Re: Seen this? Limited Edition K-3 mk iii

2022-03-26 Thread Bob Pdml
I’d buy one and put black tape over the logo.

> On 26 Mar 2022, at 19:36, Ralf R Radermacher  wrote:
> 
> Am 24.03.22 um 23:26 schrieb John Francis:
> 
>> I'd be a little afraid that the only response when I pushed the
>> shutter release...
> Such special editions aren't meant for taking photos.
> 
> Just like their equivalents from Leica, Rollei etc. they'll be unpacked
> with white gloves and go straight into collectors' glass cabinets, not
> to be touched again before they're disposed of by their heirs.
> 
> Nothing wrong with that as long as Ricoh make money with them. So, churn
> them out in neon green, candy red and piggy pink if it helps to make
> decent cameras for the rest of us.
> 
> Ralf
> 
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Re: Seen this? Limited Edition K-3 mk iii

2022-03-26 Thread Ralf R Radermacher

Am 24.03.22 um 23:26 schrieb John Francis:


I'd be a little afraid that the only response when I pushed the
shutter release...

Such special editions aren't meant for taking photos.

Just like their equivalents from Leica, Rollei etc. they'll be unpacked
with white gloves and go straight into collectors' glass cabinets, not
to be touched again before they're disposed of by their heirs.

Nothing wrong with that as long as Ricoh make money with them. So, churn
them out in neon green, candy red and piggy pink if it helps to make
decent cameras for the rest of us.

Ralf

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Re: Seen this? Limited Edition K-3 mk iii

2022-03-26 Thread John Sessoms

That's weird.

On 3/24/2022 3:23 PM, Darren Addy wrote:

https://petapixel.com/2022/03/23/ricoh-is-crowdfunding-a-jet-black-limited-edition-k-3-mark-iii-in-japan/



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Re: Seen this? Limited Edition K-3 mk iii

2022-03-25 Thread Alan C

Too late for the PUG.

Alan C

On 25-Mar-22 10:18 AM, mike wilson wrote:

And the mirror and prism faces
I have it!  It's the first phase of a set of machines to produce photos in the 
style of Mondrian.  Buy the whole set to experience the full effect.  Look out 
for the primary colour trio and the arctic white model; coming soon.


On 25 March 2022 at 07:47 Alan C  wrote:


Perhaps the screens have black backgrounds too?

Alan?

On 25-Mar-22 08:09 AM, mike wilson wrote:

On 24 March 2022 at 19:23 Darren Addy  wrote:


https://petapixel.com/2022/03/23/ricoh-is-crowdfunding-a-jet-black-limited-edition-k-3-mark-iii-in-japan/

A triumph of (dis)appearance over functionality.  0% takeup so far.  Colour me 
jet-black astonished.

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Re: Seen this? Limited Edition K-3 mk iii

2022-03-24 Thread John Francis
On Thu, Mar 24, 2022 at 01:01:00PM -0700, l...@red4est.com wrote:
> That would be perfect for photographing a Disaster Area concert.

I'd be a little afraid that the only response when I pushed the
shutter release would be a little message that appeared in the
iviewfinder that said "Please do not press that button again"
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Re: Seen this? Limited Edition K-3 mk iii

2022-03-24 Thread lrc
That would be perfect for photographing a Disaster Area concert.

On March 24, 2022 12:23:41 PM PDT, Darren Addy  wrote:
>https://petapixel.com/2022/03/23/ricoh-is-crowdfunding-a-jet-black-limited-edition-k-3-mark-iii-in-japan/
>
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Seen this? Limited Edition K-3 mk iii

2022-03-24 Thread Darren Addy
https://petapixel.com/2022/03/23/ricoh-is-crowdfunding-a-jet-black-limited-edition-k-3-mark-iii-in-japan/

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Re: Limited

2021-08-01 Thread Bill
I like standard lenses, I don't have much use for medium wide angles.

bill

On Sat., Jul. 31, 2021, 9:22 p.m. ,  wrote:

