RE: Australian Pentax Market Penetration

2002-01-31 Thread Peter Jesser

I agree, although Photo Continental in Brisbane has a titanium finish Pentax 
zoom sitting on the shelf at the moment. Unfortunately, not many people 
working in camera stores seem to know much about the equipment they are 
selling. I have heard the base grade Canon being recommended over the Pentax 
MZ-50 on the basis that This is the brand that a lot of professionals use. 
And I have heard a salesperson lose a sale because a customer felt the cost 
of a telephoto lens put the equipment out of their reach, when a secondhand 
Pentax lens at $150 (Australian) sitting on the shelf would have made the 
choice for them and clinched the deal.

Peter Jesser
Brisbane, Australia

From: John Coyle [EMAIL PROTECTED]
Reply-To: [EMAIL PROTECTED]
To: '[EMAIL PROTECTED]' [EMAIL PROTECTED]
Subject: RE: Australian Pentax Market Penetration
Date: Thu, 31 Jan 2002 18:40:50 +1000

It's hard to see how Pentax could fare well, when many dealers allocate far
less shelf space to Pentax than Nikon or Canon, and when the only lens you 
see
offered in the deal is a Sigma consumer zoom, with a couple of Sigma or 
Tamron
zooms also shown alongside

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MF Sales (WAS: More P67II vs. 645n)

2002-01-31 Thread Pål Audun Jensen

Bruce wrote:


Any idea how fast the sales have dropped?  Slow and steady or fairly
rapid?


It happened abruptly. These are the numbers from Norway but I believe its 
an international trend. The usual selling rate for MF cameras in Norway is 
300 units/year; all brands combined. Last year 60 were sold; before the end 
of the year; the real number is probably slightly higher. Anyway, MF sales 
is reduced by 2/3 or more. Probably not that much in other markets but the 
trends are there.
Around here, the 645 system has never been popular. The 67 outsells it by a 
considerable margin. I believe I've heard 10:1 but don't quote me on it 
since my memory is somewhat wonky.

The reason MF is loosing sales is the uncertainty about digital. Expensive 
35mm slr's suffers the same fate; a reduction in sales globally.
Another problem MF faces more than 35mm is competition from the used 
market. Due to the slower upgrade rate of cameras and lenses many 
photographers choose a used camera or lens, which often is identical to the 
ones sold brand new, over a new lens/body.


When comparing film 35mm to MF we can easily compare negative size.
How about when comparing digital 35mm to MF?  If the CCD and resulting
image are larger, won't the cost skyrocket?  Since the high end SLR's
are currently in the $5K range (much of that CCD cost) wouldn't MF be
priced beyond anyone other than full-time professional photographers?

Currently yes. However, I expect chips to come down in price as volume 
increases. I believe its only a matter of time before digital will be 
similar to film in that bigger size means better quality.


Pål
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Re: Pentax advert on British BBC TV

2002-01-31 Thread Antti-Pekka Virjonen

Last night the Finnish TV showed a document Naked States, 
photographer Spencer Tunick's one man's journey as he photographed
naked people in public places. He seems to use Pentax 67 as well ;-)

Antti-Pekka
---
* Antti-Pekka Virjonen * Fiskarsinkatu 7 D   * GSM: +358 400 789753 *
* Computec Oy Turku* FIN-20750 Turku Finland * Fax: +358 2 413  *
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No Pentax digital SLR at PMA? (WAS: Cool colors: blue, purple...)

2002-01-31 Thread Pål Audun Jensen

Mike wrote:


Folks, I'm reasonably certain there's not going to be any digital SLR from
Pentax at PMA. So those of you holding your breath, please release it before
you turn a cool color.


It's true that there are no official or unofficial data on a Pentax digital 
SLR at PMA or elsewhere. The Pentax organization has got no signals from 
Pentax about imminent release of a digital slr.

However, there are anonymous posting an Japanese Pentax forums that Pentax 
will release a 3Mpix digital slr built around the MZ-S chassis. According 
to this rumor it will be released in March and cost 1200USD (presumably in 
Japan).
Only time will tell if this information is credible or not...


Pål
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RE: Australian Pentax Market Penetration

2002-01-31 Thread Alan Chan

Thank God for my son in Hong Kong, otherwise I would not have been able to
justify buying my recent acquisitions.

Still one of the cheapest place to buy if you know where.  :)

regards,
Alan Chan

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RE: Did you see the price on this silly thing?

2002-01-31 Thread J. C. O'Connell

 -Original Message-
 From: [EMAIL PROTECTED]
 [mailto:[EMAIL PROTECTED]]On Behalf Of Collin Brendemuehl
 Sent: Wednesday, January 30, 2002 9:15 PM
 To: [EMAIL PROTECTED]
 Subject: Did you see the price on this silly thing?
 
 
 http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItemitem=1326756497
 
 What you can't sell on eBay!
 
And I thought I was crazy for buying one for $89.00
JCO
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Re: New Enlarger Up and Running

2002-01-31 Thread Frantisek Vlcek

Wednesday, January 30, 2002, 4:19:34 PM, thomas wrote:
tbc From:   Mike Johnston [EMAIL PROTECTED]

  Why does exposure supposedly change when filtering for VC papers and
  it doesn't change with VC head? Does it really change?
 
 Frantisek,
 It changes with the Saunders enlargers because they have ND filters
 that change as you change the filtration.

tbc I think this should read, It (exposure) doesn't change with the Saunders (VCCE) 
enlargers because

Please correct me if I am wrong, but, when changing from M to C
filters (or which one is for VC paper), shouldn't the exposure for
every grade be fairly constant, as I start somewhere at 0,90 and end
at 90,0 ? (roughly. e.g. my head and agfa mc need slightly diff.
filtr.). If cyan and magenta have same density, shouldn't this work?
Or am I missing something ;-) ?

Good light,
   Frantisek Vlcek
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Re: No Pentax digital SLR at PMA? (WAS: Cool colors: blue, purple...)

2002-01-31 Thread Kevin Waterson

On Thu, 31 Jan 2002 10:53:03 +0100
Pål Audun Jensen [EMAIL PROTECTED] wrote:

 However, there are anonymous posting an Japanese Pentax forums that Pentax 
 will release a 3Mpix digital slr built around the MZ-S chassis. According 
 to this rumor it will be released in March and cost 1200USD (presumably in 
 Japan).
 Only time will tell if this information is credible or not...
 
Whats the point of releasing a 3Mp SLR, when 6 is the accepted norm and now
striving for 8-12? 
Well, I suppose you have to start somewhere...

kevin
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Re: Re[2]: MZ-S Questions

2002-01-31 Thread Camdir

Hello Bruce

Adaptall 2 is simply the latest version of the mount. KA contacts were only 
introduced on AD2 mounts, it is true to say. AD1 mount does not work with AD2 
lens, however AD2 mount works with either type (the lenses being more durable 
than the mount).

Kind regards

Peter
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Re: Did you see the price on this silly thing?

2002-01-31 Thread Camdir

In a message dated 31/01/02 03:33:44 GMT Standard Time, Jim writes:

 If you were a collector of Pentax stuff,  maybe you would bid on the thing 

James is a collector. I'm sure I will see it in the flesh? fiberglass? 
cardboard?

Kind regards

Peter
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Pentax Repair Expert in UK

2002-01-31 Thread Robert Gillespie

Hi All,


Just finished talking to a nice guy in England, he repairs
all makes of cameras but is a confessed Pentax Man.


He can repair/cla.

All Pentax models
Including LX, M Series  old screwmounts.
Winders/drives and flashes
Lenses

He is used by many camera shops in London and knows his stuff


Bill Wright
24 Melbourne Court
Welwyn Garden City
Hertfordshire
AL8 6LL

T:   +44 1707 325726
E:   [EMAIL PROTECTED]



Rob
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Re: Photography Startup

2002-01-31 Thread Pat White

Picked up an interesting magazine last week called PICTURE, 'for the emerging 
professional photographer'.  The Nov/Dec 2001 issue was dedicated to self-promotion, 
and had some interesting ideas.  It comes out six times a year, and is published in 
NYC.

Pat White

Don't dream it, be it!  Dr. Frank N. Furter
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Re: English English speakers--OT

2002-01-31 Thread Albano_Garcia

So, it means I'm living in a bedsit! I'm a bedsitter!!
I moved to live out of my parent's house last october (one day before I was
stolen. You remember). Since I earn just some coins, my only option was a
bedsit. But it is way cool !!! I made good friends, made cool parties,
hosted cute girls I met in Patagonia when they came to Bs As. Imagine doing
it in my small parent's appartment.
The good news is it seems I'm moving to another bedsit in March. It's
bigger, cost the same, but has a jacuzzi and the more important: an
installed darkroom, with ventilation and water supply!!! It seems just as
paradise
Regards

Albano, proud bedsitter
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RE: Some e-marketing thoughts

2002-01-31 Thread Paris, Leonard

Even if you set that opening bid pretty well, what you'll see is usually
only one bid at the very end of the auction, because nobody wants to bid
early on it and be aced out by somebody bidding a buck more in the last
seconds.  I follow lots of stuff on eBay and have seen that happen a lot.
Worst case, of course, is when nobody wants to be first bidder, so nobody
bids.  That happens too.

There seems to be a lot of psychology involved in any kind of auction,
especially the online types like eBay.

Len
---

-Original Message-
From: John Glover [mailto:[EMAIL PROTECTED]]
Sent: Wednesday, January 30, 2002 9:17 PM
To: [EMAIL PROTECTED]
Subject: Re: Some e-marketing thoughts


I always feel if you want to set a reserve on an item, then use that as your
opening bid.  Granted, if the price is set too high, you will get no bids,
but then I suppose that means you are overvaluing the item, based upon what
the current market will bear.  I'll sometimes bid on an item with a reserve
price if it really interests me, but it is not an auction I'll typically
follow closely, for the reasons you cite. 
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Re: Photography Startup

2002-01-31 Thread Mike Johnston

 some pros are making money as local reps for a baseball-card
 company. Take shots of local LittleLeaguers, have them made into Baseball
 Cards, sell them, make a mint . . .


Somehow, mint just doesn't seem the right word...g

--Mike
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Re: Photography Startup

2002-01-31 Thread Mike Johnston

 find
 a niche and work to fill it. Glamour? Local sports? Horse shows? Dog shows?
 Cat shows? (Mike Johnston, bite your tongue! People pay more to have
 portraits taken of their cat or dog than they would to have portraits of
 their kids.)



Ouch! 

