Re: Gallery Rejects

2008-06-21 Thread Toine
The photos I remember being rejected:

http://www.repiuk.nl/declinedbypentax

Please don't copy these ugly pictures to a new declined by pentax site.
I like to think the judges have bad taste, grab my camera and start
having fun :)

Toine

On Sat, Jun 21, 2008 at 2:14 AM, Rebekah [EMAIL PROTECTED] wrote:
 I remember seeing a thread a while back inviting people to share
 photos that had not been accepted into the Pentax Gallery.  I was
 hoping to start up another one - if anyone is willing to share, maybe
 we can share our rejects. :) Also, with your permission, I'd like to
 throw up all the photos on a Picasa (or similar free photo site) for a
 permanent rejected Pentax gallery photos.  Just some thinking.
 Anyways, I'd love to see any rejected photos, I have several that I'll
 share here, some of which I'm quite proud of and not really bothered
 by my rejection.

 http://picasaweb.google.com/rg2pdml/Rejected?authkey=D2mjrpyoBi0

 Additionally, if anyone would take the time to critically help me on
 my rejects, or anyone else who chooses to share, I'd love that.  I'm
 sure there's zillions of 'rejected' photos that are very good, and
 maybe some also that can use the vast experience here to improve.

 rg2

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PESO: Landscape School of Photography

2008-06-21 Thread David Savage
G'day All,

One from today for your consideration (~150kb)

http://farm4.static.flickr.com/3082/2597448874_777e8c7568_o.jpg

K20D, DA 10-17mm f3.5-4.5 FE @ 10mm, 1/125 @ f5.6, ISO 400.

Any  all comments welcome.

CHeers,

Dave

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Stroomi forest: K20D expanded dynamic range

2008-06-21 Thread Roman Melihhov
http://roman.blakout.net/?year=2008s=0category=landscapeblog=20080613161812
^^^ Previously with K100D I'd probably just shoot fork and build a HDR, 
sometimes shot underexposed and applied tone mapping but K20D expanded 
DR really gives range expansion. It's hard to measure whether it's 
claimed 200% or less but I know it when I see blue sky, not just washed 
out white through the dark forest foliage. Shot in vibrant color mode 
here and this too shows...





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Re: PESO: Landscape School of Photography

2008-06-21 Thread Bruce Walker
David Savage wrote:
 One from today for your consideration (~150kb)

 http://farm4.static.flickr.com/3082/2597448874_777e8c7568_o.jpg
   

This photo is currently unavailable.


-bmw

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Re: PESO: Landscape School of Photography (Link updated)

2008-06-21 Thread David Savage
Sorry folks. I updated the shot  re posted it to Flickr  that
changes the image URL

So here is the correct link.

G'day All,

One from today for your consideration (~150kb)

http://farm4.static.flickr.com/3082/2597448874_705f0f56eb_o.jpg

K20D, DA 10-17mm f3.5-4.5 FE @ 10mm, 1/125 @ f5.6, ISO 400.

Any  all comments welcome.

Cheers,

Dave

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Re: PESO: Landscape School of Photography

2008-06-21 Thread David Savage
2008/6/21 Bruce Walker [EMAIL PROTECTED]:
 David Savage wrote:
 One from today for your consideration (~150kb)

 http://farm4.static.flickr.com/3082/2597448874_777e8c7568_o.jpg


 This photo is currently unavailable.

I updated the image  it changed the link. Here it is again:

http://farm4.static.flickr.com/3082/2597448874_705f0f56eb_o.jpg

Cheers,

Dave

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Re: PESO: Landscape School of Photography

2008-06-21 Thread drew
David Savage wrote:
 2008/6/21 Bruce Walker [EMAIL PROTECTED]:
 David Savage wrote:
 One from today for your consideration (~150kb)

 http://farm4.static.flickr.com/3082/2597448874_777e8c7568_o.jpg

 This photo is currently unavailable.
 
 I updated the image  it changed the link. Here it is again:
 
 http://farm4.static.flickr.com/3082/2597448874_705f0f56eb_o.jpg
 
 Cheers,
 
 Dave
 

Well done, you kept the horizon horizontal...

Drew.


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Re: FS: Pentax DA 18-55

2008-06-21 Thread Carlos Royo
I will send you a detailed user report to your e-mail, Jaume.

Carlos

Jaume Lahuerta escribió:
 Great!
 
 So, how does it compare to the Ds regarding AF? (specially low light)
 Do you see any improvement?
 
 I am considering the K20D that should be equal or slightly better than the 
 K10D in this department...
 
 Thanks,
 Jaume
 

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Re: PESO: Landscape School of Photography

2008-06-21 Thread Brian Walters

On Sat, 21 Jun 2008 11:30:16 +0100, drew
  2008/6/21 Bruce Walker [EMAIL PROTECTED]:
  David Savage wrote:

  I updated the image  it changed the link. Here it is again:
  
  http://farm4.static.flickr.com/3082/2597448874_705f0f56eb_o.jpg
  
  Cheers,
  
  Dave
  
 
 Well done, you kept the horizon horizontal...
 



Bugger - wish I'd said that..



Cheers

Brian

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Re: PESO - Black-headed gull

2008-06-21 Thread Tim Øsleby
I agree, but I disagree. A lot technically excelent photos are made at
Østensjøvannet. Some of them are interesting too.
But this has something else, this is a moment of interaction. This
picture tells a  story.

Give yourself a break, my friend.
Pet your left shoulder, you deserve it :-)

MaritimTim

2008/6/13 AlunFoto [EMAIL PROTECTED]:
 2008/6/12 Christine  Aguila [EMAIL PROTECTED]:
 Jostein:  I like the interaction between the birds:  Bit of an
 understatement here, don't you think!  The interaction is fantastic. I can
 just imagine the bubble text!  Jostein, I think you caught the ornithologic
 decisive moment ;-)  Cheers, Christine

 LOL thanks Christine,

 I took about 50 shots last night. This one was the last one before the
 batteries ran out of juice, so it was a lucky catch in that way... :-)

 The site is a fantastic place to practice bird photography. A highly
 productive lake in the middle of an Oslo suburb, protected as a
 freshwater nature reserve, and with its own passionate fan-club:
 http://www.ostensjovannet.no/ (norwegian only...).

 The stationary birds there are accustomed to human presence, and have
 a soothing effect on the passing migratory species in spring and
 autumn as well.

 If you just knew the general quality of photos produced at this site,
 you'd know that mine would barely pass as acceptable. :-)

 But it's a nice start for a lens ownership, I think! :-)

 Jostein


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Re: Double Click AF?

2008-06-21 Thread Tim Øsleby
I don't know. But my guess is that this is a misinterpretation of the
double check AF.

MaritimTim

2008/6/15 Jack Davis [EMAIL PROTECTED]:
 Was scanning dp forum, yesterday, and saw a couple posts which referred to 
 K20D double click AF..without explanation.
 Anyone know what this is about?

 Thanks,

 Jack




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Re: GESO: Cadiz

2008-06-21 Thread mike wilson

 
 From: Derby Chang [EMAIL PROTECTED]
 It's always a good sign when I get to the end of a gallery 
 and click madly hoping there is more.

Mark!


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Re: Double Click AF?

2008-06-21 Thread Jack Davis
Yeah, or something to do with accessing AF info.(?)

Thanks, Tim.

Jack


--- On Sat, 6/21/08, Tim Øsleby [EMAIL PROTECTED] wrote:

 From: Tim Øsleby [EMAIL PROTECTED]
 Subject: Re: Double Click AF?
 To: Pentax-Discuss Mail List pdml@pdml.net
 Date: Saturday, June 21, 2008, 5:48 AM
 I don't know. But my guess is that this is a
 misinterpretation of the
 double check AF.
 
 MaritimTim
 
 2008/6/15 Jack Davis [EMAIL PROTECTED]:
  Was scanning dp forum, yesterday, and saw
 a couple posts which referred to K20D double click
 AF..without explanation.
  Anyone know what this is about?
 
  Thanks,
 
  Jack
 
 
 
 
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Re: Re: GESO: Cadiz

2008-06-21 Thread mike wilson

 
 From: Brian Walters [EMAIL PROTECTED]
 Date: 2008/06/20 Fri PM 10:48:46 GMT
 To: Pentax-Discuss Mail List pdml@pdml.net
 Subject: Re: GESO: Cadiz
 
 On Fri, 20 Jun 2008 18:43:37 +0200, Juan Buhler [EMAIL PROTECTED]
 said:
  http://www.jbuhler.com/photos/index.php?album=cadiz
 My favourite of the Cadiz work is IMG_1068.jpg - but what on earth is
 that guy pointing at you?  That looks pretty scary.

That's a mains-powered hot-melt glue gun and, in skilled hands, it can indeed 
make a real mess of you.


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Re: PESO: Landscape School of Photography

2008-06-21 Thread P. J. Alling
Quoth Flickr: This photo is suddenly unavailable.

David Savage wrote:
 G'day All,

 One from today for your consideration (~150kb)

 http://farm4.static.flickr.com/3082/2597448874_777e8c7568_o.jpg

 K20D, DA 10-17mm f3.5-4.5 FE @ 10mm, 1/125 @ f5.6, ISO 400.

 Any  all comments welcome.

 CHeers,

 Dave

   


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Re: PESO: Landscape School of Photography (Link updated)

2008-06-21 Thread P. J. Alling
I've been noticing a common thread in your photography, you spend a lot 
of time in Pubs...

David Savage wrote:
 Sorry folks. I updated the shot  re posted it to Flickr  that
 changes the image URL

 So here is the correct link.

 G'day All,

 One from today for your consideration (~150kb)

 http://farm4.static.flickr.com/3082/2597448874_705f0f56eb_o.jpg

 K20D, DA 10-17mm f3.5-4.5 FE @ 10mm, 1/125 @ f5.6, ISO 400.

