes it into a
bunch of different formats, or both.


I guess this may answer that question:

Insiders said the proposal to commercially license the back
end of iPlayer to third parties had only ever existed to support
the “radical” iPlayer Federation, and that without the listings
page, there would be no reason for the BBC to enter another new
commercial market during a politically turbulent period.

“The rationale for licensing the iPlayer on a commercial basis
has gone. We are now of the view that this is something we won’t
proceed with,” said a source.

From 
http://www.broadcastnow.co.uk/news/multi-platform/furious-bbc-to-give-up-on-open-iplayer/5007151.article

According to that, the plan was one of less of licensing the back-end,  
and more consuming content from third-parties and feeding into the  
transcoding/metadata platform which already exists.


I wonder how true it is :)

M.

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Re: [backstage] FYI: Open iPlayer

2009-10-21 Thread Mo McRoberts
  
to the developers (and you could argue whether such things should  
exist or not until you’re blue in the face, it doesn’t change the  
reality of it).


Perhaps one day we’ll see an open source EMP. Who knows? It’d  
certainly raise the bar where Flash media players are concerned.


M.

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Re: [backstage] Re: Sky hits out at Project Canvas

2009-10-21 Thread Mo McRoberts


On 21-Oct-2009, at 10:03, Simon Thompson wrote:

Hybrid Broadcast Broadband TV (HBBtv) is a service like Canvas being  
implemented by Institut fuer Rundfunktechnik.


Hybrid Broadcast Broadband (HBB) is a group at the European  
Broadcasting Union looking at the harmonisation of Canvas, HBBtv,  
MHEG-5 IPTV, MHP, OIPTV and commercial offerings from the likes of  
Samsung and Panasonic. There's a brief write-up here http://tech.ebu.ch/docs/tech-i/ebu_tech-i_001.pdf


Aha, I take it the article I linked to should in fact have been  
referring to Hybrid Broadcast Broadband, rather than Hybrid Broadcast  
Broadband TV, in that case?


M.

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Re: [backstage] Changes to the list

2009-10-20 Thread Mo McRoberts


On 20-Oct-2009, at 15:11, Tim Dobson wrote:


Matt Hammond wrote:
Lets not forget to include a mandatory signup for an MSN Passport  
or Google account or Yahoo ID ... even just to be able to browse ;-)


I think we should move all of Backstage to Facebook!!!11

Everyone uses Facebook right!??!!?!1




I think you’re onto something there.

Perhaps Freeview HD boxes should require a Facebook Connect login in  
order to deliver personalised and tailored content (e.g., BBC1)?


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Re: [backstage] Changes to the list

2009-10-20 Thread Mo McRoberts


On 20-Oct-2009, at 15:26, Phil Lewis wrote:


[REDACTED]


I’m sorry, I would have replied to your message, but it required  
quoting it, and I’m not sure I was granted the appropriate  
redistribution rights.


M.

Produced for the BBC Backstage Mailing List by Mo McRoberts’ fingers.

© MM MMIX . All rights reserved.

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Re: [backstage] BBC trust says no to Plans to open iPlayer up to other broadcasters

2009-10-20 Thread Mo McRoberts


On 20-Oct-2009, at 15:20, Tim Dobson wrote:


What do you think?
Good/Bad/Don't care?


Sensible.

http://nevali.net/post/218054190/back-of-envelope-analysis-bbc-trust-blocks-marquee

M.

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Re: [backstage] FYI: Open iPlayer

2009-10-20 Thread Mo McRoberts
On Tue, Oct 20, 2009 at 21:31, Kieran Kunhya kie...@kunhya.com wrote:
 What is so important about the content/metadata ingest and delivery system 
 that is the iPlayer that it needs to be licenced as opposed to being 
 developed in-house at a broadcaster?

Possibly the fact that no other bugger is doing it in anything but a
cack-handed way.

That said, it’s never entirely clear when people talk about “licensing
iPlayer” whether they mean the front-end, with its myriad per-platform
tweaks, clever Flash applet and AIR downloader, the back-end which
ingests content, hooks it up appropriately, and transcodes it into a
bunch of different formats, or both.

All credit to the front-end developers, who have done a bloody good
job considering what they have to work with (I mean, seriously, Flash
for HD video?), but the *really* clever and heavyweight stuff is
behind the scenes, and—to the best of my knowledge—pretty much
distinct from “iPlayer”.

Would a broadcaster want to license the one without the other? (possibly)

Would the BBC be licensing both out together, or as separate units?

Am I wrong about all of this? ;)

M.

