Re: [NetBehaviour] Netochka Nezvanova.

2011-09-10 Thread Simon Biggs
Of course.

On 10 Sep 2011, at 01:52, Alan Sondheim wrote:

 
 Hi Simon, I can write you back channel about this if you want. Your 
 description below was followed. What happened was ugly.
 
 - Alan
 
 
 On Fri, 9 Sep 2011, Simon Biggs wrote:
 
 I'm surprised empyre was grief. So long as you stick to the monthly theme 
 (it is a strictly thematic discussion list, not a general discussion list, 
 and is moderated to ensure there are no announcements or off topic posts) it 
 is a very generous community, in my experience. Melissa started it with 
 excellent intentions and they have remained at its core.
 
 best
 
 Simon
 
 
 On 9 Sep 2011, at 17:50, Alan Sondheim wrote:
 
 
 
 I had real trouble on empyre and went quiet; I was one of the guests at one 
 point and was attacked by one of the moderators during the period. So I'm 
 not very partial to it. Syndicate was only announcement at the end, far 
 more interesting earlier as was 7-11 etc. The Cybermind list I run has been 
 going for 18 years strong, as has been wryting-l which was originally 
 fiction-of-philosophy. Depends on the list. - Alan
 
 On Fri, 9 Sep 2011, Ana Vald?s wrote:
 
 I remember I was subscribed to Syndicate as well but I never heard about NN
 and never participated, I felt Syndicate was more a list for announcements
 of events, maybe I only subscribed to the events list.
 But it's interesting to discuss the validity of the mailinglists today, as
 forums for discussion or for sharing information.
 I have been participating in the Australian list -empyre for many years and
 now I feel the list is slowly dissapearing. Some of you (Patrick Lichty was
 a briljant moderator for some month's ago) are members of -empyre too. Do
 you feel the same as me? It's not strange, the list has been on the net for
 ages and the moderators do a terrific job but the most of people are
 freelancing artists or teachers with very little time to spare...
 I tried today to reach their arrchives and the links were broken.
 It would be a real loss if -empyre is gone.
 Ana
 On Fri, Sep 9, 2011 at 3:54 PM, marc garrett 
 marc.garr...@furtherfield.org
 wrote:
   Hi Ana,
 
   Thanks for the link to 'Doctress Neutopia', very interesting...
 
   Yes - I remember on the (once brilliant) Syndicate list years
   ago, where
   Netochka Nezvanova, N.N., antiorp, integer dominated, causing
   all kinds
   of upset...
 
   The net entity nn (Netochka Nezvanova, integer, antiorp, etc.),
   a
   pseudonym used by an international group of artists and
   programmers in
   their extensive and aggressive mailing list-based
   online-performances and
   for other art projects, had been subscribed to the Syndicate
   list in 1997.
   It was, as the first of less than a handful of people ever,
   unsubscribed
   against its will because it was spamming the list so heavily
   that all
   meaningful communication was blocked. In January 2001, nn sent
   an e-mail
   asking to again be subscribed to the Syndicate mailing list.
   (What nn
   never bothered to realise was that subscription to the list had
   always
   been open so that, at any point, it could have subscribed itself
   - we have
   always wondered why Majordomo is such a blind spot in this
   technophile
   entity's arsenal.) After getting assurances from nn that she was
   not out
   to misuse the list, we subscribed it to the Syndicate list.
 
   Naively, as we had to realise. nn went from one or two messages
   every day
   in February to an average of three to five message in April and
   up to
   eight and ten messages per day in May and June - and that on a
   list which
   had a regular daily traffic of three to five messages a day. The
   distributed nature of the nn collective makes it possible for
   them to keep
   posting 24 hours a day - great for promoting your online
   presence,
   irritating for people who have a less frantic life rhythm. nn's
   messages
   are always cryptic, sometimes amusing, often tediously
   repetitive in their
   quirky rhetorics and style, and generally irritating for the
   majority of
   people. Its activity on the Syndicate - like on many other lists
   it has
   used and terrorised - soon came to look like a hijack. But the
   sheer mass
   of traffic nn was generating, the sheer amount of nn's presence,
   was
   overwhelming. Perhaps this phenomenon could be compared to
   SMEGL, short
   for super mental grid lock, a term that was developed to
   describe traffic
   jam situations in NYC back in the eighties (or was this term
   coined in
   Berlin-Kreuzberg's famous Fischbuero? Who knows, the boundaries
   get
   blurred...).
 
   In the spring of 2001, nn's and other people's activities who
   use open,
   unmoderated mailing lists for promulgating their
   self-promotional e-mails,
   triggered discussions about 'spam art', on Syndicate as well as
   on other
   lists. Actually, given the extreme openness and vulnerability of
   a
   structure like the Syndicate it 

Re: [NetBehaviour] Netochka Nezvanova.

2011-09-10 Thread Simon Biggs
I hope you are right about the net becoming more open source and heterogeneous 
Alan. But my experience leads me to think otherwise. I can't speak of what is 
happening in the States but here in the UK (and the EU) government is going to 
great lengths to work with industry to find ways to monetise the net. This is 
about big business, who have the resources government needs to make its 
policies happen, and small companies (from one person micro-startups to SME's 
with maybe 100 employees) working closely with government policy makers and 
various research agencies to reformulate how people access and use the net. A 
recent and substantial shift is the advent of mobile smart media. These 
handheld devices are undeniably powerful and allow all sorts of things to be 
done that are difficult with conventional computers (like GPS, AR, etc) but a 
key difference in these devices is that they are not computers in the sense 
that Turing proposed the computer. They are not programmable systems but client 
devices. You need to programme them with a computer and load the software onto 
the client. Policy makers, both in government and commerce, love this. I've 
been at meetings where suits debate the importance of the development of such 
devices in ensuring control of access to and use of the net. To a small degree 
they are thinking about how these consumer technologies make it more difficult 
for alternate or perverse uses of the net to be sustained but mainly they 
are thinking about IP and money. They want to make sure that centralised 
authorship (the means of production), which has been under threat since the 
advent of the PC and the internet, can be re-constructed and traditional 
producer/consumer relations re-established. These are people from News 
International, the BBC, Pearson, Apple, Google, Microsoft and various 
corporations of diverse character. But they all share this focus on regaining 
control of IP. A good place to begin in comprehending what government is 
seeking to do, in complicity with such corporations, is to read the Hargreaves 
report (link below). Here you will find that things like co-creation are 
identified as emerging trends but you will note that by this they do not mean 
an enabled populace liberating themselves through creative activity on the net 
but a supplicant audience hooked on a centrally produced media product through 
their sublimated engagement in it. Here you can keep the image of Julie 
Christie in Fahrenheit 451, engaging in false interactive dialogue with TV 
characters who are actually not aware of her existence, to the fore. It is 
beautifully tragic moment which sums up so much of our contemporary media - 
along with the drug overdose that follows and her complete forgetting of 
events. I'm afraid that this will be definitive version and people like you and 
me will end up in the forest, living amongst the detritus of a lost society - 
but as I said, I hope you are right and I'm wrong.

http://www.ipo.gov.uk/ipreview-finalreport.pdf

best

Simon


On 10 Sep 2011, at 01:51, Alan Sondheim wrote:

 
 
 I'm not sure how that was decided, i.e. her importance. Universities here 
 tended to know her by which I mean media people.
 
 Of course the net's different but not all that different - I think of 
 Wikileaks for example. It's just that a lot of the edgier stuff has gone 
 underground which is natural; the demographics favors of course average 
 users for whom Fb or + are gods of sorts.
 
 You're right about students not knowing the early net, but that's also the 
 job of universities, to critically deepen the understanding of tools and 
 conditions we're working with/under. Usenet's an obvious example. 
 Fidonet's an example of a different form of organization for social media 
 - and one that might become increasingly necessary in the future.
 
 I do use Fb a lot, as well as the lounge.espdisk.com blog, Eyebeam's blog, 
 who knows what else, + I guess. But it's my understanding, say, of the 
 phenomenology and promise of lists that makes me able to deal critically 
 with them.
 
 I do wonder what the stats are for email lists and how they're gathered - 
 do you know? A list like Poetics is going full blast, although I have 
 problems with what 'going' means in that context. I'm also curious about 
 IRC stats and newsgroups, since some of the last are functioning on a 
 highly technical level.
 