 Any  all comments welcome.

 Cheers,

 Dave

   


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Re: GESO: Cadiz

2008-06-21 Thread P. J. Alling
I have a hot glue gun, and I'm not afraid to use it!

mike wilson wrote:
 From: Brian Walters [EMAIL PROTECTED]
 Date: 2008/06/20 Fri PM 10:48:46 GMT
 To: Pentax-Discuss Mail List pdml@pdml.net
 Subject: Re: GESO: Cadiz

 On Fri, 20 Jun 2008 18:43:37 +0200, Juan Buhler [EMAIL PROTECTED]
 said:
 
 http://www.jbuhler.com/photos/index.php?album=cadiz
   
 My favourite of the Cadiz work is IMG_1068.jpg - but what on earth is
 that guy pointing at you?  That looks pretty scary.
 

 That's a mains-powered hot-melt glue gun and, in skilled hands, it can indeed 
 make a real mess of you.


 -
 Email sent from www.virginmedia.com/email
 Virus-checked using McAfee(R) Software and scanned for spam


   


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PESO: K20D Extended Dynamic Range

2008-06-21 Thread Paul Stenquist
To Roman's point about extended dynamic range. I shoot in that mode  
almost continuously. About the only time I turn it off is if I need  
ISO 100 or 6400, and those times are rare. I've noticed considerably  
improvement in dynamic range over the K10D, but I was still surprised  
to see sky tones in this shot. In fact, I cropped it to leave a touch  
of blue at the top, although the part of the sky in frame was  
primarily white cloud. Thought it would be a complete burnout. There  
is a bit of flash fill here, which helps by boosting the foreground.  
But it's minimal as the shot is at 135mm, and the subject is quite  
distant. f3.2, 1/1250, ISO 200.
http://photo.net/photodb/photo?photo_id=7434474

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RE: Gallery Rejects

2008-06-21 Thread Bob W
 
 http://picasaweb.google.com/rg2pdml/Rejected?authkey=D2mjrpyoBi0
 
 Additionally, if anyone would take the time to critically help me on
 my rejects, or anyone else who chooses to share, I'd love that.  I'm
 sure there's zillions of 'rejected' photos that are very good, and
 maybe some also that can use the vast experience here to improve.
 

The RPS holds workshops for people submitting portfolios in the hope
of a distinction. I went to a couple of these before I got the first
distinction. They discuss the type of thing they reject straight away,
and this may also help you. Commonplace subjects like flowers,
children, lions in Africa - the kind of thing that can be well
composed, focussed, exposed etc. but is no different from hundreds of
others they've been looking at since the 19th century. If you choose a
commonplace subject it's not enough for the photos to be very good,
they have to be outstanding. The ones in your gallery are good, but
they're not outstanding.

Alternatively, they judges could be like the curators who rejected the
Impressionists, failing to recognise the new wave. The Impressionists
also established a Salon des Refuses. But if you think that you are in
that position, be careful - you could be suffering from the Van Gogh
fallacy.

Bob


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Re: PESO: K20D Extended Dynamic Range

2008-06-21 Thread Jack Davis
Spot metered on Grace, or matrix and trusting the flash to overcome her 
silhouette?

Jack


--- On Sat, 6/21/08, Paul Stenquist [EMAIL PROTECTED] wrote:

 From: Paul Stenquist [EMAIL PROTECTED]
 Subject: PESO: K20D Extended Dynamic Range
 To: Pentax-Discuss Mail List PDML@pdml.net
 Date: Saturday, June 21, 2008, 6:25 AM
 To Roman's point about extended dynamic range. I shoot
 in that mode  
 almost continuously. About the only time I turn it off is
 if I need  
 ISO 100 or 6400, and those times are rare. I've noticed
 considerably  
 improvement in dynamic range over the K10D, but I was still
 surprised  
 to see sky tones in this shot. In fact, I cropped it to
 leave a touch  
 of blue at the top, although the part of the sky in frame
 was  
 primarily white cloud. Thought it would be a complete
 burnout. There  
 is a bit of flash fill here, which helps by boosting the
 foreground.  
 But it's minimal as the shot is at 135mm, and the
 subject is quite  
 distant. f3.2, 1/1250, ISO 200.
 http://photo.net/photodb/photo?photo_id=7434474
 
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Re: Re: GESO: Cadiz

2008-06-21 Thread Brian Walters
On Sat, 21 Jun 2008 13:03:27 +, mike wilson
[EMAIL PROTECTED] said:
 
  
  From: Brian Walters [EMAIL PROTECTED]
  Date: 2008/06/20 Fri PM 10:48:46 GMT
  To: Pentax-Discuss Mail List pdml@pdml.net
  Subject: Re: GESO: Cadiz
  
  On Fri, 20 Jun 2008 18:43:37 +0200, Juan Buhler [EMAIL PROTECTED]
  said:
   http://www.jbuhler.com/photos/index.php?album=cadiz
  My favourite of the Cadiz work is IMG_1068.jpg - but what on earth is
  that guy pointing at you?  That looks pretty scary.
 
 That's a mains-powered hot-melt glue gun and, in skilled hands, it can
 indeed make a real mess of you.
 


In that case, it's just as well it wasn't plugged in


Cheers

Brian

++
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Western Sydney Australia
http://members.westnet.com.au/brianwal/SL/
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Re: PESO: PDML mascot sighted...

2008-06-21 Thread Bob Sullivan
Yes, in disguise!  (Nice catch)  Regards,  Bob S.

On Sat, Jun 21, 2008 at 12:15 AM, Stan Halpin
[EMAIL PROTECTED] wrote:
 ... in Costa Rican rain forest last week. Wearing a disguise.

 http://photos.stanhalpin.com/p155717848/?photo=h38E321E7#954409447

 stan


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Re: PESO: Landscape School of Photography (Link updated)

2008-06-21 Thread Bob Sullivan
No, the common thread is empty glasses.
I think Dave gets bored waiting for the refill.
Regards,  Bob S.

On Sat, Jun 21, 2008 at 8:01 AM, P. J. Alling [EMAIL PROTECTED] wrote:
 I've been noticing a common thread in your photography, you spend a lot
 of time in Pubs...

 David Savage wrote:
 Sorry folks. I updated the shot  re posted it to Flickr  that
 changes the image URL

 So here is the correct link.

 G'day All,

 One from today for your consideration (~150kb)

 http://farm4.static.flickr.com/3082/2597448874_705f0f56eb_o.jpg

 K20D, DA 10-17mm f3.5-4.5 FE @ 10mm, 1/125 @ f5.6, ISO 400.

 Any  all comments welcome.

 Cheers,

 Dave




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Re: Gallery Rejects

2008-06-21 Thread Bob Sullivan
Bob,
Is that the one where they say...
Pack all your stuff up in that Van and Go
Regards,  Bob S.

On Sat, Jun 21, 2008 at 8:38 AM, Bob W [EMAIL PROTECTED] wrote:

 Alternatively, they judges could be like the curators who rejected the
 Impressionists, failing to recognise the new wave. The Impressionists
 also established a Salon des Refuses. But if you think that you are in
 that position, be careful - you could be suffering from the Van Gogh
 fallacy.

 Bob

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Re: PESO: K20D Extended Dynamic Range

2008-06-21 Thread pnstenquist
Spot metered on Grace. The flash contributes very little at this distance 
outdoors. Maybe half an f stop at f3.2. 
Paul
 -- Original message --
From: Jack Davis [EMAIL PROTECTED]
 Spot metered on Grace, or matrix and trusting the flash to overcome her 
 silhouette?
 
 Jack
 
 
 --- On Sat, 6/21/08, Paul Stenquist [EMAIL PROTECTED] wrote:
 
  From: Paul Stenquist [EMAIL PROTECTED]
  Subject: PESO: K20D Extended Dynamic Range
  To: Pentax-Discuss Mail List PDML@pdml.net
  Date: Saturday, June 21, 2008, 6:25 AM
  To Roman's point about extended dynamic range. I shoot
  in that mode  
  almost continuously. About the only time I turn it off is
  if I need  
  ISO 100 or 6400, and those times are rare. I've noticed
  considerably  
  improvement in dynamic range over the K10D, but I was still
  surprised  
  to see sky tones in this shot. In fact, I cropped it to
  leave a touch  
  of blue at the top, although the part of the sky in frame
  was  
  primarily white cloud. Thought it would be a complete
  burnout. There  
  is a bit of flash fill here, which helps by boosting the
  foreground.  
  But it's minimal as the shot is at 135mm, and the
  subject is quite  
  distant. f3.2, 1/1250, ISO 200.
  http://photo.net/photodb/photo?photo_id=7434474
  
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Re: Gallery Rejects

2008-06-21 Thread Mark Roberts
Bob W wrote:
   Commonplace subjects like flowers, children, lions in Africa - the 
kind
  of thing that can be well composed, focussed, exposed etc. but is no
  different from hundreds of others they've been looking at since the
  19th century.

I did a couple of sessions voting on photos in the Pentax Gallery this 
week and I can tell you that if I see another profile shot of woman 
holding a baby aloft I'm going to scream.

