Geso: Rogues gallery

2010-05-12 Thread Larry Colen
I do not do well at quick photos of people.  At some point I may try  
to clean some of these up, but at least it'll help you connect the  
photographers, with the photographs:

http://www.flickr.com/photos/ellarsee/sets/72157623920448635/

The one not standing next to a photo is Sue Barton.

--
Larry Colen l...@red4est.com sent from i4est





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Re: Last minutes of the online chat!

2010-05-12 Thread Anthony Farr
:-)

Because I forgot to add it to my last message.

regards, Anthony

   Of what use is lens and light
to those who lack in mind and sight
   (Anon)



On 12 May 2010 14:54, Anthony Farr farranth...@gmail.com wrote:
 On 12 May 2010 13:00, Larry Colen l...@red4est.com wrote:
 What's the matter?
 You folks never seen a jewfro before?


 Of course we have, Larry.  Here's a famous one not unlike your own do:

 http://tinyurl.com/2dgsql6

 regards, Anthony

   Of what use is lens and light
    to those who lack in mind and sight
                                               (Anon)


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Re: Book, Exhibit and Chicago Galleries

2010-05-12 Thread Cotty
What Rob said :-)


On 12/5/10, Rob Studdert, discombobulated, unleashed:

It's been a big couple of weeks on this little mail list, there has
been a lot of posts that I'd have liked to reply to but unfortunately
I don't have that much spare time at the moment so I hope the
following serves to indicate my appreciation.

Yesterday I received my copy of the PDML Annual 2009, it's a hardcover
ImageWrap version, ordered 23 April, curiously shipped from Sweden
(Priority shipping option). I've just had a chance to cruise though it
in a more leisurely fashion and I really enjoyed the book and its
contents.

A big congratulations to all the image contributors, there are so many
great images to study and enjoy, huge thanks to Mark and the editorial
team for putting in the time and care. The book design and execution
is excellent and leaves little to be desired, the Blurb production
quality is also very good. Very satisfying in all.

The layout in the DANK-Haus gallery looked functional and attractive,
what a huge effort, thanks Christine and team. The live video feed
from the gallery was a terrific idea and provided the on-line
participants a little of the feel of the evening. Of course it would
have been great to have been there but the live chat became a fun
little alternate forum for sporadic camaraderie and jest. I enjoyed
Cotty's video production too, thanks again everyone involved.

Finally the almost overwhelming stream of post Chicago GESO's and
PESO's generated by the attendees during the evening at the gallery
and later were all great to see. Very sad to have personally missed
out on such a momentous PDML get together but very glad to have
available so many fine and entertaining images documenting the event.

I was there in spirit but would love to be there in person some day to
share time and space with some of the talented crew that makes the
PDML such an amazing little mail list, thanks Doug et al.! ;-)

--


Cheers,
  Cotty


___/\__
||   (O)  | People, Places, Pastiche
--  http://www.cottysnaps.com
_



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Re: GESO - PDML Refusés

2010-05-12 Thread Dario Bonazza

Mine:
http://www.dariobonazza.com/dolcenera/dn52e.htm

Dario

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RE: Book, Exhibit and Chicago Galleries

2010-05-12 Thread John Coyle
Rob - you've said it so well and I can only add that my feelings are exactly
the same.
A belated heartfelt thanks to all who organised the whole book and show deal
(mine has still not arrived!).


John in Brisbane



-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of Rob
Studdert
Sent: Wednesday, 12 May 2010 1:11 PM
To: Pentax-Discuss Mail List
Subject: Book, Exhibit and Chicago Galleries

Hi Team,

It's been a big couple of weeks on this little mail list, there has
been a lot of posts that I'd have liked to reply to but unfortunately
I don't have that much spare time at the moment so I hope the
following serves to indicate my appreciation.

Yesterday I received my copy of the PDML Annual 2009, it's a hardcover
ImageWrap version, ordered 23 April, curiously shipped from Sweden
(Priority shipping option). I've just had a chance to cruise though it
in a more leisurely fashion and I really enjoyed the book and its
contents.

A big congratulations to all the image contributors, there are so many
great images to study and enjoy, huge thanks to Mark and the editorial
team for putting in the time and care. The book design and execution
is excellent and leaves little to be desired, the Blurb production
quality is also very good. Very satisfying in all.

The layout in the DANK-Haus gallery looked functional and attractive,
what a huge effort, thanks Christine and team. The live video feed
from the gallery was a terrific idea and provided the on-line
participants a little of the feel of the evening. Of course it would
have been great to have been there but the live chat became a fun
little alternate forum for sporadic camaraderie and jest. I enjoyed
Cotty's video production too, thanks again everyone involved.

Finally the almost overwhelming stream of post Chicago GESO's and
PESO's generated by the attendees during the evening at the gallery
and later were all great to see. Very sad to have personally missed
out on such a momentous PDML get together but very glad to have
available so many fine and entertaining images documenting the event.

I was there in spirit but would love to be there in person some day to
share time and space with some of the talented crew that makes the
PDML such an amazing little mail list, thanks Doug et al.! ;-)

Cheers,

-- 
Rob Studdert (Digital  Image Studio)
Tel: +61-418-166-870 UTC +10 Hours
Gmail, eBay, Skype, Twitter, Facebook, Picasa: distudio

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Re: PESO: Blurry or Clear?

2010-05-12 Thread pdml
 I've thought about it for a while now.

 Overall I like the second better.  I think the issue is, or may be,
 how much movement and where in the image.

 The first image has movement/blur through the entire frame.  It's [...]

I agree with Tom.

B


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Re: GESO - The Usual Suspects (Chicago)

2010-05-12 Thread pdml


 Peradventure, these are typical Pentax users.

 Enjoy: http://photo.net/photodb/folder?folder_id=967136


those pictures are really quite alarming.


 Despite your lack of writing skills, those are awesomely funny shots.
 I even like mine! I've bookmarked that page for future reference. And
 to scare my kids, should I one day have them.

if you hope to have children in the future it would probably be best not
to let any women see that picture.




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Re: PESO - After the Storm

2010-05-12 Thread Cotty
On 11/5/10, frank theriault, discombobulated, unleashed:

http://knarfinthecity.blogspot.com/2010/05/after-storm.html

This also gives locals an idea of how far I am from downtown now.

Wow! I leica.

--


Cheers,
  Cotty


___/\__
||   (O)  | People, Places, Pastiche
--  http://www.cottysnaps.com
_



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Re: Book, Exhibit and Chicago Galleries

2010-05-12 Thread Brian Walters
On Wed, 12 May 2010 07:52 +0100, Cotty cotty...@mac.com wrote:
 What Rob said :-)


As much as I dislike 'me too' threads

Me too!



Cheers

Brian

++
Brian Walters
Western Sydney Australia
http://members.westnet.com.au/brianwal/SL/


 
 
 On 12/5/10, Rob Studdert, discombobulated, unleashed:
 
 It's been a big couple of weeks on this little mail list, there has
 been a lot of posts that I'd have liked to reply to but unfortunately
 I don't have that much spare time at the moment so I hope the
 following serves to indicate my appreciation.
 
 Yesterday I received my copy of the PDML Annual 2009, it's a hardcover
 ImageWrap version, ordered 23 April, curiously shipped from Sweden
 (Priority shipping option). I've just had a chance to cruise though it
 in a more leisurely fashion and I really enjoyed the book and its
 contents.
 
 A big congratulations to all the image contributors, there are so many
 great images to study and enjoy, huge thanks to Mark and the editorial
 team for putting in the time and care. The book design and execution
 is excellent and leaves little to be desired, the Blurb production
 quality is also very good. Very satisfying in all.
 
 The layout in the DANK-Haus gallery looked functional and attractive,
 what a huge effort, thanks Christine and team. The live video feed
 from the gallery was a terrific idea and provided the on-line
 participants a little of the feel of the evening. Of course it would
 have been great to have been there but the live chat became a fun
 little alternate forum for sporadic camaraderie and jest. I enjoyed
 Cotty's video production too, thanks again everyone involved.
 
 Finally the almost overwhelming stream of post Chicago GESO's and
 PESO's generated by the attendees during the evening at the gallery
 and later were all great to see. Very sad to have personally missed
 out on such a momentous PDML get together but very glad to have
 available so many fine and entertaining images documenting the event.
 
 I was there in spirit but would love to be there in person some day to
 share time and space with some of the talented crew that makes the
 PDML such an amazing little mail list, thanks Doug et al.! ;-)
 
 --
 
 
 Cheers,
   Cotty
 
 
 ___/\__
 ||   (O)  | People, Places, Pastiche
 --  http://www.cottysnaps.com
 _
 
 
 
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 http://pdml.net/mailman/listinfo/pdml_pdml.net
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 follow the directions.
 
-- 


-- 
http://www.fastmail.fm - A fast, anti-spam email service.


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Re: Last minutes of the online chat!

2010-05-12 Thread Eactivist
Separated at birth

Marnie :-)   (Just joking, Larry.)

In a message dated 5/11/2010 9:54:47 P.M. Pacific  Daylight Time, 
farranth...@gmail.com writes:
On 12 May 2010 13:00, Larry  Colen l...@red4est.com wrote:
 What's the matter?
 You  folks never seen a jewfro before?


Of course we have, Larry.   Here's a famous one not unlike your own  do:

http://tinyurl.com/2dgsql6

regards, Anthony  


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Re: Book, Exhibit and Chicago Galleries

2010-05-12 Thread eckinator
2010/5/12 Brian Walters supera1...@fastmail.fm:
 On Wed, 12 May 2010 07:52 +0100, Cotty cotty...@mac.com wrote:
 What Rob said :-)


 As much as I dislike 'me too' threads

 Me too!

I was going to say Me too! too and then opted against it but I guess

ME TOO =)

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Canon S90 Remarks

2010-05-12 Thread Tim Bray
I don't think many will come to love it, but it's still remarkably
handy: http://www.tbray.org/ongoing/When/201x/2010/05/11/Canon-S90-Notes

 -Tim

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Re: Geso: Rogues gallery

2010-05-12 Thread Eactivist
Not bad at all. Some good ones in there.  Lighting was not optimal. I like 
seeing people next to their photos.  

Marnie aka Doe :-)

In a message dated 5/11/2010 11:31:39 P.M.  Pacific Daylight Time, 
l...@red4est.com writes:
I do not do well at quick  photos of people.  At some point I may try  
to clean some of these  up, but at least it'll help you connect the  
photographers, with the  photographs:
http://www.flickr.com/photos/ellarsee/sets/72157623920448635/

The  one not standing next to a photo is Sue Barton.

--
Larry Colen  l...@red4est.com sent from i4est  


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Re: PESO - After the Storm

2010-05-12 Thread David Mann
On May 12, 2010, at 11:33 AM, frank theriault wrote:

 http://knarfinthecity.blogspot.com/2010/05/after-storm.html

Nice, very well timed.

I know how you feel about being busy, I'm flat out as well.  I took some forest 
pics on Sunday and I want to dabble with HDR.  I even took some 6x7 photos but 
the film has been in the camera for well over a year... and I know it has a 
light leak.  So I doubt they'll turn out.