 Finally, I find it problematic that you find the net 'dominated by big 
 business, etc., that is going to be more like that' (pardon the bad 
 quoting). I don't feel any of us know how things are going to develop; we 
 all have our contacts, habitus, invisible colleges, networkings, etc., and 
 radically different experiences and predictions as a result. I see a far 
 more open source and open net coming, but then I'm dealing with AR and at 
 Eyebeam, hactivism people. I think the net in fact is getting too large to 
 characterize uniformly, just as America tends to 

Re: [NetBehaviour] SL: linux, crashed, working, where to go?

2011-09-10 Thread James Morris
On Sun, 4 Sep 2011 20:06:43 -0400 (EDT)
Alan Sondheim sondh...@panix.com wrote:

 
 
 On Odyssey. Or Columbia I am. Or Humlab.
 
 - Alan
 


Hi Alan,

I've checked these places quite regularly, but they're nearly always
abandoned. Last night there were five avatars in Odyssey, one stood by
a wheelbarrow, with the others underground beneath the hill. I made
some attempts to try and find them (without any idea of what I'd do if
I did) but after an hour or so gave up.

By the end of it though I had at least enjoyed exploring Odyssey and
found lots more in it than I had previously realized.

In my explorations of SL, I've often found small groups of avatars
hidden 'underground' in inaccessible locations. I'm guess that these
are land owners, and the locations are only accessible to them?

Cheers,
James.


PS been hoping to see some of your stuff in there!





 On Mon, 5 Sep 2011, James Morris wrote:
 
 
  attempting to run second life in arch linux amd64
 
  snowglobe is the most successful so far:
  http://jwm-art.net/image/j4m35_String-Crash.png
 
  secondlife-bin from AUR presents black window.
 
  trying imprudence...
  seems to work:
  http://jwm-art.net/image/imprudence-j4m35-string.png
 
  so where is all the interesting stuff?
 
 
  -- 
  http://jwm-art.net/
  image/audio/text/code/
 
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 email archive http://sondheim.rupamsunyata.org/
 web http://www.alansondheim.org / cell 347-383-8552
 music: http://www.espdisk.com/alansondheim/
 current text http://www.alansondheim.org/re.txt
 ==
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[NetBehaviour] Art exhibition at ISEA-Istanbul biennale

2011-09-10 Thread tom.corby

The Southern Ocean Studies


The Southern Ocean Studies will be presented as a projection on the 
cupola of the Çemberlitas Hamam, built by Mimar Sinan in 1584.


from: 14th September 2011.


The event will be a joyful gathering moment for ISEA2011 Istanbul 
artists and presenters. It will be possible to enjoy the bath, discuss 
the artwork, sit on the characteristic terrace at the top of the 
building where you can eat and have a drink.


Lanfranco Aceti, ISEA2011 Istanbul Artistic Director and Conference 
Chair invites you Friday September 16, 2011 from 8pm to 10:30pm to 
participate in the official ISEA Gathering at the Çemberlitaş Hamam to 
discuss issues of contemporary ecology, melting of the poles and the 
importance of water in world culture while bathing in the surroundings 
of this historical building adorned with the artwork of Gavin Baily, Tom 
Corby and Jonathan Mackenzie.


The artwork you will see here shows the Southern Ocean circulating the 
Antarctic land mass (central). The project software runs in real-time 
generating the ocean currents on the fly, to which are mapped various 
other ecological data sets. These geophysical couplings mesh in real 
time, to produce flickering constellations of tidal flow, wind direction 
and biotic form.


Whilst respecting the underlying science, the work seeks to develop a 
sensibility to the dynamics of ecological complexity as pattern and felt 
experience rather than quantity and measure. In doing so we hope to 
articulate an aesthetic of system-ness – a metonym for the 
interconnected forces operative within the ecosphere to which lived 
human behavior contributes and is a part.


http://isea2011.sabanciuniv.edu/other-event/southern-ocean-studies 
http://isea2011.sabanciuniv.edu/other-event/southern-ocean-studies
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[NetBehaviour] Horror Episodes in the Net.Art History

2011-09-10 Thread Andrej Tisma
Reminder of Nettime, Syndicate ... and Netochka Nezvanova

http://www.atisma.com/webart/netart%20history/
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Re: [NetBehaviour] Horror Episodes in the Net.Art History

2011-09-10 Thread marc garrett
Hi Andrej,

Thanks for sending us the link.

I was on Syndicate around this time - still on the list  have had all 
kinds of discussions through the years - mostly pretty tense.

I am wondering how you feel now that time has passed - what have you 
learned this period and if the same thing happened now, would you react 
differently?

wishing you well.

marc
 Reminder of Nettime, Syndicate ... and Netochka Nezvanova

 http://www.atisma.com/webart/netart%20history/
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Re: [NetBehaviour] Horror Episodes in the Net.Art History

2011-09-10 Thread Andreas Maria Jacobs
Deeply rooted island dwellers xenofobia

Both continental (Europe) and Empire (British-American) related

'Open' communities tend to absorb the same societal (mis)behaviours as  
their allegedly oppositional  precursors

It is only a matter of time when enemies are friends again and the  
reconstructionalist mobs are ruling as they did before

Nothing is more difficult and painstakely frustating then building  
communities without falling in the deep dark abyss of human failure of  
miscommunication

Andreas Maria Jacobs

w: http://www.nictoglobe.com
w: http://burgerwaanzin.nl

On Sep 10, 2011, at 11:37, Andrej Tisma a...@eunet.rs wrote:

 Reminder of Nettime, Syndicate ... and Netochka Nezvanova

 http://www.atisma.com/webart/netart%20history/
 ___
 NetBehaviour mailing list
 NetBehaviour@netbehaviour.org
 http://www.netbehaviour.org/mailman/listinfo/netbehaviour

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[NetBehaviour] Old School Color Cycling with HTML5.

2011-09-10 Thread marc garrett
Old School Color Cycling with HTML5.

Anyone remember Color cycling from the 90s? This was a technology often 
used in 8-bit video games of the era, to achieve interesting visual 
effects by cycling (shifting) the color palette. Back then video cards 
could only render 256 colors at a time, so a palette of selected colors 
was used. But the programmer could change this palette at will, and all 
the onscreen colors would instantly change to match. It was fast, and 
took virtually no memory. Thus began the era of color cycling.

http://www.effectgames.com/effect/article.psp.html/joe/Old_School_Color_Cycling_with_HTML5
 

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Re: [NetBehaviour] Horror Episodes in the Net.Art History

2011-09-10 Thread Ana Valdés
And I react to the discussion about Soros. I mean the guy is a ruthless
capitalist making his money from speculations with money, but but...Carnegie
does the same and yesterday the Carnegie award for an important Nordic
painter was awarded. 10 Euro to a Finnish painter. Among the chosen were
12 painters from all the Nordic countries. I know some of them privately,
people with leftist opinions, voting the left parties, they don't see any
contradiction among their ideas and being sponsored by Carnegie, one of the
biggest banks in the world, one of Wall Streets holy cows.
I attended 1996 or 1997 a conference organized by Sandy Stone's in Budapest.
Guess who sponsored the whole event, Soros of course.
And why is Soros to blame when we are all helping Zuckerberg to be a
billionaire? I have seen many examples of Soro sharing his wealth, Bill
Gates does the same through his fundation (in despite the Gates fundation
don't seems to have a clue what they are sponsoring or giving money too,
many African are critical towards their choice of partners). But I have not
seen one occasion where Zuckerberg is giving or sharing some profit.
I should really welcome a discussion where Facebook, Soros and anothers were
exposed.
And I know I am touching a mined terrain, I have been living with grants
from the Swedish state many years, ok, grants to my writing not to myself,
but...
Why should a state grants be more decent or more acceptable than Soros
or Facebooks's or Gates?
Ana

On Sat, Sep 10, 2011 at 1:11 PM, Andreas Maria Jacobs aj...@xs4all.nlwrote:

 Deeply rooted island dwellers xenofobia

 Both continental (Europe) and Empire (British-American) related

 'Open' communities tend to absorb the same societal (mis)behaviours as
 their allegedly oppositional  precursors

 It is only a matter of time when enemies are friends again and the
 reconstructionalist mobs are ruling as they did before