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Re: Gallery Rejects

2008-06-21 Thread Bong Manayon
Hmmm...I was thinking of setting up a group in Flickr for that, but
maybe I'd finally activate my Picasa account for that purpose :-)

Bong

On Sat, Jun 21, 2008 at 8:14 AM, Rebekah [EMAIL PROTECTED] wrote:
 I remember seeing a thread a while back inviting people to share
 photos that had not been accepted into the Pentax Gallery.  I was
 hoping to start up another one - if anyone is willing to share, maybe
 we can share our rejects. :) Also, with your permission, I'd like to
 throw up all the photos on a Picasa (or similar free photo site) for a
 permanent rejected Pentax gallery photos.  Just some thinking.
 Anyways, I'd love to see any rejected photos, I have several that I'll
 share here, some of which I'm quite proud of and not really bothered
 by my rejection.

 http://picasaweb.google.com/rg2pdml/Rejected?authkey=D2mjrpyoBi0

 Additionally, if anyone would take the time to critically help me on
 my rejects, or anyone else who chooses to share, I'd love that.  I'm
 sure there's zillions of 'rejected' photos that are very good, and
 maybe some also that can use the vast experience here to improve.

 rg2

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Re: Gallery Rejects

2008-06-21 Thread P. J. Alling
Mark Roberts wrote:
 Bob W wrote:
Commonplace subjects like flowers, children, lions in Africa - the 
 kind
   of thing that can be well composed, focussed, exposed etc. but is no
   different from hundreds of others they've been looking at since the
   19th century.

 I did a couple of sessions voting on photos in the Pentax Gallery this 
 week and I can tell you that if I see another profile shot of woman 
 holding a baby aloft I'm going to scream.

   
Quick someone post a PESO...

-- 
Vote for Cthulhu. Why settle for a lesser evil...
   -- Dr. Jerry Pournelle 


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Re: Gallery Rejects

2008-06-21 Thread Jack Davis
How about; frogs, snakes, spiders, sunsets, sunrises, buildings, dew on stuff, 
children of all agesAAHH!!!

Jack


--- On Sat, 6/21/08, Mark Roberts [EMAIL PROTECTED] wrote:

 From: Mark Roberts [EMAIL PROTECTED]
 Subject: Re: Gallery Rejects
 To: Pentax-Discuss Mail List pdml@pdml.net
 Date: Saturday, June 21, 2008, 8:57 AM
 Bob W wrote:
Commonplace subjects like flowers, children,
 lions in Africa - the 
 kind
   of thing that can be well composed, focussed, exposed
 etc. but is no
   different from hundreds of others they've been
 looking at since the
   19th century.
 
 I did a couple of sessions voting on photos in the Pentax
 Gallery this 
 week and I can tell you that if I see another profile
 shot of woman 
 holding a baby aloft I'm going to scream.
 
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PESO - Untitled

2008-06-21 Thread Cotty
Having seen yet again what superb work can be achieved in the hands of
capable nature photographers at this year's Grandfather Mountain NPW,
I've decided to try and improve my (in)abilites. Hopefully the first of many:


http://www.cottysnaps.com/snaps/nature/images/pic34.html

Canon EOS-1D mark II and Pentax SMC-A* 85mm 1.4

ISO 200, 1/2000th at f/1.4

Serious advice gratefully received. If anyone can ID the plant, I would
be grateful.

-- 


Cheers,
  Cotty


___/\__
||   (O)  | People, Places, Pastiche
||=|http://www.cottysnaps.com
_



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Re: Gallery Rejects

2008-06-21 Thread Doug Brewer

On Jun 21, 2008, at 11:57 AM, Mark Roberts wrote:

 Bob W wrote:
 Commonplace subjects like flowers, children, lions in Africa - the
 kind
 of thing that can be well composed, focussed, exposed etc. but is no
 different from hundreds of others they've been looking at since the
 19th century.

 I did a couple of sessions voting on photos in the Pentax Gallery this
 week and I can tell you that if I see another profile shot of woman
 holding a baby aloft I'm going to scream.

Even worse:

Seventy-five shots of the same subject (say, a waterfall) all  
bullseyed but at different focal lengths by the same photographer.

Learn to edit.

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Re: PESO - Untitled

2008-06-21 Thread Jack Davis
Dewy leaves always a positive. For me, fall like colors are better than 
monochrome green, but the vase (?) sort of removes it from nature.
Good leaf composition!

Jack


--- On Sat, 6/21/08, Cotty [EMAIL PROTECTED] wrote:

 From: Cotty [EMAIL PROTECTED]
 Subject: PESO - Untitled
 To: pentax list PDML@pdml.net
 Date: Saturday, June 21, 2008, 9:28 AM
 Having seen yet again what superb work can be achieved in
 the hands of
 capable nature photographers at this year's Grandfather
 Mountain NPW,
 I've decided to try and improve my (in)abilites.
 Hopefully the first of many:
 
 
 http://www.cottysnaps.com/snaps/nature/images/pic34.html
 
 Canon EOS-1D mark II and Pentax SMC-A* 85mm 1.4
 
 ISO 200, 1/2000th at f/1.4
 
 Serious advice gratefully received. If anyone can ID the
 plant, I would
 be grateful.
 
 -- 
 
 
 Cheers,
   Cotty
 
 
 ___/\__
 ||   (O)  | People, Places, Pastiche
 ||=|http://www.cottysnaps.com
 _
 
 
 
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Re: Gallery Rejects

2008-06-21 Thread Jack Davis
I don't think many have any idea of what is good and, therefore, have no basis 
for editing.
Posting to the Gallery will not teach them anything as they have no clue as to 
why they are being rejected.

Jack


--- On Sat, 6/21/08, Doug Brewer [EMAIL PROTECTED] wrote:

 From: Doug Brewer [EMAIL PROTECTED]
 Subject: Re: Gallery Rejects
 To: Pentax-Discuss Mail List pdml@pdml.net
 Date: Saturday, June 21, 2008, 9:29 AM
 On Jun 21, 2008, at 11:57 AM, Mark Roberts wrote:
 
  Bob W wrote:
  Commonplace subjects like flowers, children,
 lions in Africa - the
  kind
  of thing that can be well composed, focussed,
 exposed etc. but is no
  different from hundreds of others they've been
 looking at since the
  19th century.
 
  I did a couple of sessions voting on photos in the
 Pentax Gallery this
  week and I can tell you that if I see another
 profile shot of woman
  holding a baby aloft I'm going to scream.
 
 Even worse:
 
 Seventy-five shots of the same subject (say, a waterfall)
 all  
 bullseyed but at different focal lengths by the same
 photographer.
 
 Learn to edit.
 
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Re: PESO: K20D Extended Dynamic Range

2008-06-21 Thread Jack Davis
That being the case, the dynamic range is even more impressive.

Jack


--- On Sat, 6/21/08, [EMAIL PROTECTED] [EMAIL PROTECTED] wrote:

 From: [EMAIL PROTECTED] [EMAIL PROTECTED]
 Subject: Re: PESO: K20D Extended Dynamic Range
 To: Pentax-Discuss Mail List pdml@pdml.net
 Date: Saturday, June 21, 2008, 8:36 AM
 Spot metered on Grace. The flash contributes very little at
 this distance outdoors. Maybe half an f stop at f3.2. 
 Paul
  -- Original message --
 From: Jack Davis [EMAIL PROTECTED]
  Spot metered on Grace, or matrix and trusting the
 flash to overcome her 
  silhouette?
  
  Jack
  
  
  --- On Sat, 6/21/08, Paul Stenquist
 [EMAIL PROTECTED] wrote:
  
   From: Paul Stenquist
 [EMAIL PROTECTED]
   Subject: PESO: K20D Extended Dynamic Range
   To: Pentax-Discuss Mail List
 PDML@pdml.net
   Date: Saturday, June 21, 2008, 6:25 AM
   To Roman's point about extended dynamic
 range. I shoot
   in that mode  
   almost continuously. About the only time I turn
 it off is
   if I need  
   ISO 100 or 6400, and those times are rare.
 I've noticed
   considerably  
   improvement in dynamic range over the K10D, but I
 was still
   surprised  
   to see sky tones in this shot. In fact, I cropped
 it to
   leave a touch  
   of blue at the top, although the part of the sky
 in frame
   was  
   primarily white cloud. Thought it would be a
 complete
   burnout. There  
   is a bit of flash fill here, which helps by
 boosting the
   foreground.  
   But it's minimal as the shot is at 135mm, and
 the
   subject is quite  
   distant. f3.2, 1/1250, ISO 200.
   http://photo.net/photodb/photo?photo_id=7434474
   
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Re: Re: GESO: Cadiz

2008-06-21 Thread Juan Buhler
That was indeed a glue gun. Unplugged.

Thanks Brian and everybody else for the comments!

j

On Sat, Jun 21, 2008 at 3:51 PM, Brian Walters [EMAIL PROTECTED] wrote:
 On Sat, 21 Jun 2008 13:03:27 +, mike wilson
 [EMAIL PROTECTED] said:

 
  From: Brian Walters [EMAIL PROTECTED]
  Date: 2008/06/20 Fri PM 10:48:46 GMT
  To: Pentax-Discuss Mail List pdml@pdml.net
  Subject: Re: GESO: Cadiz
 
  On Fri, 20 Jun 2008 18:43:37 +0200, Juan Buhler [EMAIL PROTECTED]
  said:
   http://www.jbuhler.com/photos/index.php?album=cadiz
  My favourite of the Cadiz work is IMG_1068.jpg - but what on earth is
  that guy pointing at you?  That looks pretty scary.

 That's a mains-powered hot-melt glue gun and, in skilled hands, it can
 indeed make a real mess of you.



 In that case, it's just as well it wasn't plugged in


 Cheers

 Brian

 ++
 Brian Walters
 Western Sydney Australia
 http://members.westnet.com.au/brianwal/SL/
 --


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Re: PESO - Untitled

2008-06-21 Thread David J Brooks
Good composition and colours.

Yes, its a plant.:-)

Not bad for a Canax.