Dave


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Re: WEBCAM Video of Chicago Exhibition

2010-05-12 Thread Madame RD
May I ask why Florac in Lozere   ?  .. goodness ! you can't imagine how 
far it is for a Parisian   just joking of course 

thanks ßob . not sure I can but it would be nice .. .


dominique


Le 11/05/10 21:10, p...@web-options.com a écrit :

Dominique,

there is a small pdml event taking place on 23rd/24th June in Florac,
Lozere - you are most welcome to join in!

Bob

   

dominique,
You have to find an event to attend and meet some of these people in the
flesh.
Then you'll know them on sight.
Regards,  Bob S.  (Who missed meeting Tim Bray somehow on Friday!)

 





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Re: PESO - After the Storm

2010-05-12 Thread mike wilson

 Cotty cotty...@mac.com wrote: 
 On 11/5/10, frank theriault, discombobulated, unleashed:
 
 http://knarfinthecity.blogspot.com/2010/05/after-storm.html
 
 This also gives locals an idea of how far I am from downtown now.
 
 Wow! I leica.

'Sony a wave.

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Re: Book, Exhibit and Chicago Galleries

2010-05-12 Thread mike wilson

 eckinator eckina...@gmail.com wrote: 
 2010/5/12 Brian Walters supera1...@fastmail.fm:
  On Wed, 12 May 2010 07:52 +0100, Cotty cotty...@mac.com wrote:
  What Rob said :-)
 
 
  As much as I dislike 'me too' threads
 
  Me too!
 
 I was going to say Me too! too and then opted against it but I guess
 
 ME TOO =)

You two, too?

Angelina

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The Chicago Event

2010-05-12 Thread AlunFoto
Dear gang,

The Chicago Event was fantastic. I too have some shots I'd like to
share, but that will have to wait until I have time to process the
images. Hopefully tomorrow; ascension day is public holiday in Norway.

Bob and Lynn Sullivan took very good care of both Boris and me
throughout. I'm very grateful for their hospitality.

The exhibition was very well executed. Absolutely fabulous to think of
how one's image is hung in a gallery nearly half around the world. And
even more so after having seen it in person.

Christine, Sue, Mark, and everyone else that made the exhibition
happen; thank you so much.

Btw, I noticed there were predictions on the list that my pic would
probably sell, and some even maintaining it would sell first; but I
didn't believe it. So when it happened it was a very positive
surprise. It is only the second time I have sold an image from a
collection of prints where other photographers are present, and the
first time from a proper exhibition. Boris keeps telling me I
shouldn't be surprised, but it feels like an important personal
milestone. I'm very glad this happened in a PDML context.

At the same time, the penguin image competed for fame and glory (ie.
no price for the winner) back here in Norway. BioFoto, an organisation
for Scandinavian nature photographers with roughly 1400 members, had
their annual convention while Chicago PDML'ers were browsing the
Eggleston exhibition. One regular point on the BioFoto convention
agenda is to cast votes for the nature photo of the year contest,
and my penguin shot finished 4th out of 20 nominated images. Not bad.
All good, really.

A more mixed bag is that the same convention elected me leader of the
organisation. It was expected since I was the only willing candidate,
but it means I will have much less time to hang around PDML for a
while. At least until I get on top of my new responsibilities.

On Sunday, a select group of PDML'ers did a walkabout among house
designs by architect Frank Lloyd Wright, before withdrawing to Bob's
house for dinner and a little show of some more of my pics from the
South Atlantic.

Both Stan and Boris expressed interest in getting a copy of the book I
made on the same, so I will look into making a few more copies. I'll
look into producing a Blurb version as well, which is more convenient
for direct purchase if more people are interested. And hopefully
cheaper than the European alternative.

As many others have mentioned, it was fun to match real physical
persons to their cyberspace appearance. There were discrepancies, of
course, but whatever stature, all seemed to me to reach exactly down
to the ground. No small feat for such a large group of artist(e)s. :-)

It was truly grand to see you all. Hope we can do this again some time.

PDML ru13z.

Jostein

-- 
http://www.alunfoto.no/galleri/
http://alunfoto.blogspot.com

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Re: GESO - Quality Human Hair

2010-05-12 Thread paul stenquist

On May 11, 2010, at 11:32 PM, Northeast Media wrote:

 I liked the red umbrella in the trash can.
 
 Isn't Chicago the windy city ?
 
That was originally a reference to the politicians, not the weather. In truth, 
NY  -- on the coast and with its canyons -- is windier.
Paul
 
 Phil Northeast
 
 www.northeastmedia.biz
 northeastme...@bigpond.com
 
 - Original Message - From: eactiv...@aol.com
 To: pdml@pdml.net
 Sent: Wednesday, May 12, 2010 1:18 PM
 Subject: Re: GESO - Quality Human Hair
 
 
 Very nice gallery -- lots of interesting  juxtapositions, snippets of
 things, and angles.
 
 I especially like the  tattoo and leaves juxtaposition. (Also the Buddha,
 photographer and  mirror.)
 
 Marnie :-)
 
 In a message dated 5/10/2010 10:00:05 P.M.  Pacific Daylight Time,
 taylorjohn...@cablespeed.com writes:
 On May 9, 2010,  at 8:51 PM, Doug Brewer d...@alphoto.comwrote:
 
 Most of  these will not survive a more serious cull, but right now they
 don't  make me spew.
 
 All taken over the too little time I had for  shooting in Chicago,
 just a
 random collection with no  thought to flow or chronological order.
 Friday
 night is  missing until I move them from the laptop to my working
 computer.
 
 Anyway:
 
 http://www.alphoto.com/images/chicago2010/
 
 enjoy
 
 
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 follow the directions.
 
 
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Re: Chicago

2010-05-12 Thread paul stenquist

On May 11, 2010, at 11:44 PM, Tom C wrote:

 On Tue, May 11, 2010 at 8:58 PM, Doug Brewer d...@alphoto.com wrote
 :(regarding Eggleston)
 
 I'm pretty sure Christine had a little epiphany about it too, but I'll leave
 that up to her. Even Mark Roberts allowed, a touch grudgingly, that there
 might have been a couple of good photos in there.
 
 
 I really thought one (Eggleston) was excellent and two others were
 very likeable. So I didn't totally dislike his exhbited work, though
 those three represent probably 5% of what was displayed.
 
 He just, IMO, seemed a charlatan.  Maybe Picasso was too, based on
 some elementary school art exhibits I saw hanging in the local mall
 today.
 
 It seems to me a question of:
 
 1. Do I like it because it was REALLY a good photograph?
 
 or
 
 2. Do I like it because it brings back fond memories for me, despite
 it being a CRAPPY photograph?
 
 If #1, then it was probably a really good photograph.
 
 If #2, then it's because I'm in love with my own memories (nothing
 wrong with that) and my emotional response to the image has little to
 do with it's artisitic merit.
 
Invoking an emotional response is artistry in its highest form.
Paul


 Tom C.
 
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Re: The Chicago Event

2010-05-12 Thread paul stenquist

On May 12, 2010, at 6:01 AM, AlunFoto wrote:

 Dear gang,
 
 The Chicago Event was fantastic. I too have some shots I'd like to
 share, but that will have to wait until I have time to process the
 images. Hopefully tomorrow; ascension day is public holiday in Norway.
 
 Bob and Lynn Sullivan took very good care of both Boris and me
 throughout. I'm very grateful for their hospitality.
 
 The exhibition was very well executed. Absolutely fabulous to think of
 how one's image is hung in a gallery nearly half around the world. And
 even more so after having seen it in person.
 
 Christine, Sue, Mark, and everyone else that made the exhibition
 happen; thank you so much.
 
 Btw, I noticed there were predictions on the list that my pic would
 probably sell, and some even maintaining it would sell first; but I
 didn't believe it. So when it happened it was a very positive
 surprise. It is only the second time I have sold an image from a
 collection of prints where other photographers are present, and the
 first time from a proper exhibition. Boris keeps telling me I
 shouldn't be surprised, but it feels like an important personal
 milestone. I'm very glad this happened in a PDML context.
 
 At the same time, the penguin image competed for fame and glory (ie.
 no price for the winner) back here in Norway. BioFoto, an organisation
 for Scandinavian nature photographers with roughly 1400 members, had
 their annual convention while Chicago PDML'ers were browsing the
 Eggleston exhibition. One regular point on the BioFoto convention
 agenda is to cast votes for the nature photo of the year contest,
 and my penguin shot finished 4th out of 20 nominated images. Not bad.
 All good, really.
 
 A more mixed bag is that the same convention elected me leader of the
 organisation. It was expected since I was the only willing candidate,
 but it means I will have much less time to hang around PDML for a
 while. At least until I get on top of my new responsibilities.
 
 On Sunday, a select group of PDML'ers did a walkabout among house
 designs by architect Frank Lloyd Wright, before withdrawing to Bob's
 house for dinner and a little show of some more of my pics from the
 South Atlantic.
 
 Both Stan and Boris expressed interest in getting a copy of the book I
 made on the same, so I will look into making a few more copies. I'll
 look into producing a Blurb version as well, which is more convenient
 for direct purchase if more people are interested. And hopefully
 cheaper than the European alternative.
 
 As many others have mentioned, it was fun to match real physical
 persons to their cyberspace appearance. There were discrepancies, of
 course, but whatever stature, all seemed to me to reach exactly down
 to the ground. No small feat for such a large group of artist(e)s. :-)
 
 It was truly grand to see you all. Hope we can do this again some time.
 
 PDML ru13z.
 
 Jostein
 
 -- 

Sorry to have missed you once again, Jostein. I'm not surprised your photo 
sold. It's truly superb.

Paul


 http://www.alunfoto.no/galleri/
 http://alunfoto.blogspot.com
 
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Re: Chicago

2010-05-12 Thread Tom C
Yet, is that a definition of art or artistry?

Tom C.

On Wed, May 12, 2010 at 7:21 AM, paul stenquist pnstenqu...@comcast.net wrote:

 Invoking an emotional response is artistry in its highest form.
 Paul


 Tom C.


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Re: Chicago

2010-05-12 Thread Mark Roberts
paul stenquist wrote:

Invoking an emotional response is artistry in its highest form.

Well it *can* be. But it's possible to evoke an emotional response
without any art at all. :)


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Re: WEBCAM Video of Chicago Exhibition

2010-05-12 Thread Christian Skofteland
On Wed, May 12, 2010 at 11:03:16AM +0200, Madame RD wrote:
 May I ask why Florac in Lozere   ?  .. goodness ! you can't imagine
 how far it is for a Parisian  

 dominique
 
 

Speaking of Paris...  I'll actually be in Paris for two weeks (for work) 
starting May 16th.  
Send me an off-list email if you want to try to get together for a few hours 
some afternoon.
Cotty is actually trying to show up for a day next week.

-- 

Christian
-
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http://birdofthemoment.blogspot.com


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Sony A850 ? (Mark)

2010-05-12 Thread Jack Davis
Mark,

How are you with your A850 decision? Too early?

Impression; noise, HDR. res., overall IQ, build/handling...?

You put up a loving shot of it awhile back, but what with Chicago et al,

Wondering if your hands-on impression confirms satisfies your expectations.

Thanks!

Jack





 



  

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Re: Leaving for Chicago

2010-05-12 Thread Boris Liberman
Mark! When I (keep) saying you, you oughta be proud of yourself, you 
chuckle away... But then if some BioPhoto bunch does, you are quite 
proud... Ok, tall guy, I will remember you this ;-).