 Nothing is more difficult and painstakely frustating then building
 communities without falling in the deep dark abyss of human failure of
 miscommunication

 Andreas Maria Jacobs

 w: http://www.nictoglobe.com
 w: http://burgerwaanzin.nl

 On Sep 10, 2011, at 11:37, Andrej Tisma a...@eunet.rs wrote:

  Reminder of Nettime, Syndicate ... and Netochka Nezvanova
 
  http://www.atisma.com/webart/netart%20history/
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http://www.scoop.it/t/gender-issues/
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When once you have tasted flight, you will forever walk the earth with your
eyes turned skyward, for there you have been and there you will always long
to return.
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Re: [NetBehaviour] Horror Episodes in the Net.Art History

2011-09-10 Thread manik
...CARNEGIE WAS SADIST AND BLOODSUCKER...BUT...MAIN PROBLEM FOR US/TODAY 
IS...WHAT'S MORE IMPORTANT...HIS DONATION FOR CULTURE/LIBRARY,BUILDINGS,AWARD 
YOU MENTION ... HERE/...OR HIS MONSTER EXPLOIT OF WORKERS...FOR HIS 
'HUMANITARIAN' WORK IN SERBIA SOROS WANT /ONLY/ MINE 'TREPCHA' RICHEST WITH 
COPPER /IN WHOLE WORLD/...WORTH FEW BILLION THOUSAND TIME MORE THAN HIS 
HUMANITARIAN DONATIONS TO SERBIA...IF WE NEED ANSWER ON THOSE QUESTIONS WE HAVE 
TO USE ENTIRE NEW LOGIC AND INVENT NEW SEMANTICS...THAT'S ONLY WAY TO ANSWER 
THAT QUESTIONS ...I CAN'T SEE NOW VALID ANSWER...IT'S WAY OUT OF ECONOMY OR 
MARKET LOGIC/THAT JUST LOOK LIKE PART OF IT/...MANIK...SEPTEMBER...2011...
  - Original Message - 
  From: Ana Valdés 
  To: NetBehaviour for networked distributed creativity 
  Sent: Saturday, September 10, 2011 1:26 PM
  Subject: Re: [NetBehaviour] Horror Episodes in the Net.Art History


  And I react to the discussion about Soros. I mean the guy is a ruthless 
capitalist making his money from speculations with money, but but...Carnegie 
does the same and yesterday the Carnegie award for an important Nordic painter 
was awarded. 10 Euro to a Finnish painter. Among the chosen were 12 
painters from all the Nordic countries. I know some of them privately, people 
with leftist opinions, voting the left parties, they don't see any 
contradiction among their ideas and being sponsored by Carnegie, one of the 
biggest banks in the world, one of Wall Streets holy cows.
  I attended 1996 or 1997 a conference organized by Sandy Stone's in Budapest. 
Guess who sponsored the whole event, Soros of course.
  And why is Soros to blame when we are all helping Zuckerberg to be a 
billionaire? I have seen many examples of Soro sharing his wealth, Bill Gates 
does the same through his fundation (in despite the Gates fundation don't seems 
to have a clue what they are sponsoring or giving money too, many African are 
critical towards their choice of partners). But I have not seen one occasion 
where Zuckerberg is giving or sharing some profit.
  I should really welcome a discussion where Facebook, Soros and anothers were 
exposed.
  And I know I am touching a mined terrain, I have been living with grants from 
the Swedish state many years, ok, grants to my writing not to myself, but...
  Why should a state grants be more decent or more acceptable than Soros or 
Facebooks's or Gates?
  Ana


  On Sat, Sep 10, 2011 at 1:11 PM, Andreas Maria Jacobs aj...@xs4all.nl wrote:

Deeply rooted island dwellers xenofobia

Both continental (Europe) and Empire (British-American) related

'Open' communities tend to absorb the same societal (mis)behaviours as
their allegedly oppositional  precursors

It is only a matter of time when enemies are friends again and the
reconstructionalist mobs are ruling as they did before

Nothing is more difficult and painstakely frustating then building
communities without falling in the deep dark abyss of human failure of
miscommunication

Andreas Maria Jacobs

w: http://www.nictoglobe.com
w: http://burgerwaanzin.nl


On Sep 10, 2011, at 11:37, Andrej Tisma a...@eunet.rs wrote:

 Reminder of Nettime, Syndicate ... and Netochka Nezvanova

 http://www.atisma.com/webart/netart%20history/
 ___
 NetBehaviour mailing list
 NetBehaviour@netbehaviour.org
 http://www.netbehaviour.org/mailman/listinfo/netbehaviour

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  http://www.twitter.com/caravia15852
  http://www.scoop.it/t/art-and-activism/
  http://www.scoop.it/t/food-history-and-trivia
  http://www.scoop.it/t/gender-issues/
  http://www.scoop.it/t/literary-exiles/
  http://www.scoop.it/t/museums-and-ethics/
  http://www.scoop.it/t/urbanism-3-0
  http://www.scoop.it/t/postcolonial-mind/

  mobil/cell +4670-3213370


  When once you have tasted flight, you will forever walk the earth with your 
eyes turned skyward, for there you have been and there you will always long to 
return. 
  — Leonardo da Vinci



--


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[NetBehaviour] Elephant and Castle Urban Forest.

2011-09-10 Thread marc garrett
Welcome to the Elephant and Castle Urban Forest.

Yes it’s true, there really is one! Come and see for yourself at our 
forthcoming events:
http://elephantandcastleurbanforest.com/

Elephant and Castle Urban Forest is London’s secret woodland. At its 
heart are 450 majestic trees, mostly London Plane, which for decades 
have been thriving hidden behind the towering slabs of the Heygate 
Estate in a part of London best known for concrete, cars and a big pink 
shopping centre. Glimpses of the woodland can be seen by outsiders along 
the bustling New Kent Road and on the northern corner of Walworth Road. 
But today most of this mature forest is a sheltered and verdant 
semi-wilderness thriving in between the remains of the almost empty 
social housing estate. A few people know the secret and are having fun 
in there. Some residents remain and the evicted return to enjoy the 
green space. In clearings guerrilla gardeners have established new 
allotments and in the old playgrounds people still congregate. This 
forest has entered an exciting new phase of its life...

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Re: [NetBehaviour] Elephant and Castle Urban Forest.

2011-09-10 Thread dave miller
brilliant - will go and take a look, it's just down the road from me

dave

On 10 September 2011 14:20, marc garrett marc.garr...@furtherfield.org wrote:
 Welcome to the Elephant and Castle Urban Forest.

 Yes it’s true, there really is one! Come and see for yourself at our
 forthcoming events:
 http://elephantandcastleurbanforest.com/

 Elephant and Castle Urban Forest is London’s secret woodland. At its
 heart are 450 majestic trees, mostly London Plane, which for decades
 have been thriving hidden behind the towering slabs of the Heygate
 Estate in a part of London best known for concrete, cars and a big pink
 shopping centre. Glimpses of the woodland can be seen by outsiders along
 the bustling New Kent Road and on the northern corner of Walworth Road.
 But today most of this mature forest is a sheltered and verdant
 semi-wilderness thriving in between the remains of the almost empty
 social housing estate. A few people know the secret and are having fun
 in there. Some residents remain and the evicted return to enjoy the
 green space. In clearings guerrilla gardeners have established new
 allotments and in the old playgrounds people still congregate. This
 forest has entered an exciting new phase of its life...

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 NetBehaviour mailing list
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Re: [NetBehaviour] Horror Episodes in the Net.Art History

2011-09-10 Thread Andrej Tisma
Hi Marc,

 I was on Syndicate around this time - still on the list  have had all
 kinds of discussions through the years - mostly pretty tense.

I know you were around Syndicate at that time, like most of the NetBehaviour
list members, at Nettime too, I am still at Syndicate list, but was kicked
from Nettime back in 1998 as I documented in my Horror Net.Art History.

 I am wondering how you feel now that time has passed - what have you
 learned this period and if the same thing happened now, would you react
 differently?