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Re: [backstage] Changes to the list

2009-10-19 Thread Mo McRoberts


On 19-Oct-2009, at 19:43, Brendan Quinn wrote:

I agree mostly, but wouldn't knock down the idea of a google/yahoo  
group
so quickly -- if you monitor new subscribers (as I think we do  
anyway on

this list??) we should be okay re spam, shouldn't we? And as for
passwords, you need a password to do anything on Mailman as well.


FWIW, it’s only post-subscription, which most people tend not to do  
too much—subscribing doesn’t (have to) require a password, it can  
generate one for you.


Of course there may be other issues about working with third parties  
on

this stuff, but surely we can move beyond those.

Re mailman, it's okay, but remember the archives aren't the prettiest:


web developer hat
if you can tweak the HTML ever so slightly, you can add some CSS to  
clean that up. The mark-up’s pretty much fine in all honesty.

/web developer hat


http://mail.python.org/pipermail/mailman-users/ and you can't search
(unless you hook up with a service like mail-archive.com)


…or Google site search (bear in mind a “site” doesn’t have to be a  
whole domain. Google searches for site:bbc.co.uk/programmes are trés  
handy ;)


If you (i.e., “somebody”) were feeling adventurous, you could hook it  
up to Xapian. this probably—understandably—exceeds the effort the  
relevant people are willing/able to put in, though!



I'm not sure about RSS support in Mailman but would anyone really use
RSS for the backstage list? Most RSS readers would break under the  
load

;-)



I’d wonder the same thing.

M.

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Re: [backstage] Re: Sky hits out at Project Canvas

2009-10-15 Thread Mo McRoberts
Hey Nick,

 Why don't you ask your boss Anthony?

That was me asking the questions, not Anthony ;)

(Unless you meant “why don’t you ask your boss, Anthony?”, in which
case “Anthony’s not my boss” :))

M.

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Re: [backstage] Re: Sky hits out at Project Canvas

2009-10-14 Thread Mo McRoberts


On 14-Oct-2009, at 12:12, Stephen Jolly wrote:



On 14 Oct 2009, at 11:47, Mo McRoberts wrote:
Thus creating an (effective) two-tier system: those who work go the  
whole hog within Canvas, or those who adhere to all of the  
_technical_ specifications but need to come to separate  
arrangements in order to deliver them, and can’t (of course), brand  
their devices as being Canvas-compliant.


I think the document I linked to implies a more flexible picture  
than that.



It doesn’t.

From §2.3:

“We believe that a consistent UX is necessary to create a successful  
platform of meaningful scale for reasons set out below (see section  
2.5 for more detail). At the same time we recognise needs of content  
providers, device manufacturers, platform operators and ISPs and want  
to create a flexible approach that supports their business models and  
still delivers the benefits described above. In order to retain this  
flexibility in a horizontal market but also the benefits set out above  
we are proposing a “thin” core UI managed by the Canvas JV with each  
content provider, manufacturer, etc. able to develop sub-sections of  
that UI. This is set out in more detail in section 2.6, with a summary  
of the flexibility offered to each stakeholder set out in section 2.7.”


That is, the “thin” core UI is mandated. Figure 1 in §2.6 makes it  
quite clear what is considered “core UI”. §2.7 is just a sales pitch  
to each segment on the basis of the structure defined earlier.


M.



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Re: [backstage] Re: Sky hits out at Project Canvas

2009-10-14 Thread Mo McRoberts
 glaring errors or omissions in the  
above, I would really appreciate it being pointed out!


Answers on a postcard to the usual address…

M.

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Re: [backstage] Re: Sky hits out at Project Canvas

2009-10-14 Thread Mo McRoberts


On 14-Oct-2009, at 13:45, Stephen Jolly wrote:


On 14 Oct 2009, at 12:23, Mo McRoberts wrote:
I think the document I linked to implies a more flexible picture  
than that.


It doesn’t.


There's stuff in section 2.7 that talks about the flexibility  
manufacturers would have to change the appearance of the core UI (up  
to a point), which to me implies more flexibility than a simple  
choice between Canvas UI and Canvas branding or neither.




My reading of it (taken in the context of the earlier sections which  
were quite explicit about which parts were readily-modified and which  
weren’t) suggested that there was only very limited flexibility there…  
though re-reading it I can see it’s a bit ambiguous and where you’re  
coming from. Hmm.


(Of course, if there was no JV and minimal UI specification, it’d be a  
moot point… ;)


M.

