Re: [lace] More sad news - RIP Jenny Rees

2023-05-28 Thread Susan Turnbull

Condolences to you, sadly the world is losing some fabulous lace makers.

Sue Turnbull, Dorset UK


On 28/05/2023 08:16, Penelope Piip wrote:

Dear fellow lacemakers,I am writing to this list, to inform those who
remember my cousin, Jenny Rees, who sadly passed away this Saturday, 27th
May, 2023, in Canberra, Australia. She was 66.
Penelope



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Re: [lace] Tiara Leaves

2023-05-06 Thread Susan Turnbull
One of the files mention buillion embroidery and the we think it was 
made in the Embroiders Guild in the UK.  Lots more embroidery also on 
the Queen Camilla gown.    I am also going to send a url of some Honiton 
Lace, handmade by Pat Perryman, worn by the current speaker of the House 
of Commons.


https://www.youtube.com/watch?v=hxwFcWEMd-Y

Sue Turnbull

Dorset UK

On 06/05/2023 17:09, Adele Shaak wrote:

Good morning! Anybody else been watching the coronation?

I loved the simple, elegant spray of leaves that was repeated throughout the
modern-day decoration, and am wondering if anybody knows how the metal leaves
were made, that formed Princess Charlotte’s headband? They do look like they
might be wire tallies. It looks like the Princess of Wales was wearing
something similar.

Adele




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Re: [lace] Lace Advent Calendar 2021

2021-12-01 Thread Susan Turnbull
Thank you both Jean and David, it is always a joy to see this and has 
given me a jolt to start work putting up some decorations. These days 
most of our decorations revolve around lace these days as we heath 
situations mean it is difficult to reach to put our normal amounts up 
and about.  As our daughter has moved closer to us I will ask her help 
and we can have some girlie giggles as well.  So Christmas here we come.


To all my fellow arachnids may I wish you good health, good lace and 
good memories.  Now to dig out my favourite Christmas program and let 
the colour and light lift your spirits.


Sue T Dorset UK


On 30/11/2021 22:37, Jean Leader wrote:

Once again David and I have produced a Lace Advent Calendar which you can find
on my website:

https://www.jeanleader.net/calendar/index.html

For anyone not familiar with it, starting from December 1st there is a
window that can be opened with a new lace picture every day, patterns on two
of the days (they have different coloured numbers), and a competition that
you
can complete when all of the days with clues have been revealed.

Spread the word and have fun

Jean

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Re: [lace] Happy Anniversary

2021-04-14 Thread Susan Turnbull
I joined you all in 2005 to keep in touch with lacemakers after my lace 
teacher retired and neither she nor the class was replaced.  I contined 
to learn and be inspired to carry on although I added tatting to my 
interests which I have been doing more of in recent years.  I have 
ventured into Quilting last year to create special gifts for special 
people but have returned to working some lace right now.  I got some 
UFO's completed ready for future brides and have had a big fight on my 
hands trying to relearn bucks point in order to work another horseshoe 
to match one worked in 2018.  I think I am doing ok now and as long as I 
take it very slow and check often it is growing at last and I am going 
forwards more than going backward.  I number of Arachnids have been a 
huge help in my years in the group and I thank them for the help, 
guidance and support at various times.  I am currently working with some 
pretty numb fingers so it is a bigger challenge now, but good for the 
grey matter and finger dexterity to keep pushing.  So Happy Anniversary 
to all on the list.  Keep safe


Sue Turnbull Dorset UK

On 14/04/2021 10:19, Rosemary Hemmett wrote:
hace spent the few years reading the post  but not much lace being 
done.  but need to say congratulations to everyone such a great list - 
cant remember when I joined but I have had years of enjoyment.  Must 
get myself back into making more lace   HAPPY BIRTHDAY to everyone  
Rosemary hemmett.


On 13/04/2021 08:17, Tamara P Duvall wrote:
This was posted, by Liz S Reynolds (who started the list), on April 
12, 2000, under the heading: Happy Birthday to us:


"For the record, today is the 5th birthday of the original lace list.
Between lace and lace-chat and the digests, we have 1120 members.
Who'd have thought there were that many lacemakers on the net? I 
certainly

wouldn't have guessed it back in 1995!

Congratulations to all of us for bringing the old Renaissance art so
successfully into the Information age.

-Liz"





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[lace] Barbara Underwood

2020-05-08 Thread Susan Brooks
I thought I had seen a message saying Barbara Underwood had passed away on
23rd April, but there has been no mention of it in Arachne correspondence.

I am currently working on a piece from one of her many books.  Her
contribution to Bedfordshire Lace must be important.

Does anyone have more details?

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Re: [lace] Snowman lace

2019-12-21 Thread Susan E Babbs
I designed one for the young lace makers magazine, years ago.  Send me a photo 
and I'll tell you if it's the same one

On December 21, 2019, at 2:09 PM, Kim Davis  wrote:

Susan,
   I have seen on in one of the Lace Guild's publications..you know,
the half sized ones?   I believe it has a dark blue cover.  It is possible
it is in the childrens magazine, as we have both.  Can you send me a pic
and I will look tomorrow.

Kim

On Sat, Dec 21, 2019, 10:27 AM  wrote:

> Hello All! Does anyone know the designer/source of a lace snowman?
> friend
> sent me a photo she saw on Facebook & asked if it was bobbin
> lace! It's
> adorabl
>

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[lace] Ornament exchange

2019-12-15 Thread Susan
Hello All! Ornaments must be flying around the globe by now—I received mine 
yesterday from Lin! Along with a lovely card, there were 3 ornaments: a tatted 
cross, crocheted snowflake & wire holly with beads plus a DIY project. And you 
just never know what I might be able to create with a template & threads with a 
few days left. Hmmm. Thank you Lin! Happy Holidays to all. Sincerely, Susan in 
sunny Florida, USA

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[lace] Give the Gift of Lace All Year!

2019-12-11 Thread Susan
Hello All! Full disclosure—I stole this idea from my neighbor! She’s an artist 
& each year she takes pictures of 12 paintings & assembles a photo desk 
calendar. We have been lucky calendar recipients several years running. Each 
month a new landscape or still life—what‘s not to like?! This year I decided to 
make a lace calendar to send to my non-lace friends & relatives. Walgreens is 
having a sale—50% off—until Dec 14th so I gave it a try. Not perfect—the online 
software is clunky—but the price was right! It’s a great way to share the charm 
& variety of handmade lace with those who have no clue. I posted sample pics to 
Arachne Flickr. Happy Holidays to All! Sincerely, Susan in sunny South Florida, 
USA 

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[lace] Idrija 30 thread

2019-11-19 Thread Susan
Hello All! I have in my notes:
Idrija 30 white 3z/26wcm
Idrija 30 colors 3z/24wcm
I believe this info came from Brenda as I also have notes on other sizes of 
Idrija threads. Hope this helps. Sincerely, Susan Hottle Florida, USA 

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[lace] Elena

2019-10-10 Thread Susan
If anyone has Elena’s email addy, please contact me off list. I need to send 
her a message ASAP. Thx. Susan Hottle, FL USA 

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[lace] Maria & Stella Niforos

2019-10-09 Thread Susan
Hello All! Just today I stumbled upon these websites. LOTS OF LACE EYE CANDY! 
marianiforos.com
stellaniforos.com
Does anyone know these ladies? I found an obituary that seemed to match, so I 
wonder if one or both have passed & someone else is carrying on after? 
Sincerely, Susan Hottle FL, USA

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[lace] Jacqui Southworth’s Holly ornament conclusion

2019-10-04 Thread Susan
Many thanks to Bev Walker for helping solve the mystery!! And the answer 
is—Jacqui’s design appeared in Canadian Lace Gazette Winter 2000. It was a hand 
drawn pricking & the thread was specified as DMC Metallic 3-strand thread. I 
saw her holly design in Lace #132 October 2008 published by Lace Guild. It was 
so appealing, I marked the page with a sticky note & saved it all these years. 
With her untimely passing, I decided to make her ornament this year—my homage 
to her for her generous help & advice. Unfortunately, somehow between 2000 & 
2008, her design was professionally redrafted & the berry thread paths are not 
the same, even though the instructions may have stayed the same. Gremlins! The 
2008 version also calls for Madeira 40 metallic thread. It is much finer & the 
resulting lace is quite ethereal. It shows up nicely against a solid background 
but sort of disappears when hanging freely. I confess that I have no clue what 
DMC Metallic 3-strand thread looks like. Loo!
 king in Brenda’s book, I see DMC Fil Metallise Art No 272 is 2s/3z. Can anyone 
advise me whether this is the item in question? The holly ornament is adorable 
& I would like to make another but need to sort out the thread situation. Many 
thanks for any help. Sincerely, Susan Hottle FL, USA

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[lace] Jacqui Southworth Lace #132 October 2008

2019-10-03 Thread Susan
So far, Bev Walker has the same pattern, different pricking. And the threads 
are different—DMC metallic vs Madeira. Hope this helps. Susan 

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[lace] Gimp for Binche

2019-09-07 Thread Susan
Hello All! In preparation for Ithaca, I’m rebooting my brain with one of 
Kumiko’s beginner patterns. Last year in class, I believe we used sashiko 
thread for gimp with 80/2 thread. Of course I don’t own any & can’t find the 
tiny leftover piece from class! Could an expert suggest an alternative? My 
first instinct was embroidery floss (multiple strands) because of the soft 
twist, however, I’ve selected a substitute in the past with disastrous results 
so decided to ask first. Many thanks. Sincerely, Susan Hottle FL, no damage 
from Dorian

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[lace] Santina Levey

2019-08-05 Thread Susan
Hello All!  On the horns of a dilemma here & wondered if anyone knows whether 
Ms. Levey’s personal textile archives & research notes have been bequeathed to 
an individual or a museum? Any possibility she had a research assistant when 
she was compiling “Lace: A History”? Many thanks if you can help. Sincerely, 
Susan Hottle FLA USA

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[lace] Lady Carnarvon’s coronation gown