I feel still harsh, betrayed and disappointed after that what has happened
at Nettime, but I am glad that those crooks have shown their real faces
then, and that public is aware of that. I think nothing has changed since
then. Before it was Yugoslavia, later Iraq, Afghanistan, now it is Libya,
Egypt, Syria etc. Soros, CIA, MI6 and Al-Qaeda are doing their dirty job. I
keep on reacting, maybe in a more subtle way.


 wishing you well.

Wish you well too.
Andrej


 marc
 Reminder of Nettime, Syndicate ... and Netochka Nezvanova

 http://www.atisma.com/webart/netart%20history/
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Re: [NetBehaviour] Horror Episodes in the Net.Art History

2011-09-10 Thread Andrej Tisma
Hi Marc,

 I was on Syndicate around this time - still on the list  have had all
 kinds of discussions through the years - mostly pretty tense.

I know you were around Syndicate at that time, like most of the NetBehaviour
list members, at Nettime too, I am still at Syndicate list, but was kicked
from Nettime back in 1998 as I documented in my Horror Net.Art History.

 I am wondering how you feel now that time has passed - what have you
 learned this period and if the same thing happened now, would you react
 differently?

I feel still bitterness, betrayed and disappointed after that what has 
happened
at Nettime, but I am glad that those crooks have shown their real faces
then, and that public is aware of that. I think nothing has changed since
then. Before it was Yugoslavia, later Iraq, Afghanistan, now it is Libya,
Egypt, Syria etc. Soros, CIA, MI6 and Al-Qaeda are doing their dirty job. I
keep on reacting, maybe in a more subtle way.


 wishing you well.

Wish you well too.
Andrej


 marc
 Reminder of Nettime, Syndicate ... and Netochka Nezvanova

 http://www.atisma.com/webart/netart%20history/
 ___
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 http://www.netbehaviour.org/mailman/listinfo/netbehaviour


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Re: [NetBehaviour] Horror Episodes in the Net.Art History

2011-09-10 Thread Andrej Tisma
Hi Marc,

 I was on Syndicate around this time - still on the list  have had all
 kinds of discussions through the years - mostly pretty tense.

I know you were around Syndicate at that time, like most of the NetBehaviour
list members, at Nettime too, I am still at Syndicate list, but was kicked
from Nettime back in 1998 as I documented in my Horror Net.Art History.

 I am wondering how you feel now that time has passed - what have you
 learned this period and if the same thing happened now, would you react
 differently?

I feel still bitterness, betrayed and disappointed after that what has 
happened
at Nettime, but I am glad that those crooks have shown their real faces
then, and that public is aware of that. I think nothing has changed since
then. Before it was Yugoslavia, later Iraq, Afghanistan, now it is Libya,
Egypt, Syria etc. Soros, CIA, MI6 and Al-Qaeda are doing their dirty job. I
keep on reacting, maybe in a more subtle way.


 wishing you well.

Wish you well too.
Andrej


 marc
 Reminder of Nettime, Syndicate ... and Netochka Nezvanova

 http://www.atisma.com/webart/netart%20history/
 ___
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 NetBehaviour@netbehaviour.org
 http://www.netbehaviour.org/mailman/listinfo/netbehaviour


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Re: [NetBehaviour] Horror Episodes in the Net.Art History

2011-09-10 Thread Andrej Tisma
Hi Marc,

 I was on Syndicate around this time - still on the list  have had all
 kinds of discussions through the years - mostly pretty tense.

I know you were around Syndicate at that time, like most of the NetBehaviour
list members, at Nettime too, I am still at Syndicate list, but was kicked
from Nettime back in 1998 as I documented in my Horror Net.Art History.

 I am wondering how you feel now that time has passed - what have you
 learned this period and if the same thing happened now, would you react
 differently?

I feel still bitterness, betrayed and disappointed after that what has 
happened
at Nettime, but I am glad that those crooks have shown their real faces
then, and that public is aware of that. I think nothing has changed since
then. Before it was Yugoslavia, later Iraq, Afghanistan, now it is Libya,
Egypt, Syria etc. Soros, CIA, MI6 and Al-Qaeda are doing their dirty job. I
keep on reacting, maybe in a more subtle way.


 wishing you well.

Wish you well too.
Andrej


 marc
 Reminder of Nettime, Syndicate ... and Netochka Nezvanova

 http://www.atisma.com/webart/netart%20history/
 ___
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Re: [NetBehaviour] SL: linux, crashed, working, where to go?

2011-09-10 Thread Alan Sondheim


Hi James, once things are settled down vis-a-vis my father and the flood, 
I could meet you in Second Life, which would be great. I'm not sure what 
you saw - they might have been bots of some sort. Most of the time these 
artspaces _are_ empty; I go 'in' to do my work or sometimes to see a 
performance and then log out. But there is still a lot of building/art 
going on. It's just not so much of a social space.

- Alan


On Sat, 10 Sep 2011, James Morris wrote:

 On Sun, 4 Sep 2011 20:06:43 -0400 (EDT)
 Alan Sondheim sondh...@panix.com wrote:



 On Odyssey. Or Columbia I am. Or Humlab.

 - Alan



 Hi Alan,

 I've checked these places quite regularly, but they're nearly always
 abandoned. Last night there were five avatars in Odyssey, one stood by
 a wheelbarrow, with the others underground beneath the hill. I made
 some attempts to try and find them (without any idea of what I'd do if
 I did) but after an hour or so gave up.

 By the end of it though I had at least enjoyed exploring Odyssey and
 found lots more in it than I had previously realized.

 In my explorations of SL, I've often found small groups of avatars
 hidden 'underground' in inaccessible locations. I'm guess that these
 are land owners, and the locations are only accessible to them?

 Cheers,
 James.


 PS been hoping to see some of your stuff in there!





 On Mon, 5 Sep 2011, James Morris wrote:


 attempting to run second life in arch linux amd64

 snowglobe is the most successful so far:
 http://jwm-art.net/image/j4m35_String-Crash.png

 secondlife-bin from AUR presents black window.

 trying imprudence...
 seems to work:
 http://jwm-art.net/image/imprudence-j4m35-string.png

 so where is all the interesting stuff?


 --
 http://jwm-art.net/
 image/audio/text/code/

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Re: [NetBehaviour] Horror Episodes in the Net.Art History

2011-09-10 Thread marc garrett
Hi Andrej,

What I found strange, is that I have met you personally and know that 
the picture painted of you at the time is completely different...

Some have asked why is it being discussed now - as in the NN thing?

I am not sure how to answer this, other than, it was part of my own 
networked history also and it is one of those moments in time that 
younger generations should observe and then consider themselves, on 
their own terms - reflection is an important thing...

chat again.

marc

  Hi Marc,
 
  I was on Syndicate around this time - still on the list  have had all
  kinds of discussions through the years - mostly pretty tense.
 
  I know you were around Syndicate at that time, like most of the 
NetBehaviour
  list members, at Nettime too, I am still at Syndicate list, but was 
kicked
  from Nettime back in 1998 as I documented in my Horror Net.Art History.
 
  I am wondering how you feel now that time has passed - what have you
  learned this period and if the same thing happened now, would you react
  differently?
 
  I feel still bitterness, betrayed and disappointed after that what has
  happened
  at Nettime, but I am glad that those crooks have shown their real faces
  then, and that public is aware of that. I think nothing has changed since
  then. Before it was Yugoslavia, later Iraq, Afghanistan, now it is Libya,
  Egypt, Syria etc. Soros, CIA, MI6 and Al-Qaeda are doing their dirty 
job. I
  keep on reacting, maybe in a more subtle way.
 
 
  wishing you well.
 
  Wish you well too.
  Andrej
 
 
  marc
  Reminder of Nettime, Syndicate ... and Netochka Nezvanova
 
  http://www.atisma.com/webart/netart%20history/
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[NetBehaviour] Auto Italia LIVE

2011-09-10 Thread info
Auto Italia LIVE

24th September – 8th October

Launching Saturday 24th September 8pm With following broadcasts, 1st 
October, 8th October Auto Italia South East presents Auto Italia Live: 
an artist-run TV series, performed before a studio audience and 
broadcast live over the Internet. Working in collaboration with Auto 
Italia a wide variety of artists will produce new work through weekly 
episodes, engaging directly with the format of live Television and a 
history of artists using broadcast media platforms to distribute work. 
Featuring a full camera crew, lighting technicians, directors, 
performers, production designers and set builders, artists will engage 
with all aspects of production opening the space for criticality and 
intervention within the medium. The series aims to experiment with new 
possibilities to engage in contemporary broadcast and internet culture 
whilst also responding to the familiar tropes and formulas within 
television programming.

http://autoitaliasoutheast.org/
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Re: [NetBehaviour] Netochka Nezvanova.