And I thought baby-wrangling was bad...if you take pictures of dogs, the
hard part is getting them to stay away from you. (They all want to be
friendly and come over to you.) If you take pictures of cats, the hard part
is that CAT PICTURES SUer, no, it's keeping the cat from wandering off,
of course


g

--Mike
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RE: Australian Pentax Market Penetration

2002-01-31 Thread Pat White

Things are different here in Canada.  When I bought my MZ-S in Edmonton, the salesman 
said, Would you like a 31 Limited with that?.  Here in Victoria, Kerrisdale Camera 
call themselves Pentax specialists, and they have a big transparency of an MZ-S on 
their lighted storefront sign, while Lens  Shutter has a picture of an MZ-5n on a 
lightbox in their window.

There's even a Victoria Pentax Club, although it's not very large.

Could this be Pentaxia?

Pat White
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RE: Some e-marketing thoughts

2002-01-31 Thread Paris, Leonard

Ken,

In any auction, live or online, you are always bidding against the seller.
He can always bid on his own item to keep from selling it for less than he
wants to get.  Even on eBay.  As long as he is willing to pay his percentage
to eBay for the transaction.  Some guys have more than one USERID just for
that purpose.  They'll start out with a no reserve auction, with a beginning
bid set at $1.00 and watch very closely to see that the final price never
ends lower than the price they want for the item.  There isn't anything
illegal about doing that, as long as the auctioneer gets his percentage.  In
a live auction, the seller may be there bidding right along with everyone
else on his own stuff.  Nobody wants or needs to take a drubbing on his own
stuff.  The fact that some people do only attests to their lack of
understanding of auctions.

Len
---



- Original Message - 
From: Ken Archer [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Wednesday, January 30, 2002 10:51 AM
Subject: Re: Some e-marketing thoughts


 I, for one, usually don't bid on Reserve Auctions.  That is an oxymoron 
 to me.  In an auction, the seller puts an item up for bid and a 
 competition between bidders sets the price.  It seems to me that you 
 are bidding against the seller in a Reserve Auction and really have no 
 idea if you will get the item or just waste your time.
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Re: Photography Startup

2002-01-31 Thread Mike Johnston

 Basic principle seems to be to find a niche and become know for quality
 product. 

Seriously, Stan, this is excellent advice. Most photographers do exactly the
opposite--and fail in business. They don't want to specialize. They want to
do everything. Two observations:

1. In many cases, even people who are good at one thing and suck at
everything else don't want to specialize. They don't want to limit
themselves. Sometimes their interests and tastes make them gravitate to one
specialty but they're not even aware of it--it takes someone else analyzing
their work to even make them realize what their own specialty is!

2. In other cases, photographers who build a successful specialty undermine
themselves by trying to break out of it. They don't WANT to become
typecast. 

However, one of the best things you can do to succeed as a photographer is
EXACTLY what you're advising. Find a niche and become THE photographer in
that niche. We have to remember how photography is bought--if people have a
job, they want the person who's BEST for that job, not some ratty generalist
who says he (or she) can do anything. If you're hiring a wedding
photographer, you want someone who specializes in weddings, loves doing
weddings, and has a great track record of happy customers. Same with
commercial photography. The person doing the hiring wants to look good for
their own boss or client. At the very least, if the shoot turns to sh*t,
they want to be able to say, well, I hired the best person for the job.

If you want to succeed at photography, pick a specialty for which there is a
market and specialize.

Rant mode off,

--Mike


* * * * * * * * * * * * * * * * * * * * * * * * *
Mike Johnston's online articles about photography:
http://www.luminous-landscape.com/m-johnston.htm

http://www.mir.com.my/rb/photography/opinion/mikejohnston/index.htm

http://www.mir.com.my/rb/photography/opinion/html/sharpness.htm
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RE:

2002-01-31 Thread Peifer, William [OCDUS]

Mark Erickson wrote:
 p.s., It was below freezing in the SF Bay area this
 morning  Br

and William Robb replied:
 -34ºC this morning in southern Saskatchewan.
 I think it was -46º up in the Wollaston Lakes region (that would
 be northern Saskatchewan).

HAR!!  +14ºC (58ºF) in Rochester on Sunday, and +13ºC (56ºF) on Monday!  ;-P
Of course, it was snowing wet ice granules by yesterday morning.  Ain't
Great Lakes weather grand?

Bill Peifer
sunny Rochester, NY
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RE: New Pro Fuji

2002-01-31 Thread Paris, Leonard

You can make a pretty nice 11 X 14 with a 3.25MP camera.  I used a Canon D30
for a long weekend and was pleasantly surprised by the 8 X 10 and 11 X 14
prints that I could make using it.  This was setting it at the lowest
sharpness, lowest contrast, and lowest color saturation settings and then
letting PhotoShop take care of the sharpening, if needed.  I didn't run into
the need to adjust colors or contrast at all, though that's a matter of
taste, anyway.  I hope Pentax releases at least a 4MP SLR body, because I
can make prints larger than 11 X 14 with my printer, but a $1200, 3.25MP
body would probably be enough to get me to buy it, if I could use all of my
Pentax lenses with it.  Especially if it worked as well, or better than the
D30.  The only thing that would make me hesitate would be the thought that,
shortly after a 3.25MP body is released, a 4 or 5MP body might quickly
follow.

Len
---

-Original Message-
From: John Glover [mailto:[EMAIL PROTECTED]]
Sent: Wednesday, January 30, 2002 9:27 PM
To: [EMAIL PROTECTED]
Subject: Re: New Pro Fuji


I own a Fuji 6900z, which uses the second generation Super CCD.  The 6900z
had a standard 3.1Mp CCD and give an interpolated image of just a bit over 6
Mp.  However, I tend not to shoot in the 6Mp mode as for most of my shots,
there is no real advantage in quality that I can see.  I rarely make
anything beyond an 8x10, so the 3Mp resolution is generally enough.  The
advantage I see to using the 6Mp mode comes in when you need to crop and
enlarge a photo in Photoshop.  I use Genuine Fractals and I've found the 6
Mp mode give GF plenty of data to work with when setting up a cropped and
enlarged shot.  Beyond that, there is not much advantage to 6Mp...unless you
want to brag about your megapixels!!

Actually, most reviewers equate the resolution in the 6Mp mode to be
equivalent to about 4 to 4.5 Mp in qualityso you guessttimataion of 8 Mp
effective resolution is probably about on the mark.

John

PS -- One really nice thing I've found with Fuji's Super CCD is the colors
are pretty darned good.most photos need very little color correction
work and many times are very good straight out of the camera.  That's nice
if you want to print off a couple of quick shots from your media card at the
local digital kiosk.
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RE: Z-1 dead battery film rewind problem

2002-01-31 Thread Paris, Leonard

Isn't there a small keep alive battery within the Z-1?  If so, it may be
time to replace it. It is needed to keep the camera settings and memory
functions active when the big battery is dead. If the keep alive battery is
dead, and the big battery fails, the camera has no way of knowing where the
film is and the only thing that you can do, in that case, is what you did.

Len
---

-Original Message-
From: Richard Seaman [mailto:[EMAIL PROTECTED]]
Sent: Wednesday, January 30, 2002 9:28 PM
To: [EMAIL PROTECTED]
Subject: Z-1 dead battery film rewind problem


folks,

I had a nasty problem with my Z-1 a few weeks ago.  It started to rewind

and then, almost immediately, stopped and the low battery indication came 
on.  I replaced the battery, but the camera refused to do anything, and I 
ended up having to open the back in the dark and manually rewind the film.  
Everything worked fine from then on.

Any thoughts on why this happened or what I could have done about it, 
beside what I did do?

thanks,

Richard.
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Re: No Pentax digital SLR at PMA=3 F (WAS: Cool colors: blue, purple...)

2002-01-31 Thread Mark Roberts

Kevin Waterson wrote:

Pål wrote:

 However, there are anonymous posting an Japanese Pentax forums that Pentax
 will release a 3Mpix digital slr built around the MZ-S chassis. According
 to this rumor it will be released in March and cost 1200USD (presumably
 in Japan).
 Only time will tell if this information is credible or not...
 
Whats the point of releasing a 3Mp SLR, when 6 is the accepted norm and
now
striving for 8-12? 

After the fiasco of the original MZ-Digital, Pentax realize they need to
get something - ANYTHING - into the digital SLR market quickly to assure
the public thet Pentax is going to remain a vialble system. If they don't
people will start bailing out of the Pentax system in droves. I said last
year that I thought 2002 would be pivotal and I'm even more convinced of
that now. Olympus has killed off its OM line because it's incompatible with
the lens system of their upcoming digital SLR. Contax looks set to get their
N1-D on the market, even if it is late. Only Minolta and Pentax left out
now and I'm sure both have cameras under development. Pentax is at a disadvantage
because of running down a blind alley so long with the original MZ-Digital.
Perhaps they had a less expensive digital SLR on the drawing boards all
along but if not they've only been working on it since  the MZ-Digital was
cancelled in December. If that's the case it's *way* too early to expect
anything at PMA.


-- 
Mark Roberts
www.robertstech.com
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RE: New Pro Fuji

2002-01-31 Thread Mark Roberts

Len Paris wrote:

The only thing that would make me hesitate would be the thought that,
shortly after a 3.25MP body is released, a 4 or 5MP body might quickly
follow.

Well, if you define quickly as being within a year you're going to be
disappointed...whether you buy Pentax or any other brand. We're at the very
beginning of the digital SLR era and the upgrade slope is going to be steep.


-- 
Mark Roberts
www.robertstech.com
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Re: RE:

2002-01-31 Thread David Brooks

Woke up one morning in Longlac Ontario ,winter
of 94,temperature was -56 Celcius,no wind chill.I
got out of the truck,set a stake on the pipe
ditch line and got back into the truck.Now
i can state i worked in -50 tempuratures.
Man that was cold.
(Python QuoteYou were lucky to have -56.We only
had a handful of gravel)LOL

Dave

 Begin Original Message 

From: Peifer, William [OCDUS] [EMAIL PROTECTED]
Sent: Thu, 31 Jan 2002 08:15:06 -0500
To: '[EMAIL PROTECTED]' [EMAIL PROTECTED]
Subject: RE: 


Mark Erickson wrote:
 p.s., It was below freezing in the SF Bay area this
 morning  Br

and William Robb replied:
 -34ºC this morning in southern Saskatchewan.
 I think it was -46º up in the Wollaston Lakes region (that would
 be northern Saskatchewan).

HAR!!  +14ºC (58ºF) in Rochester on Sunday, and +13ºC (56ºF) on 
Monday!  ;-P
Of course, it was snowing wet ice granules by yesterday 
morning.  Ain't
Great Lakes weather grand?