Boris

On 5/6/2010 1:23 AM, AlunFoto wrote:

Guys and gals,
It's well past midnight here, and I'm just about to hit the pillow. My
flight leaves Oslo tomorrow at 8:30 Central European DST (zone GMT+1),
so I'll be up early to reach the airport and won't have time to check
my email, I think.

Tonight I held a talk at the local branch of BioFoto, over the
Antarctica pictures, which went quite well. The picture in the
exhibition received further kudos, and so did the overall show. It may
be bragging, but right now I'm quite proud. Biofoto is a picky
audience. :-)

Good night, and see some of you on a different continent in a few hours.

Cheers,
Jostein




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Re: Chicago Double Whammy

2010-05-12 Thread Boris Liberman

I think I can arrange US visas for my daughters for such an occasion ;-).

On 5/6/2010 4:01 PM, Cotty wrote:

On 6/5/10, Christine Aguila, discombobulated, unleashed:


Your *double whammy* is a *double bummer*, Paul.  I think our next PDML
outing is just going to have to be near you, so we can all meet you  :-).


Party at Pauls! Party at Pauls! :)

--


Cheers,
   Cotty


___/\__
||   (O)  | People, Places, Pastiche
--  http://www.cottysnaps.com
_






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Re: Chicago

2010-05-12 Thread William Robb


- Original Message - 
From: paul stenquist

Subject: Re: Chicago






Invoking an emotional response is artistry in its highest form.


When Tom and I were driving to the hotel on Thursday, a station wagon being 
driven in an erratic and dangerous manner invoked a fairly extreme emotional 
response from both of us.

I hadn't thought of bad driving as being an art form before this moment.

William Robb 



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Re: Sony A850 ? (Mark)

2010-05-12 Thread Dario Bonazza

I've used the A850 for a while. My impressions:

Build: excellent

Viewfinder: excellent

Handling: very good

Resolution: excellent (provided you put enough a lens in front of it, 
otherwise edges are poor). Don't use the provided 2.8/28-75mm (a rebadged 
Tamron) full open if you want good resolution at edges.


AF: excellent on steady subjects, worse than Pentax on moving subjects in 
less-than-ideal conditions


Noise: comparable to K20D (but the lower enlargement required make it less 
obvious)


Dynamic range: slightly worse than K20D.

All in all: an excellent studio camera, doesn't feel so comfortable in 
action.


Dario

- Original Message - 
From: Jack Davis jdavi...@yahoo.com

To: Pentax-Discuss Mail List pdml@pdml.net
Sent: Wednesday, May 12, 2010 3:12 PM
Subject: Sony A850 ? (Mark)



Mark,

How are you with your A850 decision? Too early?

Impression; noise, HDR. res., overall IQ, build/handling...?

You put up a loving shot of it awhile back, but what with Chicago et al,

Wondering if your hands-on impression confirms satisfies your 
expectations.


Thanks!

Jack



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Re: PESO - After the Storm

2010-05-12 Thread Christian Skofteland
On Tue, May 11, 2010 at 07:33:29PM -0400, frank theriault wrote:
 Took this one Saturday morning.  I hoped to get together a GESO, but
 things got crazy on Saturday afternoon and I haven't been on the
 computer since.  So far this and Early Morning Run are the only two
 I've had a chance to render.
 
 Anyway, we had intense thunderstorms here in Toronto on Friday night.
 By Saturday morning the rain had stopped but Lake Ontario was still
 pretty pissed off about the whole thing.  I had no idea that our
 little Great Lake could produce the waves I saw that morning.  Not
 quite surfing material, but still, bigger than I expected.
 
 Hope you enjoy:
 
 http://knarfinthecity.blogspot.com/2010/05/after-storm.html
 
 This also gives locals an idea of how far I am from downtown now.
 
 Comments welcome.
 
 cheers,
 frank

NICE!  Very dynamic and the BW makes it feel stormy too.  Love the skyline in 
the background 
which gives it a sense of place.  

-- 

Christian
-
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http://birdofthemoment.blogspot.com


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Re: Sony A850 ? (Mark)

2010-05-12 Thread Jack Davis
Appreciate your comments, Dario. Fairly close to my interpretation of the dp 
review.

Jack

--- On Wed, 5/12/10, Dario Bonazza dario.bona...@virgilio.it wrote:

 From: Dario Bonazza dario.bona...@virgilio.it
 Subject: Re: Sony A850 ? (Mark)
 To: Pentax-Discuss Mail List pdml@pdml.net
 Date: Wednesday, May 12, 2010, 6:27 AM
 I've used the A850 for a while. My
 impressions:
 
 Build: excellent
 
 Viewfinder: excellent
 
 Handling: very good
 
 Resolution: excellent (provided you put enough a lens in
 front of it, otherwise edges are poor). Don't use the
 provided 2.8/28-75mm (a rebadged Tamron) full open if you
 want good resolution at edges.
 
 AF: excellent on steady subjects, worse than Pentax on
 moving subjects in less-than-ideal conditions
 
 Noise: comparable to K20D (but the lower enlargement
 required make it less obvious)
 
 Dynamic range: slightly worse than K20D.
 
 All in all: an excellent studio camera, doesn't feel so
 comfortable in action.
 
 Dario
 
 - Original Message - From: Jack Davis jdavi...@yahoo.com
 To: Pentax-Discuss Mail List pdml@pdml.net
 Sent: Wednesday, May 12, 2010 3:12 PM
 Subject: Sony A850 ? (Mark)
 
 
  Mark,
  
  How are you with your A850 decision? Too early?
  
  Impression; noise, HDR. res., overall IQ,
 build/handling...?
  
  You put up a loving shot of it awhile back, but what
 with Chicago et al,
  
  Wondering if your hands-on impression confirms
 satisfies your expectations.
  
  Thanks!
  
  Jack
  
 
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 directly above and follow the directions.
 


  

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Re: Worth selling the K10D if I'm getting the K7?

2010-05-12 Thread Boris Liberman
I also kept mine. It is Galia's camera now. And some times my backup. In 
fact, I would be interested to know when and how it will actually 
completely expire.


That said, having seen K-x in Chicago makes me wanna buy Galia a new 
camera...


Boris

On 5/7/2010 12:48 AM, Jeffery Smith wrote:

I'd hang on to it. As you say, the resale value is not enough to make you want 
to lose it as a backup camera.

Jeffery




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Re: OT - They're Calling For Snow Tonight

2010-05-12 Thread Boris Liberman

Gee...

Well, we had a proper thunderstorm just before I left for Chicago. 
That's pretty freakin' unusual...


Boris

On 5/8/2010 2:53 PM, frank theriault wrote:

It's May!

AAGGG!!

cheers,
frank




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What Makes a Good Photograph? Was: Chicago

2010-05-12 Thread Tom C
On Wed, May 12, 2010 at 12:47 AM, Doug Brewer d...@alphoto.com wrote:

OK, if we're going to discuss this, first you have to define what exactly 
makes a good photograph, without saying a good photo is not this... or a 
good photo is not that...

Fire when ready.

Thought about in my sleep. :-)

I'll cop out with the following:

We and I may be mixing up the terms art and good in this discussion...
oh well...

There can be be no single answer to the question because photographs
are taken for a variety of reasons. Some photographs are intended as a
form of artistic expression while others may be simply documentary.
Some are documentary of an event, say a party, while others are taken
for more mundane reasons.  I believe some photos are taken for
practically no reason whatsoever - the person has a camera and
therefore is using it (similar to what happens if you give a child a
camera and they mostly, indiscriminately, start walking around
actuating the shutter). (Like Eggleston, IMO, wink)

There's at least two ways of defining good when it's applied to photography:

1. Good because the image fulfills the requirements for which it was taken
2. Good because the image possesses some attributes that make it stand
out in a positive way

Individually we all define good somewhat differently.

It seems to me that invoking/or not an emotional response is not the
whole thing either.  First, one viewer is different from the next, so
will be impacted differently. Second, the viewer may have an emotional
response to the image that has little to do with the merits of the
image itself.

Example 1: I love my baby, so a picture of my baby invokes an
emotional response.
Example 2: I remember the day JFK was shot, so when I see images of
that traumatic event, it invokes an emotional response.

In both examples above the subject matter alone is what may produce a
response.  I would think that a snapshot baby picture or a hastily
taken image documenting an event, likely does not qualify as art
unless it invokes a response for reasons other than the subject matter
itself.

In the GESO I just posted of wide angle portraits.  Are they good or
bad?  Are they art?  I didn't intend them to be art.  Nor would I ever
submit that they are such. Yet, I took them with the sole purpose of
invoking an emotional response (which from what I read is either
amusement or horror). Are they good? IMO, yes, but only in that they
invoked the response I was hoping for).  Are they good because they
possess some other qualities, such as excellent composition, lighting,
exposure control? No.

In the end, I suppose, the only statements I can really make that are
unassailable is I like that image or I think that's a good image.
My thoughts and emotions are my own and require no validation. If
someone disagrees, their opposite statements are just as valid.

As I said, I think the PDML exhibit in Chicago was a far better
collection of images than the Eggleston exhibit. That's my opinion.
For instance I saw nothing artistic or good about the photographs of a
pile of garbage or the black porcelain interior of an oven.

It's probably easier to define a bad photograph as opposed to a good one.

A bad photograph is one that a person sees once and never cares to
look at again.

Tom C.

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JetLag 0, Boris 1

2010-05-12 Thread Boris Liberman

Hi!

If you remember I had opened a thread regarding jet lag back in 
February. It seems I've stumbled upon simple solution of this problem 
just yesterday.


You see, all my business flights back were departure at around midnight 
and arrival late afternoon. So, I would arrive, feel beaten up and go to 
bed pretty confused all around.


This time, however, I flew home on 7pm flight from JFK. Having to go as 
far north as Greenland, it took 11 hours and by 1pm local time I've 
arrived to Israel. Went home, moved round and about, had a quiet walk 
around the 'hood with my girls. Then, at around 7 pm I felt really 
really tired. Dragged myself on for another 2 hours and at 9 pm I hit 
the pillow really hard. And voila, today I was fully awake at 6 am as I 
usually do.


Presently I feel ever so slightly tired but nothing to really worry about.

I suppose, I should specifically request a ticket to 7pm flight from JFK 
next time they send me on the business trip across the big pond.


Well, now I've vented ;-).

Boris

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Re: The Chicago Event

2010-05-12 Thread Boris Liberman

Guilty as charged. I think, mister, you're quite a photographer...

Otherwise, I'd second (or would it be third after Paul Stenquist?) what 
you said.


A special thanks of course goes to Bob and Lynn for letting me in and 
allowing me to have truly great time.


Whomever I invited to visit Israel in person - my invitation surely 
stands. And if any of PDMLers decides to travel just give me a shout 
reasonably in advance. I am sure I will be able to enhance your travel 
program at least a bit.


Boris

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Re: GESO - The Usual Suspects (Chicago)

2010-05-12 Thread Boris Liberman

On 5/12/2010 5:40 AM, Miserere wrote:

On 11 May 2010 20:53, Tom Ccaka...@gmail.com  wrote:
Which is why Boris took yer mugshot, cos it certainly wasn't me. Not
when you don't know how to spell my oh-so-easy name.