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Re: [backstage] Re: Sky hits out at Project Canvas

2009-10-14 Thread Mo McRoberts


On 14-Oct-2009, at 19:03, Mr I Forrester wrote:

Just to be clear, I'm not saying we're not allowed to say anything,  
its
just not clear what we can be said. I've heard so much about Canvas  
over
the last year, I'm not even sure whats public, whats hear-say and  
whats

actually secret (if anything) :)

As some one said its a hot potato.

I've just started re-reading Jonathan Zittrain's the future of the
internet and how to stop it. - http://futureoftheinternet.org/.
If you've not read it, go and download it or buy it now. And been
thinking since watching Micromen #b00n5b92,
(http://www.bbc.co.uk/programmes/b00n5b92) about the balance between  
the

pc and ce (consumer electronics).


It’s a nice quote, but has suffered the test of time quite badly!  
Apple did indeed release an SDK, after months of pressure[0] from  
developers. Subsequently, the two platforms which look the most likely  
to be worthy competitors to iPhone OS long term (Android and WebOS)  
are both comparatively open, and most other mobile platforms are also  
fairly open, even if the delivery mechanisms are a royal pain and the  
SDKs aren’t actually that good.


There’s a danger of conflating the ability to lock down a device with  
a need to restrict the platform on which it runs, or even that an open- 
ended platform requires a whole load of confusing and inappropriate  
stuff in the CE side in order to be useful, when really that’s a  
matter of good UI design.


Freeview STBs, for example, come in all shapes and sizes, and nobody  
has any real difficulty in choosing one, unless they have specific  
requirements. The openness of the platform here means that those  
specific requirements can usually be met in some form or another. My  
Freeview box is a piece of cheap tat which doesn’t do anything  
interesting or special, and gives me virtually no control over much at  
all, but the DVB-T PCI card is a different matter altogether!


M.

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Re: [backstage] Re: Sky hits out at Project Canvas

2009-10-14 Thread Mo McRoberts


On 14-Oct-2009, at 21:30, Anthony McKale wrote:


Like wise as someone vaguely involved in canvas for AM
i'm not sure what I'm allowed to say

[snip lots of cool stuff]

all of the benefits of the Canvas are relatively well-understood. the  
idea of set of technical specs which leverage Internet connectivity  
along with DVB isn’t terribly new, and is just about coming of age.  
this is all a Good Thing.


but, none of this explains why a JV is necessary to achieve this, nor— 
and this is one which I’ve become increasingly puzzled by over the  
past few weeks—why and how there’s anything except a paper proposal  
when the first-stage responses on the (revised) consultation are yet  
to come, let alone the four-week consultation and actual decision on  
the project’s approval.


am I being dim?

M.

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[backstage] Sky hits out at Project Canvas

2009-10-12 Thread Mo McRoberts

From the FT:

http://www.ft.com/cms/s/0/ba940c48-b6c5-11de-8a28-00144feab49a.html

Thoughts?

[My take: I’ve not great love for Sky (indeed, quite the opposite),  
but on this one I agree with them, even if I suspect their motives are  
far from altruistic, to say the least]


M.

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[backstage] Re: Sky hits out at Project Canvas

2009-10-12 Thread Mo McRoberts


On 12-Oct-2009, at 08:12, Mo McRoberts wrote:


From the FT:

http://www.ft.com/cms/s/0/ba940c48-b6c5-11de-8a28-00144feab49a.html



Responding to myself (it’s an exciting life I lead), I notice that the  
FT says:


“The broadcaster wants the Trust to force the BBC to allow anybody -  
not just public service broadcasters - to join Canvas.”


It was my impression that being a PSB wasn’t a prerequisite for  
joining the JV (just having a bucketload of cash to spare). It’s a bit  
odd that, one, as most of Sky’s stance seems to be predicated on the  
slightly sensible position of “build and use the specs and the  
platform will be created from that”.


Jury’s out on this one until I can read their actual response, I  
guess. That’ll teach me to rely on the FT ;)


M.

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Re: [backstage] Re: Sky hits out at Project Canvas

2009-10-12 Thread Mo McRoberts
On Mon, Oct 12, 2009 at 22:05, David Tomlinson
d.tomlin...@tiscali.co.uk wrote:

 Is it safe to post ? As for following up your own posts ...

 http://www.theregister.co.uk/2009/05/08/project_canvas/
 http://www.theregister.co.uk/2009/05/08/project_canvas/page2.html

 To repeat, the technology that Project Canvas is developing is an open
 standard that any box maker or online service can use for free as long as
 they abide by the rules of the standard to ensure universal compatibility.
 It's the same with any industry standard.