2011-09-10 Thread Alan Sondheim


Hi Simon, I'll look at the report of course. You might look at Sartre's 
notion of seriality in Critique of Dialectical Reason for a philosophical 
discussion backing up the points you make. I may be living in somewhat of 
a dreamworld here to be sure, since there are so many projects I see 
happening all the time, including what might be considered maverick AR 
which is pretty unsponsored. It doesn't appear to be the monolith you're 
seeing, but then I'm also looking more at the creative / new media 
activities going on.


More later, we're getting ready to go to Pennsylvania, the flood waters 
are receding and I'm meeting my brother there to go through the family 
house etc.


Apologies, Alan


On Sat, 10 Sep 2011, Simon Biggs wrote:


I hope you are right about the net becoming more open source and heterogeneous 
Alan. But my experience leads me to think otherwise. I can't speak of what is 
happening in the States but here in the UK (and the EU) government is going to 
great lengths to work with industry to find ways to monetise the net. This is 
about big business, who have the resources government needs to make its 
policies happen, and small companies (from one person micro-startups to SME's 
with maybe 100 employees) working closely with government policy makers and 
various research agencies to reformulate how people access and use the net. A 
recent and substantial shift is the advent of mobile smart media. These 
handheld devices are undeniably powerful and allow all sorts of things to be 
done that are difficult with conventional computers (like GPS, AR, etc) but a 
key difference in these devices is that they are not computers in the sense 
that Turing proposed the computer. They are not programmable system

s but client devices. You need to programme them with a computer and load the software onto the client. 
Policy makers, both in government and commerce, love this. I've been at meetings where suits 
debate the importance of the development of such devices in ensuring control of access to and use of the net. 
To a small degree they are thinking about how these consumer technologies make it more difficult for 
alternate or perverse uses of the net to be sustained but mainly they are thinking 
about IP and money. They want to make sure that centralised authorship (the means of production), which has 
been under threat since the advent of the PC and the internet, can be re-constructed and traditional 
producer/consumer relations re-established. These are people from News International, the BBC, Pearson, 
Apple, Google, Microsoft and various corporations of diverse character. But they all share this focus on 
regaining control of IP. A good place to begin in comprehending what gover
nment is seeking to do, in complicity with such corporations, is to read the 
Hargreaves report (link below). Here you will find that things like co-creation 
are identified as emerging trends but you will note that by this they do not 
mean an enabled populace liberating themselves through creative activity on the 
net but a supplicant audience hooked on a centrally produced media product 
through their sublimated engagement in it. Here you can keep the image of Julie 
Christie in Fahrenheit 451, engaging in false interactive dialogue with TV 
characters who are actually not aware of her existence, to the fore. It is 
beautifully tragic moment which sums up so much of our contemporary media - 
along with the drug overdose that follows and her complete forgetting of 
events. I'm afraid that this will be definitive version and people like you and 
me will end up in the forest, living amongst the detritus of a lost society - 
but as I said, I hope you are right and I'm wrong.


http://www.ipo.gov.uk/ipreview-finalreport.pdf

best

Simon


On 10 Sep 2011, at 01:51, Alan Sondheim wrote:




I'm not sure how that was decided, i.e. her importance. Universities here
tended to know her by which I mean media people.

Of course the net's different but not all that different - I think of
Wikileaks for example. It's just that a lot of the edgier stuff has gone
underground which is natural; the demographics favors of course average
users for whom Fb or + are gods of sorts.

You're right about students not knowing the early net, but that's also the
job of universities, to critically deepen the understanding of tools and
conditions we're working with/under. Usenet's an obvious example.
Fidonet's an example of a different form of organization for social media
- and one that might become increasingly necessary in the future.

I do use Fb a lot, as well as the lounge.espdisk.com blog, Eyebeam's blog,
who knows what else, + I guess. But it's my understanding, say, of the
phenomenology and promise of lists that makes me able to deal critically
with them.

I do wonder what the stats are for email lists and how they're gathered -
do you know? A list like Poetics is going full blast, although I have
problems with what 'going' means in 

[NetBehaviour] French-Romany Filmmaker, King Kong and Vermeer

2011-09-10 Thread Fung-Lin Hall

Happy birthday Tony Gatlif.. (two posts from my blog)
http://www.mutanteggplant.com/vitro-nasu/2007/07/02/the-roma-filmmaker-tony-gatlif/
His more recent film Liberte here.
http://www.mutanteggplant.com/vitro-nasu/2010/09/04/liberte-tony-gatlif/
(Tony is a French film director of Romani ethnicity who also works as a 
screenwriter, composer, actor, and producer.)

My current post..King Kong and Vermeer... find the towers from these clips.
http://www.mutanteggplant.com/vitro-nasu/2011/09/09/king-kong-and-vermeer/
I used to work in that famous tall building.. WTC.. 79th Floor..

Fung Lin Hall



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[NetBehaviour] Netochka Nezvanova.

2011-09-10 Thread Curt Cloninger
http://www.lab404.com/plotfracture/cina/2003_08_21_13.html
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Re: [NetBehaviour] Horror Episodes in the Net.Art History

2011-09-10 Thread Simon Biggs
...and indicative of how history repeats itself. I am sure that (whilst most, 
if not all, of us on this list are to the left) there are mixed opinions over 
what has happened in Libya and what should be done (for example) in Syria or 
Palestine or, for that matter, how we should handle the current sovereign debt 
crisis. In the 1990's emotions ran high over what happened as Yugoslavia broke 
up. Sometimes, even when you didn't seek it, you ended up on one side or 
another. I supported Bosnia's bid for freedom and got involved in initiatives 
there, as well as helping out refugees in the UK. I also chose to show my work 
in Slovenia and Croatia during the period of the Balkan wars, again because I 
supported their independence. However, I doubt I'd have worked in Serbia during 
that period (I've shown work there since 2000). Some people had an issue with 
that at that time, including friends. Some probably still would.

I was in Zagreb a few weeks ago and was struck how that conflict is still raw 
and live. However, the big debate was not about the war but about whether 
Croatia should join the EU. Some people I spoke with said they would like to 
see the old Yugoslavia back and consider Serbia as their natural partner (and 
the EU, dominated by Germany, as their foe). I know the history there is 
extremely complex. We have (since the 19th Century) the English verb 
Balkanise (to fragment and engender conflict in something), indicating that 
this is not a recent phenomenon. The word has its roots in the conflict between 
the Ottomans and Austro-Hungarians and thus, in a way, the situation goes back 
to the division of the Roman Empire into Eastern and Western zones. That is 
getting on for two millennia ago. That's a lot of baggage.

best

Simon


On 10 Sep 2011, at 15:17, marc garrett wrote:

 Hi Andrej,
 
 What I found strange, is that I have met you personally and know that 
 the picture painted of you at the time is completely different...
 
 Some have asked why is it being discussed now - as in the NN thing?
 
 I am not sure how to answer this, other than, it was part of my own 
 networked history also and it is one of those moments in time that 
 younger generations should observe and then consider themselves, on 
 their own terms - reflection is an important thing...
 
 chat again.
 
 marc
 
 Hi Marc,
 
 I was on Syndicate around this time - still on the list  have had all
 kinds of discussions through the years - mostly pretty tense.
 
 I know you were around Syndicate at that time, like most of the 
 NetBehaviour
 list members, at Nettime too, I am still at Syndicate list, but was 
 kicked
 from Nettime back in 1998 as I documented in my Horror Net.Art History.
 
 I am wondering how you feel now that time has passed - what have you
 learned this period and if the same thing happened now, would you react
 differently?
 
 I feel still bitterness, betrayed and disappointed after that what has
 happened
 at Nettime, but I am glad that those crooks have shown their real faces
 then, and that public is aware of that. I think nothing has changed since
 then. Before it was Yugoslavia, later Iraq, Afghanistan, now it is Libya,
 Egypt, Syria etc. Soros, CIA, MI6 and Al-Qaeda are doing their dirty 
 job. I
 keep on reacting, maybe in a more subtle way.
 
 
 wishing you well.
 