>
>
> On July 31, 2021 7:35:46 PM PDT, Bill  wrote:
> >It's quite a nice standard lens on APS-C. I don't like the full frame
> angle
> >of view that much.
>
> Funny, I didn't like it as well on aps as I do on full frame.
>
> >
> >bill
> >
> >On Sat., Jul. 31, 2021, 3:35 p.m. ,  wrote:
> >
> >> Went to a local camera store today. They’ve got a black 31/1.8. $650. I
> >> drooled a little, but not on the lens. The first one I’ve ever touched.
> >> --
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Re: Limited

2021-07-31 Thread lrc


On July 31, 2021 7:35:46 PM PDT, Bill  wrote:
>It's quite a nice standard lens on APS-C. I don't like the full frame angle
>of view that much.

Funny, I didn't like it as well on aps as I do on full frame.

>
>bill
>
>On Sat., Jul. 31, 2021, 3:35 p.m. ,  wrote:
>
>> Went to a local camera store today. They’ve got a black 31/1.8. $650. I
>> drooled a little, but not on the lens. The first one I’ve ever touched.
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Re: Limited

2021-07-31 Thread Bill
It's quite a nice standard lens on APS-C. I don't like the full frame angle
of view that much.

bill

On Sat., Jul. 31, 2021, 3:35 p.m. ,  wrote:

> Went to a local camera store today. They’ve got a black 31/1.8. $650. I
> drooled a little, but not on the lens. The first one I’ve ever touched.
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Limited

2021-07-31 Thread collinb
Went to a local camera store today. They’ve got a black 31/1.8. $650. I drooled 
a little, but not on the lens. The first one I’ve ever touched.
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New 21mm Limited. Was about the APS-C flagship.

2020-05-15 Thread Bill

On 5/15/2020 1:49 PM, Mark Roberts wrote:

Larry Colen wrote:


On May 15, 2020, at 10:13 AM, Bill  wrote:

The APS-C camera is nice, but the 21mm LTD looks like it will be pretty 
spectacular.


It has the integrated sunshade of the FA 31 that I hate so much.  I also notice 
that they didn’t mention the max aperture.


I also hate the integrated lens shade :(
The front element looks too small for it to be a 2.8 (I have the FA
20mm f/2.8) so I'm betting it'll be f/4.0
  



If they are fully buying into the Limited cult, it will be an oddball 
number, 3.7 or something like that. Given that it is a 21mm, it's very 
possible they will get it closer to f2.8.
Remember, the Limited lenses aren't about speed, they are about being 
little jewelry lenses with "special" optical properties.
The D FA* lenses are the ones that are all about big apertures and who 
cares about the size.


bill

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TRADE: My (mint) silver FA 77mm f1.8 Limited for your DA* 200mm

2017-10-24 Thread Darren Addy
I realize that I could (with perhaps a bit of patience) sell my Silver
77mm Limited with more than enough to purchase an excellent DA* 200mm
f2.8, but with the ebay/paypal fees and hassles of listing (etc) I
thought I would try a direct approach...

Let me know if you are interested in a trade, straight up. Can supply
pics of my lens, but it is truly like new with the original metal cap
and Pentax drawstring pouch. Will trade for a similar condition DA*
200mm f2.8 with hood & caps.

Respectfully,
Darren Addy
Kearney, NE

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Re: Pentax 15mm F/4 SMC DA ED AL Limited

2016-12-26 Thread John

On 12/26/2016 4:03 PM, Larry Colen wrote:


Ricoh could do wonders for their lens lineup if they just made a deal
with Samyang to produce weather sealed auto-focus versions of some of
the Samyang primes (85/1.4, 24/1.4 ...)



It would be nice.


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Re: Pentax 15mm F/4 SMC DA ED AL Limited

2016-12-26 Thread Larry Colen



John wrote:

Anyone try this on a K1 yet? I'm considering getting myself a late
Christmas present.

How badly does it vignette? If it's not too bad, I could probably "fix"
it in Camera Raw.