Dave

On Sat, Jun 21, 2008 at 12:28 PM, Cotty [EMAIL PROTECTED] wrote:
 Having seen yet again what superb work can be achieved in the hands of
 capable nature photographers at this year's Grandfather Mountain NPW,
 I've decided to try and improve my (in)abilites. Hopefully the first of many:


 http://www.cottysnaps.com/snaps/nature/images/pic34.html

 Canon EOS-1D mark II and Pentax SMC-A* 85mm 1.4

 ISO 200, 1/2000th at f/1.4

 Serious advice gratefully received. If anyone can ID the plant, I would
 be grateful.

 --


 Cheers,
  Cotty


 ___/\__
 ||   (O)  | People, Places, Pastiche
 ||=|http://www.cottysnaps.com
 _



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Re: Gallery Rejects

2008-06-21 Thread David J Brooks
On Sat, Jun 21, 2008 at 11:57 AM, Mark Roberts [EMAIL PROTECTED] wrote:
 Bob W wrote:
Commonplace subjects like flowers, children, lions in Africa - the
 kind
   of thing that can be well composed, focussed, exposed etc. but is no
   different from hundreds of others they've been looking at since the
   19th century.

 I did a couple of sessions voting on photos in the Pentax Gallery this
 week and I can tell you that if I see another profile shot of woman
 holding a baby aloft I'm going to scream.

Maybe they could start dropping them.:-)

Dave

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Re: GESO: Cadiz

2008-06-21 Thread David J Brooks
Another super gallery of shots.

The first one with the small dog is one of my favorites.

Well done again.

Dave

On Fri, Jun 20, 2008 at 12:43 PM, Juan Buhler [EMAIL PROTECTED] wrote:
 Hello all,

 This is my typical post that happens every one or two months.
 Apologies for the on/off lurking.

 I'm just finished with a workshop with Alex Webb and Rebecca Norris
 Webb in Cadiz, Spain. We shot for four days, and these are my pictures
 for that time:

 http://www.jbuhler.com/photos/index.php?album=cadiz

 I'm shooting a lot with the M8, although the K10D with 12-24 comes
 with me always, just for when I need a wider perspective. The first
 picture of the set is with the K10D.

 Comments welcome,

 j

 --
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Re: Agility photos. was Re: PUG reminder

2008-06-21 Thread David J Brooks
On Fri, Jun 20, 2008 at 7:49 PM, William Robb [EMAIL PROTECTED] wrote:

 - Original Message -
 From: David J Brooks
 Subject: Re: Agility photos. was Re: PUG reminder


 Bill, this shot from Matthew is very similar to how i shoot horse jumping.

 I focus at the base of the jump, which will give me some DOF in front
 and a bit behind, and what for the moment then shoot.

 Sounds simply, but it took a while to get the timing down.

 Lots of useless film, t first.

 The timing is what I am having trouble with.
 At least I have only killed a few billion photons

Mr and Mrs Photon will be happy to hear that.:-)

It took a while, but what works for me on head on shots or slightly
angled is when i see the hooves, i shoot.
For shots mostly at 80-90 degree's i back of a bit and take a wider
shot, and follow the horse, with my eyes, in the finder, sort of like
a pan, but the eye is moving, not the camera.
When i see the hoof at the rail, i shoot.

Works about 98% of the time.

Dave

 William Robb


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Re: Gallery Rejects

2008-06-21 Thread AlunFoto
After an intense bout of submitting last autumn, I set up a
rejects-gallery as well. Since then I've kept on submitting and I
don't think all my rejects would fit comfortably even into an online
gallery... So someone would have to select a few... :-)


Jostein


2008/6/21 Rebekah [EMAIL PROTECTED]:
 I remember seeing a thread a while back inviting people to share
 photos that had not been accepted into the Pentax Gallery.  I was
 hoping to start up another one - if anyone is willing to share, maybe
 we can share our rejects. :) Also, with your permission, I'd like to
 throw up all the photos on a Picasa (or similar free photo site) for a
 permanent rejected Pentax gallery photos.  Just some thinking.
 Anyways, I'd love to see any rejected photos, I have several that I'll
 share here, some of which I'm quite proud of and not really bothered
 by my rejection.

 http://picasaweb.google.com/rg2pdml/Rejected?authkey=D2mjrpyoBi0

 Additionally, if anyone would take the time to critically help me on
 my rejects, or anyone else who chooses to share, I'd love that.  I'm
 sure there's zillions of 'rejected' photos that are very good, and
 maybe some also that can use the vast experience here to improve.

 rg2

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Re: GESO: Cadiz

2008-06-21 Thread Doug Brewer

On Jun 21, 2008, at 12:44 PM, Juan Buhler wrote:

 That was indeed a glue gun. Unplugged.

 Thanks Brian and everybody else for the comments!

 j

You've had a couple of these on your Water Molotov page, and I've  
liked them. Good to see the whole bunch together.

I know you've probably posted about it before, but I'm curious how  
you convert to B/W.

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Re: Gallery Rejects

2008-06-21 Thread Ken Waller
...if anyone would take the time to critically help me on my rejects, ...

Since you asked, I'll give you my $.02 worth. YMMV---

+The two flowers are just that, two flowers, nothing out of the ordinary, 
just well exposed, colorful, but a bit too tightly cropped. There needs to 
be more (unique lighting, composition, interaction with insect etc)

+Photo # 3 - I can't see why it would be submitted.

+Photo #4 - a nice photo of a child, other than that nothing out of the 
ordinary.

+Photo # 5 - a shot of a spider - more of a documentary, how is this any 
different than a zillion other shots of spiders? Too common a subject with 
nothing out of the ordinary.

+Photo # 6  7 - Again, nothing out of the order other than these are most 
likely kids that you hold special - nothing wrong with that, but you need to 
ask if it might mean something to someone who doesn't know the children. 
Exposure is blown out for my taste in both BTW.

HTH

Kenneth Waller
http://www.tinyurl.com/272u2f

- Original Message - 
From: Rebekah [EMAIL PROTECTED]

Subject: Gallery Rejects


I remember seeing a thread a while back inviting people to share
 photos that had not been accepted into the Pentax Gallery.  I was
 hoping to start up another one - if anyone is willing to share, maybe
 we can share our rejects. :) Also, with your permission, I'd like to
 throw up all the photos on a Picasa (or similar free photo site) for a
 permanent rejected Pentax gallery photos.  Just some thinking.
 Anyways, I'd love to see any rejected photos, I have several that I'll
 share here, some of which I'm quite proud of and not really bothered
 by my rejection.

 http://picasaweb.google.com/rg2pdml/Rejected?authkey=D2mjrpyoBi0

 Additionally, if anyone would take the time to critically help me on
 my rejects, or anyone else who chooses to share, I'd love that.  I'm
 sure there's zillions of 'rejected' photos that are very good, and
 maybe some also that can use the vast experience here to improve.

 rg2

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 PDML@pdml.net
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Re: PESO - Untitled

2008-06-21 Thread Ken Waller
The well focused foreground leaf is a plus along with the contrasting blue 
behind it.

The cluttered background  the rim of the pot are minuses.

These leaves make a nice subject and a composition of only 2 or 3 would work 
well.

A decent start.

Kenneth Waller
http://www.tinyurl.com/272u2f

- Original Message - 
From: Cotty [EMAIL PROTECTED]

Subject: PESO - Untitled


 Having seen yet again what superb work can be achieved in the hands of
 capable nature photographers at this year's Grandfather Mountain NPW,
 I've decided to try and improve my (in)abilites. Hopefully the first of 
 many:


 http://www.cottysnaps.com/snaps/nature/images/pic34.html

 Canon EOS-1D mark II and Pentax SMC-A* 85mm 1.4

 ISO 200, 1/2000th at f/1.4

 Serious advice gratefully received. If anyone can ID the plant, I would
 be grateful.

 -- 


 Cheers,
  Cotty


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Re: GESO: Cadiz

2008-06-21 Thread Mark Roberts
Juan Buhler wrote:
 That was indeed a glue gun. Unplugged.

You what you're telling us is that it was a stick up?


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Re: GESO: Cadiz

2008-06-21 Thread Ken Waller

Kenneth Waller
http://www.tinyurl.com/272u2f

- Original Message - 
From: Mark Roberts [EMAIL PROTECTED]
Subject: Re: GESO: Cadiz


 Juan Buhler wrote:
 That was indeed a glue gun. Unplugged.
 
 You what you're telling us is that it was a stick up?

He'll probably adhere to his statement.

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Re: Gallery Rejects

2008-06-21 Thread Mark Roberts
Jack Davis wrote:
 I don't think many have any idea of what is good and, therefore, have no 
 basis for editing.

They must have *some* idea or they'd submit every photo they took, and I 
don't think even the worst of them do that!

I think part of the problem for many is that their goal is to get a 
photo into the Pentax Gallery rather than to take a really good 
photograph, so they submit a whole lot of stuff hoping that somehow one 
of them will make it through the gauntlet. The first step is *trying*: 
Simply making the *effort* to evaluate and rate one's work.


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Re: Gallery Rejects

2008-06-21 Thread Jack Davis
I think shotgun offerings result from having no idea of what is good. If one 
should be accepted, 'BINGO, that image, in its entirety, will thereafter, be 
the standard for good.
Not a way to learn photography.

Jack


--- On Sat, 6/21/08, Mark Roberts [EMAIL PROTECTED] wrote:

 From: Mark Roberts [EMAIL PROTECTED]
 Subject: Re: Gallery Rejects
 To: Pentax-Discuss Mail List pdml@pdml.net
 Date: Saturday, June 21, 2008, 12:03 PM
 Jack Davis wrote:
  I don't think many have any idea of what is good
 and, therefore, have no basis for editing.
 
 They must have *some* idea or they'd submit every photo
 they took, and I 
 don't think even the worst of them do that!
 