 Wish you well too.
 Andrej
 
 
 marc
 Reminder of Nettime, Syndicate ... and Netochka Nezvanova
 
 http://www.atisma.com/webart/netart%20history/
 ___
 NetBehaviour mailing list
 NetBehaviour@netbehaviour.org
 http://www.netbehaviour.org/mailman/listinfo/netbehaviour
 
 
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 http://www.netbehaviour.org/mailman/listinfo/netbehaviour
 
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Simon Biggs | si...@littlepig.org.uk | www.littlepig.org.uk

s.bi...@ed.ac.uk | Edinburgh College of Art | University of Edinburgh
www.eca.ac.uk/circle | www.elmcip.net | www.movingtargets.co.uk

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Re: [NetBehaviour] Auto Italia LIVE

2011-09-10 Thread Simon Biggs
As an owner of classic Italian sports car this is very confusing. Auto Italia 
is the bible of Italian car nuts.

best

Simon


On 10 Sep 2011, at 15:27, info wrote:

 Auto Italia LIVE
 
 24th September – 8th October
 
 Launching Saturday 24th September 8pm With following broadcasts, 1st 
 October, 8th October Auto Italia South East presents Auto Italia Live: 
 an artist-run TV series, performed before a studio audience and 
 broadcast live over the Internet. Working in collaboration with Auto 
 Italia a wide variety of artists will produce new work through weekly 
 episodes, engaging directly with the format of live Television and a 
 history of artists using broadcast media platforms to distribute work. 
 Featuring a full camera crew, lighting technicians, directors, 
 performers, production designers and set builders, artists will engage 
 with all aspects of production opening the space for criticality and 
 intervention within the medium. The series aims to experiment with new 
 possibilities to engage in contemporary broadcast and internet culture 
 whilst also responding to the familiar tropes and formulas within 
 television programming.
 
 http://autoitaliasoutheast.org/
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s.bi...@ed.ac.uk | Edinburgh College of Art | University of Edinburgh
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Re: [NetBehaviour] SL: linux, crashed, working, where to go?

2011-09-10 Thread James Morris
On Sat, 10 Sep 2011 10:15:44 -0400 (EDT)
Alan Sondheim sondh...@panix.com wrote:

 
 
 Hi James, once things are settled down vis-a-vis my father and the
 flood, I could meet you in Second Life, which would be great. I'm not

Yes of course, whenever you are ready. Sorry about your father and
the flooding. BTW I enjoyed watching/listening to your pain.mp4.


 flood, I could meet you in Second Life, which would be great. I'm not
 sure what you saw - they might have been bots of some sort. Most of

I recognized one or two of the names shown in the mini-map as being
people known for virtual performance art within Second Life, ie Fau
Ferdinand.

 the time these artspaces _are_ empty; I go 'in' to do my work or
 sometimes to see a performance and then log out. But there is still a
 lot of building/art going on. It's just not so much of a social space.

Overall, second life is an interesting space to explore. I've been
teleporting around the map from place to place seeing what I can find.

At times it can seem like all there is in there is sex and fashion and
more sex. A bit like the internet but more so.Setting the access rating
to pg/mature/adult doesn't help there, but who wants to miss out ;-)

In an attempt to find interesting places I type terms into the search
and teleport to those I like the sound of. I had great expectations of
a place called Surreal, but it was a very tranquil place, with a group
of peaceful seeming people fishing and playing board games. The lack of
any surreal qualities to the place was disappointing, but, on the other
hand, it was non-threatening and didn't feel unwelcome.However, the
neighbours of surreal defended their property with gun turrets and
a pirate flag and shot at me when I flew in there before being given a
ten second warning to get out and, with barely a second passed, was
teleported back to my home (which doesn't exist anymore).

Another place, I was exploring, an occupant asked what I was doing
there and how I found it. I told them to google Aphex Twin (the place
was called Aphexx). Then I was informed it was very private and that I
should leave. Ok.

From looking at land ownership though I can kinda understand why
some people take it so seriously, and even why some locations don't
welcome 'cartoon' avatars ('mature' avatars are welcome).

In the first few days I couldn't for the life of me understand why most
people seem to view SL as an opportunity to fit in rather than as an
opportunity to


James.



 
 - Alan
 
 
 On Sat, 10 Sep 2011, James Morris wrote:
 
  On Sun, 4 Sep 2011 20:06:43 -0400 (EDT)
  Alan Sondheim sondh...@panix.com wrote:
 
 
 
  On Odyssey. Or Columbia I am. Or Humlab.
 
  - Alan
 
 
 
  Hi Alan,
 
  I've checked these places quite regularly, but they're nearly always
  abandoned. Last night there were five avatars in Odyssey, one stood
  by a wheelbarrow, with the others underground beneath the hill. I
  made some attempts to try and find them (without any idea of what
  I'd do if I did) but after an hour or so gave up.
 
  By the end of it though I had at least enjoyed exploring Odyssey and
  found lots more in it than I had previously realized.
 
  In my explorations of SL, I've often found small groups of avatars
  hidden 'underground' in inaccessible locations. I'm guess that these
  are land owners, and the locations are only accessible to them?
 
  Cheers,
  James.
 
 
  PS been hoping to see some of your stuff in there!
 
 
 
 
 
  On Mon, 5 Sep 2011, James Morris wrote:
 
 
  attempting to run second life in arch linux amd64
 
  snowglobe is the most successful so far:
  http://jwm-art.net/image/j4m35_String-Crash.png
 
  secondlife-bin from AUR presents black window.
 
  trying imprudence...
  seems to work:
  http://jwm-art.net/image/imprudence-j4m35-string.png
 
  so where is all the interesting stuff?
 
 
  --
  http://jwm-art.net/
  image/audio/text/code/
 
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  ==
  eyebeam: http://eyebeam.org/blogs/alansondheim/
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Re: [NetBehaviour] SL: linux, crashed, working, where to go?

2011-09-10 Thread Alan Sondheim


I agree re: opportunity. I never run into the sex/fashion stuff, mainly 
because it doesn't interest me - there's enough on the streets here - and 
I'm there to create and experiment; it's like a dynamic three-dimensional 
canvas in a lot of ways. I can put you in touch with Fau if you want - she 
lives in London, has worked with Stelarc etc., and is a really good 
artist. She also runs Odyssey.

It's weird running into hostility like that; I don't understand it. I stay 
away from stuff like that; Odyssey's always welcoming as far as I know - 
if it wasn't, I'd leave.

- Alan

On Sat, 10 Sep 2011, James Morris wrote:

 On Sat, 10 Sep 2011 10:15:44 -0400 (EDT)
 Alan Sondheim sondh...@panix.com wrote:



 Hi James, once things are settled down vis-a-vis my father and the
 flood, I could meet you in Second Life, which would be great. I'm not

 Yes of course, whenever you are ready. Sorry about your father and
 the flooding. BTW I enjoyed watching/listening to your pain.mp4.


 flood, I could meet you in Second Life, which would be great. I'm not
 sure what you saw - they might have been bots of some sort. Most of

 I recognized one or two of the names shown in the mini-map as being
 people known for virtual performance art within Second Life, ie Fau
 Ferdinand.

 the time these artspaces _are_ empty; I go 'in' to do my work or
 sometimes to see a performance and then log out. But there is still a
 lot of building/art going on. It's just not so much of a social space.

 Overall, second life is an interesting space to explore. I've been
 teleporting around the map from place to place seeing what I can find.

 At times it can seem like all there is in there is sex and fashion and
 more sex. A bit like the internet but more so.Setting the access rating
 to pg/mature/adult doesn't help there, but who wants to miss out ;-)

 In an attempt to find interesting places I type terms into the search
 and teleport to those I like the sound of. I had great expectations of
 a place called Surreal, but it was a very tranquil place, with a group
 of peaceful seeming people fishing and playing board games. The lack of
 any surreal qualities to the place was disappointing, but, on the other
 hand, it was non-threatening and didn't feel unwelcome.However, the
 neighbours of surreal defended their property with gun turrets and
 a pirate flag and shot at me when I flew in there before being given a
 ten second warning to get out and, with barely a second passed, was
 teleported back to my home (which doesn't exist anymore).