 It's all a power play. On one side are traditional CE makers who want to
 keep their grip on Internet technology, controlling where users can browse
 and which videos they can watch. On the other side is Project Canvas. Its
 members, at least in this instance, want to open up an important piece of
 Internet technology and give it free to anyone who wants to use it to
 develop products and services that meet the published standards.

That was all written before the exec clarified the proposition and the
consultation was extended.

I was all for Canvas until it became clear what it *actually* was.

M.
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Re: [backstage] Free as in 'Freedom'

2009-10-09 Thread Mo McRoberts
On Fri, Oct 9, 2009 at 11:27, David Tomlinson d.tomlin...@tiscali.co.uk wrote:

 Read Hat, SUSE etc all manage without a state sponsored monopoly,
 Microsoft can do so too.

 No thanks. I prefer the GPL, which derives its power from copyright
 law - the concept that creators decide how their work may be used.

 I support intellectual property law reform, but this is really
 throwing out the baby with the bathwater.

 The GPL only needs copyright to defend against copyright, v3 does go
 further, the concept is so powerful, it is widely abused (not in the GPL
 v2).

We covered this already. The effect of the GPL cannot be achieved
_without_ copyright.

M.
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Re: [backstage] Free as in 'Freedom'

2009-10-09 Thread Mo McRoberts
On Fri, Oct 9, 2009 at 13:09, David Tomlinson d.tomlin...@tiscali.co.uk wrote:

 I'd like to see some hard numbers/evidence for this statement. How much
 are the costs? In dollars and pounds? How much is the benefit? Not
 statements of principle, but numbers.

 My opinion is that is you had hard numbers, the case for abolishing
 copyright would not stack up, and that copyright creates more benefits
 than it costs - in numbers.

 I don't but others do.

 A dutch filesharing study.
 http://www.electronista.com/articles/09/01/20/dutch.study.file.sharing/

 Outcome filesharing is revenue positive, many other studies have reached the
 same conclusion.

Permitting (and encouraging) filesharing is not the same as abolishing
copyright. Thankfully, it’s not incompatible with copyright, either.
Indeed, it’s been trialled as a catch-up/distribution mechanism by
PSBs outside of the UK over the past couple of years, with decent
results.

M.

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Re: [backstage] Free as in 'Freedom'

2009-10-09 Thread Mo McRoberts
On Fri, Oct 9, 2009 at 15:43, David Tomlinson d.tomlin...@tiscali.co.uk wrote:

 The implication is that the BBC approved of the sharing of iplayer content,
 of course it was subject to DRM.

No, it really didn’t.

That’s adding two and two together and getting pi.

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Re: [backstage] Free as in 'Freedom'

2009-10-09 Thread Mo McRoberts
[Swapped order of paragraphs to make more sense]

On Fri, Oct 9, 2009 at 17:16, David Tomlinson d.tomlin...@tiscali.co.uk wrote:

 iPlayer uses an application called Kontiki that manages your programme
 downloads. The problem is Kontiki is a P2P application that not only
 downloads content, but uploads it too. Files are distributed by 'seeders',
 or people who have chunks of the file to upload to others, which means the
 BBC can reduce its costs.

 iPlayer no longer users Kontiki or P2P.

I (and I suspect most others here) are very well aware of what the
iPlayer Desktop of Yore used, but thanks for the history lesson.

 P2P requires the sharing of the content, only between users to the iPlayer,
 using the BBC approved software. I don't mean the BBC intended to share it
 on public P2P networks or internationally.

So why bring it up in the context of sharing content publicly on P2P networks?

[You said: “The implication is that the BBC approved of the sharing of
iplayer content, of course it was subject to DRM.”]

It doesn’t imply that they “approve” of sharing the content on P2P
networks as you suggested—it was used in a limited, closed-loop
fashion as a means to an end (i.e., a distributed CDN); the user had
little to no control over it (depending upon technical competence).
Within the context of the discussion, this fact is almost completely
irrelevant, except that the underlying technology used is
“peer-to-peer”. Technologies get reused all the time, and it doesn’t
imply any sort of endorsement.

M.

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Re: [backstage] Free as in 'Freedom'

2009-10-08 Thread Mo McRoberts


On 8-Oct-2009, at 19:35, David Tomlinson wrote:


How about this one: (In no particular order).


[In view of various things]


Why don't we just abolish copyright ?


Being pragmatic, I’d posit that taking such an extremist perspective  
is unlikely to achieve what you want. Actually, abolishing copyright  
would unlikely to achieve what you want :)


Copyright was dreamed up by people I would humbly suggest were smarter  
than most (if not all) of us—not to say they’re beyond criticism, but  
that I would think long and hard about the ramifications of throwing  
it all away for diving into it.