 I think part of the problem for many is that their goal is
 to get a 
 photo into the Pentax Gallery rather than to
 take a really good 
 photograph, so they submit a whole lot of stuff
 hoping that somehow one 
 of them will make it through the gauntlet. The first step
 is *trying*: 
 Simply making the *effort* to evaluate and rate one's
 work.
 
 
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Re: GESO: Cadiz

2008-06-21 Thread mike wilson

 
 From: Juan Buhler [EMAIL PROTECTED]
 Date: 2008/06/21 Sat PM 04:44:39 GMT
 To: Pentax-Discuss Mail List pdml@pdml.net
 Subject: Re: Re: GESO: Cadiz
 
 That was indeed a glue gun. Unplugged.
 
 Thanks Brian and everybody else for the comments!
 
 j

Tell me - are you feeling sticky, punk?
 
 On Sat, Jun 21, 2008 at 3:51 PM, Brian Walters [EMAIL PROTECTED] wrote:
  On Sat, 21 Jun 2008 13:03:27 +, mike wilson
  [EMAIL PROTECTED] said:
 
  
   From: Brian Walters [EMAIL PROTECTED]
   Date: 2008/06/20 Fri PM 10:48:46 GMT
   To: Pentax-Discuss Mail List pdml@pdml.net
   Subject: Re: GESO: Cadiz
  
   On Fri, 20 Jun 2008 18:43:37 +0200, Juan Buhler [EMAIL PROTECTED]
   said:
http://www.jbuhler.com/photos/index.php?album=cadiz
   My favourite of the Cadiz work is IMG_1068.jpg - but what on earth is
   that guy pointing at you?  That looks pretty scary.
 
  That's a mains-powered hot-melt glue gun and, in skilled hands, it can
  indeed make a real mess of you.
 
 
 
  In that case, it's just as well it wasn't plugged in
 
 
  Cheers
 
  Brian
 
  ++
  Brian Walters
  Western Sydney Australia
  http://members.westnet.com.au/brianwal/SL/
  --
 
 
  --
  http://www.fastmail.fm - mmm... Fastmail...
 
 
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 -- 
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Re: GESO: Cadiz

2008-06-21 Thread Cotty


 That was indeed a glue gun. Unplugged.
 
 You what you're telling us is that it was a stick up?

He'll probably adhere to his statement.

This is all very fastenating.

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Re: PESO - Untitled

2008-06-21 Thread Cotty
On 21/6/08, Ken Waller, discombobulated, unleashed:

The well focused foreground leaf is a plus along with the contrasting blue 
behind it.

The cluttered background  the rim of the pot are minuses.

These leaves make a nice subject and a composition of only 2 or 3 would work 
well.

A decent start.

Really appreciate that Ken, thanks.

And Dave and Jack.

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Re: PESO - Untitled

2008-06-21 Thread Mark Roberts
Cotty wrote:
 
 http://www.cottysnaps.com/snaps/nature/images/pic34.html
 
 Canon EOS-1D mark II and Pentax SMC-A* 85mm 1.4
 
 ISO 200, 1/2000th at f/1.4
 
 Serious advice gratefully received. If anyone can ID the plant, I would
 be grateful.

I can't I.D. the plant but the photo is pretty cool. I kept trying to 
decide if the plant pot background bothered me. I think it wouldn't if 
you didn't have the out-of-focus leaves in the upper right. Or those 
leaves wouldn't bother me if not for the plant pot background.

The use of limited DOF is outstanding, though. (And makes me want that 
lens...)




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Re: PESO: K20D Extended Dynamic Range

2008-06-21 Thread George Sinos
Paul -

Is the extended dynamic range active for raw files or is it part of
the processing for a jpg?

Thanks, gs

On Sat, Jun 21, 2008 at 8:25 AM, Paul Stenquist [EMAIL PROTECTED] wrote:
 To Roman's point about extended dynamic range. I shoot in that mode
 almost continuously. About the only time I turn it off is if I need
 ISO 100 or 6400, and those times are rare. I've noticed considerably
 improvement in dynamic range over the K10D, but I was still surprised
 to see sky tones in this shot. In fact, I cropped it to leave a touch
 of blue at the top, although the part of the sky in frame was
 primarily white cloud. Thought it would be a complete burnout. There
 is a bit of flash fill here, which helps by boosting the foreground.
 But it's minimal as the shot is at 135mm, and the subject is quite
 distant. f3.2, 1/1250, ISO 200.
 http://photo.net/photodb/photo?photo_id=7434474

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Re: PESO - Untitled

2008-06-21 Thread Cotty
On 21/6/08, Mark Roberts, discombobulated, unleashed:

I can't I.D. the plant but the photo is pretty cool. I kept trying to 
decide if the plant pot background bothered me. I think it wouldn't if 
you didn't have the out-of-focus leaves in the upper right. Or those 
leaves wouldn't bother me if not for the plant pot background.

The use of limited DOF is outstanding, though. (And makes me want that 
lens...)

Thanks Mark, appreciate it.

I'm really into minimal DOF at the moment. Lots more to explore, and I'm
going to make some time for stills - not done nearly enough in ages. The
85 1.4 is an awesome lens

-- 


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Re: PESO - Untitled

2008-06-21 Thread Godfrey DiGiorgi
This is nice, Cotty, but I'm not sure where you want to go with it.  
The scene is a bit complex for my taste in this sort of thing, the  
background is a distracting.

Simplify, simplify .. crop tighter, minimize distractions, draw  
attention to the specific details that express what you would like  
the viewer to see.

G

On Jun 21, 2008, at 9:28 AM, Cotty wrote:

 Having seen yet again what superb work can be achieved in the hands of
 capable nature photographers at this year's Grandfather Mountain NPW,
 I've decided to try and improve my (in)abilites. Hopefully the  
 first of many:


 http://www.cottysnaps.com/snaps/nature/images/pic34.html

 Canon EOS-1D mark II and Pentax SMC-A* 85mm 1.4

 ISO 200, 1/2000th at f/1.4

 Serious advice gratefully received. If anyone can ID the plant, I  
 would
 be grateful.


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Re: PESO - Untitled

2008-06-21 Thread Cotty
On 21/6/08, Godfrey DiGiorgi, discombobulated, unleashed:

This is nice, Cotty, but I'm not sure where you want to go with it.  
The scene is a bit complex for my taste in this sort of thing, the  
background is a distracting.

Simplify, simplify .. crop tighter, minimize distractions, draw  
attention to the specific details that express what you would like  
the viewer to see.

Thanks Godders, I'm beginning to see the light

-- 


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Re: GESO: Cadiz

2008-06-21 Thread Derby Chang
Cotty wrote:
   
 That was indeed a glue gun. Unplugged.
 
 You what you're telling us is that it was a stick up?
   
 He'll probably adhere to his statement.
 

 This is all very fastenating.

   
His name is Bond, Juan Bond

-- 

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Value of a 50mm, f/1.4, Pentax SMC Takumar M42 lens?

2008-06-21 Thread Beaker
Hi-

I found a 50mm, f/1.4, Pentax Super-Multi-Coated Takumar M42 lens for  
sale.
A quick google search says that it is a worthy lens. Only, nobody  
says how worthy.
it looks like it was used, but not abused. It is clean, no yellow  
glass, slight wear to
the aperture and focus rings.

The iris is a little sluggish in return to full aperture, but appears  
clean, and oil free.

Any idea what it should sell for?

Thanks
Mike

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Re: GESO: Cadiz

2008-06-21 Thread Beaker

On Jun 21, 2008, at 9:03 AM, mike wilson wrote:



 From: Brian Walters [EMAIL PROTECTED]
 Date: 2008/06/20 Fri PM 10:48:46 GMT
 To: Pentax-Discuss Mail List pdml@pdml.net
 Subject: Re: GESO: Cadiz

 On Fri, 20 Jun 2008 18:43:37 +0200, Juan Buhler  
 [EMAIL PROTECTED]
 said:
 http://www.jbuhler.com/photos/index.php?album=cadiz
 My favourite of the Cadiz work is IMG_1068.jpg - but what on earth is
 that guy pointing at you?  That looks pretty scary.

 That's a mains-powered hot-melt glue gun and, in skilled hands, it  
 can indeed make a real mess of you.



The couple on the scooter look a little concerned too.

About the guy on a bench. I always grew bushes out of people's heads.
I like your approach better.

Cheers
Beaker

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Re: PESO - Untitled

2008-06-21 Thread P. J. Alling
You expect serious advice

Cotty wrote:
 Having seen yet again what superb work can be achieved in the hands of
 capable nature photographers at this year's Grandfather Mountain NPW,
 I've decided to try and improve my (in)abilites. Hopefully the first of many:


 http://www.cottysnaps.com/snaps/nature/images/pic34.html

 Canon EOS-1D mark II and Pentax SMC-A* 85mm 1.4

 ISO 200, 1/2000th at f/1.4

 Serious advice gratefully received. If anyone can ID the plant, I would
 be grateful.

   


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Vote for Cthulhu. Why settle for a lesser evil...
   -- Dr. Jerry Pournelle 


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Re: Value of a 50mm, f/1.4, Pentax SMC Takumar M42 lens?

2008-06-21 Thread P. J. Alling
What it should sell for what it's worth and what it does sell for are 
three different things in my humble opinion.  I was able to pick up a 
SMC Takumar 50mm f1.4 in near mint condition for $35.00 but wait, the 
package included a Honeywell Pentax H3v and an SMC Takumar 35mm f3.5.  
It was an e-bay auction and the seller thought they were selling the 
camera and throwing in the lenses.  I wanted the 35mm lens and the rest 
was just gravy.  I'd say the lens is actually worth $50-$100 but if the 
aperture is sticky you'll have to spend somewhere around $100 to have it 
CLA'd so buy accordingly, remembering that you can pick these lenses up 
for a song.  The 50mm is essentially the same optical formula as the 
current FA 50mm f1.4.