 Another place, I was exploring, an occupant asked what I was doing
 there and how I found it. I told them to google Aphex Twin (the place
 was called Aphexx). Then I was informed it was very private and that I
 should leave. Ok.

 From looking at land ownership though I can kinda understand why
 some people take it so seriously, and even why some locations don't
 welcome 'cartoon' avatars ('mature' avatars are welcome).

 In the first few days I couldn't for the life of me understand why most
 people seem to view SL as an opportunity to fit in rather than as an
 opportunity to


 James.




 - Alan


 On Sat, 10 Sep 2011, James Morris wrote:

 On Sun, 4 Sep 2011 20:06:43 -0400 (EDT)
 Alan Sondheim sondh...@panix.com wrote:



 On Odyssey. Or Columbia I am. Or Humlab.

 - Alan



 Hi Alan,

 I've checked these places quite regularly, but they're nearly always
 abandoned. Last night there were five avatars in Odyssey, one stood
 by a wheelbarrow, with the others underground beneath the hill. I
 made some attempts to try and find them (without any idea of what
 I'd do if I did) but after an hour or so gave up.

 By the end of it though I had at least enjoyed exploring Odyssey and
 found lots more in it than I had previously realized.

 In my explorations of SL, I've often found small groups of avatars
 hidden 'underground' in inaccessible locations. I'm guess that these
 are land owners, and the locations are only accessible to them?

 Cheers,
 James.


 PS been hoping to see some of your stuff in there!





 On Mon, 5 Sep 2011, James Morris wrote:


 attempting to run second life in arch linux amd64

 snowglobe is the most successful so far:
 http://jwm-art.net/image/j4m35_String-Crash.png

 secondlife-bin from AUR presents black window.

 trying imprudence...
 seems to work:
 http://jwm-art.net/image/imprudence-j4m35-string.png

 so where is all the interesting stuff?


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Re: [NetBehaviour] Old School Color Cycling with HTML5.

2011-09-10 Thread Paul Hertz
Very nice! nostalgic code.

-- Paul

On Sat, Sep 10, 2011 at 6:22 AM, marc garrett marc.garr...@furtherfield.org
 wrote:

 Old School Color Cycling with HTML5.

 Anyone remember Color cycling from the 90s? This was a technology often
 used in 8-bit video games of the era, to achieve interesting visual
 effects by cycling (shifting) the color palette. Back then video cards
 could only render 256 colors at a time, so a palette of selected colors
 was used. But the programmer could change this palette at will, and all
 the onscreen colors would instantly change to match. It was fast, and
 took virtually no memory. Thus began the era of color cycling.


 http://www.effectgames.com/effect/article.psp.html/joe/Old_School_Color_Cycling_with_HTML5

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Re: [NetBehaviour] SL: linux, crashed, working, where to go?

2011-09-10 Thread James Morris
On Sat, 10 Sep 2011 13:04:56 -0400 (EDT)
Alan Sondheim sondh...@panix.com wrote:

 
 
 I agree re: opportunity. I never run into the sex/fashion stuff,
 mainly because it doesn't interest me - there's enough on the streets

Haven't purposely run into it.


 here - and I'm there to create and experiment; it's like a dynamic
 three-dimensional canvas in a lot of ways. I can put you in touch

Exploration is a part of that though.


 with Fau if you want - she lives in London, has worked with Stelarc
 etc., and is a really good artist. She also runs Odyssey.

Don't know how long i'll remain interested, the wind could change. The
possibilities afforded by the scripting, the potential of things
which could be built, and the existence of friendly people, are
keeping my interest, but the scripting and building (AFAICT) is
limited as it is, meaning some things are only possible if you have
land to set them down on.


 It's weird running into hostility like that; I don't understand it. I
 stay away from stuff like that; Odyssey's always welcoming as far as
 I know - if it wasn't, I'd leave.

Most places ban all weapons, guess that was one that doesn't. Being
shot down when I randomly fly into an area with gun turrets and
pirate flags is no skin off my back! I dislike the arrogant avatars I
get the feeling are controlled by a snotty teenager who think that
because they know how to write a few flashy scripts mean they can piss
people off.



but anyway, exploring is interesting. i love the fact that you don't
really need your avatar to explore, that you can just point and
click and drag your camera around corners through windows and into
houses, that ban lines can't stop you from doing this, that the
security systems although they can teleport your avatar, they can't
teleport your camera. that you can touch things with needing your
avatar anywhere near, that some of the touchy-orb things can be
(ab?)used as teleport devices (ie when you sit on them, or 'ride' on
them etc) to get you in somewhere where you'd otherwise not have access
to. that's quite good fun.

james


 
 - Alan
 
 On Sat, 10 Sep 2011, James Morris wrote:
 
  On Sat, 10 Sep 2011 10:15:44 -0400 (EDT)
  Alan Sondheim sondh...@panix.com wrote:
 
 
 
  Hi James, once things are settled down vis-a-vis my father and the
  flood, I could meet you in Second Life, which would be great. I'm
  not
 
  Yes of course, whenever you are ready. Sorry about your father and
  the flooding. BTW I enjoyed watching/listening to your pain.mp4.
 
 
  flood, I could meet you in Second Life, which would be great. I'm
  not sure what you saw - they might have been bots of some sort.
  Most of
 
  I recognized one or two of the names shown in the mini-map as being
  people known for virtual performance art within Second Life, ie Fau
  Ferdinand.
 
  the time these artspaces _are_ empty; I go 'in' to do my work or
  sometimes to see a performance and then log out. But there is
  still a lot of building/art going on. It's just not so much of a
  social space.
 
  Overall, second life is an interesting space to explore. I've been
  teleporting around the map from place to place seeing what I can
  find.
 
  At times it can seem like all there is in there is sex and fashion
  and more sex. A bit like the internet but more so.Setting the
  access rating to pg/mature/adult doesn't help there, but who wants
  to miss out ;-)
 
  In an attempt to find interesting places I type terms into the
  search and teleport to those I like the sound of. I had great
  expectations of a place called Surreal, but it was a very tranquil
  place, with a group of peaceful seeming people fishing and playing
  board games. The lack of any surreal qualities to the place was
  disappointing, but, on the other hand, it was non-threatening and
  didn't feel unwelcome.However, the neighbours of surreal defended
  their property with gun turrets and a pirate flag and shot at me
  when I flew in there before being given a ten second warning to get
  out and, with barely a second passed, was teleported back to my
  home (which doesn't exist anymore).
 
  Another place, I was exploring, an occupant asked what I was doing
  there and how I found it. I told them to google Aphex Twin (the
  place was called Aphexx). Then I was informed it was very private
  and that I should leave. Ok.
 
  From looking at land ownership though I can kinda understand why
  some people take it so seriously, and even why some locations don't
  welcome 'cartoon' avatars ('mature' avatars are welcome).
 
  In the first few days I couldn't for the life of me understand why
  most people seem to view SL as an opportunity to fit in rather than
  as an opportunity to
 
 
  James.
 
 
 
 
  - Alan
 
 
  On Sat, 10 Sep 2011, James Morris wrote:
 
  On Sun, 4 Sep 2011 20:06:43 -0400 (EDT)
  Alan Sondheim sondh...@panix.com wrote:
 
 
 
  On Odyssey. Or Columbia I am. Or Humlab.
 
  - Alan
 
 
 
  Hi Alan,
 
  I've checked these places quite 

Re: [NetBehaviour] SL: linux, crashed, working, where to go?

2011-09-10 Thread Alan Sondheim


That stuff's great. You can also move your camera through other avatars, 
through their emptiness. People think exploration is determined by where 
they are, and of course it's not.

- Alan

On Sat, 10 Sep 2011, James Morris wrote:

 On Sat, 10 Sep 2011 13:04:56 -0400 (EDT)
 Alan Sondheim sondh...@panix.com wrote:



 I agree re: opportunity. I never run into the sex/fashion stuff,
 mainly because it doesn't interest me - there's enough on the streets

 Haven't purposely run into it.


 here - and I'm there to create and experiment; it's like a dynamic
 three-dimensional canvas in a lot of ways. I can put you in touch

 Exploration is a part of that though.


 with Fau if you want - she lives in London, has worked with Stelarc
 etc., and is a really good artist. She also runs Odyssey.