Bill Peifer
sunny Rochester, NY
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 End Original Message 




Pentax User
Stouffville Ontario Canada

Sign up today for your Free E-mail at: http://www.canoe.ca/CanoeMail 
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MZ-S: New, Now, and Nice

2002-01-31 Thread Mike Johnston

 I have a great problem. I have to buy gear for about US$1000. That's not a
 problem, the fact that I won't be able to buy anything more in a long time
 (I'm going to be a father this spring :-) is.
 Ok, this is my one shot. What should I buy. How do I best put my money in
 gear to evolve myself as a photographer?



Having thought more about this, I really think the best course of action
would be to get an MZ-S body. The reason? Well, the smaller the amount of
money, the more likely you'll be able to come up with it in the future. The
larger the amount of money, the less likely you'll be able to see it in one
pile again. Since you've GOT a grand, spend most of it on one thing. The
MZ-S is new, now, and nice--something you can sink your $1000 into that will
really be a pleasure to own. And, ownership of it will continue to be
rewarding for years to come.

--Mike
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Re: Some e-marketing thoughts

2002-01-31 Thread Ken Archer

=20?= .mil
MIME-Version: 1.0
Message-Id: [EMAIL PROTECTED]
Content-Transfer-Encoding: 8bit

I have no problem with what you advocate.  The seller is protecting his 
interest and if he bids too high and wants too much you can dump it on 
him.  As you say, he still has to pay the commission.  Ebay is nothing 
compared to purebred cattle sales.  I once say a quarter/interest in a 
bull sell for $161,000 and there was only one bidder after $90,000.  
That one bidder did not pay any more than he was willing to pay, 
however.

On Thursday 31 January 2002 06:52 am, Paris, Leonard wrote:
 Ken,

 In any auction, live or online, you are always bidding against the
 seller. He can always bid on his own item to keep from selling it for
 less than he wants to get.  Even on eBay.  As long as he is willing
 to pay his percentage to eBay for the transaction.  Some guys have
 more than one USERID just for that purpose.  They'll start out with a
 no reserve auction, with a beginning bid set at $1.00 and watch very
 closely to see that the final price never ends lower than the price
 they want for the item.  There isn't anything illegal about doing
 that, as long as the auctioneer gets his percentage.  In a live
 auction, the seller may be there bidding right along with everyone
 else on his own stuff.  Nobody wants or needs to take a drubbing on
 his own stuff.  The fact that some people do only attests to their
 lack of understanding of auctions.

 Len

 - Original Message -
 From: Ken Archer [EMAIL PROTECTED]
 To: [EMAIL PROTECTED]
 Sent: Wednesday, January 30, 2002 10:51 AM
 Subject: Re: Some e-marketing thoughts

  I, for one, usually don't bid on Reserve Auctions.  That is an
  oxymoron to me.  In an auction, the seller puts an item up for bid
  and a competition between bidders sets the price.  It seems to me
  that you are bidding against the seller in a Reserve Auction and
  really have no idea if you will get the item or just waste your
  time.
-- 
Kenneth Archer + San Antonio, Texas
[EMAIL PROTECTED]   ICQ #24980801
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Digi- SLRs

2002-01-31 Thread Camdir

FinePix S2 Pro digital camera with 12-megapixel resolution developed
(picture)

Fuji Photo Film Co. announced on January 30 the development of a
professional digital camera to feature the highest resolution of 12
megapixels, and SLR finder.

Marketing date nor price were announced as yet.

The sensor is a large-size (23mm x 15.5mm) Super CCD Honeycomb with 6.17
megapixels. Maximum resolution is improved to 4256 x 2848 pixels (12.12
megapixels. Sensitivity is ISO 100, 200, 400, 800 and 1600 (equivalent).

The camera uses Nikon F mount and Nikkor AF lenses. The finder is SLR type .
the monitor is 1.8-inch LCD.

Light metering, autofocusing, exposure controls are virtually the same to a
high grade 35mm AF SLR.

Dimensions are 141.5mm (w) x 79.5mm (d) x 131mm (h), with 760g (body only).

Kind regards

Peter
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Re: New Enlarger Up and Running

2002-01-31 Thread Mike Johnston

 In my prime as a darkroom worker I could make 100 8x10
 prints, all
 from different negatives, in 2 hours.
 
 I presume you using a processor? When I was doing the home lab
 business, I could print 3 - 24 exposure rolls of film, all
 negatives metered, and contrast eyeballed, in an hour. This was
 3x5 or 4x6 prints, but I was tray processing.
 I was never that fast with bigger prints, I was able to produce
 perhaps 20 8x10s per hour.


Nope, hand processing in trays. BW prints, though.

More recently my tendency is to take three or six sheets of newly developed
film into the darkroom, rather casually make 1-8 workprints from each roll,
process them in two or three batches, and not hurry particularly.

I have a strange tendency to stay between 1-8 frames per roll. I hate not
printing ANYTHING from a roll--because it usually means I haven't looked
over the proof sheet carefully enough. But I also dislike printing too much
from a single roll--it, in turn, usually means that I'm not being
discriminating enough.

Of course, that was in my last house. Here, I haven't finished building the
darkroom yet--mainly because this time I'm building a deluxe one, just the
way I've always wanted it. I'm taking my sweet time. And I have about 170
rolls of Tri-X awaiting development!

What can I say, it's been a light shooting year.

--Mike


* * * * * * * * * * * * * * * * * * * * * * * * *
Mike Johnston's online articles about photography:
http://www.luminous-landscape.com/m-johnston.htm

http://www.mir.com.my/rb/photography/opinion/mikejohnston/index.htm

http://www.mir.com.my/rb/photography/opinion/html/sharpness.htm
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Re: Re[2]: English English speakers--OT

2002-01-31 Thread Kristian Walsh

Bedsit = Bed/Sitting room. A type of one-roomed, (very) cheap apartment with
a bed in one corner and a couple of chairs in the other. Maybe a kitchenette
in the third. Toilet (Restroom to Americans) facilites are often shared.
Think of a prison cell with bad wallpaper that you have to pay to live in.

Bedsits feature prominently in When I were a lad... type conversations
concerning college days.

--
Kristian


  To anyone who speaks English English--can you please enlighten me as to
what
   a bedsit is??
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Which enlarging lenses

2002-01-31 Thread Mike Johnston

 Mike,
 Which enlarging lenses worked the best for you and TX?
 Just curious,
 Bob


Hi Bob,
I've always used Rodenstock enlarging lenses. Best lens I ever owned (till
now) was an 80/4 Apo-Rodagon--sweet thing. I used it for everything from
35mm to 2 1/4 square. In recent years I've used a 50mm f/2.8 Rodenstock
Apo-Rodagon-N. My 4x5 lens, when I had one, was a 150mm Schneider (also an
excellent lens), but that's only because I got a really good deal on one
(I'm not a 4x5 guy).

Now I have a Carl Zeiss S-Orthoplanar. There were only 500 of these made,
and when it was last available new in the Zeiss catalog it retailed for
$3,000. Spectacular little lens. It's a 60mm f/4, BTW.

I prefer Rodenstock view camera lenses, too. I really like the Apo-Sironar-S
line. I do have a bit of brand loyalty to Rodenstock--I really think it's
a cut above.

--Mike
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RE: Photography Startup

2002-01-31 Thread Mick Maguire

Pat wrote: Picked up an interesting magazine last week called PICTURE

do they have a web address in the magazine Pat? I'm interested in seeing a
copy.

Regards,
/\/\ick...
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Re: Which enlarging lenses

2002-01-31 Thread Shel Belinkoff

Nice lens ...

Mike Johnston wrote:

 In recent years I've used a 50mm f/2.8 Rodenstock
 Apo-Rodagon-N.
-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/
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RE: No Pentax digital SLR at PMA=3 F (WAS: Cool colors: blue, purple...)

2002-01-31 Thread Rob Brigham

It was shelved in mid-october publicly.  Which means they probably
started on a backup a month or so before that, at least.  Could well be
ready for PMA.  Perhaps the lack of formal announcment is because the
camera is hardly ground breaking in the industry, and they are a bit
embarrassed.  If they dont show anything, that would be even worse
because everyone would be saying 'where is the digital you had last year
- now you have nothing!'

 -Original Message-
 From: Mark Roberts [mailto:[EMAIL PROTECTED]]
 Sent: 31 January 2002 13:29
 To: [EMAIL PROTECTED]
 Subject: Re: No Pentax digital SLR at PMA=3 F (WAS: Cool colors: blue,
 purple...)
 
 
 Kevin Waterson wrote:
 
 Pål wrote:
 
  However, there are anonymous posting an Japanese Pentax 
 forums that Pentax
  will release a 3Mpix digital slr built around the MZ-S 
 chassis. According
  to this rumor it will be released in March and cost 
 1200USD (presumably
  in Japan).
  Only time will tell if this information is credible or not...
  
 Whats the point of releasing a 3Mp SLR, when 6 is the 
 accepted norm and
 now
 striving for 8-12? 
 
 After the fiasco of the original MZ-Digital, Pentax realize 
 they need to
 get something - ANYTHING - into the digital SLR market 
 quickly to assure
 the public thet Pentax is going to remain a vialble system. 
 If they don't
 people will start bailing out of the Pentax system in droves. 
 I said last
 year that I thought 2002 would be pivotal and I'm even more 
 convinced of
 that now. Olympus has killed off its OM line because it's 
 incompatible with
 the lens system of their upcoming digital SLR. Contax looks 
 set to get their
 N1-D on the market, even if it is late. Only Minolta and 
 Pentax left out
 now and I'm sure both have cameras under development. Pentax 
 is at a disadvantage
 because of running down a blind alley so long with the 
 original MZ-Digital.
 Perhaps they had a less expensive digital SLR on the drawing 
 boards all
 along but if not they've only been working on it since  the 
 MZ-Digital was
 cancelled in December. If that's the case it's *way* too 
 early to expect
 anything at PMA.
 
 
 -- 
 Mark Roberts
 www.robertstech.com
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question about the new ZX6

2002-01-31 Thread john vanderaalst

Hi,

has anyone seen the new ZX6 already ?
From the description in the magazines, it looks like a nice camera.
Does it have the mechanical aperture-simulator, in other words can all
old K-mount lenses still be used ?
Does anyone have experience with this new 28-90 zoom that comes wityh
the ZX6 ?
Regards,
John
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Z-1 dead battery film rewind problem

2002-01-31 Thread Tiger Moses

There is a rewind function on the pz-1p dial, where you can force it to 
rewind by going to it and spinning the rear dial.  This probably would have 
worked.
It has no memory so when you switched batteries, it doesn't know it was 
doing anything before then!