The problem, as far as I can see it, isn’t copyright itself, but the  
evolved form which grants _extended_ monopolies which persist for  
multiple generations. Personally, I’m no great fan of this.


Copyright was supposed to create a -temporary- monopoly as an  
incentive for the furthering of society’s creative bleeding edge. It’s  
not an absolute monopoly (there are things like fair dealings, the  
right to time-shift broadcast programmes, and so on). Once it’s no  
longer temporary, the ultimate purpose of it is lost. I would argue  
that an extended temporary monopoly begins to share some of the same  
problems that a permanent one does.


However, in light of this, we’ve been creative in a different way:  
we’ve learned to use copyright as a tool to create anti-monopolies.  
Things like the GPL and Creative Commons rely specifically upon  
copyright’s functions both to work and to prevent others from  
subverting their own purpose. Without copyright, a license such as the  
GPL, which grants you permission to redistribute a work _only_ if you  
adhere to its conditions, would be void.


In a no-copyright world, ignoring the reduced incentive to create  
works in the first place (because there are plenty of people who do it  
purely for enjoyment), somebody would be free to take your source  
code, modify it, compile it, and release the binaries without giving  
anybody the option of getting the source of their version: exactly  
what the GPL attempts to prevent. Essentially, everything becomes  
public domain, whether you like it or not, and it actually ends up  
being the worst of both worlds.


The real solution is to redress the balance: bring consumer rights up  
to date to more closely match expectations (for example, the fact that  
it’s copyright infringement to rip a CD that you bought is way out of  
step with modern reality); and restore the temporary nature of the  
monopoly—15 years, perhaps? I’m not sure—it needs careful thought.


But abolishing it altogether? Irrespective of its merits, by taking a  
far-flung stance, you’re more likely to get yourself written off as  
being crazy than make real headway in affecting change. Softly softly  
catchy monkey :)


M.

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Re: [backstage] Free as in 'Freedom'

2009-10-08 Thread Mo McRoberts


On 9-Oct-2009, at 00:21, David Tomlinson wrote:

For obvious reasons I do not wish to discuss children as a subject  
anymore.


It’s not obvious at all. People need to stop with the nervousness when  
the words “children” and “photograph” appear in a sentence together;  
it’s, for want of a better term, childish and ridiculous.


It’s also pretty salient, given it’s a straightforward example of a  
copyright-holder having a current ability to exercise control without  
having to resort to onerous trust mechanisms.


Your position has a distinct lack of great upsides as compared to the  
status quo, but it -does- have some significant flaws, and I say that  
retaining the view that copyright as it exists today is flawed in some  
fairly serious ways.


M.

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Re: [backstage] Encryption of HD by the BBC - cont ...

2009-10-07 Thread Mo McRoberts
On Wed, Oct 7, 2009 at 06:41, David Tomlinson d.tomlin...@tiscali.co.uk wrote:

 It's the people who can't break the law, the consumer electronics companies
 who will be required to obtain a licence who will be affected.

 It is a legal trigger.

 Conditions placed on them (Consumer Electronics), will impact the consumer,
 due to built in restrictions in the equipment, imposed by a licence holder
 (DTVA).

 This will alter the landscape of free-to-air, circumventing the intention of
 the law.

I’ve taken the view to this point that, rather than being about
control of the CE sector, this is more to do with trying to appease
stroppy rights-holders without having a huge amount of tangible impact
(though there would be collateral damage).

The alternative view is, as you suggest, that it’s a bid to seek
control of the consumer electronics space by way of holding a key
which everybody needs. I’ve steered away from this conclusion, because
I actually think attempts at placating rights-holders are more likely
the root cause -however- it’s worth noting that the Project Canvas
proposals suffer from precisely the same problems (in fact, they’re
worse).

The BBC did state in the letter to Ofcom that the license would be
zero-cost, so that part’s not an issue. Obtaining a license would
require agreeing to certain conditions, however, including
non-disclosure, honouring the copy-control attributes of the HD
channels, and prohibiting user modification. This is incompatible with
DVB code _built on_ software licensed under many open source licenses,
which CE manufacturers have been increasingly embracing over the past
decade. After all, what’s the point in licensing a commercial DVB
stack or expending the massive RD costs in rolling your own, when a
perfectly good one is there already? It’s the same reason the creators
of the transcoding platform behind iPlayer didn’t write their own
filesystem (last I knew, much of it runs on OpenSolaris w/ZFS on
x86_64 boxes), and why BBC Online didn’t write its own web server to
power bbc.co.uk, and so on.