ROTFLMAO

Boris

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PESO squatters

2010-05-12 Thread Madame RD
they settled uninvited in my flowerpots but I quite like them and i'm 
disappointed when they don't show up .


http://www.flickr.com/photos/la_meduse/4601435482/
http://www.flickr.com/photos/la_meduse/4601436298/in/photostream/

not a squatter but hadn't shown a flower until now .
http://www.flickr.com/photos/la_meduse/4600818825/

about time i posted some pictures ...

dominique



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Re: PESO - After the Storm

2010-05-12 Thread Christian Skofteland
On Wed, May 12, 2010 at 10:52:50AM +0100, mike wilson wrote:
 
  Cotty cotty...@mac.com wrote: 
  On 11/5/10, frank theriault, discombobulated, unleashed:
  
  http://knarfinthecity.blogspot.com/2010/05/after-storm.html
  
  This also gives locals an idea of how far I am from downtown now.
  
  Wow! I leica.
 
 'Sony a wave.
 

Rolleing onto shore.

-- 

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-
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http://birdofthemoment.blogspot.com


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Re: Chicago

2010-05-12 Thread P N Stenquist


On May 12, 2010, at 8:00 AM, Tom C wrote:


Yet, is that a definition of art or artistry?

It's but one of many. There are no hard and fast definitions, no hard  
and fast rules. However, I would say that if a work is both completely  
devoid of any evidence of skill and it fails to invoke any kind of  
response, then it is not art.  Art can include both technical  
masterpieces and emotional concepts. But in the end, it is up to the  
individual to decide.


When I go to a museum, I know that I am looking at the curator's  
definition of art. I am, of course, free to agree or disagree with  
that judgement.


On the other hand, when a work has passed the test of time and has  
been deemed artful by critics whose experience spans centuries, It is  
somewhat arrogant and perhaps a bit naive to question their judgement.


Paul

Tom C.

On Wed, May 12, 2010 at 7:21 AM, paul stenquist pnstenqu...@comcast.net 
 wrote:


Invoking an emotional response is artistry in its highest form.
Paul



Tom C.



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Re: Chicago

2010-05-12 Thread P N Stenquist


On May 12, 2010, at 9:19 AM, William Robb wrote:



- Original Message - From: paul stenquist
Subject: Re: Chicago






Invoking an emotional response is artistry in its highest form.


When Tom and I were driving to the hotel on Thursday, a station  
wagon being driven in an erratic and dangerous manner invoked a  
fairly extreme emotional response from both of us.
I hadn't thought of bad driving as being an art form before this  
moment.




Well, it can be.



William Robb

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Re: JetLag 0, Boris 1

2010-05-12 Thread AlunFoto
My flight out of Chicago was 16:25. Losing seven hours on the way, it
meant I landed in Oslo around 9:30 in the morning, and hit home one
hour later. Didn't sleep much on the plane this time; partly due to
good company in the neighbour seat.

I too forced myself to stay active all day and had a long night's
sleep; with much the same result as you describe. I've been fairly
well focused today. But boy, was I exhausted in the afternoon
yesterday... :-)

Look forward to upload my images to the computer tomorrow.

Good to see Larry posting on PDML again despite how he was treated on
Sunday, btw. I think that was not nice behaviour on Bob, Lynn and
Stan's part. :-(

Jostein


2010/5/12 Boris Liberman bori...@gmail.com:
 Hi!

 If you remember I had opened a thread regarding jet lag back in February. It
 seems I've stumbled upon simple solution of this problem just yesterday.

 You see, all my business flights back were departure at around midnight and
 arrival late afternoon. So, I would arrive, feel beaten up and go to bed
 pretty confused all around.

 This time, however, I flew home on 7pm flight from JFK. Having to go as far
 north as Greenland, it took 11 hours and by 1pm local time I've arrived to
 Israel. Went home, moved round and about, had a quiet walk around the 'hood
 with my girls. Then, at around 7 pm I felt really really tired. Dragged
 myself on for another 2 hours and at 9 pm I hit the pillow really hard. And
 voila, today I was fully awake at 6 am as I usually do.

 Presently I feel ever so slightly tired but nothing to really worry about.

 I suppose, I should specifically request a ticket to 7pm flight from JFK
 next time they send me on the business trip across the big pond.

 Well, now I've vented ;-).

 Boris

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Re: Chicago

2010-05-12 Thread Rob Studdert
On 13/05/2010, P N Stenquist pnstenqu...@comcast.net wrote:

 It's but one of many. There are no hard and fast definitions, no hard and
 fast rules. However, I would say that if a work is both completely devoid of
 any evidence of skill and it fails to invoke any kind of response, then it
 is not art.  Art can include both technical masterpieces and emotional
 concepts. But in the end, it is up to the individual to decide.

I think the artist can call any work they deem to be art, art, whether
the rest of us agree is moot it seems. I see examples of this
regularly but the one that sticks in my mind most is the exhibit that
I stumbled upon in a very well regarded Sydney photographic gallery
space quite a few years back now.

This particular exhibit consisted of  20+ large prints of images of a
CRT TV screen showing daytime soap opera clips. Lots of screen scan
lines, low contrast, often indistinct scenes, nothing otherwise
coherent or interesting but hey it was presented as art. He who dares
art I call it.

-- 
Rob Studdert (Digital  Image Studio)
Tel: +61-418-166-870 UTC +10 Hours
Gmail, eBay, Skype, Twitter, Facebook, Picasa: distudio

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Re: Geso: Rogues gallery

2010-05-12 Thread Mark Roberts
Larry Colen wrote:

I do not do well at quick photos of people.  At some point I may try  
to clean some of these up, but at least it'll help you connect the  
photographers, with the photographs:
http://www.flickr.com/photos/ellarsee/sets/72157623920448635/

Very nice!

Mind if I grab your shot of me for my web site? I need to update to a
more current shot.


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software misfeature of the K-x

2010-05-12 Thread Larry Colen
On Monday night I was photographing a dance and was having a really  
rough time with exposure. I was shooting in manual mode, I'd take a  
picture, then the next time I shot, the exposure was way off.  Or it  
would change.  It took me a while to realize that I had left the  
shutter in bracket.


There is no reason that pressing the shutter once in bracket mode  
shouldn't take all three exposures.


For that matter, it should be designed so that the mirror doesn't flop  
and bounce after every exposure.  I'm not even sure that it should  
need to fire the mechanical shutter between each exposure.



--
Larry Colen l...@red4est.com sent from i4est





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Re: What Makes a Good Photograph? Was: Chicago

2010-05-12 Thread Fernando
I think the approach you guys are using to analyse this might be
flawed for some type of work, some photos need to be evaluated as part
of a whole, and even in an intended sequence (e.g. Robert Frank's The
Americans). These are the photos that evaluated individualy are
mundane but are elevated to a different level as part of a whole.

On Wed, May 12, 2010 at 9:45 AM, Tom C caka...@gmail.com wrote:
 On Wed, May 12, 2010 at 12:47 AM, Doug Brewer d...@alphoto.com wrote:

OK, if we're going to discuss this, first you have to define what exactly 
makes a good photograph, without saying a good photo is not this... or a 
good photo is not that...

Fire when ready.

 Thought about in my sleep. :-)

 I'll cop out with the following:

 We and I may be mixing up the terms art and good in this discussion...
 oh well...

 There can be be no single answer to the question because photographs
 are taken for a variety of reasons. Some photographs are intended as a
 form of artistic expression while others may be simply documentary.
 Some are documentary of an event, say a party, while others are taken
 for more mundane reasons.  I believe some photos are taken for
 practically no reason whatsoever - the person has a camera and
 therefore is using it (similar to what happens if you give a child a
 camera and they mostly, indiscriminately, start walking around
 actuating the shutter). (Like Eggleston, IMO, wink)

 There's at least two ways of defining good when it's applied to photography:

 1. Good because the image fulfills the requirements for which it was taken
 2. Good because the image possesses some attributes that make it stand
 out in a positive way

 Individually we all define good somewhat differently.

 It seems to me that invoking/or not an emotional response is not the
 whole thing either.  First, one viewer is different from the next, so
 will be impacted differently. Second, the viewer may have an emotional
 response to the image that has little to do with the merits of the
 image itself.

 Example 1: I love my baby, so a picture of my baby invokes an
 emotional response.
 Example 2: I remember the day JFK was shot, so when I see images of
 that traumatic event, it invokes an emotional response.

 In both examples above the subject matter alone is what may produce a
 response.  I would think that a snapshot baby picture or a hastily
 taken image documenting an event, likely does not qualify as art
 unless it invokes a response for reasons other than the subject matter
 itself.

 In the GESO I just posted of wide angle portraits.  Are they good or
 bad?  Are they art?  I didn't intend them to be art.  Nor would I ever
 submit that they are such. Yet, I took them with the sole purpose of
 invoking an emotional response (which from what I read is either
 amusement or horror). Are they good? IMO, yes, but only in that they
 invoked the response I was hoping for).  Are they good because they
 possess some other qualities, such as excellent composition, lighting,
 exposure control? No.

 In the end, I suppose, the only statements I can really make that are
 unassailable is I like that image or I think that's a good image.
 My thoughts and emotions are my own and require no validation. If
 someone disagrees, their opposite statements are just as valid.

 As I said, I think the PDML exhibit in Chicago was a far better
 collection of images than the Eggleston exhibit. That's my opinion.
 For instance I saw nothing artistic or good about the photographs of a
 pile of garbage or the black porcelain interior of an oven.

 It's probably easier to define a bad photograph as opposed to a good one.

 A bad photograph is one that a person sees once and never cares to
 look at again.

 Tom C.

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Re: Chicago

2010-05-12 Thread Miserere
On 12 May 2010 00:47, Doug Brewer d...@alphoto.com wrote:

 OK, if we're going to discuss this, first you have to define what exactly
 makes a good photograph, without saying a good photo is not this... or a
 good photo is not that...

 Fire when ready.

Doug, I actually wrote an article describing what makes a Great
Photograph. I titled it... What Makes a Great Photograph (see how
my mind works?). You might enjoy it--at the very least there are no
emoticons and Eggleston gets a mention:

http://enticingthelight.com/2010/02/21/what-makes-a-great-photograph/

Let me know what you think.

Cheers,


  --M.

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Re: software misfeature of the K-x

2010-05-12 Thread Godfrey DiGiorgi
Of course it needs to operate the shutter ... all electronic shutters
as yet do not have the control and resolution possible with a
mechanical shutter. And like with most SLRs, the shutter regulation,
aperture control and mirror are a linked mechanical operation so
there's no good way to cycle the shutter without also cycling the
others.

On Olympus bodies, the auto-bracket feature and the capture three on
one shutter press are implemented separately: you have to turn on
auto-bracket AND drive mode to achieve this automation. I find this
very useful in some situations (say when using a flash unit to allow
time for recycling).

If a camera has independently, electronically controlled shutter,
mirror and aperture operation, then an option to do auto-bracketing on
one press cycling only the shutter as quickly as possible would be a
nice feature for use when appropriate. I don't believe it's possible
with the design of today's Pentax (or any other) SLR bodies.

On Wed, May 12, 2010 at 8:10 AM, Larry Colen l...@red4est.com wrote:
 On Monday night I was photographing a dance and was having a really rough
 time with exposure. I was shooting in manual mode, I'd take a picture, then
 the next time I shot, the exposure was way off.  Or it would change.  It
 took me a while to realize that I had left the shutter in bracket.