At 04:47 AM 1/31/2002 -0500, you wrote:
Date: Wed, 30 Jan 2002 21:28:06 -0600
From: Richard Seaman [EMAIL PROTECTED]
Subject: Z-1 dead battery film rewind problem

folks,

 I had a nasty problem with my Z-1 a few weeks ago.  It started to rewind
and then, almost immediately, stopped and the low battery indication came
on.  I replaced the battery, but the camera refused to do anything, and I
ended up having to open the back in the dark and manually rewind the film.
Everything worked fine from then on.

 Any thoughts on why this happened or what I could have done about it,
beside what I did do?

thanks,

Richard.
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RE: No Pentax digital SLR at PMA

2002-01-31 Thread Mark Roberts

If they dont show anything, that would be even worse
because everyone would be saying 'where is the digital you had last year
- now you have nothing!'

It may be embarassing, but that's what's gonna happen.
I hope they have *something* exciting to show at PMA to celebrate the 50th
birthday of the Asahiflex, but it isn't going to be a digital SLR. They
just haven't had time, even if development began before the MZ-Digital got
cancelled.


-- 
Mark Roberts
www.robertstech.com
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RE: extremely belated January PUG remarks

2002-01-31 Thread Jackie Dowell

Thank you for your comments.  My boring comment related more to 
the fact that I have seen so many pictures of the Falls with
carefully enhanced colour lighting, that the lighting when I was
there seemed blah. (It was all white with occasional yellow or green.)
It does seem odd to be calling something as magnificent as Niagara Falls,
boring.


Jackie 
 
 
 Rainbow Bridge, Jackie Dowell
 This works for me.  The snow adds a lot to this photo, it 
 wouldn't have as 
 much impact without it, and the dead tree would probably just 
 be an eyesore 
 without the ice.  I personally don't find having the tree and 
 the bridge as 
 dual focus points in the shot a problem.  Your comments about 
 the falls 
 being boring colourwise reminds me of the reactions of my 
 non-photographic 
 American workmates who all liked the shots of the American 
 Falls lit up by a 
 rainbow of coloured spotlights, better than any of the other shots.  
 Personally, I thought enhancing the Falls in that way was 
 very, very 
 tacky.  I know that's not necessarily what you were talking 
 about, but the 
 comment just brought that memory back.
 

 
 Richard.
 
 home page:  www.richard-seaman.com
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Animals or Kida?

2002-01-31 Thread MacBurt

In a message dated 1/31/02 9:21:04 AM, [EMAIL PROTECTED] 
writes:

 Subject: Re: Photography Startup

 People pay more to have
 portraits taken of their cat or dog than they would to have portraits of
 their kids.) 

Maybe because the animal shows them more affection and loyalty. Can't think 
of a kid who waits for you to come home, daily. Had a dog for 14 years, kid 
for 21. Ah, those 14 years were wonderful. Had to put the dog down; law 
forbids doing same to kid.

Burt
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Re: English English speakers--OT

2002-01-31 Thread Doug Franklin

A dump. :-)

On Wed, 30 Jan 2002 20:00:01 EST, [EMAIL PROTECTED] wrote:

 But what would someone who speaks Texas English call it?
 
  To anyone who speaks English English--can you please enlighten me as to what
   a bedsit is??


TTYL, DougF KG4LMZ
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RE: No Pentax digital SLR at PMA=3 F (WAS: Cool colors: blue, purple...)

2002-01-31 Thread Mick Maguire

It may well be not too early to expect anything... Like Rob was saying
they may have been working on it since way before December. But also dont
discount the fact that they wouldn't be designing the camera from scratch.
It seems likely that it would be a conversion of the MZ-D design to use an
alternative CCD at a lower resolution. Most of the design being the same or
very similar to the MZ-D.

This is pure speculation, but it seems to me that it could serve several
purposes, such as getting back into the digital SLR market at the same time
as recouping development costs from the MZ-D project. We shouldn't forget
that it seems the MZ-S was designed to be used as the basis for a digital
too, so the design challenges of creating digital SLR's from this chassis
should be greatly reduced.

Regards,
/\/\ick...
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RE: No Pentax digital SLR at PMA=3 F (WAS: Cool colors: blue, purple...)

2002-01-31 Thread gfen

On Thu, 31 Jan 2002, Rob Brigham wrote:
 because everyone would be saying 'where is the digital you had last year
 - now you have nothing!'

Am I the only person who'd be happy with a low end digital SLR that at
least TOOK my K mount lenses?

I'm not planning on using digital for anything or even everything, but
digital sure is convienent. And fun. I still break out my Casio QV-10a,
with its gigantic 320x240 pixel pictures, and I enjoy it immensely.

I'd LOVE to have a CHEAP digital body that accepted my lenses. It wouldn't
have to be anything special, just to knock around with, like all the other
digital PS cameras out tehre.

I can't imagine I'm the only one with these ideas, as well.

-- 
http://www.infotainment.org
 The destructive character is cheerful.  - Walter Benjamin
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RE: Australian Pentax Market Penetration

2002-01-31 Thread dave o'brien

On Thu, 31 Jan 2002, Alan Chan wrote:

 Thank God for my son in Hong Kong, otherwise I would not have been able to
 justify buying my recent acquisitions.
 
 Still one of the cheapest place to buy if you know where.  :)

...and a very expensive place if you don't know where to go...

dave
-- 
dave o'brien - http://www.diaspoir.net
To err is human, to repent, divine, to persist, devilish.
-- Benjamin Franklin
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Why Pentax ? WARNING: long message alert

2002-01-31 Thread Mike Johnston

 Why do you choose or stay in Pentax ?

I got interested in photography seriously in 1980. I considered a Leica R3
but, although I could afford it, I knew I couldn't afford additional lenses.
I ended up buying a Contax 139, which I used all the way through photo
school (I have a BFA in photography from the Corcoran in Washington, D.C.).

I still like Contax. It's the brand that really gets to me. And even
though they do now make a nearly perfect camera--the Aria--they still
don't, and will never, make the two lenses I most want--a 35mm f/2 and an
85mm f/2. 

I switched to Nikon when I joined a professional studio in 1988. All three
of the other photographers shot Nikon. Between them, they had 30 lenses from
15mm to 500mm, 8 bodies, and all sorts of accessories. If I wanted to
share--and, even more importantly, to let them share my stuff--I had to
shoot Nikon too. I ended up getting an F4 and 3 8008s before I was done.

When I quit the studio I bought a Leica M6 as a way of reclaiming my
amateur status, which I was eager to do. Then, when my son was born and I
became, very suddenly, a single parent of an infant, I sold the Leica in
case I needed the money. My consolation prize was an Olympus OM-4T and a
bunch of lenses. I used that camera for four years.

All through these years I used a lot of other cameras because of my work for
photography magazines. Most of those cameras didn't stick around.

I really didn't get into Pentax until just a few years ago, when I was ISO
the perfect 50mm lens. For some reason, I found that most 35mm lenses were
good enough for me--that is, that I liked some better than others but I
really could be happy with any of them. The opposite turned out to be the
case with 50mm lenses. I couldn't really find one I liked. All were sharp,
generally speaking, but many of them had different characters and varying
properties. Finally, I became acquainted with John O'Connell (JCO) on the
Internet, and he loaned me a Spotmatic so I could try the 50/1.4
Super-Multi-Coated Takumar. I've now tried virtually all Leica 50s,
Olympuses, Konicas, Zeisses, Canons and Nikons, and all version of the
Pentax 50/1.4 except the F, and I still think the 50/1.4 Super-Multi-Coated
Takumar is the best 50mm I know of. My favorite, anyway.

By now I've tried many different Pentax bodies and lenses, but as you can
see from the above I'm not a longtime or diehard Pentaxian. I'm more like a
nomad camera junkie who's turned an obsession into something moderately
functional by writing articles about it. s

All through my journey, I've taken black-and-white 35mm pictures. Whatever
the camera, I've gotten good shots with everything. Although I tend to look
at my photographic hobby in terms of different cameras and lenses, most of
the pictures can be seen together seamlessly. *I* might see differences, but
viewers seldom do. 

Recently, I've gotten my first digicam. Also, I recently enabled myself to
buy an ES II. I got a chrome one in *really* nice condition. I really like
it--starting with the premise that I want to shoot TX with the 50mm f/1.4
Super-Multi-Coated Takumar, the ES II seems to be about the most convenient
way to do it for me.

The big question for me is whether to continue my 22 year archive of 35mm
BW negs, or to make the jump across the Digital Divide. I go both ways.
Right now I'm happy with the ES II, continuing to build my darkroom, and
excited about the idea of staying with what I've loved for so long. Then
again, I can't afford a really nice digicam right now. What will happen when
I can? 

Remains to be seen, I guess. In the meantime, I'm a happy screw-head.

Sorry for the long self-indulgent post...

--Mike
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RE: No Pentax digital SLR at PMA? (WAS: Cool colors: blue, purple...),

2002-01-31 Thread Pål Audun Jensen

Mick wrote:


It may well be not too early to expect anything... Like Rob was saying
they may have been working on it since way before December. But also dont
discount the fact that they wouldn't be designing the camera from scratch.
It seems likely that it would be a conversion of the MZ-D design to use an
alternative CCD at a lower resolution. Most of the design being the same or
very similar to the MZ-D.


This is in line with what Pentax stated in the MZ-D cancel press release.
Here it's contents is freely translated from swedish:

Pentax have decided to cancel further development of the [MZ-D shown at 
Photokina] and will instead concentrate on developing a new and competitive 
digital slr.
Based on the experience and knowledge from developing the prototype [MZ-D], 
a new series of competitive models (thats right; modelS) that comply to 
market demands are now being developed.

Pål
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Re: Costa Rica photos

2002-01-31 Thread Maris V. Lidaka, Sr.

The stink bug photo is especially good.

Maris

- Original Message - 
From: Richard Seaman [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Wednesday, January 30, 2002 9:08 PM
Subject: Costa Rica photos


| folks,
| 
| I got back from Costa Rica a couple of weeks ago, and have nearly 
| finished cataloguing the 75 rolls of film I shot there!  If anyone's 
| interested in looking at some of the early results, check here:
| 
| http://www.richard-seaman.com/SiteHistory.html
| 
| Thanks again to those PDMLers who helped me out with some Z-1 hiccups 
| while I was down there!
| 
| Richard.
| 
| home page:  www.richard-seaman.com
| 
| 
| _
| Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp.
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| 
| 
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Re: Costa Rica photos

2002-01-31 Thread Dan Scott

Cool pics. Looks like you had a lot of fun..