In real terms, the intention and motivation behind it are almost
immaterial: the end result is the same either way. I know for a fact
that several of the responses to Ofcom from technically-knowledgeable
people (both inside and outside of the broadcast industry) pointed all
of this out, noting the futility of the approach with respect to
piracy.

 And why the metadata (EPG), should be regarded as part of the signal, (it is
 broadcast) that must be unencrypted for public service broadcasting.

EPG data is subject to regulation and a licensing regime itself. I
don’t know, though, how in particular the various obligations of the
BBC relate to this. It’s entirely possible that there’s a loophole.

M.

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Re: [backstage] Encryption of HD by the BBC - cont ...

2009-10-07 Thread Mo McRoberts
On Wed, Oct 7, 2009 at 10:44, David Tomlinson d.tomlin...@tiscali.co.uk wrote:

 Controlling the functionality of the Consumer Electronic product is seen (by
 the rights holders) as key to restricting the public access to broadcast
 content. No analog hole, HDMI only (encrypted, trusted) output etc.

Except the idea of closing the untrusted path only works if you work
on the premise that the nefarious types who illegally share copyright
material only care about breaking one specific set of laws (copyright
infringement) and won’t just work around the trusted path by modifying
their kit or cobbling together some equivalent. This is sheer fantasy,
really—it’s pretty much entirely incompatible with (a) an open market,
and (b) broadcasting (as opposed to simulcasting to millions of people
individually).

I can’t think of an adjective which sums it up more adequately than “crazy”.

M.

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Re: [backstage] Encryption of HD by the BBC - cont ...

2009-10-07 Thread Mo McRoberts
On Wed, Oct 7, 2009 at 11:43, David Tomlinson d.tomlin...@tiscali.co.uk wrote:

 They don't want an open market, they have enjoyed a monopoly through
 broadcasting (limited bandwidth/broadcasters) and through copyright.

 They don't wish this to change. Regardless of the potential of new
 technology for increasing the public utility. (Gains for the public).

Not quite what I meant by “open market”. There was never a requirement
in the past for CE makers to join logo/licensing programmes to ensure
their kit worked—they just followed the specs. That wasn’t limited to
CE makers, either, which is how things like MythTV came to exist. FTA
isn’t that “anybody can receive the broadcasts [if they buy from one
of our approved manufacturers]” it’s “anybody can receive the
broadcasts provided what they have adheres to the open specs”.

 If the HD signal is encrypted or licenced, then this can carry over to the
 Internet where simulcasts, would be encrypted or otherwise restricted.

It’s harder when you’ve got Internet-based delivery, because you have
to hand over both the crypto mechanism and the decryption key to
something which is primarily under user control—it’s not a “black box”
in the same way that an STB or TV is. But, it’s not something those
doing Internet-based delivery don’t often attempt to do (look at
iPlayer Desktop, for example).

M.

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Re: [backstage] Encryption of HD by the BBC - cont ...

2009-10-07 Thread Mo McRoberts
On Wed, Oct 7, 2009 at 12:04, Sean DALY sdaly...@gmail.com wrote:

 How can they be compensated fairly for their work? A watermarking
 scheme which counts downloads or views, and apportions revenues
 accordingly? That would possibly mean a shift away from
 overcompensation of big names and a reduction of middlemen, not bad
 things

What, in your mind, are they being (additionally) compensated for?
Bearing in mind that in this context, the broadcasts are being made to
about 50 million people freely over the airwaves and the
rights-holders are already paid for this.

Anybody within that group of 50 million has already been compensated
on behalf of through the commissioning process. If a significant
proportion of the downloaders of your FTA UK content are themselves
within the UK, as a rights-holder I’d be asking myself why they’re
having to resort to illicit means to obtain content they already had
rights to receive and time-shift. Then I’d try to fix it.

Once you start going outside of the UK, things are more complicated.
One thing is critically evident as things have changed over the past
few years: artificial geographically-based restrictions are doomed to
failure. If you have to wait weeks, or even months (and sometimes
years) to get the same content legally in your region, the
rights-holders have shot themselves in the foot.

The broadcast industry would do well to learn from the mistakes the
music industry made: artificial scarcity, legal threats, hyperbole and
DRM only actually achieve the intended results for a painfully short
period of time.

M.

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Re: [backstage] Encryption of HD by the BBC - cont ...

2009-10-07 Thread Mo McRoberts
On Wed, Oct 7, 2009 at 12:33, Chris Warren ch...@ixalon.net wrote:

 Someone isn't going to finance content for you if you can't promise you'll
 do your utmost, through agreements with 3rd parties (e.g. broadcasters) and
 all the technical and legal measures available to you, to protect their
 investment, however futile that may be.