 There is no reason that pressing the shutter once in bracket mode shouldn't
 take all three exposures.

 For that matter, it should be designed so that the mirror doesn't flop and
 bounce after every exposure.  I'm not even sure that it should need to fire
 the mechanical shutter between each exposure.


 --
 Larry Colen l...@red4est.com sent from i4est





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Re: Worth selling the K10D if I'm getting the K7?

2010-05-12 Thread Miserere
On 12 May 2010 09:38, Boris Liberman bori...@gmail.com wrote:
 I also kept mine. It is Galia's camera now. And some times my backup. In
 fact, I would be interested to know when and how it will actually completely
 expire.

 That said, having seen K-x in Chicago makes me wanna buy Galia a new
 camera...

 Boris

Translation: Having seen a K-x in Chicago makes me wanna buy myself a
new backup camera...


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Re: What Makes a Good Photograph? Was: Chicago

2010-05-12 Thread Doug Brewer

Tom C wrote:



We and I may be mixing up the terms art and good in this discussion...
oh well...


We can save the discussion about whether photography is art for later. I 
asked what makes a good photograph.




There can be be no single answer to the question because photographs
are taken for a variety of reasons. Some photographs are intended as a
form of artistic expression while others may be simply documentary.
Some are documentary of an event, say a party, while others are taken
for more mundane reasons.  I believe some photos are taken for
practically no reason whatsoever 



or maybe no obvious reason?

- the person has a camera and

therefore is using it (similar to what happens if you give a child a
camera and they mostly, indiscriminately, start walking around
actuating the shutter). (Like Eggleston, IMO, wink)


Eggleston may be many things, but indiscriminate isn't one of them. He's 
quite deliberate in what he shows, but it sometimes takes some work to 
see what he's revealing.




There's at least two ways of defining good when it's applied to photography:

1. Good because the image fulfills the requirements for which it was taken


Are we talking just record-keeping? Here is a scene and here is what it 
looked like?



2. Good because the image possesses some attributes that make it stand
out in a positive way


Attributes such as? And why positive?



Individually we all define good somewhat differently.


Sure. And we are all, when we reach a certain level of competency, 
convinced that the way we do it is the way everyone should do it. Nature 
of the beast, you know.




It seems to me that invoking/or not an emotional response is not the
whole thing either.  First, one viewer is different from the next, so
will be impacted differently. Second, the viewer may have an emotional
response to the image that has little to do with the merits of the
image itself.

Example 1: I love my baby, so a picture of my baby invokes an
emotional response.
Example 2: I remember the day JFK was shot, so when I see images of
that traumatic event, it invokes an emotional response.

In both examples above the subject matter alone is what may produce a
response.  I would think that a snapshot baby picture or a hastily
taken image documenting an event, likely does not qualify as art
unless it invokes a response for reasons other than the subject matter
itself.


And what I'm trying to do, somewhat clumsily, is get you to articulate 
those reasons. What I'm trying to get at is that we all have our 
templates, as photographers, and sometimes to our detriment. How often 
do we take the lazy way out and just rely on the rule of thirds to 
compose a photo instead of taking the time to think about what 
composition really suits the subject matter best? The rule of thirds is 
not the only game in town, and the same can be said for any other 
compositional/sharpness/exposure/color habit we get into.


The same can be said for how we view photographs. We like best those 
that are like what we shoot, as photographers. The trick is to separate 
our photographer selves from our viewer selves and go from there. Can we 
do it? Can we look at other photographs, or do the years seeing the 
world through a viewfinder ruin that for us?




In the GESO I just posted of wide angle portraits.  Are they good or
bad?  Are they art?  I didn't intend them to be art.  Nor would I ever
submit that they are such. Yet, I took them with the sole purpose of
invoking an emotional response (which from what I read is either
amusement or horror). Are they good? IMO, yes, but only in that they
invoked the response I was hoping for).  Are they good because they
possess some other qualities, such as excellent composition, lighting,
exposure control? No.


19 is a lark. A million is art.



In the end, I suppose, the only statements I can really make that are
unassailable is I like that image or I think that's a good image.
My thoughts and emotions are my own and require no validation. If
someone disagrees, their opposite statements are just as valid.


True. I really don't care if anyone else likes Eggleston's work, but if 
you're going to say a photo, any photo, is crappy, it's only fair to 
ask why.




As I said, I think the PDML exhibit in Chicago was a far better
collection of images than the Eggleston exhibit. That's my opinion.
For instance I saw nothing artistic or good about the photographs of a
pile of garbage or the black porcelain interior of an oven.

It's probably easier to define a bad photograph as opposed to a good one.

A bad photograph is one that a person sees once and never cares to
look at again.

Tom C.




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Re: Jetlagged babble

2010-05-12 Thread Miserere
On 12 May 2010 00:50, mike wilson m.9.wil...@ntlworld.com wrote:
 Miserere wrote:

 Slightly surprised
 that you had a teeny, tiny British accent mixed in with the Norwegian.
 Not at all surprised at how tall you were.

 We've been working on that for a long time. Must try harder.

You want to make him even taller?


  --M.

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Re: Something Funny Happened on the Way to Chicago

2010-05-12 Thread Miserere
On 11 May 2010 23:12, Tom C caka...@gmail.com wrote:

 and I suspect Miserere was just being silly...

Would it have helped if I'd used an emoticon? If so, e-mail Doug and
let him know! I'm trying out writing Doug-style since I got back from
Chicago and have been making enemies left and right.

Note to Self: Must remember never to listen to Doug ever again.


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Re: Something Funny Happened on the Way to Chicago

2010-05-12 Thread Doug Brewer

Miserere wrote:

On 11 May 2010 23:12, Tom C caka...@gmail.com wrote:

and I suspect Miserere was just being silly...


Would it have helped if I'd used an emoticon? If so, e-mail Doug and
let him know! I'm trying out writing Doug-style since I got back from
Chicago and have been making enemies left and right.

Note to Self: Must remember never to listen to Doug ever again.


  --M.



I recall saying something to the effect of don't try this at home. I am 
a professional.




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Re: Geso: Rogues gallery

2010-05-12 Thread Miserere
On 12 May 2010 02:31, Larry Colen l...@red4est.com wrote:
 I do not do well at quick photos of people.  At some point I may try to
 clean some of these up, but at least it'll help you connect the
 photographers, with the photographs:
 http://www.flickr.com/photos/ellarsee/sets/72157623920448635/

 The one not standing next to a photo is Sue Barton.

Larry, thanks for using the soft-focus filter on my photo. [insert
winky emoticon here]


  --M.

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Re: software misfeature of the K-x

2010-05-12 Thread Dario Bonazza
I've set my K20D so that it takes all bracketing shots with a single push on 
the release button (Custom Setting #8) and the K-7 can also act that way 
(Custom Setting #7).


Dario 



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Re: Chicago

2010-05-12 Thread Doug Brewer

Miserere wrote:

On 12 May 2010 00:47, Doug Brewer d...@alphoto.com wrote:

OK, if we're going to discuss this, first you have to define what exactly
makes a good photograph, without saying a good photo is not this... or a
good photo is not that...

Fire when ready.


Doug, I actually wrote an article describing what makes a Great
Photograph. I titled it... What Makes a Great Photograph (see how
my mind works?). You might enjoy it--at the very least there are no
emoticons and Eggleston gets a mention:

http://enticingthelight.com/2010/02/21/what-makes-a-great-photograph/

Let me know what you think.

Cheers,


  --M.



I've read that before, and thought it was very funny.

Only category you missed was Post it on the Internet, especially on 
flickr. Someone will say it's great, and there you go.


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Re: Chicago

2010-05-12 Thread Bob Sullivan
M,
Just read your what-makes-a-great-photograph and I'm now prepared to
do some fabulous work!
Regards,  Bob S.

On Wed, May 12, 2010 at 11:11 AM, Miserere miser...@gmail.com wrote:
 Doug, I actually wrote an article describing what makes a Great
 Photograph. I titled it... What Makes a Great Photograph (see how
 my mind works?). You might enjoy it--at the very least there are no
 emoticons and Eggleston gets a mention:

 http://enticingthelight.com/2010/02/21/what-makes-a-great-photograph/

 Let me know what you think.

 Cheers,


  --M.

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Re: JetLag 0, Boris 1

2010-05-12 Thread Miserere
On 12 May 2010 10:15, AlunFoto alunf...@gmail.com wrote:

 Good to see Larry posting on PDML again despite how he was treated on
 Sunday, btw. I think that was not nice behaviour on Bob, Lynn and
 Stan's part. :-(

Wow, what did I miss? Oh, this was Sunday, not Saturday. Poor Larry,
did someone tell him not to post? C'mon Larry! Post the hell out of
the PDML!

As for jet-lag, I've found that when flying East it's best to land mid
afternoon or early evening. When flying West, however, it's best to
land mid afternoon or early evening.

Rats, did I say the same thing twice? My Chicago-to-Boston jetlag is
killing me these days...


  --M.

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Re: PESO squatters

2010-05-12 Thread Jack Davis
I like the way you've included their habitat, Dominique.

Delicate quiet images.

Jack

--- On Wed, 5/12/10, Madame RD romd...@orange.fr wrote:

 From: Madame RD romd...@orange.fr
 Subject: PESO  squatters
 To: Pentax-Discuss Mail List pdml@pdml.net
 Date: Wednesday, May 12, 2010, 7:01 AM
 they settled uninvited in my
 flowerpots but I quite like them and i'm disappointed when
 they don't show up .
 
 http://www.flickr.com/photos/la_meduse/4601435482/
 http://www.flickr.com/photos/la_meduse/4601436298/in/photostream/
 
 not a squatter but hadn't shown a flower until now .
 http://www.flickr.com/photos/la_meduse/4600818825/
 
 about time i posted some pictures ...
 
 dominique
 
 
 
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Re: Chicago

2010-05-12 Thread Miserere
On 12 May 2010 12:30, Doug Brewer d...@alphoto.com wrote:

 I've read that before, and thought it was very funny.

Oh, you thought I was joking?

 Only category you missed was Post it on the Internet, especially on
 flickr. Someone will say it's great, and there you go.

I did consider mentioning Flickr, but thought I had already insulted
enough people.


  --M.

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Re: Worth selling the K10D if I'm getting the K7?

2010-05-12 Thread Charles Robinson
On May 12, 2010, at 11:14, Miserere wrote:

 On 12 May 2010 09:38, Boris Liberman bori...@gmail.com wrote:
 I also kept mine. It is Galia's camera now. And some times my backup. In
 fact, I would be interested to know when and how it will actually completely
 expire.
 
 That said, having seen K-x in Chicago makes me wanna buy Galia a new
 camera...
 
 Boris
 
 Translation: Having seen a K-x in Chicago makes me wanna buy myself a
 new backup camera...
 

My dad's got a K-x... maybe I'll try borrowing it the next time I have a dark 
concert to shoot.

Sure is small 'n' light!

 -Charles

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Re: PESO: The Winter Guard

2010-05-12 Thread Charles Robinson
On May 9, 2010, at 19:33, Daniel J. Matyola wrote:

 On Saturday, my Rotary Club gave a reception honoring those who have
 made significant contributions to the community.  The highlight of the
 event was a performance by the Winter Guard from our local high
 school.  I was sitting fairly far back in the theater, far out of
 flash range, so I decided to test the high ISO performance of my
 camera:
 
 http://photo.net/photodb/photo?photo_id=10991077
 

Well done!  Just the right shutter speed for those flying flags.