Dan Scott
[EMAIL PROTECTED]

folks,

I got back from Costa Rica a couple of weeks ago, and have nearly
finished cataloguing the 75 rolls of film I shot there!  If anyone's
interested in looking at some of the early results, check here:

http://www.richard-seaman.com/SiteHistory.html

Thanks again to those PDMLers who helped me out with some Z-1 hiccups
while I was down there!

Richard.

home page:  www.richard-seaman.com
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Re: No Pentax digital SLR at PMA? (WAS: Cool colors: blue, purple...)

2002-01-31 Thread Dan Scott

Yeah. :(

Let's just bitch about them getting something out the door for right
now...we can gripe about its shortcomings after it clears that first
hurdle.

Dan Scott
[EMAIL PROTECTED]

Whats the point of releasing a 3Mp SLR, when 6 is the accepted norm and now
striving for 8-12?
Well, I suppose you have to start somewhere...

kevin
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Re: Pentax SMC 135 f2.5

2002-01-31 Thread Norman Baugher

It's a beauty...one of my favorites!
Norm
(enabling)

Robert Woerner wrote:

 Someone please buy this lens before I do.  www.keh.com has a K mount SMC 135
 f2.5 for $172.00.  Isn't this a beauty of a lens?
 I'm already pushing the limit with my better half over a recent purchase.
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Re: which one to choose?

2002-01-31 Thread Bruce Dayton

Francis,

Comparing these two bodies is quite a task.  I used to own 2 PZ-1p's
and used them extensively.  I now own 2 MZ-S's so feel I might be able
to do the comparison justice.

On paper, the PZ-1p looks formidable.  It has a large number of
features and high end specifications.  Remember though, that a Canon
Rebel also looks good on paper.

The MZ-S is a departure from the PZ-1p style and perhaps a coming home
to the Pentax style.  It is built more precise and rugged than the
PZ-1p and feels very much that way - more solid and rigid.  It is also
smaller and easier to hold for small to medium hands.  The PZ-1p uses
dials to change settings, much like the Canon bodies and the MZ-S is
much more like using a Super Program or ZX-5n.  You really owe it to
yourself to try both if you can find them, to see what you like.

PZ-1p pluses over MZ-S:
Frame Rate (4.3 vs. 2.5)
Max Flash Synch(1/250 vs. 1/180)
Max shutter speed (1/8000 vs 1/6000)
Price ($480 vs. $800)

MZ-S pluses over PZ-1p
Build quality (metal vs. plastic)
High speed flash synch (up to 1/6000) using AF360FGZ flash
Wireless flash using AF360FG
Faster upgraded Autofocus (6 sensor vs. 1 sensor)
Data imprinting
Vertical grip - includes ability to use AA's

Hopefully this gives you some food for thought.  Neither camera is
bad, just different.  You might prefer on over the other.  There are
some on the list who might be able to give some more comparisons.

Any other questions, don't hesitate to ask.

Bruce Dayton



Thursday, January 31, 2002, 7:11:17 AM, you wrote:

Fdcg Hello to all,

Fdcg I was able to save up about $500 towards purchasing a new camera body and
Fdcg possibly a prime lens.  My two choices (even though one of them is
Fdcg financially out of reach right now)  are the PZ-1P and the MZ-S.

Fdcg If you were in my situation, would you go out today and buy the PZ-1P or
Fdcg wait until you can get more funds (about 3 months) to buy the MZ-S?

Fdcg I've also been reading publications comparing the two cameras.  Why did
Fdcg pentax build the PZ-1P with a faster maximum shutter speed than the MZ-S?
Fdcg Also faster flash-sync, 4-fps vs. 2-fps.

Fdcg What are each cameras advantages and drawbacks?

Fdcg Thank you to all.  Hope to hear from you.


Fdcg Francis M. Alviar
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Re: Some e-marketing thoughts

2002-01-31 Thread Norman Baugher

How do they split the steaks? G
Norm

Ken Archer wrote:
snip I once say a quarter/interest in a bull sell for $161,000 snip
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Why digital SLR's are so expensive....

2002-01-31 Thread Mark Erickson

Compared to point-shoot and pro-sumer digicams, pro-level digital SLR's 
are expensive for the following reasons:

 1) Big, high-quality imaging arrays
 2) Small shutter lag
 3) Really fast shot-to-shot processing
 4) Lots of buffer memory 

The Nikon D1 family, Canon EOS-1D and D30, and Kodak pro-level digital SLR's 
cost between $3000 and at least $6000.  The cost of the Pentax 6MP digital 
was high not only because of the expensive imaging array, but also because 
of the costly electronics required to achieve 3) and 4).  Further, I'll bet 
that Pentax realized that the pro market consists largely of people who 
already have lots invested in their lens system (probably Nikon or Canon) 
and are reluctant to change brands. 

Consider now the true Pentax digital SLR market.  It's us!  Photo 
enthusiasts who appreciate fine equipment but do not have to shoot 24 
consecutive images of John Ashcroft or Michael Jordan in 5 seconds.  I'll 
bet that many of us would be happy with a camera that is more like the 
Olympus E10 and E20.  These cameras have 1) and 2), lack 3) and 4), and cost 
less than $2000.  My ideal Pentax digital SLR has a 4 MPixel imaging array, 
small shutter lag, and K-mount compatibility.  Kind of like an Olympus E10 
that takes K-mount lenses (with the groovy MZ-S operator interface, of 
course) 

 --Mark 
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Re: Spottie Questions (Enablement Needed)

2002-01-31 Thread Shel Belinkoff

Since you won't be using open aperture metering with an M42 camera
except the Spotmatic F, and you'd like an MX, why not just use an MX
with the adapter for screw mount lenses?

Christopher Lillja wrote:
 
 Well, what I guess what I really want is an 
 MX with an M42 lens mount. What the next best thing?

-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/
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Re: No Pentax digital SLR at PMA? (WAS: Cool colors: blue, purple...)

2002-01-31 Thread Mike Johnston

 Whats the point of releasing a 3Mp SLR, when 6 is the accepted norm and now
 striving for 8-12?
 Well, I suppose you have to start somewhere...
 
 kevin


2 mp digicams outsell 3 mps, and 3 mps outsell 4 mps.

And actually, it's the implementation that matters. The more pixels, the
higher the incidence of hot or stuck pixels and noise. Furthermore, the
larger the file sizes, the longer it takes to download into the buffer and
the fewer shots the buffer can hold and the fewer shots fit on any given
size SM or CF card and so forth

More pixels doesn't always mean better. The 3 mp Canon D30 beats the crap
out of the 5 mp Nikon Coolpix 5000 for image quality. (Of course, the D60 is
coming)

Number of pixels is an easy-to-understand measure for most consumers, like
horsepower or top speed. Americans love excess, no matter what it is, and no
matter how contrary to good sense it might be (I mean, why are Extra
Strength pain relievers appealing, when you can just take two of the normal
strength ones and get more medicine than is in one Extra Strength tablet? It
makes no sense. Why is a car with a 165 top speed better than one with a
155 to speed if you'll never drive over 100?). And while it would be foolish
for me to say X number of megapixels is enough--nobody can know where it's
all going to shake out--it's at least true that an infinitely increasing
number of pixels isn't infinitely desirable.

And so far, the 5 mp cameras haven't exactly set the world on fire for image
quality. In many cases they're no better than the 4 mp cameras and in some
cases they're WORSE.

Assuming these rumors about the MZ-Dn g are true at all, Pentax is FAR
smarter to release a 3 mp camera for $1200 than a 6 mp camera for $7000.

It's all about balance

--Mike
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Re: ebay bidding

2002-01-31 Thread robertmeier

In any auction, live or online, you are always bidding against the seller.
He can always bid on his own item to keep from selling it for less than he
wants to get.  Even on eBay.  As long as he is willing to pay his percentage
to eBay for the transaction.  Some guys have more than one USERID just for
that purpose.  They'll start out with a no reserve auction, with a beginning
bid set at $1.00 and watch very closely to see that the final price never
ends lower than the price they want for the item.  There isn't anything
illegal about doing that, as long as the auctioneer gets his percentage.  In
a live auction, the seller may be there bidding right along with everyone
else on his own stuff.  Nobody wants or needs to take a drubbing on his own
stuff.  The fact that some people do only attests to their lack of
understanding of auctions.

This is called 'shill' bidding and is strictly illegal in ebay's rules and
they have thrown people out for it.   They have an investigative team
looking for shill bidding, and there was one case last year when they turned
the whole matter over to authorities and criminal fraud charges were filed.





-- http://USFamily.Net/info - Unlimited Internet - From $8.99/mo! --
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Re: which one to choose?

2002-01-31 Thread thomas

Bruce Dayton [EMAIL PROTECTED] said:

 On paper, the PZ-1p looks formidable.  It has a large number of
 features and high end specifications.  Remember though, that a Canon
 Rebel also looks good on paper.

Ouch!

tv
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Re: Spottie Questions (Enablement Needed)

2002-01-31 Thread Bill D. Casselberry

Christopher wrote:
 
 I'm thinking about getting a real M42 body, and of course 
 a nice Spottie would probably fit the bill nicely.
 
 Here's the thing: which Pentax M42 camera has the best 
 view finder/focusing aids? 

Look for an old H1   ... just a center micro cirrcle and
a slightly different microprism ring around that - against
a plain matte screen. No split image gizmos, meter or any 
other sissy-fy'd modern crap !8^);^) 

Bill

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http://www.orednet.org/~bcasselb
[EMAIL PROTECTED]
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Re: English English speakers--OT

2002-01-31 Thread Cotty

Congrats Tim! Light her up!

A religous experience for me too.

Cheers,

Cotty

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Re: Cool colors: blue, purple...

2002-01-31 Thread Cotty

C'mon  Mike!

Folks, I'm reasonably certain there's not going to be any digital SLR from
Pentax at PMA. So those of you holding your breath, please release it before
you turn a cool color.

You can't whack me with that, without some supporting evidence! Dish me 
some dirt, baby.

Cotty

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Re: Did you see the price on this silly thing?

2002-01-31 Thread William Kane

Man,

   That jumbo spotmatic almost costs as much as a real one that works! 
hopefully no one thought this one would work.

Illinois Bill

Collin Brendemuehl wrote:
 
 http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItemitem=1326756497
 
 What you can't sell on eBay!
 
 *
 Get over it.
   Dr. Laura
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RE: No Pentax digital SLR at PMA=3 F (WAS: Cool colors: blue, purple...)

2002-01-31 Thread Nick Wright

--- gfen [EMAIL PROTECTED] wrote:
 On Thu, 31 Jan 2002, Rob Brigham wrote:
  because everyone would be saying 'where is the
 digital you had last year
  - now you have nothing!'
 
 Am I the only person who'd be happy with a low end
 digital SLR that at
 least TOOK my K mount lenses?