 That isn't crazy - if you were investing in a risky venture, you'd still
 want promises that those you were investing in would try to minimise risks.

No, it _is_ crazy.

What isn’t crazy is saying “look, it’s free to air. it’s available to
virtually everybody in the UK, and that’s the purpose of the
broadcast. that’s why we’re commissioning it.”

Similarly, dispelling the myths that the technical measures do
_anything_ except harm legitimate users would be a good start.

Those wishing to misappropriate the investment are not those who are
in any way affected by the DRM. Seriously.

I don’t know of any other way to explain this. _All_ DRM does is harm
the relationship with your customer. That’s it. It’s not “doing your
utmost” at anything if you know already it’s futile. That’s just
called wasting everybody’s time and money, including the people who
ultimately pay for the output in the first place.

 However, don't get me wrong - it would be nice if there were more
 flexibility regarding the portability of protected content, but instead of
 many very smart people expending huge amounts of effort demonising DRM,
 maybe it would be better spent constructively, on finding a solution that
 will help protect investments and be Free software friendly?

The solution is not to attempt to implement a system which only
achieves the opposite of the intended effect. DRM and anything “open”
cannot by definition mix in any useful fashion: DRM relies solely on
things being kept secret, which is pretty much the opposite of
anything which is actually open ;)

The solution is the one which has served free-to-air broadcasting very
well for many decades: you accept the realities, or you don’t play
ball. It really, honestly, truly, isn’t any more complicated than that
provided you’re actually in possession of the facts (and I realise
many of the people engaging in negotiations actually aren’t).

M.

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Re: [backstage] Encryption of HD by the BBC - cont ...

2009-10-07 Thread Mo McRoberts
On Wed, Oct 7, 2009 at 12:56, Sean DALY sdaly...@gmail.com wrote:
 My understanding is that the BBC's strategy is to treat the UK and
 rest-of-world markets differently, with a profit orientation on the
 World side. Technical geolocalisation solutions are indeed doomed to
 failure in my view. Those sly devils at Google showed me a sponsored
 link last week promising international access to UK iPlayer through a
 proxy.

Oh, you can do it. People will pay if the product’s of a good standard
and not subject to ridiculous delays and impediments. Personally, I’m
in favour of liberalising some of the restrictions upon BBCW (provided
it doesn’t impact negatively upon the FTA efforts within the UK).
People often resort to downloads because they -have- to in order to
get the output they want on their terms, rather than because it's
free. (Anecdotal personal example: I’m more than capable of
downloading films from BitTorrent, and have a dim view much of the
movie industry, but I rent movies from iTunes instead—it’s fast, it’s
easy, it’s convenient, and it doesn’t cost the earth).

 As a former musician and record producer, you'll have no pity from me
 for the rapacious vultures of the music biz :-)

the daft thing is, much of it’s been so depressingly predictable from
very early on. so much of it’s been avoidable.

 But I'm speaking generally about digital disruption. The free-to-air
 model is now the free-to-world model. I'm actually much more worried
 about newspapers.

The newspapers are fixable. Perhaps not -as- newspapers in many cases
(though you’ll prize my magazine subscriptions from my cold, dead
hands), but by becoming far more efficient at collating and
redistributing news and—most importantly—the expert commentary on it;
the latter being something news.bbc.co.uk only provides minimal
amounts of.

Free-to-air _can_ be free-to-world, but it doesn’t necessarily follow
that it WILL be—that more depends upon the content than anything else
(and it doesn’t have to be FTA in the first place, of course). The
only real solution, though, is to capitalise on the overseas markets:
business models wholly reliant upon it being difficult and
uneconomical for consumers (on whichever side of the law) to ship
content from one side of the world to the other weren’t ever going to
last forever. That was the monopoly period—the breathing space to
develop the models and form the alliances and dip toes in waters—which
as with any other, has a limited lifespan.

M.

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Re: [backstage] Encryption of HD by the BBC - cont ...

2009-10-07 Thread Mo McRoberts
On Wed, Oct 7, 2009 at 15:07, Alia Sheikh alia.she...@rd.bbc.co.uk wrote:

 However, don't get me wrong - it would be nice if there were more
 flexibility regarding the portability of protected content, but instead of
 many very smart people expending huge amounts of effort demonising DRM,
 maybe it would be better spent constructively, on finding a solution that
 will help protect investments and be Free software friendly?