Someone else asked so I'll just toss it in here since I have it handy: 

Auto exposure, Program AE, 1/20 sec, f/4.5, ISO 3200

 -Charles

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Re: PESO: The Winter Guard

2010-05-12 Thread Daniel J. Matyola
Thanks.  That was shot at 3200 ISO.

Dan

On Tue, May 11, 2010 at 8:48 AM, Rick Womer rwomer1...@yahoo.com wrote:
 Great shot!  The noise doesn't intrude even at full size (which is huge).  
 What was the ISO?

 Rick

 http://photo.net/photos/RickW


 --- On Sun, 5/9/10, Daniel J. Matyola danmaty...@gmail.com wrote:

 From: Daniel J. Matyola danmaty...@gmail.com
 Subject: PESO: The Winter Guard
 To: Pentax-Discuss Mail List pdml@pdml.net
 Date: Sunday, May 9, 2010, 8:33 PM
 On Saturday, my Rotary Club gave a
 reception honoring those who have
 made significant contributions to the community.  The
 highlight of the
 event was a performance by the Winter Guard from our local
 high
 school.  I was sitting fairly far back in the theater,
 far out of
 flash range, so I decided to test the high ISO performance
 of my
 camera:

 http://photo.net/photodb/photo?photo_id=10991077

 Comments, Criticisms, Suggestions and Abuse are welcome.

 Dan

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Re: PESO: The Winter Guard

2010-05-12 Thread Daniel J. Matyola
Thanks, Charles.

On Wed, May 12, 2010 at 12:52 PM, Charles Robinson charl...@visi.com wrote:
 On May 9, 2010, at 19:33, Daniel J. Matyola wrote:

 On Saturday, my Rotary Club gave a reception honoring those who have
 made significant contributions to the community.  The highlight of the
 event was a performance by the Winter Guard from our local high
 school.  I was sitting fairly far back in the theater, far out of
 flash range, so I decided to test the high ISO performance of my
 camera:

 http://photo.net/photodb/photo?photo_id=10991077


 Well done!  Just the right shutter speed for those flying flags.

 Someone else asked so I'll just toss it in here since I have it handy:

 Auto exposure, Program AE, 1/20 sec, f/4.5, ISO 3200

  -Charles

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 Minneapolis, MN
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 http://www.facebook.com/charles.robinson


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Re: Chicago

2010-05-12 Thread Ira Bryant
Reading this thread, and then today's The Abominable Charles Christopher made 
me laugh.

http://www.abominable.cc/2010/05/12/consider-the-critics-of-the-field/

Ira



- Original Message 
 From: Miserere miser...@gmail.com
 To: Pentax-Discuss Mail List pdml@pdml.net
 Sent: Wed, May 12, 2010 11:11:54 AM
 Subject: Re: Chicago
 


Doug, I actually wrote an article describing what makes a 
 Great
Photograph. I titled it... What Makes a Great Photograph (see 
 how
my mind works?). You might enjoy it--at the very least there are 
 no
emoticons and Eggleston gets a 
 mention:

http://enticingthelight.com/2010/02/21/what-makes-a-great-photograph/

Let 
 me know what you think.

Cheers,


  --M.

-- 
 

    \/\/o/\/\ -- http://WorldOfMiserere.com

  
   http://EnticingTheLight.com
    A Quest for Photographic 
 Enlightenment

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Re: Canon S90 Remarks

2010-05-12 Thread Miserere
On 12 May 2010 03:56, Tim Bray tb...@textuality.com wrote:
 I don't think many will come to love it, but it's still remarkably
 handy: http://www.tbray.org/ongoing/When/201x/2010/05/11/Canon-S90-Notes

  -Tim

Tim, I'm also a fan of the S90.

Part 1 of my long-ass review of the camera:

http://enticingthelight.com/2009/11/09/review-canon-s90-part-1-first-impressions/

Some photos I've taken with it:

http://enticingthelight.com/2009/12/16/some-canon-s90-sample-shots/

I bought it because it was trouser-pocketable (also pants-pocketable)
while offering great control and very good IQ for its teeny-weeny
sensor. I am still very annoyed about its lacking auto-ISO in M mode,
but I don't expect Canon to address that issue--they're not exactly
known for listening to their customers.

Did you end up getting the grip? I have largish hands but don't have
an issue with holding the S90; then again, I don't hold it like a DSLR
so the grip would be useless to me.

Cheers,


   --M.

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http://EnticingTheLight.com
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Re: Book, Exhibit and Chicago Galleries

2010-05-12 Thread DagT



Den 12. mai 2010 kl. 09.54 skrev eckinator:

 2010/5/12 Brian Walters supera1...@fastmail.fm:
 On Wed, 12 May 2010 07:52 +0100, Cotty cotty...@mac.com wrote:
 What Rob said :-)
 
 
 As much as I dislike 'me too' threads
 
 Me too!
 
 I was going to say Me too! too and then opted against it but I guess
 
 ME TOO =)


And me...

Nice book (nice to be mentioned by Doug) and I wish I was able to be there at 
the opening.

Thanks for all the work that has been done!

DagT
http://www.thrane.name

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Re: JetLag 0, Boris 1

2010-05-12 Thread AlunFoto
2010/5/12 Miserere miser...@gmail.com:
 On 12 May 2010 10:15, AlunFoto alunf...@gmail.com wrote:
 Wow, what did I miss? Oh, this was Sunday, not Saturday. Poor Larry,
 did someone tell him not to post? C'mon Larry! Post the hell out of
 the PDML!

A bad case of foot in mouth disease on my part.

Jostein

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Re: software misfeature of the K-x

2010-05-12 Thread David Parsons
Mirror, shutter, and aperture control are not mechanically linked in
modern dSLRs.  They are separately actuated using servos.

They are most likely setup that way because the timing chain is
already setup and it's much easier to tell the camera to actuate 3
times, than to reprogram the timing chain to lift the mirror, close
the aperture, and open-close the shutter x times.

On Wed, May 12, 2010 at 12:13 PM, Godfrey DiGiorgi gdigio...@gmail.com wrote:
 Of course it needs to operate the shutter ... all electronic shutters
 as yet do not have the control and resolution possible with a
 mechanical shutter. And like with most SLRs, the shutter regulation,
 aperture control and mirror are a linked mechanical operation so
 there's no good way to cycle the shutter without also cycling the
 others.

 On Olympus bodies, the auto-bracket feature and the capture three on
 one shutter press are implemented separately: you have to turn on
 auto-bracket AND drive mode to achieve this automation. I find this
 very useful in some situations (say when using a flash unit to allow
 time for recycling).

 If a camera has independently, electronically controlled shutter,
 mirror and aperture operation, then an option to do auto-bracketing on
 one press cycling only the shutter as quickly as possible would be a
 nice feature for use when appropriate. I don't believe it's possible
 with the design of today's Pentax (or any other) SLR bodies.

 On Wed, May 12, 2010 at 8:10 AM, Larry Colen l...@red4est.com wrote:
 On Monday night I was photographing a dance and was having a really rough
 time with exposure. I was shooting in manual mode, I'd take a picture, then
 the next time I shot, the exposure was way off.  Or it would change.  It
 took me a while to realize that I had left the shutter in bracket.

 There is no reason that pressing the shutter once in bracket mode shouldn't
 take all three exposures.

 For that matter, it should be designed so that the mirror doesn't flop and
 bounce after every exposure.  I'm not even sure that it should need to fire
 the mechanical shutter between each exposure.


 --
 Larry Colen l...@red4est.com sent from i4est





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Re: JetLag 0, Boris 1

2010-05-12 Thread Larry Colen

Miserere wrote:

On 12 May 2010 10:15, AlunFoto alunf...@gmail.com wrote:
  

Good to see Larry posting on PDML again despite how he was treated on
Sunday, btw. I think that was not nice behaviour on Bob, Lynn and
Stan's part. :-(



Wow, what did I miss? Oh, this was Sunday, not Saturday. Poor Larry,
did someone tell him not to post? C'mon Larry! Post the hell out of
the PDML!
  


I just had a frustrating day.  It took almost two hours on the train for 
me to get to Oak Park.  I called Stan to find out where people were and 
he was on a different street than he thought he was.  I walked up and 
down the wrong street for a bit without finding people, then when I 
tried to find a place to use the bathroom, got a bit lost. 
A few minutes after I finally found everyone, they all piled into Bob's 
van and drove off.

I ended up consoling myself with Giordano's pizza.

As for jet-lag, I've found that when flying East it's best to land mid
afternoon or early evening. When flying West, however, it's best to
land mid afternoon or early evening.

Rats, did I say the same thing twice? My Chicago-to-Boston jetlag is
killing me these days...


  --M.

  



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geso - Chicago

2010-05-12 Thread Sasha Sobol
http://flickriver.com/photos/sobol/tags/chicago/

--Sasha

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Re: Geso: Rogues gallery

2010-05-12 Thread Larry Colen

Mark Roberts wrote:

Larry Colen wrote:

  
I do not do well at quick photos of people.  At some point I may try  
to clean some of these up, but at least it'll help you connect the  
photographers, with the photographs:

http://www.flickr.com/photos/ellarsee/sets/72157623920448635/



Very nice!

Mind if I grab your shot of me for my web site? I need to update to a
more current shot.
  


You're all welcome to use the shots of you.  If people want, let me know 
and I can send you the raw file when I get home.  I didn't do any 
cleanup, not even cropping, on any of them.
  



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Re: PESO - After the Storm

2010-05-12 Thread David J Brooks
You done good kid.;-)

This works very well in BW.

One more move and you'll be in my neck of the woods.,:-)

Dave

On Tue, May 11, 2010 at 7:33 PM, frank theriault
knarftheria...@gmail.com wrote:
 Took this one Saturday morning.  I hoped to get together a GESO, but
 things got crazy on Saturday afternoon and I haven't been on the
 computer since.  So far this and Early Morning Run are the only two
 I've had a chance to render.

 Anyway, we had intense thunderstorms here in Toronto on Friday night.
 By Saturday morning the rain had stopped but Lake Ontario was still
 pretty pissed off about the whole thing.  I had no idea that our
 little Great Lake could produce the waves I saw that morning.  Not
 quite surfing material, but still, bigger than I expected.

 Hope you enjoy:

 http://knarfinthecity.blogspot.com/2010/05/after-storm.html

 This also gives locals an idea of how far I am from downtown now.

 Comments welcome.

 cheers,
 frank

 --
 Sharpness is a bourgeois concept.  -Henri Cartier-Bresson

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Re: My Chicago Pic.

2010-05-12 Thread David J Brooks
I drove through Chicago on my return trips from Fargo ND when i worked
for the pilot car company, does that count.

Dave

On Tue, May 11, 2010 at 6:52 PM, paul stenquist pnstenqu...@comcast.net wrote:

 On May 11, 2010, at 6:39 PM, Jerry in Arizona wrote:

 I grew up in Chicago (go Cubbies!)