Beaker wrote:
 Hi-

 I found a 50mm, f/1.4, Pentax Super-Multi-Coated Takumar M42 lens for  
 sale.
 A quick google search says that it is a worthy lens. Only, nobody  
 says how worthy.
 it looks like it was used, but not abused. It is clean, no yellow  
 glass, slight wear to
 the aperture and focus rings.

 The iris is a little sluggish in return to full aperture, but appears  
 clean, and oil free.

 Any idea what it should sell for?

 Thanks
 Mike

   


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Re: GESO: Cadiz

2008-06-21 Thread John Francis
On Sun, Jun 22, 2008 at 09:04:59AM +1000, Derby Chang wrote:
 Cotty wrote:

  That was indeed a glue gun. Unplugged.
  
  You what you're telling us is that it was a stick up?

  He'll probably adhere to his statement.
  
 
  This is all very fastenating.
 

 His name is Bond, Juan Bond

Epoxy on both your houses ...


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Re: GESO: Cadiz

2008-06-21 Thread William Robb

- Original Message - 
From: John Francis 
Subject: Re: GESO: Cadiz


 On Sun, Jun 22, 2008 at 09:04:59AM +1000, Derby Chang wrote:
 Cotty wrote:

  That was indeed a glue gun. Unplugged.
  
  You what you're telling us is that it was a stick up?

  He'll probably adhere to his statement.
  
 
  This is all very fastenating.
 

 His name is Bond, Juan Bond
 
 Epoxy on both your houses ...

So much for the ties that bind


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Re: Gallery Rejects

2008-06-21 Thread pnstenquist
Ironically, my last accepted picture was a BW shot of Grace that I put up a 
couple of months ago, but it's the exception that proves the rule. Generally, 
it seems that uniqueness is the current criteria. As well it should be.
Paul
 -- Original message --
From: Jack Davis [EMAIL PROTECTED]
 How about; frogs, snakes, spiders, sunsets, sunrises, buildings, dew on 
 stuff, 
 children of all agesAAHH!!!
 
 Jack
 
 
 --- On Sat, 6/21/08, Mark Roberts [EMAIL PROTECTED] wrote:
 
  From: Mark Roberts [EMAIL PROTECTED]
  Subject: Re: Gallery Rejects
  To: Pentax-Discuss Mail List pdml@pdml.net
  Date: Saturday, June 21, 2008, 8:57 AM
  Bob W wrote:
 Commonplace subjects like flowers, children,
  lions in Africa - the 
  kind
of thing that can be well composed, focussed, exposed
  etc. but is no
different from hundreds of others they've been
  looking at since the
19th century.
  
  I did a couple of sessions voting on photos in the Pentax
  Gallery this 
  week and I can tell you that if I see another profile
  shot of woman 
  holding a baby aloft I'm going to scream.
  
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PESO - What is it?

2008-06-21 Thread George Sinos
What's orange, pops up on sunny days, and slows you down?

Hint: this was shot through the windshield.

http://www.crankygreek.com

GS
http://georgesphotos.net

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Re: Gallery Rejects

2008-06-21 Thread pnstenquist
The gallery i's not a teaching tool, so it shouldn't be expected to educate. 
And part of the problem with an overwhelming majority of rejects lies in the 
fact that the gallery is quite full. I'm sure they dont' want to add work 
endlessly. So, at this point, uniqueness counts more than it might under normal 
circumstances.
 -- Original message --
From: Jack Davis [EMAIL PROTECTED]
 I don't think many have any idea of what is good and, therefore, have no 
 basis 
 for editing.
 Posting to the Gallery will not teach them anything as they have no clue as 
 to 
 why they are being rejected.
 
 Jack
 
 
 --- On Sat, 6/21/08, Doug Brewer [EMAIL PROTECTED] wrote:
 
  From: Doug Brewer [EMAIL PROTECTED]
  Subject: Re: Gallery Rejects
  To: Pentax-Discuss Mail List pdml@pdml.net
  Date: Saturday, June 21, 2008, 9:29 AM
  On Jun 21, 2008, at 11:57 AM, Mark Roberts wrote:
  
   Bob W wrote:
   Commonplace subjects like flowers, children,
  lions in Africa - the
   kind
   of thing that can be well composed, focussed,
  exposed etc. but is no
   different from hundreds of others they've been
  looking at since the
   19th century.
  
   I did a couple of sessions voting on photos in the
  Pentax Gallery this
   week and I can tell you that if I see another
  profile shot of woman
   holding a baby aloft I'm going to scream.
  
  Even worse:
  
  Seventy-five shots of the same subject (say, a waterfall)
  all  
  bullseyed but at different focal lengths by the same
  photographer.
  
  Learn to edit.
  
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Off to NC again...

2008-06-21 Thread Mark Roberts
Only this time it's for *vacation*. Especially needed by Dr. Lisa who's 
put in a string of weeks with 14-hour (or more) days. We'll do some 
hiking (probably one or two days at/near GFM) and I'm bringing a load of 
camera gear. I'm going to pack the 67 as well as the digital kit. We'll 
see if anything comes of it...

Then there's the Blood, Sweat  Gears 100-mile bicycle ride next 
Saturday. 102 miles forward with 13,000 feet of climb. Wish me luck.

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Re: PESO: K20D Extended Dynamic Range

2008-06-21 Thread pnstenquist
It's active for RAW files. You can select it in the ISO function screen. It 
limits the range of choices, eliminating ISO 100 and ISO6399. This apparently 
has something to do with using that capacity to exend the range. 
Paul
 -- Original message --
From: George Sinos [EMAIL PROTECTED]
 Paul -
 
 Is the extended dynamic range active for raw files or is it part of
 the processing for a jpg?
 
 Thanks, gs
 
 On Sat, Jun 21, 2008 at 8:25 AM, Paul Stenquist [EMAIL PROTECTED] wrote:
  To Roman's point about extended dynamic range. I shoot in that mode
  almost continuously. About the only time I turn it off is if I need
  ISO 100 or 6400, and those times are rare. I've noticed considerably
  improvement in dynamic range over the K10D, but I was still surprised
  to see sky tones in this shot. In fact, I cropped it to leave a touch
  of blue at the top, although the part of the sky in frame was
  primarily white cloud. Thought it would be a complete burnout. There
  is a bit of flash fill here, which helps by boosting the foreground.
  But it's minimal as the shot is at 135mm, and the subject is quite
  distant. f3.2, 1/1250, ISO 200.
  http://photo.net/photodb/photo?photo_id=7434474
 
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Re: Gallery Rejects

2008-06-21 Thread Jack Davis
Yeah, well having Grace as a subject isn't really fair, ya know. ;-))

Jack


--- On Sat, 6/21/08, [EMAIL PROTECTED] [EMAIL PROTECTED] wrote:

 From: [EMAIL PROTECTED] [EMAIL PROTECTED]
 Subject: Re: Gallery Rejects
 To: Pentax-Discuss Mail List pdml@pdml.net
 Date: Saturday, June 21, 2008, 5:11 PM
 Ironically, my last accepted picture was a BW shot of Grace
 that I put up a couple of months ago, but it's the
 exception that proves the rule. Generally, it seems that
 uniqueness is the current criteria. As well it should be.
 Paul
  -- Original message --
 From: Jack Davis [EMAIL PROTECTED]
  How about; frogs, snakes, spiders, sunsets, sunrises,
 buildings, dew on stuff, 
  children of all agesAAHH!!!
  
  Jack
  
  
  --- On Sat, 6/21/08, Mark Roberts
 [EMAIL PROTECTED] wrote:
  
   From: Mark Roberts [EMAIL PROTECTED]
   Subject: Re: Gallery Rejects
   To: Pentax-Discuss Mail List
 pdml@pdml.net
   Date: Saturday, June 21, 2008, 8:57 AM
   Bob W wrote:
  Commonplace subjects like flowers,
 children,
   lions in Africa - the 
   kind
 of thing that can be well composed,
 focussed, exposed
   etc. but is no
 different from hundreds of others
 they've been
   looking at since the
 19th century.
   
   I did a couple of sessions voting on photos in
 the Pentax
   Gallery this 
   week and I can tell you that if I see another
 profile
   shot of woman 
   holding a baby aloft I'm going to
 scream.
   
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Re: Value of a 50mm, f/1.4, Pentax SMC Takumar M42 lens?

2008-06-21 Thread Beaker
Thanks-

I knew that- sometimes it takes another voice to temper an e-bay fit.
And I was trying to ignore the sluggish aperture.

(I just won an angle finder, Canon-M42 adapter with focus confirmation
chip and camera backpack.)

Cheers
Mike


On Jun 21, 2008, at 7:55 PM, P. J. Alling wrote:

 What it should sell for what it's worth and what it does sell for are
 three different things in my humble opinion.  I was able to pick up a
 SMC Takumar 50mm f1.4 in near mint condition for $35.00 but wait, the
 package included a Honeywell Pentax H3v and an SMC Takumar 35mm f3.5.
 It was an e-bay auction and the seller thought they were selling the
 camera and throwing in the lenses.  I wanted the 35mm lens and the  
 rest
 was just gravy.  I'd say the lens is actually worth $50-$100 but if  
 the
 aperture is sticky you'll have to spend somewhere around $100 to  
 have it
 CLA'd so buy accordingly, remembering that you can pick these  
 lenses up
 for a song.  The 50mm is essentially the same optical formula as the
 current FA 50mm f1.4.

 Beaker wrote:
 Hi-

 I found a 50mm, f/1.4, Pentax Super-Multi-Coated Takumar M42 lens for
 sale.
 A quick google search says that it is a worthy lens. Only, nobody
 says how worthy.
 it looks like it was used, but not abused. It is clean, no yellow
 glass, slight wear to
 the aperture and focus rings.