NO! I would also love to have a camera like this. Like
I've said in an earlier post, three MP is more than
enough for the editorial and spot news stuff that I do
(don't think I've ever run a photo more than about
5x7in). For sports I'll still have my good ole pz1p.
As long as it takes all my lenses and my flashes I
will be a happy camper. Actually if it is truly going
to only be about $1,200us I will be an ~extremely~
happy camper. 

Nick
Great stuff seeking new owners in Yahoo! Auctions! 
http://auctions.yahoo.com
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Re: Pentax advert on British BBC TV

2002-01-31 Thread Aaron Reynolds

On Thursday, January 31, 2002, at 04:02  AM, Chris Stoddart wrote:

 Notice that he worked with the 67ii handheld virtually throughout? All
 those people who say you must have a tripod, well this guy doesn't!

I rarely use a tripod.  I've seen a touch of shake in some of my 
images...at 20x30.

You need a tripod with the 67 if

a) you are exceptionally jittery

b) you are using long lenses with it, like the 600 f4

c) you aren't holding the camera properly

d) you need a tripod with your 35mm

Anyone who says otherwise has one of the above problems, or has never 
used the camera.

-Aaron
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Re: degees of tempertature and some pentax content

2002-01-31 Thread Aaron Reynolds

On Wednesday, January 30, 2002, at 09:38  PM, William Robb wrote:

 The LX LED's conked out shortly after the k1000 meter crapped
 out, but the auto exposure kept working. Finally the batteries
 gave out at about an hour and three quarters, and the shutter
 would only work at the higher speeds. I gave up at two and a
 half hours and went home. The LX shutter never did freeze up.

The mirror on my LX became sluggish after about 45 minutes at -30 C, but 
the meter and shutter worked fine until we got tired of the wind and 
went home.

-Aaron
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Who needs a tripod? (was:Pentax advert on British BBC TV)

2002-01-31 Thread Christian Skofteland

Or perhaps is shooting in low light and/or with small apertures and long
(1/15 and longer) exposures.

90% of my 35mm photography is done with a tripod.  I have a big heavy bogen
and I find it indispensable.

Christian Skofteland
[EMAIL PROTECTED]


- Original Message -
From: Aaron Reynolds [EMAIL PROTECTED]


 You need a tripod with the 67 if

 a) you are exceptionally jittery

 b) you are using long lenses with it, like the 600 f4

 c) you aren't holding the camera properly

 d) you need a tripod with your 35mm

 Anyone who says otherwise has one of the above problems, or has never
 used the camera.

 -Aaron
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RE: No Pentax digital SLR at PMA

2002-01-31 Thread Brian Walsh

Mike Johnston wrote: More pixels doesn't always mean better. The 3 mp 
Canon D30 beats the crap out of the 5 mp Nikon Coolpix 5000 for image quality.

The D30 is actually quite a camera. I'd be quite happy if Pentax produced a 
camera as good as the D30--and if I could afford it.

One sticking point for many photographers seems to be that the image sensor 
on most digital cameras is smaller than two frames of old movie stock. The 
full-frame CCD on the new Contax requires a whole new line of lenses; the 
redesign undoubtedly included more than adding autofocus, so the new 
lenses--unlike the excellent older lenses--would provide light paths that 
would work with the large CCD. I really doubt that our existing Pentax 
lenses will ever be useful on a full frame Pentax digital camera.
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Re: which one to choose?

2002-01-31 Thread Tiger Moses

Honest opinion - is YOU dont see some feature the MZ-S has that you 
want/need that the PZ-1p doesn't,
dont blow the extra money!
Not sure if data-imprinting is worth that much extra!

At 12:20 PM 1/31/2002 -0500, you wrote:
From: [EMAIL PROTECTED]
Subject: which one to choose?

Hello to all,

I was able to save up about $500 towards purchasing a new camera body and
possibly a prime lens.  My two choices (even though one of them is
financially out of reach right now)  are the PZ-1P and the MZ-S.

If you were in my situation, would you go out today and buy the PZ-1P or
wait until you can get more funds (about 3 months) to buy the MZ-S?

I've also been reading publications comparing the two cameras.  Why did
pentax build the PZ-1P with a faster maximum shutter speed than the MZ-S?
Also faster flash-sync, 4-fps vs. 2-fps.

What are each cameras advantages and drawbacks?

Thank you to all.  Hope to hear from you.


Francis M. Alviar
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Daylight fill flash with MZ-S and AF-360FGZ?

2002-01-31 Thread Mark Erickson

So I spent a bunch of time last night bonding with my AF-360FGZ.  Cool flash 
and a major step up from my AF-280T!  Everyone's feedback yesterday helped 
me get in tune with the flash user interface.  It's not as bad as I first 
thought, and the wireless capability is really cool!

Of course I have another question I'm really interested in using the 
AF-360FGZ as a daylight fill flash for landscape work (i.e., to emphasize 
foreground elements in the shade).  One way to do this (I think) is to: 

 1) Set the aperture and exposure manually
 2) Turn on the flash and dial in -1.5 exposure compensation
 3) Take the picture 

Now, if I want to bracket, then it looks like I need to do the following 
(say, to underexpose by 1 stop): 

 1) Leave on-camera exposure compensation at 0
 2) Set the aperture and exposure manually to underexpose by 1 stop
 3) Turn on the flash and dial in -2.5 exposure compensation
 4) Take the picture 

Could I also do the following? 

 1) Set on-camera exposure compensation to -1
 2) Set the aperture and exposure manually
 3) Turn on the flash and dial in -1.5 exposure compensation
 4) Take the picture 

Or in Step 3), should I also dial in -2.5?  Hm Ultimately, what I'd 
really like to do is put the system into some kind of daylight fill mode.  
This (possibly mythical) mode would allow me to dial in -1.5 stops exposure 
compensation into the flash, turn it on, and forget about it.  I could then 
shoot in aperture-priority mode, with or without on-camera exposure 
compensation.  If I dial in -1 compensation on-camera, the main exposure 
would be under by one stop and the flash would be under by -1-1.5 = -2.5 
stops.  If I dial in +1 compensation on-camera, the main exposure would be 
over by one stop and the flash would be +1-1.5 = -0.5 stops. 

Can any of the 360FGZ gurus out there help me out? 

Thanks, 

 --Mark 
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SV: Buying new gear, Help!!!

2002-01-31 Thread Petter Jarbo

Thanks all for your help. I've finally made up my mind and put an order
on a MZ-S with FA28-105 4-5.6 and BG10-grip. I got it for aprox. US$1100
in Sweden.

Clive, I agree fully with your take it slow approach, unfortunately I
have to spend everything at ones and in one place.

Collin, mf does appeal to me. Not yet though.

Mike, I read your post right after I made up my mind. You mirrored
almost exactly my thoughts. Thank you for your confirmation.

Bob, I think I can sneak in a film or two without my wife complaining
all that much, an MZ-S on the other hand... One chanse only :-)

I will hopefully be able to scan some of my images to show you all the
outcome of this purchase.

Once again, thank you!

Petter Jarbo
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Re: No Pentax digital SLR at PMA? (WAS: Cool colors: blue, purple...)

2002-01-31 Thread Aaron Reynolds

On Thursday, January 31, 2002, at 04:18  AM, Kevin Waterson wrote:

 Whats the point of releasing a 3Mp SLR, when 6 is the accepted norm and 
 now
 striving for 8-12?

I would imagine in order to offer a low-cost entry level digital SLR 
that mated with their existing lenses.  The quoted $1200 potential 
street price seems quite low, but I haven't been pricing digital SLRs 
lately.  What does something like a D30 go for?

-Aaron
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Re: Why digital SLR's are so expensive....

2002-01-31 Thread Cotty

Consider now the true Pentax digital SLR market.  It's us!  Photo 
enthusiasts who appreciate fine equipment but do not have to shoot 24 
consecutive images of John Ashcroft or Michael Jordan in 5 seconds.  I'll 
bet that many of us would be happy with a camera that is more like the 
Olympus E10 and E20.  These cameras have 1) and 2), lack 3) and 4), and cost 
less than $2000.  My ideal Pentax digital SLR has a 4 MPixel imaging array, 
small shutter lag, and K-mount compatibility.  Kind of like an Olympus E10 
that takes K-mount lenses (with the groovy MZ-S operator interface, of 
course) 

Mark,

You've sold it to me in one! I will order one right now, with deposit, 
just gve me a delivery date!

A Canon D30 with 'Pentax' written on the front, that takes K and K-AF 
lenses will be fine for starters.

Go ahead, Pentax. Make my day!

Cotty

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Re: Pentax Repair Expert in UK

2002-01-31 Thread Cotty

Nice one, thanks very much Rob.

Cotty

Just finished talking to a nice guy in England, he repairs
all makes of cameras but is a confessed Pentax Man.


He can repair/cla.

All Pentax models
Including LX, M Series  old screwmounts.
Winders/drives and flashes
Lenses

He is used by many camera shops in London and knows his stuff


Bill Wright
24 Melbourne Court
Welwyn Garden City
Hertfordshire
AL8 6LL

T:   +44 1707 325726
E:   [EMAIL PROTECTED]


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RE: English English speakers--OT

2002-01-31 Thread Paris, Leonard

Home.

Len
---



On Wed, 30 Jan 2002 20:00:01 EST, [EMAIL PROTECTED] wrote:

 But what would someone who speaks Texas English call it?
 
  To anyone who speaks English English--can you please enlighten me as to
what
   a bedsit is??


TTYL, DougF KG4LMZ
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Re: Who needs a tripod? (was:Pentax advert on British BBC TV)

2002-01-31 Thread Aaron Reynolds

On Thursday, January 31, 2002, at 02:04  PM, Christian Skofteland wrote:

 Or perhaps is shooting in low light and/or with small apertures and long
 (1/15 and longer) exposures.

 90% of my 35mm photography is done with a tripod.  I have a big heavy 
 bogen
 and I find it indispensable.

Yes, and in these situations with the 67, a tripod is also needed.  I'm 
just attacking the too-commonly held assumption that one cannot 
hand-hold the Pentax 67.  It is as easy to hand-hold as a 35mm.

-Aaron
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Re[2]: Why Pentax ? WARNING: long message alert

2002-01-31 Thread Bob Walkden

Hi,

Contax don't have them in their lineup. It goes: 35/1.4 to 35/2.8 and
85/1.4 to nowhere, although there is a 100/2 (discontinued, and a lot
bigger than eg the SMCP M 85/2).

I agree with Mike about this. I have both the 35/1.4 and the 85/1.4,
but they're both very big and it would sometimes be convenient to have
slightly slower, but much smaller, lenses. This is one of the ways in
which Leica Ms score heavily against SLRs. At least with the 35mm lens
you get both small and fast.