 I grew up in Chicago as well, but on the southside where Cubby fans feared 
 for their lives:-).  I've been to Comisky hundreds of times, but only twice 
 to Wrigley. Once for the fire department/police game in 1956 and once for the 
 Bears/49ers in 1962.

 Where in Chicago did you grow up? I lived in Avalon Park, near 83rd, between 
 Stony and Cottage Grove.

 Paul

 and first took up photography there.  Here is one I took, from the then new 
 John Hancock Building, viewing Grant Park and Michigan Ave.  Just below 
 center is the Chicago Art Institute.  Don't remember what the camera was.  
 Maybe my old Kodak Pony, my first 35mm.  Alot of things to fix, but brings 
 back alot of memories.


 http://s896.photobucket.com/albums/ac164/gelewis_2010/Pentax/?action=viewcurrent=ChicagoatNight1961_002A1.jpg

 Jerry in Arizona

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Re: Worth selling the K10D if I'm getting the K7?

2010-05-12 Thread Boris Liberman
Well, you're wrong, mister ;-). If you'd written something like: When
on the walk with my daughter, I don't want to have to haul too much
weight 'cause I am too lazy then I might have agreed with you ;-).

On Wed, May 12, 2010 at 7:14 PM, Miserere miser...@gmail.com wrote:
 Translation: Having seen a K-x in Chicago makes me wanna buy myself a
 new backup camera...


  --M.

-- 
Boris

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Re: Something Funny Happened on the Way to Chicago

2010-05-12 Thread Mark Roberts
Doug Brewer wrote:

Miserere wrote:
 On 11 May 2010 23:12, Tom C caka...@gmail.com wrote:
 and I suspect Miserere was just being silly...
 
 Would it have helped if I'd used an emoticon? If so, e-mail Doug and
 let him know! I'm trying out writing Doug-style since I got back from
 Chicago and have been making enemies left and right.

Yeah, but - admit it - you're getting a much *better* class of enemies
now.

 Note to Self: Must remember never to listen to Doug ever again.

You have a long way to go to catch up to the number of times I've said
that.

I recall saying something to the effect of don't try this at home. I am 
a professional.

You need a disclaimer sort of like in the car commercials, only for
writing:

Professional writer on a closed course. Do not attempt. Extra commas
not included.


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Re: What Makes a Good Photograph? Was: Chicago

2010-05-12 Thread Tom C
Hi Doug,  (take everything I say as not an argument, but more or less musing)

I don't know the history of Eggleston or how/why he became famous.
From the exhibit I saw, I suspect either some beatniks in a coffehouse
somewhere or some art professors who talk vs. do, were looking for
deeper meaning and stared at some photographs long enough until they
thought that they'd found it.  Realizing he could achieve fame and/or
money by doing more of the same he set out to deliver what the
'intellectuals' wanted.

The above may not be true, but it's the sense I get, because if I were
to show a similar set of photographs, which would be quite easy to
produce, I'd be uniformly chastized.

If a person deliberately sets about shooting in what I'd call a
'crappy snaphot style', is it good because it was deliberate as
opposed to haphazard?  Or is it good because it reminds people of the
way things were in years gone by and hence evokes an emotion?

I called his photographs crappy because I found them largely devoid of
any discernible style or intent, and I did not find them aesthetically
pleasing.  I did not enjoy the majority of them individually nor did I
see any cohesiveness as a group. If that was what he was shooting for,
he achieved it.

 And what I'm trying to do, somewhat clumsily, is get you to articulate those
 reasons. What I'm trying to get at is that we all have our templates, as
 photographers, and sometimes to our detriment. How often do we take the lazy
 way out and just rely on the rule of thirds to compose a photo instead of
 taking the time to think about what composition really suits the subject
 matter best? The rule of thirds is not the only game in town, and the same
 can be said for any other compositional/sharpness/exposure/color habit we
 get into.

Yes, I deliberately tried NOT to articulate the reasons why I would
consider a photograph good, and leave it open to interpretation.  :-)

Why? Because I KNOW, that sure as grass is green, if I elaborate on
some specific criteria that someone will argue the opposite or the
exception, and point out to me (as if I'm a total idiot) that I cannot
be the sole arbiter of what makes a good photograph (and I can't).  So
I did not fall into the trap.  :-)

I do however agree with your statements above.  The formula for making
a good photograph is wide and varied, and we can easily become trapped
in our formulaic way of seeing and producing. That, in essence,
probably becomes our style, but it's certainly good to keep an open
mind and consider that our subject at the time could posiibly benefit
from a different approach than our norm.

 The same can be said for how we view photographs. We like best those that
 are like what we shoot, as photographers. The trick is to separate our
 photographer selves from our viewer selves and go from there. Can we do it?
 Can we look at other photographs, or do the years seeing the world through a
 viewfinder ruin that for us?

It should not ruin it for us, but as individuals we all have
preferences and tastes in both subject and style. Certainly we can
learn by trying to see thinngs differently than our own personal norm.

Tom C.

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My Chicago photos (slide show with music, pre alpha)

2010-05-12 Thread Boris Liberman
Hi!

Presently it contains 54 photos and music Paintings by Space. I
still need to work on it make it fit the length of a sound track,
however if you want to get a sense of what the final version will
contain please download it from here:

http://liberman-family.com/boris/chicago_2010/chicago_pdml.exe

This is executable (sorry, only Windows) that I made with the help of
FSViewer...

Any comments will be appreciated.

P.S. From time to time I will upload a new version but the URL will
remain the same.

-- 
Boris

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RE: Augenblick: Some shots and a controversial opinion

2010-05-12 Thread J.C. O'Connell
I like the clearer one. the blurriest one looks
like a mistake, the clearer one looks like an effect.

--
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Join the CD PLAYER  DISC Discussions :
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-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of Doug
Franklin
Sent: Tuesday, May 11, 2010 9:57 PM
To: Pentax-Discuss Mail List
Subject: Re: Augenblick: Some shots and a controversial opinion


On 2010-05-11 21:41, William Robb wrote:

 For myself, it was a terrific opportunity to get my work out there, 
 even in a relatively small way.

Had my shot been selected, I would've gladly paid just to have the print 
that Mark made. :-)  I'm not wholly joking, here.  Sure, it would've 
been nice to have my work out there, but it's very likely that my 
largest benefit would've been a beautiful Mark-print. :-)


-- 
Thanks,
DougF (KG4LMZ)

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Re: What Makes a Good Photograph? Was: Chicago

2010-05-12 Thread John Francis
On Wed, May 12, 2010 at 01:40:06PM -0400, Tom C wrote:
 Hi Doug,  (take everything I say as not an argument, but more or less musing)
 
 I don't know the history of Eggleston or how/why he became famous.
{snip, snip]
 I called his photographs crappy because I found them largely devoid of
 any discernible style or intent, and I did not find them aesthetically
 pleasing.  I did not enjoy the majority of them individually nor did I
 see any cohesiveness as a group. If that was what he was shooting for,
 he achieved it.

There probably has to be a little more to it than that, though.

The foregoing critique could pretty much describe most of my photography.
Perhaps the intent is apparent in my action photographs (of cyclists or of
race cars), but apart from that I produce snapshots rather than artwork.

But I'm happy with that (and that I'm not a famous photographer).

Perhaps that's part of it - if I tried to persuade you that my work had
artistic merit (whatever that may be) you would judge it more harshly.

(Again, not trying to be argumentative; just adding my musings to yours)


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Re: Worth selling the K10D if I'm getting the K7?

2010-05-12 Thread Bob Sullivan
Well I'd like to buy my wife a K-x so I can use it.   :-)  Regards,  Bob S.

On Wed, May 12, 2010 at 12:35 PM, Boris Liberman bori...@gmail.com wrote:
 Well, you're wrong, mister ;-). If you'd written something like: When
 on the walk with my daughter, I don't want to have to haul too much
 weight 'cause I am too lazy then I might have agreed with you ;-).

 On Wed, May 12, 2010 at 7:14 PM, Miserere miser...@gmail.com wrote:
 Translation: Having seen a K-x in Chicago makes me wanna buy myself a
 new backup camera...


  --M.

 --
 Boris

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Re: What Makes a Good Photograph? Was: Chicago

2010-05-12 Thread Tom C
Hi John,

Are they really snapshots?  Do you not expend some effort reaching the
locale, getting set up, in the right spot, using a desired focal
length lens, and then set aperture and shutter speed, and compose,
then fine-tune?

If so, then they're not really snapshots, to my way of thinking. While
maybe not what you would consider art, you must certainly have
criteria for judging how successful your shots are, and some you are
no doubt sublimely happy with, while others must be considered
failures, and the range between both ends of the spectrum.

Personally, liking cars and auto racing, I would consider a well
composed, thought out, aesthetically pleasing photo of a race car, a
work of art.

Tom C.


On Wed, May 12, 2010 at 3:05 PM, John Francis jo...@panix.com wrote:
 On Wed, May 12, 2010 at 01:40:06PM -0400, Tom C wrote:
 Hi Doug,  (take everything I say as not an argument, but more or less musing)

 I don't know the history of Eggleston or how/why he became famous.
 {snip, snip]
 I called his photographs crappy because I found them largely devoid of
 any discernible style or intent, and I did not find them aesthetically
 pleasing.  I did not enjoy the majority of them individually nor did I
 see any cohesiveness as a group. If that was what he was shooting for,
 he achieved it.

 There probably has to be a little more to it than that, though.

 The foregoing critique could pretty much describe most of my photography.
 Perhaps the intent is apparent in my action photographs (of cyclists or of
 race cars), but apart from that I produce snapshots rather than artwork.

 But I'm happy with that (and that I'm not a famous photographer).

 Perhaps that's part of it - if I tried to persuade you that my work had
 artistic merit (whatever that may be) you would judge it more harshly.

 (Again, not trying to be argumentative; just adding my musings to yours)


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Re: Worth selling the K10D if I'm getting the K7?

2010-05-12 Thread Tom C
I've kept my K20D after getting a K-7, but only because I'm too busy
or lazy to sell it.

On Wed, May 12, 2010 at 3:12 PM, Bob Sullivan rf.sulli...@gmail.com wrote:
 Well I'd like to buy my wife a K-x so I can use it.   :-)  Regards,  Bob S.

 On Wed, May 12, 2010 at 12:35 PM, Boris Liberman bori...@gmail.com wrote:
 Well, you're wrong, mister ;-). If you'd written something like: When
 on the walk with my daughter, I don't want to have to haul too much
 weight 'cause I am too lazy then I might have agreed with you ;-).

 On Wed, May 12, 2010 at 7:14 PM, Miserere miser...@gmail.com wrote:
 Translation: Having seen a K-x in Chicago makes me wanna buy myself a
 new backup camera...


  --M.

 --
 Boris

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Re: software misfeature of the K-x

2010-05-12 Thread Godfrey DiGiorgi
Untrue, David. Take apart a Pentax K10D shutter/mirror/iris actuation
assembly sometime and you'll see how it's put together. It's not
servos ... it's springs and levers. As are virtually all SLR shutter
assemblies.

My friend at the local camera repair shop has them apart on the bench
all the time. I haven't seen one yet with servo actuation setup to
mirror, shutter and iris actuator.

On Wed, May 12, 2010 at 10:20 AM, David Parsons parsons.da...@gmail.com wrote:
 Mirror, shutter, and aperture control are not mechanically linked in
 modern dSLRs.  They are separately actuated using servos.