2019-08-02 Thread Susan
Hello All! I’ve just received the latest newsletter from RSN & they are 
conserving this 1911 gown. There is a short video & some photos showing the 
ivory lace, jeweled lace & white fur trimmed claret velvet garment. I’m not 
sure about the lace so perhaps an expert will comment?? In the meantime, I will 
try to post photos to Flickr. Sincerely, Susan Hottle FLA USA 

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[lace] Archie’s christening gown

2019-07-09 Thread Susan
Thank you Jeri & Sue! My query was prompted by a photo in an online 
article—“The Royal Family’s Christening Gown Has a Fascinating History” at 
townandcountrymag.com. The pic shows Prince George in 2013 & the photo detail 
is better than many others. According to the article, the original lace 
(commissioned for Queen Victoria) was made by “Janet Sutherland, a miner’s 
daughter” from Falkirk, Scotland. The replica was undertaken by Angela Kelly, 
Queen Elizabeth’s personal wardrobe advisor who worked with “craftsmen in 
Britain & Italy”. When I looked at the replica photo, it seemed like the lace 
was appliqued on tulle, overlaid on a silk dress. I was interested in the 
construction method. Sincerely, Susan Hottle FL USA

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[lace] Archie’s christening gown

2019-07-08 Thread Susan
Hello All!  Luckily a friend emailed me about the online photos of the gown. 
Hope everyone is enjoying a rerun of (arguably) the most famous royal 
christening gown replica! Perhaps an expert will comment on its creation. Is 
the Honiton lace appliqued on silk & tulle? Sincerely, Susan Hottle FL, USA 

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[lace] Destination Craft—season 1, episode 11 Switzerland

2019-06-24 Thread Susan
Hello All! A friend in PA sent me a lace tidbit. Apparently Jim West was 
learning to make bobbin lace & failed to launch in Switzerland. A photo of his 
lace is posted to our Arachne Flickr Photostream & it’s the last pic in my 
album. Should we invite him to Spokane, Ithaca or another lace event so he can 
get the hang of it with the experts? So far I haven’t found this episode online 
to watch it myself but I’m vexed that the show has left the wrong impression by 
showing such shoddy results! Sincerely, Susan Hottle FL USA  

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[lace] Digital exhibition—Lace identification

2019-06-16 Thread Susan
Thank you Olga—what a helpful online article! It’s lovely to showcase objects 
in the TRC collection—even better with a tutorial. This was my first visit to 
your website so thanks for the link. I enjoyed the embroidered postcards as 
well. Sincerely, Susan Hottle USA

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[lace] re: sad news, Jacqui Southworth

2019-05-28 Thread Susan
I want to add my condolences among the growing list of sad Arachneans today. 
It’s hard to lose yet another generous & gifted member of our “Arachne team”. 
As Lin suggested, it would be lovely for each of us to find a way to honor her. 
So—in her memory, I will make (attempt to make?) Jacqui’s Holly pattern that 
appeared in Lace #132 October 2008. It’s been well above my pay grade, yet has 
remained on my to-do list all these years. 2019 is it! Better 11 years late 
than never. Sincerely, Susan Hottle FL USA

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[lace] Italian needlelace

2019-05-27 Thread Susan
Hello All! While looking for something else I stumbled upon this site:
Ombrettapanese.it   It’s in Italian but you can hit the translate button.
Catherine Barley inspired a piece on pg 3. Yowza!  Sincerely, Susan Hottle FL 
USA 

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[lace] Metallic thread Oya?

2019-05-22 Thread Susan
Hello All!  Yes, sort of. When I was faced with the challenge of finishing an 
edge on a silk scarf recently, I wondered if this could be done. I checked my 
notes from the class I attended with Elena Dickson & looked for metallic thread 
with similar w/cm to the Lizbeth 40 we used in class. I started with Presencia 
Finca Mouline Metalizado. Nope. By the time I got the knot pulled tight, the 
thread broke. Next I looked at thread construction & decided to try Kreinik 
Balger #4 very fine braid. It’s a much stronger thread that holds up well to 
tensioning for needlepoint so it was a logical choice. However, it was very 
fiddly & I had to pick out several tangles. In the end, it worked—for the first 
row. The return row was a disaster & I decided to abandon the effort. What I 
discovered is—although I love the simple looped & knotted edge, those little 
loops could be the perfect spot for a little bead! So it’s on my list for a 
future experiment. Hope this helps anyone who is l!
 ooking for a simple decorative edge! Sincerely, Susan Hottle FL USA 

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[lace] Pierre Fouche workshop & the lace study session at Ratti

2019-04-15 Thread Susan
Many thanks again go to Devon, Elena & the staff at Hunterdon for turning these 
opportunities into reality! Overall, I would say there was something for 
everyone over the weekend:  how to approach designing for lace,  Binche tips & 
techniques, show & tell plus lace  from the vault at The Met. Several things 
were noteworthy to me. First, I was surprised at how organized Pierre is with 
notebooks of hand drawn stitch diagrams, documenting his solution(s) to 
particular design situations. Second, he emphasized simplifying line drawings 
to the most critical elements. I probably should have asked, but will guess 
that this may be related to the size/scale that he is working. He specifically 
noted that some of his Binche tweaks came from working with rope. An extra 
twist or cross in certain circumstances created a more elegant result. We all 
got a chuckle to see how he solved mounting his class sample—worked in perle 
8!—using withdrawn thread techniques & hem stitch, without ever!
  having taken Marion Scoular’s class! Lastly, he is an artist first. Lace is 
only one of the many mediums in which he works. We are lucky to have him in our 
midst because he’s changing the public perception of lace. Doily Free Zone 
indeed! As to The Met, goodness, what an experience! Unfortunately, we can’t 
post any photos taken during our session so you’ll have to believe me when I 
say that we saw exquisite pieces up close & personal. The variety & profusion 
of fillings was masterful & evocative. If you want to view the items online or 
request your own session, the Accession numbers are:  06.1172.12a; 53.162.57; 
58.6.1; 09.68.263; 48.187.630; 09.68.272; 09.68.310; 09.68.689; 1979.311.18a; 
06.642; 08.180.796; 35.39.1. I think I may have missed one. Perhaps Devon will 
edit my list?  Sincerely, Susan Hottle FL USA

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Re: [lace] Thomas Lester by Anne Buck

2019-04-02 Thread Susan
She was fuming about it the other day but when I asked if she wanted me to send 
pictures of lace that I see at the English museums she said yes! Hope springs 
eternal...  Susan 

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Re: [lace] Thomas Lester by Anne Buck

2019-04-02 Thread Susan
Thank you for your opinions Clay & Gabriele. You could have knocked me over 
with a feather when I read AB’s quote! We all have preferences so it’s only 
natural that one—or more—styles of lace winds up at the bottom of someone’s 
list. The same is true for music, literature, whatever. With apologies in 
advance to our Arachne musicologists, a half hour of Bach is a half hour too 
much for ME! To be fair, my class with Jane Atkinson did open my eyes to more 
options with Torchon & I think I would benefit from another class or two to see 
where that leads. In the meantime, I am working on lace that offers greater 
aesthetic appeal (for me) or piques my curiosity. It’s much easier to learn 
something you embrace wholeheartedly. Torchon clearly affects people 
differently & it nearly derailed my own journey. At this point, my personal 
goal is to reverse the negative effects of “Torchon teaching” for a friend who 
was interested in learning Beds. After months of being bored!
  to tears because the teacher insisted she start with Torchon, she abandoned 
lace altogether. She still has her pillow & supplies but I haven’t been able to 
persuade her to take it out of the top of the closet. YET! Just sayin’...  
Sincerely, Susan Hottle FL USA 

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[lace] Thomas Lester by Anne Buck

2019-04-01 Thread Susan
Since I just finished reading the book, I wanted to recommend it & quote:

“Mrs Armstrong, born in 1860 at Thurleigh, said (1943) that in her prime she 
could work about a yard & a half of Bedfordshire Maltese border, one & one half 
inches wide in two days. For this, Lester would pay her 1s 6d a yard so that 
for a full weeks work she might earn 6 or 7 shillings.”

I had to look up to see what 1s 6d is—thank you Google. Aside from the income, 
however, I can’t imagine making that much lace in that amount of time! Talk 
about flying fingers...

Had to chuckle at another quote:  “Torchon, an unsophisticated lace of 
repetitive geometric patterns based on diagonals with a heavy, five hole 
mesh...”  Most of you know that Torchon is not my favorite & AB managed to 
capture my sentiments in a nutshell. Sincerely, Susan Hottle FL USA 

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[lace] RETRACTION!

2019-04-01 Thread Susan
Egad! IOLI has the Geometric Bucks book by Alex. I must have been looking in 
the wrong index. Mea Culpa! Susan 

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[lace] Re: Bucks questions about false picots

2019-04-01 Thread Susan
Thank you for taking time to write Leonard! I printed your explanation & added
it to my file. The last few months have been an English lace odyssey for me &
I confess I was ill prepared for Bucks Point. When I started, I looked in my
Intro book by Jean Leader/Lace Guild & remembered that I had made Little Pea &
Plum Pudding some years ago so at first I concentrated on the laces that I had
never tried—Beds, Malmesbury et al. Cathy at IOLI library has done a
yeoman’s job of sending books from my reading list so I could steep myself
in history plus work a few samples before I visit UK at the end of this month.
With departure fast approaching, I had a little extra time & decided to work a
new Bucks pattern. With only working diagrams, the Intro book & Practical
Skills to guide me, it turned out to be above my pay grade. Particularly since
I included the optional picots! I see that IOLI library has the PN book so I
will borrow it when I return. Not sure why I didn’t see Alex’s books in
their catalog (??) as it’s always good to review technically perfect lace
with a fine finish! Thank you for pointing out the fluffy finishes in Anne
Buck’s book. I just finished reading it plus still need to plow thru A
Celebration of Bedfordshire—Thomas Lester & Suffolk Lace by Nicky
Howener-Townsend so I can return all books before I go. The idea of the mini
ornaments appeals to me because it will give me more opportunities to practice
starting & finishing plus they will be useful on my tree or as gifts. With
only a few loose threads at the bottom, perhaps I can darn in the ends rather
than knot off. Thanks again for your suggestions. Sincerely, Susan Hottle FL
USA

Sent from my iPad

> On Mar 31, 2019, at 9:26 AM, Leonard Bazar  wrote:
>
>
> Dear Susan
>
> Alexandra Stillwell's 'All about making Geometrical Bucks Point Lace' sets
out methods, with very clear written explanations and diagrams, on pages
114-6.
>
> I was taught a slightly different method of adding by the late great
Marjorie Carter. You hang the new pair on a pin behind the work, bring it down
between the two headside passive pairs, then work the inside pair out through
the new one, the other old one, and work the picot with it.