 The iris is a little sluggish in return to full aperture, but appears
 clean, and oil free.

 Any idea what it should sell for?

 Thanks
 Mike




 -- 
 Vote for Cthulhu. Why settle for a lesser evil...
-- Dr. Jerry Pournelle


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RE: Value of a 50mm, f/1.4, Pentax SMC Takumar M42 lens?

2008-06-21 Thread J. C. O'Connell
those lenses aren't worth much at all with any problems
because they cost too much to fix. fully working ones
go for $40 to $120 depending on cosmetic condish.

JC OCONNELL
[EMAIL PROTECTED]


-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Beaker
Sent: Saturday, June 21, 2008 8:58 PM
To: Pentax-Discuss Mail List
Subject: Re: Value of a 50mm, f/1.4, Pentax SMC Takumar M42 lens?


Thanks-

I knew that- sometimes it takes another voice to temper an e-bay fit. And I
was trying to ignore the sluggish aperture.

(I just won an angle finder, Canon-M42 adapter with focus confirmation chip
and camera backpack.)

Cheers
Mike


On Jun 21, 2008, at 7:55 PM, P. J. Alling wrote:

 What it should sell for what it's worth and what it does sell for are 
 three different things in my humble opinion.  I was able to pick up a 
 SMC Takumar 50mm f1.4 in near mint condition for $35.00 but wait, the 
 package included a Honeywell Pentax H3v and an SMC Takumar 35mm f3.5. 
 It was an e-bay auction and the seller thought they were selling the 
 camera and throwing in the lenses.  I wanted the 35mm lens and the
 rest
 was just gravy.  I'd say the lens is actually worth $50-$100 but if  
 the
 aperture is sticky you'll have to spend somewhere around $100 to  
 have it
 CLA'd so buy accordingly, remembering that you can pick these  
 lenses up
 for a song.  The 50mm is essentially the same optical formula as the
 current FA 50mm f1.4.

 Beaker wrote:
 Hi-

 I found a 50mm, f/1.4, Pentax Super-Multi-Coated Takumar M42 lens for 
 sale. A quick google search says that it is a worthy lens. Only, 
 nobody says how worthy.
 it looks like it was used, but not abused. It is clean, no yellow
 glass, slight wear to
 the aperture and focus rings.

 The iris is a little sluggish in return to full aperture, but appears 
 clean, and oil free.

 Any idea what it should sell for?

 Thanks
 Mike




 --
 Vote for Cthulhu. Why settle for a lesser evil...
-- Dr. Jerry Pournelle


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Re: Gallery Rejects

2008-06-21 Thread Jack Davis
Being involved in the gallery will expose folks to some very good work. Those 
examples will have their impact on anyone who is truly interested.
The education comes as a result of the effort to have work accepted. As always, 
the greater the desire the more rewarded will be the effort.

Jack


--- On Sat, 6/21/08, [EMAIL PROTECTED] [EMAIL PROTECTED] wrote:

 From: [EMAIL PROTECTED] [EMAIL PROTECTED]
 Subject: Re: Gallery Rejects
 To: Pentax-Discuss Mail List pdml@pdml.net
 Date: Saturday, June 21, 2008, 5:19 PM
 The gallery i's not a teaching tool, so it shouldn't
 be expected to educate. And part of the problem with an
 overwhelming majority of rejects lies in the fact that the
 gallery is quite full. I'm sure they dont' want to
 add work endlessly. So, at this point, uniqueness counts
 more than it might under normal circumstances.
  -- Original message --
 From: Jack Davis [EMAIL PROTECTED]
  I don't think many have any idea of what is good
 and, therefore, have no basis 
  for editing.
  Posting to the Gallery will not teach them anything as
 they have no clue as to 
  why they are being rejected.
  
  Jack
  
  
  --- On Sat, 6/21/08, Doug Brewer
 [EMAIL PROTECTED] wrote:
  
   From: Doug Brewer [EMAIL PROTECTED]
   Subject: Re: Gallery Rejects
   To: Pentax-Discuss Mail List
 pdml@pdml.net
   Date: Saturday, June 21, 2008, 9:29 AM
   On Jun 21, 2008, at 11:57 AM, Mark Roberts wrote:
   
Bob W wrote:
Commonplace subjects like flowers,
 children,
   lions in Africa - the
kind
of thing that can be well composed,
 focussed,
   exposed etc. but is no
different from hundreds of others
 they've been
   looking at since the
19th century.
   
I did a couple of sessions voting on photos
 in the
   Pentax Gallery this
week and I can tell you that if I see
 another
   profile shot of woman
holding a baby aloft I'm going to
 scream.
   
   Even worse:
   
   Seventy-five shots of the same subject (say, a
 waterfall)
   all  
   bullseyed but at different focal lengths by the
 same
   photographer.
   
   Learn to edit.
   
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Re: PESO: K20D Extended Dynamic Range

2008-06-21 Thread Angel Ramos
Paul,
If you were doing or work in weddings would you use this function or you 
would use the camera in nomal mode?
Angel

[EMAIL PROTECTED] wrote:
 It's active for RAW files. You can select it in the ISO function screen. It 
 limits the range of choices, eliminating ISO 100 and ISO6399. This apparently 
 has something to do with using that capacity to exend the range. 
 Paul
  -- Original message --
 From: George Sinos [EMAIL PROTECTED]
   
 Paul -

 Is the extended dynamic range active for raw files or is it part of
 the processing for a jpg?

 Thanks, gs

 On Sat, Jun 21, 2008 at 8:25 AM, Paul Stenquist [EMAIL PROTECTED] wrote:
 
 To Roman's point about extended dynamic range. I shoot in that mode
 almost continuously. About the only time I turn it off is if I need
 ISO 100 or 6400, and those times are rare. I've noticed considerably
 improvement in dynamic range over the K10D, but I was still surprised
 to see sky tones in this shot. In fact, I cropped it to leave a touch
 of blue at the top, although the part of the sky in frame was
 primarily white cloud. Thought it would be a complete burnout. There
 is a bit of flash fill here, which helps by boosting the foreground.
 But it's minimal as the shot is at 135mm, and the subject is quite
 distant. f3.2, 1/1250, ISO 200.
 http://photo.net/photodb/photo?photo_id=7434474

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Re: PESO: K20D Extended Dynamic Range

2008-06-21 Thread Angel Ramos
Sorry. Should say:
. . . use the camera in normal mode?
Angel

Angel Ramos wrote:
 Paul,
 If you were doing or work in weddings would you use this function or you 
 would use the camera in nomal mode?
 Angel

 [EMAIL PROTECTED] wrote:
   
 It's active for RAW files. You can select it in the ISO function screen. It 
 limits the range of choices, eliminating ISO 100 and ISO6399. This 
 apparently has something to do with using that capacity to exend the range. 
 Paul
  -- Original message --
 From: George Sinos [EMAIL PROTECTED]
   
 
 Paul -

 Is the extended dynamic range active for raw files or is it part of
 the processing for a jpg?

 Thanks, gs

 On Sat, Jun 21, 2008 at 8:25 AM, Paul Stenquist [EMAIL PROTECTED] wrote:
 
   
 To Roman's point about extended dynamic range. I shoot in that mode
 almost continuously. About the only time I turn it off is if I need
 ISO 100 or 6400, and those times are rare. I've noticed considerably
 improvement in dynamic range over the K10D, but I was still surprised
 to see sky tones in this shot. In fact, I cropped it to leave a touch
 of blue at the top, although the part of the sky in frame was
 primarily white cloud. Thought it would be a complete burnout. There
 is a bit of flash fill here, which helps by boosting the foreground.
 But it's minimal as the shot is at 135mm, and the subject is quite
 distant. f3.2, 1/1250, ISO 200.
 http://photo.net/photodb/photo?photo_id=7434474

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Re: PESO: K20D Extended Dynamic Range

2008-06-21 Thread pnstenquist
Sure. I'll use it for wedding. I'm shooting one in about three weeks. The 
ceremony will be outdoors with sky background. Indoors, i'll shoot at 400 
anyway No reason I know of to turn off the EDR.
Paul
 -- Original message --
From: Angel Ramos [EMAIL PROTECTED]
 Paul,
 If you were doing or work in weddings would you use this function or you 
 would use the camera in nomal mode?
 Angel
 
 [EMAIL PROTECTED] wrote:
  It's active for RAW files. You can select it in the ISO function screen. It 
 limits the range of choices, eliminating ISO 100 and ISO6399. This apparently 
 has something to do with using that capacity to exend the range. 
  Paul
   -- Original message --
  From: George Sinos [EMAIL PROTECTED]

  Paul -
 
  Is the extended dynamic range active for raw files or is it part of
  the processing for a jpg?
 