-- 
Godfrey
  godfreydigiorgi.posterous.com

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Re: Augenblick: Some shots and a controversial opinion

2010-05-12 Thread Bruce Walker

Doug Franklin wrote:

On 2010-05-11 21:41, William Robb wrote:


For myself, it was a terrific opportunity to get my work out there, even
in a relatively small way.


Had my shot been selected, I would've gladly paid just to have the print 
that Mark made. :-)  I'm not wholly joking, here.  Sure, it would've 
been nice to have my work out there, but it's very likely that my 
largest benefit would've been a beautiful Mark-print. :-)


I'm looking forward very much to seeing my own personal Markachrome. :)

I wish I could have seen it in the context of all the other wonderful 
prints, but I'll settle for my one-off.  I just hope the shipping fee 
isn't too bank-breaking.


-bmw

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Re: JetLag 0, Boris 1

2010-05-12 Thread Doug Franklin

On 2010-05-12 9:49, Boris Liberman wrote:


Presently I feel ever so slightly tired but nothing to really worry about.


That's the way I've always done it:

1.  Sleep on the flight if possible (always possible for me)
2.  Don't sleep at the destination until (almost) my regular time
3.  Eat all meals at destination on destination time, starting as soon 
as I land


Doing it this way, especially going east, I'm a bit tired the next day, 
but after that I'm switched over to destination time.


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Re: GESO - PDML Refusés

2010-05-12 Thread Doug Franklin

Here are mine:

The one that was selected:
http://NutDriver.org/AtTheReady.jpg

The ones that weren't:
http://NutDriver.org/CleaningCrew.jpg
http://NutDriver.org/HotAssist.jpg

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Re: GESO: My Chicago

2010-05-12 Thread Bob Sullivan
Tim,

I think you're the only pdml'er I didn't meet on Friday...tall guy in
the back of the room???  I'm sorry about that.  I enjoyed your gallery
and am especially happy you found the restaurant on the 95th floor of
the John Hancock Building.  Lunch there is the most economic way to
enjoy the view without having to pay for the entrance fee to the
observation deck.  And because it's so close to the lake, the view is
spectacular - much better than the observation deck on the Sears
(Willis) tower.

I like the first shot in your gallery for the height it conveys and
the way you use the adjacent building to focus attention on the
subject.  I think you got around some and picked up on some of the old
iron and structures around town.  The Banksy is a great find.  I never
knew about it.  And I hadn't seen our Picasso 'horse' in hockey
headgear, but we have a history of dressing our sculptures up for the
playoffs.  ;-)

Regards,  Bob S.

On Sun, May 9, 2010 at 11:39 PM, Tim Bray tb...@textuality.com wrote:
 My trip to Chicago was relatively unsuccessful aside from the couple
 of hours I got to spend with the PDMLers, but I did manage to take a
 couple of snaps that avoided the quick cull.  The slide-show is at
 http://www.tbray.org/pdml/Chicago-May-2010/ (only 8) but since I can't
 figure out how to make Lightroom put individual labels on its
 slideshow output, here are the ones that deserve a little more
 comment:

 From the restaurant on the 95th floor of the Hancock - instead of
 paying $15 and up to look at the view from the observatory, you can
 buy a very decent lunch for about the same unless you drink which I
 did of course and the view is really extraordinary:
 http://www.tbray.org/pdml/Chicago-May-2010/content/PS089239_large.html

 I'm pretty sure this is a Banksy, the first live one I've ever seen:
 http://www.tbray.org/pdml/Chicago-May-2010/content/PS089241_large.html

 The big Picasso downtown, dressed for the hockey playoffs:
 http://www.tbray.org/pdml/Chicago-May-2010/content/PS089257_large.html

  -Tim

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Re: geso - Chicago

2010-05-12 Thread Larry Colen

Sasha Sobol wrote:

http://flickriver.com/photos/sobol/tags/chicago/
  

Nice set!

I love that shot of Jostein.  I assume that the shots with the blurry 
outside were done with the lensbaby?

--Sasha

  



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Re: Worth selling the K10D if I'm getting the K7?

2010-05-12 Thread Ken Waller

Well I'd like to buy my wife a K-x so I can use it.


MARK!

Kenneth Waller
http://www.pentaxphotogallery.com/kennethwaller

- Original Message - 
From: Bob Sullivan rf.sulli...@gmail.com


Subject: Re: Worth selling the K10D if I'm getting the K7?


Well I'd like to buy my wife a K-x so I can use it.   :-)  Regards,  Bob S.

On Wed, May 12, 2010 at 12:35 PM, Boris Liberman bori...@gmail.com wrote:

Well, you're wrong, mister ;-). If you'd written something like: When
on the walk with my daughter, I don't want to have to haul too much
weight 'cause I am too lazy then I might have agreed with you ;-).

On Wed, May 12, 2010 at 7:14 PM, Miserere miser...@gmail.com wrote:

Translation: Having seen a K-x in Chicago makes me wanna buy myself a
new backup camera...


--M.


--
Boris



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Re: My Chicago photos (slide show with music, pre alpha)

2010-05-12 Thread AlunFoto
Boris, how big is the file?
Jostein

2010/5/12 Boris Liberman bori...@gmail.com:
 Hi!

 Presently it contains 54 photos and music Paintings by Space. I
 still need to work on it make it fit the length of a sound track,
 however if you want to get a sense of what the final version will
 contain please download it from here:

 http://liberman-family.com/boris/chicago_2010/chicago_pdml.exe

 This is executable (sorry, only Windows) that I made with the help of
 FSViewer...

 Any comments will be appreciated.

 P.S. From time to time I will upload a new version but the URL will
 remain the same.

 --
 Boris

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Re: JetLag 0, Boris 1

2010-05-12 Thread Cotty
On 12/5/10, Larry Colen, discombobulated, unleashed:

I ended up consoling myself with Giordano's pizza.

I still love you man, and I've never even met you. Seen your stomach on
a webcam sure, but never met you.

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Re: JetLag 0, Boris 1

2010-05-12 Thread Larry Colen

Cotty wrote:

On 12/5/10, Larry Colen, discombobulated, unleashed:

  

I ended up consoling myself with Giordano's pizza.



I still love you man, and I've never even met you. Seen your stomach on
a webcam sure, but never met you.
  


That, my friend, is my mighty pizza muscle.


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Re: PESO squatters

2010-05-12 Thread Cotty
On 12/5/10, Madame RD, discombobulated, unleashed:

http://www.flickr.com/photos/la_meduse/4601435482/

Formidable! Je l'aime.

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Re: PESO - After the Storm

2010-05-12 Thread Cotty

  Wow! I leica.

 'Sony a wave.


Rolleing onto shore.

Scary, makes me want my mamiya.


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Re: software misfeature of the K-x

2010-05-12 Thread Brian Walters
On Wed, 12 May 2010 18:27 +0200, Dario Bonazza
dario.bona...@virgilio.it wrote:
 I've set my K20D so that it takes all bracketing shots with a single push
 on 
 the release button (Custom Setting #8) and the K-7 can also act that way 
 (Custom Setting #7).
 



On the K200D, one press of the shutter release takes all three
exposures.  In fact that seems to be the only way it operates - there's
no custom function that I can find to change it, unlike on the K20D and
K7.

Larry, is there no custom function on your K-x to change the way
bracketing operates?


Cheers

Brian

++
Brian Walters
Western Sydney Australia
http://members.westnet.com.au/brianwal/SL/


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Re: What Makes a Good Photograph? Was: Chicago

2010-05-12 Thread Larry Colen

Tom C wrote:

As I said, I think the PDML exhibit in Chicago was a far better
collection of images than the Eggleston exhibit. That's my opinion.
For instance I saw nothing artistic or good about the photographs of a
pile of garbage or the black porcelain interior of an oven.
  
There were half a dozen to a dozen photos at Eggleston that I really 
liked.  While I can empathize with his finding beauty in the mundane, 
those photos work better on their own than mixed in with 150 others.


Also, our photos had the advantage of each photographer going through a 
year's worth of photos to pick their three best from the year. Then Mark 
went through those and picked one or two of their best. Then Sue went 
through and picked 45 of those. So each photograph was by some measure, 
the best of the best of the best.


Meanwhile, Eggleston had something like 30 from one day in Carter's 
hometown.  I don't care who you are, nobody in one day is going to crank 
out 30 photos of the caliber of most of the pictures in the PDML 
exhibition. Maybe none of our best photos match Eggleston's best, and 
maybe he'll get 30 in a year of the quality that we aspire to get a few 
of each year, but of those 30, I'd say that there were maybe three worth 
showing. Granted, his goal wasn't 30 great shots, it was a set to convey 
the feeling of that one town.


Another advantage that we had is the 40 or so years of state of the art, 
both artistic and technologic between when his pictures were taken and 
when ours were. I don't know if I could do what he did, using the 
equipment that he did. I've also had the benefit of looking at pictures 
taken by people who have looked at all the pictures taken between then 
and now. 

It's probably easier to define a bad photograph as opposed to a good one.

A bad photograph is one that a person sees once and never cares to
look at again.
  


Unless the photo was meant to evoke a negative response, perhaps like 
the famous one of the vietnamese officer executing a prisoner. The 
reason someone may not want to see it again could have everything to do 
with what makes it a great photo.

Tom C.

  



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Mini PDML Paris

2010-05-12 Thread Cotty
On 12/5/10, Christian Skofteland, discombobulated, unleashed:

Speaking of Paris...  I'll actually be in Paris for two weeks (for work)
starting May 16th.
Send me an off-list email if you want to try to get together for a few
hours some afternoon.
Cotty is actually trying to show up for a day next week.

I am :) but it's 50/50 whether it will actually happen :(

I'm waiting for a large invoice to be paid and I thought it might be
this week, but looking unlikely now, more likely next week. If it's
early next week we're in business :) If later next week we're not :(

Oh the joys of running a business.

On the chance that I do get paid in time, looking at an evening get-
together for a meal, either Friday the 21st or Saturday the 22nd. If I
can make it, I plan to arrive Thursday the 20th for 2 nights. Christian
is committed (well we knew that didn't we) during the days so it's
evening-only for him. However, for anyone else let's walk-n-snap?

I'm sorry I can't give a 100% at this time but c'est la vie unh?

All welcome, even Ralph wearing a hat made out of an umbrella.


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Re: JetLag 0, Boris 1

2010-05-12 Thread Cotty
On 12/5/10, Larry Colen, discombobulated, unleashed:

That, my friend, is my mighty pizza muscle.

You should see my beer muscle.

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Re: My Chicago photos (slide show with music, pre alpha)

2010-05-12 Thread Bob Sullivan
Boris,
I'm reluctant to download an executable from anyone.
Regards,  Bob S.

On Wed, May 12, 2010 at 12:57 PM, Boris Liberman bori...@gmail.com wrote:
 Hi!

 Presently it contains 54 photos and music Paintings by Space. I
 still need to work on it make it fit the length of a sound track,
 however if you want to get a sense of what the final version will
 contain please download it from here:

 http://liberman-family.com/boris/chicago_2010/chicago_pdml.exe

 This is executable (sorry, only Windows) that I made with the help of
 FSViewer...

 Any comments will be appreciated.

 P.S. From time to time I will upload a new version but the URL will
 remain the same.

 --
 Boris

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