---

 Bob  

mailto:[EMAIL PROTECTED]

Thursday, January 31, 2002, 3:56:42 PM, you wrote:

 Mike ...

 For as long as I've known you, which is what, almost two years, you've
 been wishing and hoping for those lenses.  It shouldn't take two years
 to fine a good copy of each. Why don't you have one yet?

 Mike Johnston wrote:

 I still like Contax. It's the brand that really gets to me. And even
 though they do now make a nearly perfect camera--the Aria--they still
 don't, and will never, make the two lenses I most want--a 35mm f/2 and an
 85mm f/2.
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RE: which one to choose?

2002-01-31 Thread Paris, Leonard

So I guess that means that our PZ-1p's are no better than Canon Rebels
because of how they look on paper.  Right?  I guess that means the Nikon
N90s was even worse because the PZ-1p is a better performer than the N90s.
There's a disconnect there somewhere.  My opinion of the Canon Rebel is that
it would make a great ashtray, if you take off the lens.

We shouldn't be making these kind of comparisons.

Len
---

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]]
Sent: Thursday, January 31, 2002 11:42 AM
To: [EMAIL PROTECTED]
Subject: Re: which one to choose?


Bruce Dayton [EMAIL PROTECTED] said:

 On paper, the PZ-1p looks formidable.  It has a large number of
 features and high end specifications.  Remember though, that a Canon
 Rebel also looks good on paper.

Ouch!

tv
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Re: extremely belated January PUG remarks

2002-01-31 Thread Timothy Sherburne

Hi Richard...

Thanks for your comments! This image is cropped up slightly from the
original. Almost everyone has found this picture to be rather intimidating
and scary rather than interesting, but I guess that's better than not
feeling anything at all.

t

On 1/30/02 7:49 PM, Richard Seaman wrote:

 Black Dog, Timothy Sherburne
 The expression on this face doesn't just add to the shot, it is the shot!  I
 like it very much (and I'm not an afficianado, etc, etc).  Did you crop it
 from the original?  I like the cropping, particularly the way the eye is
 nearly at the center of the frame, and so becomes the sole focus of the
 photo.
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RE: No Pentax digital SLR at PMA

2002-01-31 Thread Mark Roberts

-- Original Message --
The full-frame CCD on the new Contax requires a whole new line of lenses;


Nope. Uses the same lenses as the film N1.

the redesign undoubtedly included more than adding autofocus, 

The autofocus redesign was needed to insure the regidity of the focusing
mechanism in order to maintain proper alignment between the lens and the
film plane. Or so Contax claimed. They were always very picky about this
factor, though: They're the ones who made a camera (the RTS III) with a
vacuum film pressure plate.

so the new lenses--unlike the excellent older lenses--would provide light

paths that would work with the large CCD. 

?? 
Contax is able to use the same lenses with the digital and film versions
of their SLR. The light path is the same: The light goes from the back
of the lens to the front of the film/CCD.

I really doubt that our existing Pentax lenses will ever be useful on a

full frame Pentax digital camera.

This has already been done with the MZ-Digital in prototype form. The issues
were heat generation/dissipation, competetive pricing in a rapidly changing
marketplace and availability of the Philips CCD.



-- 
Mark Roberts
www.robertstech.com
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Re: Why Pentax ? WARNING: long message alert

2002-01-31 Thread Shel Belinkoff

Yeah ... but Mike's been wanting the Pentax lenses for quite a while. 
At one point he was after my M85/2.0 ...

Of course, you get no disagreement wrt the leica glass.  In fact, I'm
toying with the idea of a 35/1.4 ... but that's after a scanner and a
computer upgrade and some dental work, and car repairs, and home
repairs, and a new refrigerator ... not necessarily in that order.

But, back to the SLR glass for a moment.  While the Contax 35/1.4 is
big, as would a pentax 35/1.4 be, there are still times when it could
come in handy.  After all, the 85/1.4 is a mutha, and I often prefer the
K85/1.8 as the best compromise between size and image quality, still
there are times when it comes in handy.  I'd go for a Pentax 35/1.4 in a
heartbeat - after a scanner and a computer upgrade and some dental work,
and car repairs, and home repairs, and a new refrigerator ... and a
Leica 35/1.4 g 

Bob Walkden wrote:
 
 Hi,
 
 Contax don't have them in their lineup. It goes: 35/1.4 to 35/2.8 and
 85/1.4 to nowhere, although there is a 100/2 (discontinued, and a lot
 bigger than eg the SMCP M 85/2).
 
 I agree with Mike about this. I have both the 35/1.4 and the 85/1.4,
 but they're both very big and it would sometimes be convenient to have
 slightly slower, but much smaller, lenses. This is one of the ways in
 which Leica Ms score heavily against SLRs. At least with the 35mm lens
 you get both small and fast.
 

  Mike ...
 
  For as long as I've known you, which is what, almost two years, you've
  been wishing and hoping for those lenses.  It shouldn't take two years
  to fine a good copy of each. Why don't you have one yet?

-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/
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RE: No Pentax digital SLR at PMA

2002-01-31 Thread Alexander Krohe

...
I really doubt that our existing Pentax 
lenses will ever be useful on a full frame Pentax
digital camera.


Why? What would prevent these lenses from being used
on a full frame digital camera?

Alexander
Great stuff seeking new owners in Yahoo! Auctions! 
http://auctions.yahoo.com
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Re: Z-1 question: built in and dedicated flash

2002-01-31 Thread Carlos Royo

Richard Seaman wrote:
 
 folks,
 
 Can a Z-1's built-in flash be used simultaneously with a 500FTZ mounted
 on the hotshoe?  My Z-1 (nb: not a PZ-1 or PZ-1p) doesn't want to release
 the shutter when I attempt this.
 

Yes, it can. You can even use contrast control flash with that setup.
If it doesn't fire, check the contacts of the hot shoe, and also check a
Pentax function (i don't remember the number, perhaps it is function 9)
which prevents the RTF from firing if the lens is smaller than 35 mm.
Good luck.

--
Carlos Royo
[EMAIL PROTECTED]
Zaragoza (Aragon) - Spain
--
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ME-F 35-70 F2.8 AF on ebay

2002-01-31 Thread Brendan

ME-F 35-70 F2.8 AF on ebay, 

http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItemitem=1327461304

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Re: English English speakers--OT

2002-01-31 Thread Tim Engel

- Original Message -
From: Cotty [EMAIL PROTECTED]
To: Pentax List [EMAIL PROTECTED]
Sent: Thursday, January 31, 2002 12:07 PM
Subject: Re: English English speakers--OT


 Congrats Tim! Light her up!

Cotty,

I suppose recognizing those lines betrays my age.   Old enough to appreciate
the Moody Blues but young enough to remember them...  or anything...
whoever it was we were talking about.

Ahhh-hmmm-lessee...  trade the stogie for a Guinness?   Next time I visit
Her Majesty's soil...  or, actually,  that would be the first time...
well, sometime then.   ?

Tim
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Re: No Pentax digital SLR at PMA

2002-01-31 Thread Fred

...
 I really doubt that our existing Pentax 
 lenses will ever be useful on a full frame Pentax
 digital camera.
 

 Why? What would prevent these lenses from being used
 on a full frame digital camera?

Yes indeed, ~please~ tell us why.  (Inquiring minds want to know.)
~I~ certainly hope that your pessimistic statement is wrong - ~I~
(and many others here on the PDML) have a sizeable investment in
Pentax glass that I/we have been expecting to be able to eventually
put to use on a full-frame 35mm format dSLR.

Fred
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Re: ME-F 35-70 F2.8 AF on ebay

2002-01-31 Thread Fred

 ME-F 35-70 F2.8 AF on ebay, 

 http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItemitem=1327461304

...but the lens doesn't work.

Fred
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RE: ME-F 35-70 F2.8 AF on ebay

2002-01-31 Thread Mick Maguire

what's the betting that they tried it on a body other than an ME-F to decide
that it didn't work?

Regards,
/\/\ick...
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Re: Photography Startup

2002-01-31 Thread Pat White

Mick, I don't see a website listed, but PICTURE's e-mail address is [EMAIL PROTECTED] .  
You might find a copy at Chapters.  It's a glossy magazine, 74 pages, with some useful 
articles.

Pat White
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RE: ME-F 35-70 F2.8 AF on ebay

2002-01-31 Thread Brendan

My thoughts exactly, from the sounds of it he tried it
on a regular AF body expecting it to AF.

--- Mick Maguire [EMAIL PROTECTED] wrote:
 what's the betting that they tried it on a body
 other than an ME-F to decide
 that it didn't work?
 
 Regards,
 /\/\ick...
 -
 

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Re: New Enlarger Up and Running

2002-01-31 Thread William Robb

- Original Message -
From: Mike Johnston
Subject: Re: New Enlarger Up and Running




 Of course, that was in my last house. Here, I haven't finished
building the
 darkroom yet--mainly because this time I'm building a deluxe
one, just the
 way I've always wanted it. I'm taking my sweet time. And I
have about 170
 rolls of Tri-X awaiting development!

With luck, we are doing a home renovation this year, adding a
second story to the old bungalow, and possibly adding a 12 foot
or so extension.
She who must be obeyed has indicated that I can have the entire
rumpus room (what is a rumpus?) to convert into a darkroom. I
will have about 12x24 feet of space at my disposal, if I so
desire. This means I can actually have a film processing area
separate from my printing area.
I am quite excited about this.

William Robb
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Re: Who needs a tripod? (was:Pentax advert on British BBC TV)

2002-01-31 Thread William Robb

- Original Message -
From: Aaron Reynolds 
Subject: Re: Who needs a tripod? (was:Pentax advert on British
BBC TV)




 Yes, and in these situations with the 67, a tripod is also
needed.  I'm
 just attacking the too-commonly held assumption that one
cannot
 hand-hold the Pentax 67.  It is as easy to hand-hold as a
35mm.

Personally, I find the 6x7 easier to handhold than a 35mm.

William Robb
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Spottie Enablement

2002-01-31 Thread Christopher Lillja

Since you won't be using open aperture metering with an M42 camera
except the Spotmatic F, and you'd like an MX, why not just use an MX
with the adapter for screw mount lenses?

Hi Shel,

I may do just that. (Get an MX!) 

But really, I'm more interested in auto-diaphram action with M42 lenses than any sort 
of metering. You don't get that with the M42/K adapter. Stop-down metering would be 
fine. Like I said, I can live without any TTL metering at all if the trade-off will 
get me a high quality finder and reliable mechanics in a moderate size body.