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Re: [lace] Bucks ornament & questions about false picots & Wiltshire area bobbins

2019-03-30 Thread Susan
I do think with so many lacemakers involved in demos, it might enhance the 
experience to use the bobbins that correspond with the lace. Apparently the 
diversity in lace is matched only by the diversity of the bobbins! The bobbins 
that John Aebi made for me are exquisite but I have no idea whether he will 
make more for “inventory” rather than producing by special order. Maybe someone 
will check with John or other bobbin makers at IOLI in Spokane to see if 
“specialized” bobbins could be produced in greater volume? Just sayin’, nothing 
changes unless we ask. Sincerely, Susan Hottle FL, USA 

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> On Mar 26, 2019, at 6:39 PM, Angel  wrote:
> 
> Sue,
> I feel the same about Bucks bobbins. I would gladly replace my bobbins with 
> nothing but Bucks bobbins. 

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[lace] Bucks ornament & questions about false picots & Wiltshire area bobbins

2019-03-25 Thread Susan
Hello All! My goodness, the list is quiet! Is everyone OK? Hope so. After 
working thru my samples of Devon Trolly, Malmesbury, Downton & Bedfordshire, I 
landed at Bucks Point. Jean Leader kindly sent a pair of bookmark patterns with 
fillings & I finished a single motif as an ornament. My photo is posted to 
Flickr. Plenty of mistakes but overall I love it! In the last few years, we 
have downsized to a tiny Christmas tree in a pot—either Norfolk Island pine or 
a rosemary to sit on the coffee table. The mini ornament will be the perfect 
size. Now if I get busy, I can make several dozen by December—Ha ha! In the 
process of working the motif, it was necessary to add one pair on each side 
with a false picot. False picots need two pairs & I couldn’t find instructions 
anywhere for one pair! What to do. Ended up folding the pair in half, twisting 
the two threads together then making a slip knot around the pin, two twists, 
then worked thru the passives. My fudge worked but surel!
 y there is a proper way to do this! Will an expert please enlighten me? 
Finishing & tying off at the last picot was not very successful. What should I 
have done? While working my sample, I used my new Malmesbury, Downton & Devon 
Trolly bobbins. For a new experiment, I want to test drive my Downtons using 
palms up & a bolster as I found them hard to grasp on my flat cookie pillow. 
But The Malmesbury & Devon were divine! My question is, why not use those 
bobbins instead of spangled Midlands or Continentals? They are a wonderful size 
& weight & except for being “plain”—think Amish—they were great. Am I missing 
something here? Many thanks for any suggestions & advice. Sincerely, Susan 
Hottle in sunny & breezy South Florida, USA 

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[lace] Kopek spiders

2019-03-02 Thread Susan
Thanks for posting additional photos Clare! The rooster is very handsome & 
thanks also to Jacqui for her tutorial/explanation. In the meantime, you 
reminded me that I own Vera’s book The Technique of Vologda Lace. Bingo—Section 
6.3 is devoted to “the wheel”. Sincerely, Susan Hottle FL USA 

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Re: [lace] Point Ground Lace, a Comparative Study

2019-03-02 Thread Susan
Thank you Maria! I’m embarrassed to admit that I hadn’t used the Whiting 
resource until you sent the links. It seems like I’ve only scratched the 
surface in regard to English point ground so making  samples & getting feedback 
from Arachne has advanced my understanding. Meanwhile, I can’t count! There are 
16 fillings total associated with the English laces & I’ve confidently 
identified about half. It’s sort of like looking at the puzzle in the Sunday 
newspaper where there are six differences between two cartoons—a challenge but 
I’m making progress. Thanks again to everyone who wrote with help & 
suggestions! Sincerely, Susan Hottle FL USA 

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> On Mar 2, 2019, at 5:09 AM, Maria Greil  wrote:
> 
> Have you tried at arizona university (book by Gertrude Whiting)? You may get 
> some useful information there, 

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[lace] Point Ground Lace, a Comparative Study

2019-03-01 Thread Susan
There’s a ton of info packed into this small book so thanks again to all who 
recommended it.  It will be returned to the IOLI library shortly in case anyone 
else wants to steep themselves in the minutiae of point ground—definitely worth 
a read. The bibliography alone is amazing & I accidentally discovered more lace 
types from (former East) Germany, Italy, Belgium & Slovenia. I truly did not 
appreciate how widespread point ground is. So much lace, so little time! In the 
meantime, can anyone help with a couple of questions? On page 38 there is a 
chart but no corresponding “K” diagram for Downton & I did not find an Errata 
on the OIDFA site. Also, there are some beautiful fillings on pages 41-47 but 
no diagrams. I’ve spent some quality time with The Book of Bobbin Lace Stitches 
& believe (??) I have identified 6 of the 14 fillings that apply to Bucks, 
Downton & Malmesbury. Is there somewhere else I should be looking? Many thanks. 
Sincerely, Susan Hottle 

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[lace] Kopek/whirlpool stitch

2019-02-23 Thread Susan
Well you could have knocked me over with a feather! Looking at the green 
“kopeks” on Flickr, they definitely look like woven wheels made with a 
needle—to me. In looking at the Russian lace pendant, I can see I should have 
been more curious regarding the plaits that form the spokes. Even so, it seems 
like it would be faster/easier to work the kopeks after the fact rather than 
swizzle the bobbins in & around & over & through. Thank you for the Russian 
lace tutorial but I think I will wait for the YouTube before tackling this one! 
LOL  Sincerely, Susan Hottle FL USA 

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[lace] re: Lace Hats

2019-02-23 Thread Susan Vossier
Christine Mirecki has designed lots of hats, several of which are sold
published separately, but the ones which fitted Karen's description
(rounded crown, wide brim) I have only seen in the first book, Sommerhute,
which has twelve patterns in all.  She has just brought out another book of
hats, which I haven't as yet seen (and won't buy anyway, as twelve lace
hats would be enough for anyone!)

Sue, who usually lurks in France's Rhone valley

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[lace] Kopek/whirlpool filling

2019-02-23 Thread Susan Vossier
First, I am NOT a Russian lace expert!

After looking aat Clare's photos I scrolled down the rest of the page and
my eye was held by a yin/yang photo made for the 2017 motif exchange.  The
centres are what the French call 'araignees russes' or Russian spiders
(they were probably the first I'd ever made, the original had leaf tallies
which I couldn't get to look like anything!)

Going back to Clare's photos - I don't think the first two are at all the
same thing, there's no sign of the sewing that is done at each spoke,
whereas the third, surrounded by a definitely Russian braid, has the
tresses and sewings...

But as I say, I'm not an expert, far from it, that's just my little
centime's worth!

Sue in Montelimar, on top of the world since Wales beat England at Rugby!

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[lace] Lace hats

2019-02-22 Thread Susan Vossier
Karen, Christine Mirecki has designed lots of hats - her Sommerhüte more or
less fits what you're looking for, with twelve different designs.

I was going to make one for my niece's wedding but was then told hats are
only for the mothers, so made a fascinator, but thank you for reminding me
- I can make one for my grandchildren's christening in August!

Sue in an unseasonably warm and sunny Montelimar

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[lace] Kopek/whirlpool stitch

2019-02-21 Thread Susan
Clare—Thank you for posting your project & the “mystery” stitch. Looks like the 
mystery is solved—it’s a well known stitch under other names! When I was in 
EGA, it was called Woven Wheel & when I attended Crazy Quilt events, it was 
called Woven Spider Rose, especially when worked with silk ribbon. I agree with 
Jeri, it’s confusing so I’m glad you posted the photo—a picture being worth a 
thousand words! In any case, your pendant is charming & the needlelace filling 
is effective. Congrats on a sweet finish. Sincerely, Susan Hottle FL USA 

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[lace] Bobbin winder

2019-02-19 Thread Susan
To Alison, my winder is Genko, made in Germany. I bought it from a retired 
lacemaker who lived in Belgium for awhile (in the 1970’s?).  The wooden chock 
that holds the bobbin is a replacement made in Sweden. The winder is metal, has 
its own clamp & runs very smoothly. It clamps to a table but I clamped it to 
the arm of a dining room chair to save space. I’ve used it for all kinds of 
Continental bobbins & it works great. When I searched for the company online, I 
found antique hand tools made by this company so perhaps they are no longer in 
business? My winder was made as such—it is not another tool modified to be a 
winder. In any event, you are closer to the continent than I, so perhaps you 
can find one on eBay or similar. 