 Sounds good in all seriousness, would be interested to take part in *that*
 discussion.

Unfortunately, that discussion isn’t really one which is at all
technical in nature—it’s broadly a matter of legal and business
strategy. Not quite so interesting to the kinds of smart people who
tend to have an interest in the technical stuff! There’s some
cross-over, though… ;)

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Re: [backstage] Google Wave

2009-10-07 Thread Mo McRoberts


On 7-Oct-2009, at 17:20, Ian Forrester wrote:


Changing the long running threads (don't think I'm not watching)

Now Google Wave invites are out there and more of you have had a  
chance

to play with wave. What do people think? And why is no one building a
decent client for it?


Give it time… the people most likely to do this may not even have  
access to the preview yet ;)



Am I the only excited person?


Nope. It shows a huge amount of potential (although it’s quite buggy  
at the moment). IM+Email+Docs+…stuff, all built on XMPP? I’ll take  
three!


(I’m finding it quite buggy at the moment, though).

I’m nevalic...@googlewave.com, should anybody feel the need. A search  
for “with:public” is quite a good place to start for those who are new  
to it.


M.

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Re: [backstage] Encryption of HD by the BBC - cont ...

2009-10-06 Thread Mo McRoberts

Hi all,

I realise I’m somewhat late to the party going on here—for some  
reason, I never got around to subscribing to backst...@. You can  
probably guess from my e-mail address how I relate to this particular  
debate!


For the record, I’m no more part of the official consultation process  
than anybody else—indeed, one of my gripes with all of this is how a  
proper consultation _hasn’t_ been carried out yet. I am a (vocal)  
bystander for most intents and purposes.


To pimp my blog for a moment, some speculation on my part as to why  
this might be the case can be found at:


http://nevali.net/post/205806183/bbc-internet-blog-bbchd-and-drm-a-response-to-cory

I appreciate Nick’s involvement in this and trying to deal with pesky  
people who insist on asking awkward questions ;)


However, I would like to respond to this:—

On 6-Oct-2009, at 16:08, Nick Reynolds-FMT wrote:

dave - this is a wild exaggeration. The suppliers that you dislike  
so are companies who provide content for the BBC for licence fee  
payers to enjoy. Their interests have considered just like everyone  
else's.



While this is true, to an extent, historically the interests of the  
rights-holders (excepting certain more enlightened members of that  
particular community) have been squarely opposed to the interests of  
the consumer. If the rights-holders could, hypothetically, lock  
everything down without inciting a huge backlash, most would jump at  
the opportunity (irrespective of the actual benefits—this is all about  
perception on their part; bearing in mind that many of those doing  
these deals aren’t hugely technical themselves).


The FTA remit is designed specifically to balance this: it says, in  
effect, “by all means come on board, but we have an obligation to the  
consumer that the likes of Sky and Virgin don’t: if you don’t like  
this, go elsewhere. The various pieces of legislation are quite clear  
about what consumers can and can’t do, and we’ve historically relied  
upon that as the principal copy-protection mechanism.”.


The danger with this debate is that it indicates a shift away from  
this standpoint. Also, historically, there was no requirement to buy  
equipment branded and licensed by consortium heavily influenced by the  
broadcasters in order to ensure reception: you got a TV license, a PAL- 
I TV, and you were away.


It also raises a number of (secondary) questions which are themselves  
quite troubling, but I’ve covered all of the ones I could think of in  
the comments on the blog post.


Worms, meet can.

Cheers,

M.

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Re: [backstage] Encryption of HD by the BBC - cont ...

2009-10-06 Thread Mo McRoberts

Hi Nick,

On 6-Oct-2009, at 18:55, Nick Reynolds-FMT wrote:


Pity. I would have left a comment.


The effort required to enable comments is unfortunately more than it’s  
worth expending (and an awful lot of people dislike all of the  
available comment system options for tumblr), but I really am all  
ears. Either here, via e-mail to me, or a post on your own blog (do  
you have one? apart from the bbc.co.uk thing, I mean)—whatever suits.  
If it’s worth saying, I’d like to hear it—especially if it’s  
constructive criticism (or juicy gossip…)


The same obviously applies to anybody else, of course.

Cheers,

M.

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Re: [backstage] Encryption of HD by the BBC - cont ...

2009-10-06 Thread Mo McRoberts
On Tue, Oct 6, 2009 at 20:05, Brian Butterworth briant...@freeview.tv wrote:
 And let's not forget that EU Legislation has to be enacted by the
 UK Parliament.

It was, as far as I know, six years ago. Copyright and Related Rights
Regulations 2003.

M.

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