Christopher Lillja
Publications Coordinator
The Pennington School
www.pennington.org
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Re: New Enlarger Up and Running

2002-01-31 Thread thomas

From:   Frantisek Vlcek [EMAIL PROTECTED]
 
 tbc I think this should read, It (exposure) doesn't change with the
 Saunders (VCCE) enlargers because
 
 Please correct me if I am wrong, but, when changing from M to C
 filters (or which one is for VC paper), shouldn't the exposure for
 every grade be fairly constant, as I start somewhere at 0,90 and end
 at 90,0 ? (roughly. e.g. my head and agfa mc need slightly diff.
 filtr.). If cyan and magenta have same density, shouldn't this work?
 Or am I missing something ;-) ?

It's magenta and yellow.

I don't know if the filters have the same density, but I don't think 
that's the normal procedure anyway (if I understand what you're 
saying). Generally, at least when I use one, you start at a given 
guess for contrast. If you need more or less, you just subtract or 
add units. If it's a dichro head this addition or subtraction of 
filtration will change the exposure by an amount that is generally 
unknown.

If you're using a VCCE head, the change will have no effect on 
exposure.

Does this make any sense? 

tv
-- 
Thomas Van Veen Photography
301-758-3085
www.bigdayphoto.com
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Re: Looking for P50 manual

2002-01-31 Thread Jim Moniz

I've sent it to  you in pdf format...
Jim
- Original Message - 
From: Ivan Imhof [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Tuesday, January 29, 2002 2:38 AM
Subject: Looking for P50 manual


 Hello,
 
 I have just bought a P50. Most of the functions are clear and obvious but
 some of theme I couldn't find out...
 Could anybody help me where can I find a P50 manual? Preferably for free
 of charges and electronic format (HTML, PDF, etc.)... :)
 
 Thanks!
 
 Ivan
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Darkroom exp. meters

2002-01-31 Thread Frantisek Vlcek

Hi,
   After moved to dichro  VC-BW printing with a colour head, I finally
   think about getting some simple exp meter for the darkroom.

   Can you please give me some hints on the technique?

   And also for a good cheap meter - I just saw a Jobo Comparator for
   sale used, and a similar one is the Ilford. Are they any good?

   Thanks!
   
Good light,
 Frantisek Vlcek
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RE: extremely belated January PUG remarks

2002-01-31 Thread Frits J. Wüthrich

Thanks for the comments. No, it wasn't hazy actually, but the sunlight
coming from the back coloured the scene. I had to wait for the surfer to
come into the frame together with the sun, so there was quite some timing
involved. All other shots made of this surfer show him standing on the
board, however they looked a bit less attractive, the sail was to straight
up, and the sun was somewhat higher. A little later it was all over, the sun
was gone and so was the beauty of the moment. I had to crop the picture to
get the framing I wanted, I didn't had my 1.7 teleconverter at the time of
the shot yet.

Frits Wüthrich


Richard Seaman wrote:
 Sunset Surfer, Frits Wüthrich
 A very satisfying shot to my way of thinking.  If he'd actually
 been on his
 board then it might have been perfect!  I'm amazed that the light
 from the
 sun matches the rest of the shot so closely, is that because it was hazy?
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Re: Australian Pentax Market Penetration

2002-01-31 Thread Kevin Waterson

On Fri, 1 Feb 2002 09:39:45 +1000
John Coyle [EMAIL PROTECTED] wrote:

 I should also say thank you to Dave for pointing me in the direction of the 
 (seemingly) only serious Pentax dealer in Hong Kong!

Which is?

Kevin
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PUG Gallery...

2002-01-31 Thread Kevin Waterson

What is the deal with the PUG Gallery?
How are images submitted?
Who may submit images?
I there a set topic?
etc etc

Kevin
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RE: Spottie Questions (Enablement Needed)

2002-01-31 Thread Paul M. Provencher

Christopher,

The late screw mount Pentax cameras generally had the best viewfinders.  That includes 
the ESII, Spotmatic F, and even the Spotmatic
II.  If you happen to have SMC lenses, you may wish to consider the ESII (automatic) 
or Spotmatic F, although the Spotmatic II will
work just as well but without automation or open-aperture metering (you'd be stopping 
down).

The factory offered a range of optional screens.  I have split image and plain matte 
screens in a couple of mine.  The microprism is
OK for some things, as are the other two for various applications.  No one screen is 
perfect for everything.  The combined split
with microprism found in some cameras is a nice nod in that direction but it was not a 
catalog offering for the Spotmatic cameras.
Recent eBay evidence suggests that screens can still be fitted to these cameras for 
affordable prices so that may be an option.

As for deciding between the three cameras suggested above?  Personal preference.  I 
think this enters into opinion.  I don't know if
there will be a lot of dispute on this point but the Spotmatic II is probably the 
least complex and most reliable.  The Spotmatic F
comes next in that category, just for the meter system being more complex, less 
reliable and somewhat ill designed (it is ON if
the lens cap is removed.

The ESII (when you find a good one, which isn't too hard, but not guaranteed) is a 
great camera and can be trusted to make good
automatic exposures with judicious use, and has the added benefits of open-aperture 
metering and shutter speed displayed in the
viewfinder.

I think that is probably enough from me as now the disputes will begin!  Just my 
opinion.

ppro

http://whitemetal.com/pentax/index.htm


 -Original Message-
 From: [EMAIL PROTECTED]
 [mailto:[EMAIL PROTECTED]]On Behalf Of Christopher Lillja
 Sent: Thursday, January 31, 2002 12:08 PM
 To: [EMAIL PROTECTED]
 Subject: Spottie Questions (Enablement Needed)



 As I have been building my Pentax system I have found some screw mount lenses to be 
great value for the money. I
 generally use them on a beat up ME with a M42/KM adapter. I'm thinking about getting 
a real M42 body, and of course a
 nice Spottie would probably fit the bill nicely.

 Here's the thing: which Pentax M42 camera has the best view finder/focusing aids? 
I've read all the major pages on the
 topic and little is mentioned about the various finders. I would happily trade TTL 
metering for a really good finder or
 perhaps a really small (ME like) chassis...

 I have a K1000 and I find the little tiny microprisim dot in the middle of the 
ground glass not much fun to use. I love
 the finder on the ME, and I could live with something in between those two. I'm 
happy with the viewfinder brightness of
 both cameras, BTW.

 Now remain calm please, I have also looked at information on many M42 cameras, some 
(gulp) non-Pentax. If anyone has some
 suggestions along these lines, feel free to answer me off-list.

 Well, what I guess what I really want is an MX with an M42 lens mount. What the next 
best thing?

 Christopher Lillja
 Publications Coordinator
 The Pennington School
 www.pennington.org
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Re: Spottie Questions (Enablement Needed)

2002-01-31 Thread Mike Johnston

 Here's the thing: which Pentax M42 camera has the best view finder/focusing
 aids? I've read all the major pages on the topic and little is mentioned about
 the various finders. I would happily trade TTL metering for a really good
 finder or perhaps a really small (ME like) chassis...


I've had an SP, SP500, SPII, F, and now ESII, and I find the SPII and ESII
easiest to focus.

--Mike
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Re: Spottie Questions (Enablement Needed)

2002-01-31 Thread John Poirier

Hi-
None of the Spotmatics have particularly wonderful finders in my opinion.  I
have an F, a 1000, and an original.  I love 'em anyhow.

You may want to take a look at Fujica ST701 and ST801 bodies.  I haven't had
my hands on either for many years, but owned both in the late seventies-
used mainly with SMC Tak lenses.  It seems to me that their finders were
brighter than Pentax, and they were pretty solid mechanically speaking.  The
ST801 in particular is interesting because its meter technology was very
advanced for the time.  It used a silicon blue cell with an LED readout
something like the MX.  The ST701 was around for quite a while and I think
evolved over the years, so there may be variations in finder brightness
depending on when manufactured.

Fuji also made the ST901, their answer to the ES, with a wildly innovative
meter readout for the day- digitial numerical readout of shutter speed.
Described as a gimmick that would never go anywhere by a contemporaneous
Consumer Reports review.  Nice chunk of gadgetry, but aperture priority only
on auto and no meter on manual.  Can't guess about reliablility.  I owned
one of those as well and enjoyed it.

Good luck!

- Original Message -
From: Christopher Lillja [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: January 31, 2002 10:08 AM
Subject: Spottie Questions (Enablement Needed)


 As I have been building my Pentax system I have found some screw mount
lenses to be great value for the money. I generally use them on a beat up ME
with a M42/KM adapter. I'm thinking about getting a real M42 body, and of
course a nice Spottie would probably fit the bill nicely.

 Here's the thing: which Pentax M42 camera has the best view
finder/focusing aids? I've read all the major pages on the topic and little
is mentioned about the various finders. I would happily trade TTL metering
for a really good finder or perhaps a really small (ME like) chassis...

 I have a K1000 and I find the little tiny microprisim dot in the middle of
 the ground glass not much fun to use. I love the finder on the ME, and I
could live with something in between those two. I'm happy with the
viewfinder brightness of both cameras, BTW.

 Now remain calm please, I have also looked at information on many M42
cameras, some (gulp) non-Pentax. If anyone has some suggestions along these
lines, feel free to answer me off-list.

 Well, what I guess what I really want is an MX with an M42 lens mount.
What the next best thing?

 Christopher Lillja
 Publications Coordinator
 The Pennington School
 www.pennington.org
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Re: Z-1 dead battery film rewind problem

2002-01-31 Thread Kenneth Waller

Rich, I've got a similar concern with a PZ1P. It is intermittent and has
been back to Pentax Colorado three times. They have advised that they can
find nothing wrong. I've sent them the body after I've removed the film. The
condition reappeared last week on a shoot - at about the 13th frame the film
wouldn't advance and I couldn't get the film to rewind - the symbol for a
rewound roll was blinking. The battery was fine, no blinking symbol to
replace. This time I'm sending the body to them with the film in place in
the body, hoping it will help them to diagnosis the concern. I'm in the Auto
Industry and intermittent concerns are the hardest to diagnosis.
Ken Waller
- Original Message -
From: Richard Seaman [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Wednesday, January 30, 2002 10:28 PM
Subject: Z-1 dead battery film rewind problem


 folks,

 I had a nasty problem with my Z-1 a few weeks ago.  It started to
rewind
 and then, almost immediately, stopped and the low battery indication came
 on.  I replaced the battery, but the camera refused to do anything, and I
 ended up having to open the back in the dark and manually rewind the film.
 Everything worked fine from then on.

 Any thoughts on why this happened or what I could have done about it,
 beside what I did do?

 thanks,

 Richard.

 home page:  www.richard-seaman.com


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