  Thanks, gs
 
  On Sat, Jun 21, 2008 at 8:25 AM, Paul Stenquist [EMAIL PROTECTED] 
 wrote:
  
  To Roman's point about extended dynamic range. I shoot in that mode
  almost continuously. About the only time I turn it off is if I need
  ISO 100 or 6400, and those times are rare. I've noticed considerably
  improvement in dynamic range over the K10D, but I was still surprised
  to see sky tones in this shot. In fact, I cropped it to leave a touch
  of blue at the top, although the part of the sky in frame was
  primarily white cloud. Thought it would be a complete burnout. There
  is a bit of flash fill here, which helps by boosting the foreground.
  But it's minimal as the shot is at 135mm, and the subject is quite
  distant. f3.2, 1/1250, ISO 200.
  http://photo.net/photodb/photo?photo_id=7434474
 
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Re: PESO: K20D Extended Dynamic Range

2008-06-21 Thread pnstenquist
To expand on my previous answer, one of the toughest parts of wedding 
photography is preserving texture in the white wedding gown without relegating 
the groom's black tux to shadow hell. I haven't had a lot of problems with this 
in the past, but EDR will be a plus in this regard.
Paul
 -- Original message --
From: Angel Ramos [EMAIL PROTECTED]
 Sorry. Should say:
 . . . use the camera in normal mode?
 Angel
 
 Angel Ramos wrote:
  Paul,
  If you were doing or work in weddings would you use this function or you 
  would use the camera in nomal mode?
  Angel
 
  [EMAIL PROTECTED] wrote:

  It's active for RAW files. You can select it in the ISO function screen. 
  It 
 limits the range of choices, eliminating ISO 100 and ISO6399. This apparently 
 has something to do with using that capacity to exend the range. 
  Paul
   -- Original message --
  From: George Sinos [EMAIL PROTECTED]

  
  Paul -
 
  Is the extended dynamic range active for raw files or is it part of
  the processing for a jpg?
 
  Thanks, gs
 
  On Sat, Jun 21, 2008 at 8:25 AM, Paul Stenquist [EMAIL PROTECTED] 
 wrote:
  

  To Roman's point about extended dynamic range. I shoot in that mode
  almost continuously. About the only time I turn it off is if I need
  ISO 100 or 6400, and those times are rare. I've noticed considerably
  improvement in dynamic range over the K10D, but I was still surprised
  to see sky tones in this shot. In fact, I cropped it to leave a touch
  of blue at the top, although the part of the sky in frame was
  primarily white cloud. Thought it would be a complete burnout. There
  is a bit of flash fill here, which helps by boosting the foreground.
  But it's minimal as the shot is at 135mm, and the subject is quite
  distant. f3.2, 1/1250, ISO 200.
  http://photo.net/photodb/photo?photo_id=7434474
 
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Re: Gallery Rejects

2008-06-21 Thread pnstenquist
She is in the gallery twice, but she's been rejected quite a few times as well. 
I don't tell her about the rejections:-).
Paul
 -- Original message --
From: Jack Davis [EMAIL PROTECTED]
 Yeah, well having Grace as a subject isn't really fair, ya know. ;-))
 
 Jack
 
 
 --- On Sat, 6/21/08, [EMAIL PROTECTED] [EMAIL PROTECTED] wrote:
 
  From: [EMAIL PROTECTED] [EMAIL PROTECTED]
  Subject: Re: Gallery Rejects
  To: Pentax-Discuss Mail List pdml@pdml.net
  Date: Saturday, June 21, 2008, 5:11 PM
  Ironically, my last accepted picture was a BW shot of Grace
  that I put up a couple of months ago, but it's the
  exception that proves the rule. Generally, it seems that
  uniqueness is the current criteria. As well it should be.
  Paul
   -- Original message --
  From: Jack Davis [EMAIL PROTECTED]
   How about; frogs, snakes, spiders, sunsets, sunrises,
  buildings, dew on stuff, 
   children of all agesAAHH!!!
   
   Jack
   
   
   --- On Sat, 6/21/08, Mark Roberts
  [EMAIL PROTECTED] wrote:
   
From: Mark Roberts [EMAIL PROTECTED]
Subject: Re: Gallery Rejects
To: Pentax-Discuss Mail List
  pdml@pdml.net
Date: Saturday, June 21, 2008, 8:57 AM
Bob W wrote:
   Commonplace subjects like flowers,
  children,
lions in Africa - the 
kind
  of thing that can be well composed,
  focussed, exposed
etc. but is no
  different from hundreds of others
  they've been
looking at since the
  19th century.

I did a couple of sessions voting on photos in
  the Pentax
Gallery this 
week and I can tell you that if I see another
  profile
shot of woman 
holding a baby aloft I'm going to
  scream.

-- 
PDML Pentax-Discuss Mail List
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to UNSUBSCRIBE from the PDML, please visit the
  link
directly above and follow the directions.
   
   
 
   
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Re: GESO: Cadiz

2008-06-21 Thread Brian Walters
On Sat, 21 Jun 2008 18:05:42 -0600, William Robb [EMAIL PROTECTED]
said:
 
 - Original Message - 
 From: John Francis 
 Subject: Re: GESO: Cadiz
 
 
  On Sun, Jun 22, 2008 at 09:04:59AM +1000, Derby Chang wrote:
  Cotty wrote:
 
   That was indeed a glue gun. Unplugged.
   
   You what you're telling us is that it was a stick up?
 
   He'll probably adhere to his statement.
   
  
   This is all very fastenating.
  
 
  His name is Bond, Juan Bond
  
  Epoxy on both your houses ...
 
 So much for the ties that bind
 



OK - so basically what you're saying is that Juan was in a sticky
situation.


Cheers

Brian

++
Brian Walters
Western Sydney Australia
http://members.westnet.com.au/brianwal/SL/


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Re: GESO: Cadiz

2008-06-21 Thread Ken Waller

Kenneth Waller
http://www.tinyurl.com/272u2f

- Original Message - 
From: Brian Walters [EMAIL PROTECTED]
Subject: Re: GESO: Cadiz


 On Sat, 21 Jun 2008 18:05:42 -0600, William Robb [EMAIL PROTECTED]
 said:
 - Original Message - 
 From: John Francis 
  On Sun, Jun 22, 2008 at 09:04:59AM +1000, Derby Chang wrote:
  Cotty wrote:
 
   That was indeed a glue gun. Unplugged.
   
   You what you're telling us is that it was a stick up?
 
   He'll probably adhere to his statement.
   
  
   This is all very fastenating.
  
 
  His name is Bond, Juan Bond
  
  Epoxy on both your houses ...
 
 So much for the ties that bind
 

 
 
 OK - so basically what you're saying is that Juan was in a sticky
 situation.

We better lay off or he might become unglued.

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Re: Off to NC again...

2008-06-21 Thread Ken Waller
As you requested I wish you luck, along with strong legs  lungs !

Heck, its only 2.5 miles up in 102 miles !

Kenneth Waller
http://www.tinyurl.com/272u2f

- Original Message - 
From: Mark Roberts [EMAIL PROTECTED]
Subject: Off to NC again...


 Only this time it's for *vacation*. Especially needed by Dr. Lisa who's 
 put in a string of weeks with 14-hour (or more) days. We'll do some 
 hiking (probably one or two days at/near GFM) and I'm bringing a load of 
 camera gear. I'm going to pack the 67 as well as the digital kit. We'll 
 see if anything comes of it...
 
 Then there's the Blood, Sweat  Gears 100-mile bicycle ride next 
 Saturday. 102 miles forward with 13,000 feet of climb. Wish me luck.


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Re: Gallery Rejects

2008-06-21 Thread Ken Waller
What you say sounds good but it isn't born out in the majority of what I see 
being submitted.

Kenneth Waller
http://www.tinyurl.com/272u2f

- Original Message - 
From: Jack Davis [EMAIL PROTECTED]
Subject: Re: Gallery Rejects


 Being involved in the gallery will expose folks to some very good work. 
 Those examples will have their impact on anyone who is truly interested.
 The education comes as a result of the effort to have work accepted. As 
 always, the greater the desire the more rewarded will be the effort.

 Jack


 --- On Sat, 6/21/08, [EMAIL PROTECTED] [EMAIL PROTECTED] 
 wrote:

 From: [EMAIL PROTECTED] [EMAIL PROTECTED]
 Subject: Re: Gallery Rejects
 To: Pentax-Discuss Mail List pdml@pdml.net
 Date: Saturday, June 21, 2008, 5:19 PM
 The gallery i's not a teaching tool, so it shouldn't
 be expected to educate. And part of the problem with an
 overwhelming majority of rejects lies in the fact that the
 gallery is quite full. I'm sure they dont' want to
 add work endlessly. So, at this point, uniqueness counts
 more than it might under normal circumstances.
  -- Original message --
 From: Jack Davis [EMAIL PROTECTED]
  I don't think many have any idea of what is good
 and, therefore, have no basis
  for editing.
  Posting to the Gallery will not teach them anything as
 they have no clue as to
  why they are being rejected.
 
  Jack
 
 
  --- On Sat, 6/21/08, Doug Brewer
 [EMAIL PROTECTED] wrote:
 
   From: Doug Brewer [EMAIL PROTECTED]
   Subject: Re: Gallery Rejects
   To: Pentax-Discuss Mail List
 pdml@pdml.net
   Date: Saturday, June 21, 2008, 9:29 AM
   On Jun 21, 2008, at 11:57 AM, Mark Roberts wrote:
  
Bob W wrote:
Commonplace subjects like flowers,
 children,
   lions in Africa - the
kind
of thing that can be well composed,
 focussed,
   exposed etc. but is no
different from hundreds of others
 they've been
   looking at since the
19th century.
   
I did a couple of sessions voting on photos
 in the
   Pentax Gallery this
week and I can tell you that if I see
 another
   profile shot of woman
holding a baby aloft I'm going to
 scream.
  
   Even worse:
  
   Seventy-five shots of the same subject (say, a
 waterfall)
   all
   bullseyed but at different focal lengths by the
 same
   photographer.
  
   Learn to edit.
  
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Doppler effect of a Chopin Waltz

2008-06-21 Thread thalamuse888-1
Hope she remembered to buckle up. Hate if she fell and
Bruch her bones 

  sorry about that, couldn't resist. ;^)

Long time PDML fan and lurker.

Nic


Walking in the centre of The Hague yesterday, I heard
this Chopin Waltz 
coming along, obviously part of a music festival
activity.
http://www.flickr.com/photos/mxer/2581285273/

I wonder if she remembered her Chopin Liszt ?

-- 


Cheers,
  Cotty




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