As to what bobbins work in various winders, my beaded Binche bobbins were a 
problem until I discovered those gel tubes that fit on a pencil to cushion your 
grip. I slit one open, wrapped it around my bobbin & fit it in the chock—Voila! 
This product might work for spangled Midlands because they are similar diameter 
& a big pack of the pencil cushions is like $2. Large bobbins like Idrija are 
another matter! Allie Marguccio has a large winder for Idrija bobbins that she 
bought from a weaving company. If you need one of those, you should ask her for 
details. Hope this helps. Sincerely, Susan Hottle FL USA

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Re: [lace] Bobbin question

2019-02-16 Thread Susan
Thanks Alice—good to know! I wanted to understand whether a tapered neck was
a specific feature or an interpretation of the form by individual bobbin
makers in those areas. Looking forward to some “new” Malmesbury & Devon
style bobbins made by an expert! Sincerely, Susan Hottle FL USA

Sent from my iPad

> On Feb 16, 2019, at 2:20 AM, Alice Howell  wrote:
>
> I haven't seen the pictures you refer to but my antique Malmsbury bobbins
are not tapered.  They are straight cylinders, about 3/8 inch or less thick,
about 4 inches long, with a thread area cutout about 1/2 inch long.  The
bobbins are mostly plain but may have a groove or two, or many, circling the
shafts.  Each one I looked at was a bit different.  Since my assortment
probably came from many bobbin makers, there could easily have been others who
cut their bobbins a bit differently.  They look something like flat-bottomed
Honiton bobbins -- no spangles.  They were intended for very fine thread so
needed to be light-weight.
>
> Alice in Oregon -- where we had snow for a day or so, and now rain most of
the time
>
>

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[lace] Bobbin question

2019-02-15 Thread Susan
Someone is willing to make replica bobbins for me & I noticed that both Devon 
Trolly & Malmesbury bobbins, pictured in Springett & on Brian’s online 
dictionary, have tapered necks. Can anyone shed some light on this? Just 
wondering if this is a specific feature to these types of bobbins. Many thanks. 
Sincerely, Susan Hottle, FL USA 

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[lace] Re: Bedfordshire lace

2019-01-27 Thread Susan
Thx Jane—When I checked the Archives, I didn’t find the discussion of Cotona 
green you mentioned but I did find other interesting tidbits so I annotated 
Brenda’s book. The project I referenced did involve pale green Cotona 618 
seafoam (!!), but I’ve had similar issues with 668 goldenrod so I’m inclined to 
think it is the lightly twisted properties of this thread. You really hit a 
nerve when you asked about my bobbins!  I typically use continentals but made 
a conscious decision to use spangled Midlands for the Beds. Oy—they don’t roll 
but they sure do land askew on top of their spangles! It didn’t seem to matter 
whether they were vintage bobbins, commercially made ones, or bobbins that I 
had spangled myself. They got all jacked up & I kid you not, I spent more time 
disentangling them than it was worth. Beautiful but evil so I am taking a break 
from Midlands! I must pay more attention to my winding, shortening & 
lengthening habits. I can’t imagine what I�!
 ��ve done but this is why golfer’s have swing coaches & baseball has pitching 
coaches—it’s to discover subtle things about technique or mechanics that throw 
off the results! 

This is the one thing I should have added to Devon’s query/discussion about how 
to learn to make lace. There is a certain value to taking lessons or being in 
the presence of others who are more experienced. It’s easy to unintentionally 
develop bad habits when working independently. 

In the meantime, now that I realize that I have a two- or three-lifetime supply 
of Cordonnet, I will find a solution. Many thanks again. Sincerely, Susan 
Hottle FL, USA 

Sent from my iPad

> On Jan 27, 2019, at 8:25 AM, Jane Partridge  wrote:
> 
> Susan,
> 
> There's absolutely nothing wrong in wanting to work in white (or any other 
> colour) :-).
> 
> I remember some years ago there was a problem with a particular, pale green, 
> Madeira Tanne (they changed the name to Cotona when they started selling it 
> on smaller reels) that used to unravel during work and was discussed on 
> Arachne - so a search of the archives might bring up the solutions we came up 
> with then. It was strange that it was only that one colour, and a number of 
> us on both sides of the pond had the same problem. 

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[lace] Bedfordshire lace

2019-01-26 Thread Susan
Thank you all—Arachne is a wonderful forum & today it is Thread University!  
They say bought lessons are better than taught lessons & I bought a doozy. I 
noticed early on that I didn’t like the texture but plowed ahead anyway. Oh 
well, lesson learned & unlikely to be forgotten. This was particularly painful 
because I wanted to—wash my mouth out with soap—work in white. Brenda, thanks 
for suggesting King Tut! I do own that thread—none white—but l like it, know 
where to get more & presumably they stock white. I will also look around for 
coton a broder.  Madeira Cotona 30—I own too many spools—none white—but it 
seems to un-ply itself while working. It made my lace (a different pattern) 
look scraggly & it’s too fiddly to keep spinning all the bobbins because it 
comes un-plied every other stitch. The only solution that came to mind is to 
wind anti-clockwise. Are there any other suggestions to tame Cotona? While I 
hate to give up on pretty thread, there’s no !
 reason to be miserable!  And of course my big question—what to do with so many 
balls of Cordonnet Special, in multiple sizes? Egad, I don’t tat & I rarely 
crochet! Is cordonnet suitable for any bobbin lace?  In the meantime, my Beds 
will be a gift for my little friend Enzo who lives across the street. His pic 
is now on Flickr & I don’t think he will mind my mistakes! 

Now that I’ve finished my piece, should I flip it over? The sewing in & darning 
is very neat but, to me, it implies that this is the back side. When I return 
to Beds, I will be switching to Underwood’s Traditional Beds 20 Lessons for a 
few patterns. In her book, she says that Beds is worked right side up. If so, 
how would that be finished? What am I missing here? Many thanks! Sincerely, 
Susan Hottle FL, USA 

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Re: [lace] English point ground lace

2019-01-23 Thread Susan
Thanks Adele! Since I don’t know much about point ground, your excellent 
analogy is very comforting. Funny that you should mention Tonder as I saw other 
features that were suspiciously similar to “gimp fingers”.  Sheesh! Time to 
move on & enjoy the patterns that speak to me. It will be a pleasure to not 
“close the pin”—Ha!  Sincerely, Susan Hottle, Florida USA 

Sent from my iPad

> On Jan 23, 2019, at 2:01 PM, Adele Shaak  wrote:
> 
> I always think it’s a little like cooking: 

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[lace] English point ground lace

2019-01-23 Thread Susan
What differentiates one from another?! To prepare for some lace study visits, I 
am making samples of Bucks, Devon Trolly, Downton & Malmesbury plus a few items 
from the Luton Museum lace dealer’s pattern book. As I was leafing thru several 
books, I stopped dead in my tracks. Some patterns looked very similar to Little 
pea, plum pudding & maids in a row—except I wasn’t looking at a book on Bucks!  
Say what!?! It made me wonder, if these lace samples were all spread out on a 
table, how would they be identified? Thread—they all seem to be cotton (so 
far). Thread weight—some seem a bit finer. Individual motifs—there’s definitely 
a lot of crossover in shapes & fillings. Bucks seems to feature more florals, 
otherwise the geometric components are highly similar. Multiple grounds are 
mentioned but is this the defining feature of each? Or is it the combination of 
shapes/motifs that separates Luton from Bucks etc? What Am I missing in my 
first cursory observations? Sugge!
 stions are welcome. Many thanks. Sincerely, Susan Hottle, Florida USA


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[lace] Beads ‘n’ Lace

2019-01-19 Thread Susan
Hello All! Is there a way to add a bead at a windmill crossing? I am working 
the Bedfordshire leaves in pattern #2 of Jean Leaders Lace Guild intro. There 
are four pairs total. The leaves are connected as “squares on point” & the 
effect is like a line of small forget me nots. The piece would be even cuter 
with a bead in the center of each but I’m not sure where to add because there 
are so many threads in the crossing. Maybe this is not even technically 
possible? I would love to hear from someone who knows how this cold be done. 
Many thanks. Sincerely, Susan Hottle, Florida USA 

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Re: [lace] New Web site devoted to Lace Bobbins.

2018-12-26 Thread Susan MacLeod
What a fantastic site!  The pictures of the bobbins are beautiful.  The site
is a masterpiece for all lovers of bobbin lace.  Well done, Brian
sumac
On 12/25/2018 6:45:16 AM, Brian Lemin  wrote:
Hello all,



I suspect that this effort has taken me some 20 years to come to fruition,
and it would not have ever happened if it were not for some very generous
collectors, knowledgeable people and of course all you arachnids who helped
me along. Particularly in the early days when we did more than a few team
efforts to learn the practicalities around this subject.



Of course I do not make lace, so I relied heavily upon you all and you came
to the party every time.



You will see by the introduction to the new web site my poor admin skills
have been very much in evidence when it has come to individual recognition
of many of your contributions to the document. Please accept my humble
apologies to some of my helpers who are sadly anonymous!



The web site was done by volunteers, with our son probably the lead person,
but this sort of work to him, is a bit foreign, he deals in databases,
patients and money! Any way, it has happened and is a bucket list
achievement that I can now cross off. The correct representation of images
gave a lot of difficulty, so I need to say that there may be a few of the
images that you wished were better, but as I look at them they should be
meaningful to you, if not perfect in my eyes.



I can not finish this announcement without acknowledging the immense debt
of gratitude that I have to Diana Smith, for he superb expertise,
observations, social history knowledge and indeed owner and curator of what
is probably the best Lace bobbin collection in the UK: THE DIANA SMITH
COLLECTION.



Thank you Diana, you are a very special person. I am not sure if the term
"Power behind the Throne" is totally appropriate, but that is about how I
feel. Smile.



OK, so the main document is: "A DICTIONARY OF ANTIQUE ENGLISH LACE BOBBINS",
this includes a separate section on what is probably my speciality "ENGLISH
EAST DEVON (HONITON) LACE BOBBINS". There is a second paper that Diana and
I worked on which is "A COLLECTORS GUIDE TO LACE BOBBINS"; all the bobbins
in this document are illustrated by bobbins from the "THE DIANA SMITH
COLLECTION".



I have included and extensive bibliography on Lace Bobbins and also my
current collection of articles on various aspects of lace bobbins. I am
slowing down on this type of writing as I seem to addressed most of the
differences and difficulties that a study of lace bobbins often raise. Not
that I have all the answers! BTW there are couple of purely fictional tales
in this list! I pretty sure I will be adding the odd article and as is my
want I usually let the list know when it is up on "Arizona".