 Don't know how long i'll remain interested, the wind could change. The
 possibilities afforded by the scripting, the potential of things
 which could be built, and the existence of friendly people, are
 keeping my interest, but the scripting and building (AFAICT) is
 limited as it is, meaning some things are only possible if you have
 land to set them down on.


 It's weird running into hostility like that; I don't understand it. I
 stay away from stuff like that; Odyssey's always welcoming as far as
 I know - if it wasn't, I'd leave.

 Most places ban all weapons, guess that was one that doesn't. Being
 shot down when I randomly fly into an area with gun turrets and
 pirate flags is no skin off my back! I dislike the arrogant avatars I
 get the feeling are controlled by a snotty teenager who think that
 because they know how to write a few flashy scripts mean they can piss
 people off.



 but anyway, exploring is interesting. i love the fact that you don't
 really need your avatar to explore, that you can just point and
 click and drag your camera around corners through windows and into
 houses, that ban lines can't stop you from doing this, that the
 security systems although they can teleport your avatar, they can't
 teleport your camera. that you can touch things with needing your
 avatar anywhere near, that some of the touchy-orb things can be
 (ab?)used as teleport devices (ie when you sit on them, or 'ride' on
 them etc) to get you in somewhere where you'd otherwise not have access
 to. that's quite good fun.

 james



 - Alan

 On Sat, 10 Sep 2011, James Morris wrote:

 On Sat, 10 Sep 2011 10:15:44 -0400 (EDT)
 Alan Sondheim sondh...@panix.com wrote:



 Hi James, once things are settled down vis-a-vis my father and the
 flood, I could meet you in Second Life, which would be great. I'm
 not

 Yes of course, whenever you are ready. Sorry about your father and
 the flooding. BTW I enjoyed watching/listening to your pain.mp4.


 flood, I could meet you in Second Life, which would be great. I'm
 not sure what you saw - they might have been bots of some sort.
 Most of

 I recognized one or two of the names shown in the mini-map as being
 people known for virtual performance art within Second Life, ie Fau
 Ferdinand.

 the time these artspaces _are_ empty; I go 'in' to do my work or
 sometimes to see a performance and then log out. But there is
 still a lot of building/art going on. It's just not so much of a
 social space.

 Overall, second life is an interesting space to explore. I've been
 teleporting around the map from place to place seeing what I can
 find.

 At times it can seem like all there is in there is sex and fashion
 and more sex. A bit like the internet but more so.Setting the
 access rating to pg/mature/adult doesn't help there, but who wants
 to miss out ;-)

 In an attempt to find interesting places I type terms into the
 search and teleport to those I like the sound of. I had great
 expectations of a place called Surreal, but it was a very tranquil
 place, with a group of peaceful seeming people fishing and playing
 board games. The lack of any surreal qualities to the place was
 disappointing, but, on the other hand, it was non-threatening and
 didn't feel unwelcome.However, the neighbours of surreal defended
 their property with gun turrets and a pirate flag and shot at me
 when I flew in there before being given a ten second warning to get
 out and, with barely a second passed, was teleported back to my
 home (which doesn't exist anymore).

 Another place, I was exploring, an occupant asked what I was doing
 there and how I found it. I told them to google Aphex Twin (the
 place was called Aphexx). Then I was informed it was very private
 and that I should leave. Ok.

 From looking at land ownership though I can kinda understand why
 some people take it so seriously, and even why some locations don't
 welcome 'cartoon' avatars ('mature' avatars are welcome).

 In the first few days I couldn't for the life of me understand why
 most people seem to view SL as an opportunity to fit in rather than
 as an opportunity to


 James.




 - Alan


 On Sat, 10 Sep 2011, James Morris wrote:

 On Sun, 4 

[NetBehaviour] FRICTION RESEARCH ISSUE #4 ESSAY: BERGSON'S S P I R I T: HENRI BERGSON'S UNDERSTANDING OF TIME, MEMORY, MATTER, AND THE MIND by Curt Cloninger

2011-09-10 Thread Andreas Maria Jacobs
RECLAIM THE MIND, FRICTION RESEARCH ISSUE #4

BERGSON'S S P I R I T
HENRI BERGSON'S UNDERSTANDING OF TIME, MEMORY, MATTER, AND THE MIND

by Curt Cloniger

Link:
http://nictoglobe.com/new/query10.html?d=rtmfr42011f=cloninger_on_bergson

Reclaim the Mind, Friction Research Issue #4:

Bergson's S P I R I T by Curt Cloninger

Henri Bergson's understanding of time, memory, matter, and
the mind have gone in and out of academic favor, largely depending on the
latest discoveries in neuroscience. But to read Bergson as a kind of
amateur
Victorian neuroscientist, crippled by the science and technology of his
time, is to miss the potential revolutionary thought of Bergson's
philosophy.

Curt Cloninger is an artist, writer, and Assistant Professor of New
Media at the University of North Carolina Asheville (US). His art
undermines language as a system of meaning in order to reveal it as
an embodied force in the world. His artwork has been featured in the
New York Times and at festivals and galleries from Korea to Brazil.
He is the author of seven books and numerous articles which have been 
published in over ten languages. His writing has appeared in
Intelligent Agent, Mute, Paste, Tekka, Rhizome Digest, A List Apart,
and on ABC World News. Cloninger maintains lab404.com,
playdamage.org, deepyoung.org, and lab404.tumblr.com in order to
facilitate a more lively remote dialogue with the Sundry Contagions
of Wonder.

::: Enjoy :::

http://nictoglobe.com/new/query10.html?d=rtmfr42011f=cloninger_on_bergson
-- 

Andreas Maria Jacobs - Editor

A Few of us were left

w: http://nictoglobe.com (publication)
w: http://burgerwaanzin.nl (net-art)
w: http://nictoglobe.com/new/agam (artworks)
w: http://nictoglobe.com/frictionresearch (research)

e: aj...@xs4all.nl
e: a.andr...@nictoglobe.com



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[NetBehaviour] Second Life - The White Sliced Bread Theory

2011-09-10 Thread James Morris

It seems that every day I hear about someone else closing their sim
and leaving Second Life. Sometimes they are sims I’ve known and loved
for quite a while, or artists and galleries that have made significant
contributions to the virtual world art scene.

http://juanitadeharo.blogspot.com/2011/06/second-life-white-sliced-bread-theory.html





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Re: [NetBehaviour] Second Life - The White Sliced Bread Theory

2011-09-10 Thread Ana Valdés
Nice, her reflexions about identity reminded me on an article I wrote a
while ago
http://socyberty.com/issues/troubled-gender-in-a-virtual-world/

Ana

On Sun, Sep 11, 2011 at 2:26 AM, James Morris ja...@jwm-art.net wrote:


 It seems that every day I hear about someone else closing their sim
 and leaving Second Life. Sometimes they are sims I’ve known and loved
 for quite a while, or artists and galleries that have made significant
 contributions to the virtual world art scene.


 http://juanitadeharo.blogspot.com/2011/06/second-life-white-sliced-bread-theory.html





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Re: [NetBehaviour] Horror Episodes in the Net.Art History

2011-09-10 Thread Andrej Tisma
Hi Marc,

 What I found strange, is that I have met you personally and know that
 the picture painted of you at the time is completely different...

Yes of course, people had prejudice about me, but I just wanted to discuss 
the situation and give my own angle of view. But since my views differed 
alot from the majority I was labeled as provocateur or propagandist. Was 
insulted, kicked. I felt bad at that time and I am glad you think I am 
different from the picture they have painted about me. Actually they were 
propagandists and didn't want to let anybody talk different.


 Some have asked why is it being discussed now - as in the NN thing?

NN was one of few people on all lists that supported me and my views. In 
some situations I also supported her, although I don't know her personally. 
I feel she is sincere, wise, truth loving and not brainwashed as majority on 
lists.
I am glad you iniciated the discussion on NN because I appreciate her 
activism very much.


 I am not sure how to answer this, other than, it was part of my own
 networked history also and it is one of those moments in time that
 younger generations should observe and then consider themselves, on
 their own terms - reflection is an important thing...

 Yes this is now history, but the questions still remain. The question is 
who will write the final version of the history. I hope not Lovink, 
Broekman...

Best,
Andrej 

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