Finally I have to acknowledge the work of the Springetts who really awakened
lace makers interests in the tools which they use. There is little doubt
that the Dictionary has been built, at least to some degree, on their
excellent work. Thank you



Here is the URL and it worked a few moments ago I hope it works for you and
will be a valuable reference tool for you.



brianlemin.com the pages load in small groups as the document is so long
as you would wait a very long time before it all loaded up, so be a bit
patient as you scroll down.



Happy Christmas and New Year to you all.



I am now of an age when my excitement is anticipating an operation in
January!!! What old people do for kicks!! Smile. (oh yes, younger people
too)



Fondest "strings of my heart" to you all, weave them into your work! smile



Brian

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[lace] Plauen Lace collection

2018-10-12 Thread Susan
Hello All! At Ithaca Lace Day, Holly had some very interesting lace “blue
prints” with samples attached & many were sold. These are samples that were
sent to J Benz, 23 Rue d’Enghien, Paris, apparently in the early 1900’s.
I’ve tried to attach my correspondence with the Plauen Lace Museum (& hope
it comes thru) for anyone who is interested or who purchased the pages. I have
posted pics to Arachne Flickr. The designs are quite lovely & may provide
inspiration for a future bobbin lace project. Please feel free to use them.
Sincerely, Susan Hottle USA

Sent from my iPa

Begin forwarded message:

> From: Plauener Spitzenmuseum - Jürgen Fritzlar

> Date: October 11, 2018 at 3:29:48 AM EDT
> To: Susan 
> Subject: AW: Lace collection
> Reply-To: "plauener-spitzenmus...@t-online.de"

>
> Hello Susan,
> I will try to explain it to you again. Paris was the world's fashion capital
around 1900. It was the time of the "Belle Époque". Many lace and embroidery
for women's dresses and underwear were needed. Plauener Spitze had received
the "Grand Prix" for the "miracle of the Plauener Musterung" at the world
exhibition in Paris on 18.08.1900. Plauen was then the number 1 in the world.
The US also had diplomatic representation in Plauen.
> In Paris, there were publishers around the 1900s and the beginning of World
War I who collected international trends in lace and embroidery and sent these
trend collections to manufacturers and couturiers. Many Lacemakers from Plauen
determined the trend. Their patterns became known worldwide from the fashion
center of Paris. Only the most beautiful and precious lace and embroidery were
included. Anyone who was there did not need to worry about selling. The
pattern sheets are very precious and collectors get good prices.
> I hope that everything I wanted to say is understood.
> Best regards
>
>
> Jürgen Fritzlar
> Dipl.-Jur. und Rechtsanwalt
> Geschäftsführer
>
> Plauener Spitzenmuseum
> Unterer Graben 1
> D-08523 Plauen
> Tel. +49 (0) 3741 223 713
> Fax. +49 (0) 3741 281 192
> plauener-spitzenmus...@t-online.de
> www.plauen.de/spitzenmuseum

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[lace] Turning Lace Bobbins by Springett

2018-10-10 Thread Susan
If you are a member of IOLI, I believe this book is in the library M-049.
One of the privileges of membership!  Susan Hottle USA

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[lace] Biennale of Australian Art

2018-09-29 Thread Susan
A friend just sent a note that this exhibit is on view in Ballarat until Nov. 6 
with 150 Australian artists showing work. Please tell me that lace is 
represented at this event! Sincerely, Susan Hottle USA 

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[lace] Lace, Not Lace

2018-09-09 Thread Susan
For Janice & others who are not able to attend—there is a group of us who will 
drive to NJ from western PA. We plan to take lots of pictures so I’m sure some 
will be posted to Arachne Flickr for everyone to enjoy. Susan Hottle USA 

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Re: [lace] Re: Aurifil Mako 80

2018-09-09 Thread Susan
Just to add to the fun, may I ask if the thread sample was white or a color? 
IMHO identical threads sometimes differ in size because of the dye process. 
Susan Hottle USA 

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> On Sep 9, 2018, at 12:43 PM, Dianne Nicholson  wrote:
> 
> Not sure where this fits but in Ulrike’s recent publication Hearts, she uses 
> it as Egyptian cotton80 equals aurifil 80. 

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[lace] IOLI Convention 2019

2018-09-08 Thread Susan
This is a heads up for anyone who wants to attend. Recently, I started checking 
airfares & there were several convenient, well priced flights. When I checked 
again at the end of last week, I was stunned to see that flights from 
Pittsburgh had increased by MORE than $100 round trip! Ouch—that’s a least one 
book plus thread or maybe two books. Word to the wise who are planning 
ahea...d.  Susan Hottle USA


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[lace] Temporary pins in Binche

2018-09-07 Thread Susan
Thanks to all who wrote & saved me from the lace police! Good to know that 
support pins are “legal” & encouraged. I have never used a “ghost pillow” so 
have been using sticky arrows on a greatly enlarged copy of the working diagram 
in a clear plastic page protector. I also numbered the pinholes to help keep 
track of where I am. Still wrestling with bobbin management so I’ve ordered 
more tamers. Thanks again for lending a hand! Sincerely, Susan Hottle USA 

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[lace] The whys & wherefores of using temporary pins in Binche

2018-09-06 Thread Susan
Hello All! I am working a small beginner sampler & the weaver changes every 
other row. Since I do not know what I am doing (!!), this has lead to small 
holes in the slanted edge of the cloth work. While I suspect this is a tension 
issue that I must overcome, should I use a support pin at that point to help 
keep the newly discarded “weaver turned passive” in place? Remove it after a 
few rows? Temporary pins can create holes too so maybe this is a case of a 
double edged sword. I am using the most delicious color of pale pink Aurifil 50 
so I would like to make decent lace. Suggestions are welcome. Many thanks. 
Sincerely, Susan Hottle USA 

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[lace] Corbett’s Flanders

2018-09-03 Thread Susan
Just to clear the air, we’re all in this together & need each other to move 
ahead with lace. I don’t think this is criticism so much as it is an 
acknowledgment that stuff happens when writing, proofreading & publishing lace 
texts! As a beginner, I would never question the teacher—in this case, the 
book—because he/she is the expert. Unfortunately, over the past year, I have 
found several “anomalies” while working various patterns. That’s a lot of angst 
for a beginner! Personally, I am more sad than mad because I am certain the 
lace author has sweat bullets to make the information available & he/she is 
likely mortified that gremlins crept into the book. I just wish that there was 
a “Central Repository of Errata” online. It would be a blessing to us all. In 
the meantime, I must develop a more discerning eye (not critical eye!) when 
setting up a new pattern. And thank you again, fellow Arachneans, for helping 
me move ahead. Sincerely, Susan Hottle USA 

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[lace] Brainstorming about color

2018-09-03 Thread Susan
There are color theory resources online & https://www.canva.com is one or check 
your local library. Get a general idea ahead of time, make up the lace, then 
audition your completed piece in a fabric or craft store. JoAnn’s, Michael’s & 
Hobby Lobby have reasonable selections. Even if you don’t purchase fabric from 
them, you can utilize their bolts for color combos. The length of the 
variegation determines the overall value of the piece so selecting your 
foundation fabric from the spool appearance may prove inaccurate. The type of 
lace you are making will also be a factor in your results because of the thread 
paths. Is it mostly cloth stitch, half stitch or cloth & twist? Our guild has 
experienced this when teaching Girl Scouts with variegated threads. We never 
know what results to expect! Hope this helps & best wishes with your project. 
Will look for it on Flickr. . Sincerely, Susan Hottle USA

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[lace] Flanders question

2018-09-01 Thread Susan
Solved! Many thanks to all who wrote with help & suggestions regarding the Pale 
Blue Square In Flanderische Spitze. It turns out that in spite of all my 
pinhole counting, I failed to notice that the pinhole arrangement on the 
pricking did not match the arrangement on the diagram. Luckily, that fact did 
not escape the sharp eyes of a very experienced & helpful Arachnean! So—if you 
own this book, now is the moment to make a “note to self” that modifications 
will be needed when you work the corners on this pattern. It’s a cute piece so 
I’m glad a solution is available for future efforts. Hope this helps others who 
want to try Flanders. It’s a very nice book with pretty designs. Sincerely, 
Susan Hottle USA

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[lace] Alice’s prize-winning lappets

2018-09-01 Thread Susan
Good show Alice—congratulations!  I just checked Arachne Flickr but did not see 
a photo? Please post one (or more!) so we can all enjoy your success & be 
inspired. Many thanks. Susan Hottle USA

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[lace] Mea Culpa Avital!

2018-08-30 Thread Susan
Forgot to trim on my iPad.  Susan 

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Re: [lace] Cilaos needle lace

2018-08-30 Thread Susan
Thanks for the clarification Lorelei! This is a terrific explanation & one I 
will print out to share with my embroidery friends. I wasn’t thinking about the 
process, I was focusing on the result. Thanks again. Susan 

Sent from my iPad

> On Aug 30, 2018, at 8:15 PM, Lorelei Halley  wrote:
> 
> Susan
> I think the distinction between needle lace and embroidery is quite clear,
> at least in my own mind. But I am thinking of the structure of the finished
> object, and the working methods while it was under construction. If there is
> any background woven fabric still existing in the piece, it is embroidery.
> The woven fabric forms the substrate, the ground, which holds the thing
> together. True needle lace requires the construction of a temporary
> scaffolding, in the form of the needle lace sandwich. Now, knotted
> Mediterranean needle laces, both Turkish/Armenian and puncetto, don't have
> the sandwich or any temporary scaffolding, but they are definitely "stitches
> in the air".
> 
> There are several forms of embroidery which use the same filling stitches
> used in geometric needle lace: reticella embroidery, all forms of
> rectangular cutwork (including Cilaos), Hardanger, and even filet lacis
> (square knotted netting decorated with embroidery).
> 
> So in my thinking if woven fabric persists in the object as the structural
> framework, it is embroidery. If there is no woven fabric, it is needle lace.
> The really difficult one if filet lacis. The very same fillings are used in
> that form as in geometric cutwork. But the permanent grounding is hand
> knotted square mesh. 
> 
> There is also a problem with sol laces. Again, the decorations used may be
> the same as in drawn thread embroidery, or much more elaborate. There is a
> scaffolding, but it is hand made.
> Lorelei
> 
> Subject: [lace] Cilaos needle lace
> "how & when do we distinguish between needle lace & lace-like embroidery?"
> Susan Hottle USA
> 

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[lace] Cilaos needle lace

2018-08-30 Thread Susan
Thank you Sue for sending the Cilaos links!  Excellent blog with lots of 
goodies, including a mini tute for Romanian Point Lace. The Cilaos instructions 
are super & I will share this resource with my friend. She has taken classes in 
Ruskin lace & the Cilaos looks similar. Not to put too fine a point on this, 
but how & when do we distinguish between needle lace & lace-like embroidery? 
Setting up the foundation fabric (removing threads) to be needle woven seems 
akin to setting up the warp (passives) in lace. Have conservators & museum 
experts drawn a dividing line thru a grey area to separate black from white? Am 
I missing something here? Many thanks. Sincerely, Susan Hottle USA

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[lace] Flanders question

2018-08-29 Thread Susan
Hello All!  I am trying to resolve an issue while working Pale Blue Square in 
Flanderische Spitze by Barbara Corbet. Has anyone successfully worked this 
pattern? It’s cute as a button but I am off by two pins on the picot side & I 
have been unable to find my mistake, even after numbering the pinholes on the 
diagram. Before I cut if off, it would be helpful to know if it’s me (highly 
likely) or an anomaly in the pattern (highly unlikely, but possible).  Many 
thanks for any suggestions.  Sincerely, Susan Hottle USA 

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[lace] Cilaos needle lace

2018-08-27 Thread Susan Vossier
Have just found this site:
http://blogdefloralie.eklablog.com/comment-faire-les-jours-cilaos-a48648384
where I learn that you can buy Cilaos look-alikes made in Madagascar - much
cheaper in St Denis market than in Cilaos!  (St Denis is the capital of the
Reunion Island)

Sue

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[lace] Cilaos needle lace

2018-08-27 Thread Susan Vossier
Woops!  Tnank you Lin, I forgot the link:

http://blogdefloralie.eklablog.com/comment-faire-les-jours-cilaos-a48648384

I didn't say that the prices are astronomic because the embroiderers are
paid the minimum French wage;

Sue

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[lace] Cilaos needle lace

2018-08-27 Thread Susan Vossier
Cilaos is on the Réunion Island, a French Departement

It is a form of very elaborate cutwork, and the centre where it is still
made (and sold at astronomic prices) is known as the 'Maison de la
Broderie' or Embroidery House.  Although a lot of Madagascar embroidery is
sold in the Reunion, I didn't see anything vaguely resembling 'les jours de
Cilaos' in Madagascar - but I didn't travel around a lot.

Here is a link to a site which gives basic instructions; it's in French,
but even without a translation the photos give an idea of how it's made.

When I went to Cilaos, in the pelting rain after a long hike, the Centre
was just shutting down for the day, so I didn't get to see the work being
done, just to buy the wine Cilaos is also known for (not worth the walk, we
poured half the bottle away) and lentils, which are better than the wine.

Sue in the Rhone valley (France)

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[lace] Re: Cilaos needle lace

2018-08-26 Thread Susan
Rats—& you’re the only person I know who has been to Madagascar!  Hope you get 
to the other island at a convenient time so you can tell us all about it.  
Susan 

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> On Aug 26, 2018, at 5:26 PM, Sue Babbs  wrote:
> 
> Thanks, Susan, for posting this photo. It looks akin to Teneriffe lace to me.

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[lace] Aurifil Mako 80 thread source?

2018-08-26 Thread Susan
Hello Again!  I see what you mean about pricey—$6.95 a spool!  Ironically, I 
paid less than $6 for a spool locally, however, white/neutrals only—no color. 
Then I ran across The Fat Quarter Shop (online) in TX.  They are selling “sets” 
of 6 spools at a discount. I ordered the 1930’s colors for $19.98 because three 
of the colors were on my wish list anyway. Usual disclaimers—I have no 
relationship with the vendor! A big Thank You to everyone who recommended the 
product. Hope this info helps if someone else needs this thread size. 
Sincerely, Susan Hottle USA 

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[lace] Aurifil Mako 80

2018-08-23 Thread Susan
Hello All!  Has anyone used this thread?  If so, what did you use it for & have 
you formed an opinion?  I just found it today at a local quilt shop & the owner 
said it was new last fall.  Many thanks.  Sincerely, Susan Hottle USA

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[lace] the urchins

2018-08-16 Thread Susan MacLeod
Hunterdon Art Museum is having a lace exhibition, and the Urchins will be
visiting.  I read about this on a quilting blog, which provided a link to a
kickstarter page.  It is fully funded, but I am providing the link as it has
pictures and a video showing some of what will be exhibited.  The museum is
in Clinton, New Jersey.
https://www.kickstarter.com/projects/397094997/urchins-at-the-hunterdon-art-m
useum-clinton-nj
sumac

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Re: [lace] Rosaline lace progress

2018-08-15 Thread Susan
Carol—I hope you & others will give Rosaline a try. It is a very sweet & girlie 
lace. There are endless ways to combine/modify the 9 motifs so it doesn’t get 
boring. Since most line drawings can be filled by positioning & resizing the 
motifs, Rosaline offers design opportunities for just about everyone. The IOLI 
library has the Geelen book but you must G**gle translate from Dutch. Judith 
has written two books & I own both. Once you get over starting with a bundle of 
bobbins, it’s straightforward with only 7 pairs, except for larger fillings 
that may require more. There are lots of sewings so you will need the tiny 
Tulip hook! If you need help with needlelace perles, contact me off list. Maybe 
“someday” is today? Have fun. Sincerely, Susan Hottle USA

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[lace] Rosaline lace progress

2018-08-12 Thread Susan
Hello All! It's been an interesting summer. With many lacemakers jetting off to 
Belgium, some of you know that I am recently returned from Alpine Experience in 
Les Carroz, France where I studied Rosaline Perle lace with Judith Cordell. 
Other students were from the UK & it was a wonderfully compatible group. The 
trip was a mind blowing experience & if anyone wants more info about traveling 
there, please contact me off list. Betty Manfre & Louise West also teach there 
so there's plenty of lace nirvana to go around! And the food--well, Mark is a 
graduate of the Culinary Institute. Nuff said. Before I attended, I busied 
myself making individual Rosaline motifs using various books, but I really 
needed the watchful eyes of an expert. I was not disappointed (!!) & I do see 
improvement, although those blasted multi-fish leaf sprays are still a huge 
stumbling block for me. With only a bit of finishing at home, I was able to 
make two pieces during the week. This is a major step forwar!
 d for me so my results are now posted to Arachne Flickr. While there are still 
plenty of errors & I did have an accident with an edge when I pulled out the 
pins, overall I'm pleased & I can hardly wait to try more patterns. There were 
a number of lovely vintage pieces of Rosaline Perle available for study during 
class & the UK students gave Judith a stunning collar. Its miniature perles 
were freely scattered over the motifs & there were tiny bouquets of flowers 
with bows. Enjoy the closeup I posted to Flickr. Sadly, I missed out on the 
Annual Lace Day in Amherst, NY in June this year--Heritage Village Lace 
Guild--but made a small item for the Chairman's Challenge 2017. While I was 
playing with my Rosaline, lightning struck & The Girl With a Perle Earring was 
born. She is on Flickr as well.

Three additional items I wanted to mention--luggage for international travel, 
stainless steel pins & Lace For Study. There was a major meltdown of baggage 
handling at Heathrow that caused three attendees, including the teacher, to be 
without luggage for an extended period. The last student received her luggage 
late on Wednesday afternoon after having arrived the previous Friday! Luckily, 
there was good support by staff & fellow students but no one should be 
victimized by technology gone awry. Pack your hand luggage accordingly!!! The 
tiny 17x45 pins for Rosaline are adorable but they bend quite easily. Several 
UK students mentioned that stainless steel pins made in Japan are available & 
are more durable. When I get some, I will share my thoughts. Lastly, one of the 
students at Les Carroz is involved with Lace For Study. The website was new to 
me & I’ve barely scratched the surface. If you have not yet visited the 
website, make yourself a pot of tea & enjoy both. While she !
 described the site as an amateur undertaking, the photography is quite nice & 
so far her enlargements haven’t gone wonky. There are many lovely samples with 
reference measurements, closeups & discussion comments. All are copyright free 
for personal use & study. Have fun.  Sincerely, Susan Hottle USA 

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Re: [lace] Thread hunt

2018-08-04 Thread Susan
Got it—thanks Brenda!  Doesn’t look favorable for Rosaline. LOL. I just
finished a class with Judith Cordell & had an idea to use metallic thread.
When I get a spare moment, I will enlarge the pattern & try the Balger. At
least it’s a thread I already know from embroidery. Susan

Sent from my iPad

> On Aug 4, 2018, at 5:23 PM, Brenda Paternoster 
wrote:
>
> Hi Susan
>
> A wrapped metallic thread is one where the fibre core is smoothly wrapped
with a flat,narrow sliver of metallic foil.
> A bound thread is one where the fibres and metallic slivers are held
together by very fine nylon or polyester filaments wrapped around them.
Usually one going clockwise and the other going anticlockwise.
>
> On the whole bound threads are more prone to shredding than wrapped
threads.
>
> Brenda
>
>> Hello All!  Today I was looking for a fine metallic thread--56 wpcm--& ran
across Bart & Francis' "Copper Cobweb". Since many of Brenda's samples come
from Arachne members, I wanted to ask if anyone has used it in a project?
There is a lace sample shown on the web page for the product but no other
info. Comments, suggestions? It's listed as "bound" thread but I don't
understand how that differs from "wrapped" or how that affects its use. The
next finest metallic thread seems to be Kreinik Balger cord at 44 wpcm. Many
thanks. Sincerely, Susan Hottle USA
>>
>>
>
> Brenda in Allhallows
>
> paternos...@appleshack.com
> www.brendapaternoster.co.uk
>
>
>
>
>

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[lace] YouTube of early bobbin and/or needlelace

2018-07-17 Thread Susan
Thank you Jill—great vids!  When I watched the tambour episode, there was an on 
screen pop-up offering to license the film.  Perhaps Devon could follow that 
thread?  I too was struck by the one-handed bobbin manipulation!  Holy Cow—lots 
of stitches made in a row with minimal tensioning. If I made lace like that I 
would have a rat’s nest of threads PDQ.  However, no wonder it’s such a quick 
method. There’s no lifting of bobbins—they just sort of roll over each other 
one way, then the other. Very interesting to say the least. Sincerely, Susan 
Hottle USA

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[lace] IOLI Bulletin

2018-07-12 Thread Susan
Hello All!  Thanks Janice & others for your comments. Sorry I can’t answer your 
questions about Google. The digital edition is a great help for anyone with an 
overseas mailing address or multiple residences, so I congratulate IOLI 
leadership for providing this membership option at a very affordable $30.  May 
I say even at $40 an IOLI membership with a paper copy of The Bulletin is a 
bargain! EGA USA (Embroiderers’ Guild) is now $50 & ANG (American Needlepoint 
Guild) is $45. Clearly our volunteers are doing a great job guarding our bottom 
line—thank you! While I love the digital edition, I would love it even more if 
navigating between/among the pages was easier. In spite of Prabha’s heroic 
efforts to provide multiple screen shots & various tutorials, I found my 
navigation limited to scrolling or typing a page number in the menu bar. The 
thumbnails she described were nowhere to be found with the hardware/software 
that I am using. After lots of pointing & clicking & no !
 progress, I decided it is what it is. To be fair, my navigation was limited to 
scrolling (only) when I accessed the digital version of Lace (Lace Guild UK 
magazine) so apparently this is not an isolated issue with online publishing of 
this type. Technology has provided us with this new digital option so let’s use 
it to our advantage & see whether more improvements are forthcoming. Best 
Wishes to everyone heading to San Antonio for the convention. Have a great 
time! Sincerely, Susan Hottle USA 

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Re: [lace] "Hookie" bobbins

2018-07-09 Thread Susan MacLeod
I've been thinking about this all morning, and it just came back in my memory.
 The name of the aluminum bobbin makers is Tregellas, from Oz, here is a link
to their old catalog:  http://www.lacegumnuts.com/tregellascatalog/  I don't
believe that they are in business any longer.  I got some more hookie bobbins
from Lenka, when I took her class years ago.  She is now selling a different
style bobbin in her etsy shop:
 https://www.etsy.com/uk/shop/WireLaceSupplies?ref=l2-shopheader-name
Now that I've written this, I want to find my stuff and do some again.
Sumac in southern VT
On 7/9/2018 11:26:17 AM, N.A. Neff  wrote:
Dear fellow Arachnids,

I have a couple of aluminum continental bobbins with hooks on the head, for
wire and metal threads. They are perfect, but I got them two or more
decades ago and have no idea from where.

Do they ring a bell with anyone? If so, do you know where I could get a
couple of dozen of them? I've done several Google searches and checked the
usual vendors, without success. I want to do some metal versions of
patterns from Le Pompe.

Thank you!

Nancy
Connecticut, USA

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[lace] Interesting use of modern black lace

2018-06-26 Thread Susan
To see photos of entries in the Wa quilt show at Gajoen—take a look at 
queeniepatch.blogspot.com & scroll down to Saturday 23rd. The Suffolk Puff 
quilt (yo yos) is made on a LACE foundation. There are other interesting quilts 
pictured in this post—but this is a LACE group so no unauthorized peeking!  
LOL. Sincerely, Susan Hottle USA 


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[lace] Poppies

2018-06-25 Thread Susan
While looking thru a shoebox full of old stamps today, I ran across an 
interesting item. There was a packet containing several single, cancelled US 
stamps featuring Moina Michael (3 cents!) from 1948.  A quick Google search 
revealed that, according to Wikipedia, MM was responsible for remembrance 
poppies. If you made a lace poppy for the Australian project or admired the 
lace exhibit of California poppies, you might enjoy reading about this 
extraordinary woman from Georgia. Sincerely, Susan Hottle USA 

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Fwd: Re: [lace] computer programmers and lace

2018-05-28 Thread Susan McKinnell
I was a programmer/designer for 42 years mostly at AT and Bell Labs 
and I watched the bobbin lace my mother did (she was a pre-med grad) for 
years - she started in 1976 - but I didn't start lace myself until a 
little over 2 years ago when I found a local group and started with 
them.  I was a math major in college and I also write Scottish Country 
dances.  I see my love of figures and patterns (abstract algebra was my 
favorite subject) as all related to each of these areas of interest.

Sue McKinnell (outside Chicago, USA)


On 5/27/2018 5:51 PM, Anita Hansen wrote:
> Hi Sharon,
> I first saw and discovered such a thing called bobbin lace in the early 
> 1980’s but I didn’t take my first lace class until 1996.
> However, I was indeed a software engineer (we preferred that term over 
> computer programmer as we also did software design) in 1983-4+. Around this 
> timeframe our company (Rockwell Collins) was an early adapter of the Ada 
> programming 
> language!https://en.m.wikipedia.org/wiki/Ada_(programming_language)
> I worked with Ada for the rest of my career at the company.   My lace work 
> has been mostly after leaving my job in 2000. Again, I don’t see any 
> relevance between code and lace. But it was fun learning about Countess Ada 
> Lovelace and her work with Charles Babbage as one of the first females to 
> “program” a computer!
> Anita Hansen
> Cedar Rapids, Iowa ... where I have been busy this past week sewing bobbin 
> bags!
>
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>

-- 
Susan mckinnelll...@suedan.com  http://suedan.com

"I love cats because I enjoy my home, and little by little, they become its 
visible soul"
- Jean Cocteau

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[lace] Duchess of sussex wedding veil

2018-05-22 Thread Susan
Thank you for further clarification on veil construction Tess!  That’s not good 
news for the couturier industry.  I was under the impression that LeSage moved 
production to India where skilled hand embroidery could be produced at a much 
lower cost, hence my speculation that they could have been involved.  Makes me 
wonder how much more can actually be saved by doing appliqué on tulle? That’s 
really fiddly & involves lots of snipping & embroidery unless they used water 
soluble stabilizer. Oy!  Sincerely, Susan Hottle USA 

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[lace] Duchess of Sussex Wedding veil

2018-05-21 Thread Susan
Thanks Annette!  Your information could mean that LeSage was involved.  I think 
there was/is a business relationship with Givenchy (& other houses) for 
tamboured work. If memory serves, I think they created the “Sunflower” jacket 
for Givenchy back in the day. If my memory is faulty, perhaps someone will 
correct my recollection. Sincerely, Susan Hottle USA 

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[lace] Rosaline progress & misc.

2018-05-20 Thread Susan
Thank you all for posting! I’m enjoying the various discussions on lace in the 
1980’s, modern lace trailblazers (whose names I now know) & connections to 
math. Some of us came late to the party so these additional details are 
fascinating. Overall, I’m going to agree with Robin & her comment about 
inquiring minds. For me, lace is about curiosity. To some extent, lace reminds 
me of the internet—you can follow one link that leads to another & pretty soon 
you get lost in there for days! In the meantime, in between reading Arachne, 
working in my garden & watching the wedding, I finished a small piece of 
Rosaline designed by Ghislaine Moors. A pic is posted to Flickr & in spite of 
its many mistakes, I’m pleased that it resembles the intended design. As to the 
wedding veil, I hope more “construction” details are forthcoming. You never 
know when an Arachnean may undertake a similar project on a smaller scale!  
Sincerely, Susan Hottle USA 
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RE: [lace] Lace and maths

2018-05-20 Thread Susan@
I'm a Maths graduate (Leeds, 1987), I taught myself Torchon in the early 1980s 
while still at school.  I think the connection isn't Maths as such but some of 
the things Maths, Science, Computing, psychology teaches you namely logic, 
analytic thought, sequences, patterns and coding/representation.  But to be a 
good lacemaker you also need creativity.  I remember struggling reconciling the 
academic and creative sides of me when I was younger but later reconciled this 
as what I called "logical creativity".  The laces I now choose to work are the 
complex Belgian laces such as Binche and Flanders that use coloured technical 
drawings (essentially a form of coding but a form that anyone who understands 
the coding can understand regardless of their spoken language).  One really 
interesting thing we have done in classes in Brugge (particularly as a 
lacemaking teacher for my understanding of how others understand lace 
structures) is to take an enlarged copy of an old lace and try to w!
 ork out how it has been worked.  It is fascinating to watch others working on 
the task, while most people are quite happy with cloth stitch and can quite 
happily think of two horizonal lines being a worker it is fascinating watching 
them with half stitch and struggling with the working path (in Binche the 
working path could be either horizontal, diagonal or a combination of the two). 
 

In terms of Kathleen's question about laces that appeal, for me it is the laces 
which have grids in/behind them, and I class the Belgian laces and Honiton as 
geometric because of the grounds. 

Kind Regards
Susan
Website: www.susanroberts.info
e-mail address: su...@susanroberts.info
YouTube: https://www.youtube.com/channel/UCTWfnh8ulGj3pS1V0f6O1jQ

-Original Message-
From: owner-l...@arachne.com <owner-l...@arachne.com> On Behalf Of Kathleen 
Harris
Sent: 20 May 2018 07:56
To: lace@arachne.com
Subject: [lace] Lace and maths

I wonder if it is simply that bobbin lace appeals particularly to scientists 
and especially mathematicians. Moving on from this, is it the more “regular” 
laces which appeal, I.e. Torchon, Bucks and Flanders, rather than Bedfordshire 
for instance?

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Re: [lace] Duchess of Sussex veil

2018-05-19 Thread Susan
Yes, Queen Elizabeth’s coronation gown had Commonwealth emblems embroidered on 
it. It was designed by Hartnell & embroidered at the Royal School.  Susan 
Hottle USA 

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> On May 19, 2018, at 4:08 PM, Sue Harvey <sueharve...@btinternet.com> wrote:
> 
> The embroidery on it was the emblems of the 53 Commonwealth countries... 

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[lace] Duchess of Sussex veil

2018-05-19 Thread Susan
What a knock out veil!  I immediately wondered if the flowers were tamboured?  
So far, all I’ve seen online is “hand embroidered” & absolutely no mention of 
the Royal School.  Curious to know what others know about this piece; how & 
where it might have been made.  Sincerely, Susan Hottle USA 

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[lace] Ilske’s lace photos

2018-05-14 Thread Susan
Thank you for posting!  Love the green slices—they remind me of Key Lime pie.  
The square pockets are cute too.  You’ve been busy!  Did you make these for 
yourself, as part of a competition or are you writing a book?  Lots of 
interesting shapes & grounds, all with a modern twist. Would love to see your 
coral pink vest on the runway! Sincerely, Susa Hottle USA 

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[lace] Lace in Bosnia?

2018-05-13 Thread Susan
Hello All!  Quick question, a friend visited Bosnia last month & said she saw 
handmade lace.  What could she have seen there?  Is there a lace tradition in 
Bosnia that I have not seen discussed here?  Many thanks.  Sincerely, Susan 
Hottle USA 

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[lace] Spangles

2018-05-03 Thread Susan
Hello All!  Has anyone used the Indian brass oval sequins sold on Stef Francis’ 
website?  They are approx. 4mm x 8mm & I wondered if they might be intriguing 
for an early lace project.  Round ones are also offered but I did not ask the 
size. Sincerely, Susan Hottle USA

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[lace] Gimp crossing

2018-04-24 Thread Susan
Hello All!  I have conscientiously reviewed the Arachne Archives but did not 
find an answer to my question, although I found many tidbits about Flanders 
that I saved to my notebook. Thank you all for stocking the archives! I am 
working a strip of “peas” using DMC broder machine 50 & DMC cordonnet 30. When 
I reach the bottom of the pea, I need to cross the gimp & secure it within the 
adjacent pairs before leaving the motif to continue the ground. The working 
diagram clearly shows that the gimp passes thru each adjacent pair in the 
opposite order.  I don’t regularly use gimp but somewhere in history I did & I 
thought the gimp ends were supposed to “lie in the same shed”.  My recollection 
from Torchon is that at the last pin, the pair on each side passes thru the 
gimp, the gimp is crossed, then the gimp passes thru each opposing passive 
pair. Then opposing passive pairs are each twisted to hold the two strands of 
gimp snugly together.  Is this something specific to Fl!
 anders, lacemaker’s choice or faulty memory on my part?  Suggestions are 
welcome.  Many thanks. Sincerely, Susan Hottle USA 

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[lace] Happy Anniversary!

2018-04-14 Thread Susan MacLeod
I don't remember when I joined arachne, maybe a couple years after it started.
 Jane Swanson told me about the list.  My brother built me a computer for
Christmas one year, and I've been a member ever since.  Arachne  introduced
me to the world of lacemaking.  Haven't made any lace recently, but hope to
get back to it soon.   Am working hard to get my studio back in shape so I
can get back to some hobbies that have been on time out.  Thanks for all you
do!
Sumac

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[lace] Diaper patterns

2018-04-07 Thread Susan
Oops, forgot to mention—perhaps Kogin is considered a diaper pattern?  Perhaps 
Jeri knows the answer?  Susan 

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[lace] Finger loop braiding

2018-04-07 Thread Susan
Speaking from the “I don’t know what I don’t know department”, would it be 
helpful to know the fiber content of Devon’s example?  And can we distinguish 
between Devon’s braid & other flat braids?  Finger loop braiding is still 
practiced in South America—Peru & Bolivia in particular (??).  Someone I know 
traveled there to study these techniques—simple cords by indigenous peoples.  
The ones I have seen are flat, colors & textures are rich.  In “Braids” by 
Rodrick Owen, a large number of braids from Peru are shown as well as a 
surprising number from UK. According to his brief history, braids developed in 
many areas simultaneously & some are identified by their fibers.  BTW—the 
various braid shapes boggle the mind!  In addition to flat braids, there are 
round, square, spiral, hollow, 3-, 5- & 6-sided braids. Plus seafaring braids 
called solid sinnets & a 31-strand pentalpha.  There are also flat Chinese 
braids for Miao embroidery & it looks a bit like cross!
  & twist—with bobbins—on a YouTube video!  Gil is quite right, we shall need 
another lifetime to try it all! Sincerely, Susan Hottle USA

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[lace] Lace books from Lowell Textile Museum

2018-04-07 Thread Susan
Thank you Karen!  At Cornell, I would expect to find them at the Mann Library 
among good company. For the uninitiated, this place is a fairyland of lace 
books & periodicals, many OOP.  It is worth a visit if you attend Ithaca Lace 
Day in October! For the last few years, I have made it my business to hang out 
there after checking in at the Ramada on Friday. There is no charge to make 
copies if you send them to your email account & print at home. Great resource!  
Sincerely, Susan Hottle USA 

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[lace] Flanders footside

2018-03-24 Thread Susan
Hello All!  Taking a break from Rosaline, I made a sample of Flanders ground & 
was delighted with my sneak peek!  While the lace was resting, I unpinned the 
first inch & thought I hit the jackpot.  Alas, my mistakes were revealed the 
next day—ugh.  My Rosaline “circle of fishlets” wasn’t good enough to give to 
my neighbor so I decided to keep it & make the Flanders strip into a candle 
band instead.  Except—what to do with white lace on a white candle?  What about 
a ribbon underneath?  Great idea, but have you shopped for ribbon lately?  
Egad—polyester is so squirrely, who can use this stuff?  To get the correct 
color & width, I folded it in half, sewed it together three times & pressed the 
heck out of it.  Still rumpled—G!  I sewed the lace to the ribbon before 
whip stitching the whole thing onto the candle & covering the seam with hot 
glued fleurs de papier.  It doesn’t look too bad & she was thrilled.  Now 
here’s the question—the footside edge is do!
 uble stitch (CTCT) with an extra twist on the edge pair, pin under four.  When 
I sewed it to the ribbon, it was difficult to “stitch in the ditch” between the 
edge pair & first passive pair while using the pinhole.  Next time, I am 
tempted to put two extra twists on the edge pair to make it more firm & tidy.  
I used DMC 50 broder machine.  Photos are posted to Flickr.  Any suggestions 
from the experts?  Many thanks for any advice!  Sincerely, Susan Hottle USA 

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[lace] Valencienne bobbin

2018-03-13 Thread Susan
Could a photo be posted to Arachne Flickr Alex?  We might all learn something.  
Sincerely,  Susan Hottle USA 

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[lace] Rosaline lace in the Alps?

2018-03-05 Thread Susan
Hello All!  Is anyone contemplating Judith Cordell’s class at Alpine Experience 
Les Carroz at the end of July?  I am looking for a roommate.  Please contact me 
off list.  Sincerely, Susan Hottle USA 

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[lace] Lace Guild E-membership

2018-02-07 Thread Susan
Thank you Jane! I had no clue that Lace Guild was offering a solution to the 
international postage issues that plagued my earlier membership status. Sara 
sent me the membership application pdf after I was unable to download one from 
the site. “Lace” is a terrific publication & I missed it greatly but heretofore 
there was no reason to rejoin since I rarely received it! The E version of 
“Lace” will solve that. Bravo Lace Guild!  Sincerely, Susan Hottle USA 

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[lace] Holly Leaves and DMC books

2018-01-24 Thread Susan Brooks
I have done the 6 holly leaves, and for the throwing out used alteernate
threads in the middle of the half stitch and then crossed the left over pairs,
which successfully covered any gaps.    I worked the leaves in a very fine
wite bought 3 years ago at Cranmore Halls, Solihull, and they hold their shape
without any stiffening.
I have a DMC book which was my Grandmothers, passed down via my mother, thanks
to Arachne I now know it ws published in 928 - September 1928 and says
1,120,000 copies printed in English, French, Spanish, Italian and German.
Susan Brooks
in soggy Weston super Mare UK

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Re: [lace] tossing pairs in half stitch

2018-01-21 Thread Susan
Thank you Jane!  You are quite right—Practical Skills has a nice explanation
with good diagrams. I will put a copy of that page with the Holly pattern so I
don’t make the same mistake again. The pattern designer called for removing
one of the middle pairs of passives. Although I elected to toss the passives
next to the edge pair, I failed to make the “whole stitch” edge as noted
on page 187, hence my dismay at the results. For clarity, Cook’s whole
stitch is the same as cloth/linen stitch! And now that I think about it, the
designer simply added a twist on each edge rather than make a cloth stitch
edge. H, something else to investigate so that the leaf would be uniform
top to bottom. The Radix thread is very pretty but it un-plied easily.  If I
use it again, I will wind it counter-clockwise to see if that helps.  In the
meantime, I need a break from Holly so I will apply these ideas when I start
#3.  Thanks again Jane!  Sincerely, Susan Hottle USA

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> On Jan 21, 2018, at 6:25 AM, Jane Partridge <mous...@live.co.uk> wrote:
>
> I can't remember which book but there are instructions for removing pairs in
half stitch - I haven't done it for years but seem to remember that it is best
to drop the pair at an edge rather than in the middle (tie them off before you
throw them out completely, though). It might be in the "Cook Book" (Practical
Skills in Bobbin Lace) or it might be in Elsie Luxton's Technique of Honiton
Lace. Are the instructions for throwing out specifically for that leaf or do
they relate more so to one that has a cloth stitch edge and are implied for
the variations? Losing a pair in the middle of half stitch is going to make a
hole, as does adding or losing a twist. I don't think it is specifically
tension as half stitch tends to self-tension. The finer thread might make a
slight difference, especially with the difference in the way it was spun, and
the type of fibre (which will affect the way it behaves).
>

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