An alternative might be the Pentax HD PENTAX-D FA 15-30mm f/2.8 ED SDM
WR, which would have roughly the same field of view on the K1 as my
Sigma 10-20mm F4-5.6 EX DC has on the K3. The Sigma vignettes like
shooting through a port-hole from across the room on the K1.

The only problem is the 15-30mm f/2.8 costs 3 times as much as the 15 f/4.


That, and the 15-30 is huge lump of solid glass. However, for me, that 
lens nearly represents the point of getting a K-1. The ability to have a 
fast, wide weather sealed system.  Optically, I'm quite happy with the 
15-30, although things do get a bit weird around the edges of the frame 
at the wide end.


Another lens that works well on the K-1 particularly for landscape work, 
albeit manual focus, is the Samyang 24/1.4.  I've seen several articles 
claiming it to be one of the best, if not the best, astro-landscape 
lenses available.


I agree with Mark on the need for weather sealed primes for the K-1. I'd 
think that it would be fairly simple to take the optical design of 
existing lenses and just make weather sealed versions.


Ricoh could do wonders for their lens lineup if they just made a deal 
with Samyang to produce weather sealed auto-focus versions of some of 
the Samyang primes (85/1.4, 24/1.4 ...)






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Re: Pentax 15mm F/4 SMC DA ED AL Limited

2016-12-26 Thread Mark Roberts
On Mon, 26 Dec 2016 12:42:00 -0500, you wrote:

> Weathe rsealing and decent all around quality kind of make it a no brainer.

I really wish someone made a weather-sealed ultra-wide prime for the
K-1.

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Re: Pentax 15mm F/4 SMC DA ED AL Limited

2016-12-26 Thread Zos Xavius
If I were to buy a K-1 I think a 15-30 would be a must have. Weather
sealing and decent all around quality kind of make it a no brainer.
That does make a k-1 a lot more expensive though and is why I have
held off on buying one. I'll just make due with my 12-24 that seems to
have picked up slightly more field curvature than I remember when
japan fixed it. Or maybe it just did better on a K-5 when I last had
it working? I just stop it down and its ok for the most part if I
focus it correctly. It's still probably better in the corners than the
15ltd at 15mm..

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Re: Pentax 15mm F/4 SMC DA ED AL Limited

2016-12-26 Thread Zos Xavius
Here are some more things to think about. There is also the laowa 15mm
that is supposedly a strong performer. It is also a macro lens and has
some tilt capability. It's $500 at B&H. Kind of a bargain considering
what you can do with it. They have a 12mm/2.8 (!) coming as well they
are claiming as zero distortion. It seems to mostly live up to the
claim too! I am guessing that might list a bit more, but I can't
remember if they have indicated a price yet. Those seem like the best
cheaper primes for the money currently. There is also a new company
called Irix that is making a variety of wide angle primes that are
slightly more expensive. They also seem to perform well, but I haven't
seen much on them yet. They are all however, full on manual with not
even so much as aperture information, so be ready for that. The
samyang is also well regarded but not pefect by any means. I cannot
remember, but they might have an aperture toggle on the samyang
lenses. At any rate it doesn't really matter so much with a wide
angle. Just focus and stop down and learn to count clicks. Done. You
could easily shoot aperture priority that way like any m42 lens. I
don't think there is much to knock on the 15-30, but I would imagine a
prime to have better performance/weight/etc. Of course a prime would
only cover one focal length though. The 15ltd I believe does not have
an image circle that covers FF by any means. Given its edge
performance on aps-c I wouldn't expect that to look great past the
aps-c sensor either.

On Mon, Dec 26, 2016 at 10:57 AM, P. J. Alling
 wrote:
> John, you should look into the Samyang 14mm f2.8.  It's available in K
> mount, full frame and for what it is, very inexpensive. It's manual focus,
> but at f5.6 setting focus at about 30 feet should give acceptable in focus
> from about 5-6 feet to infinity. Even at f 2.8 you can get acceptable focus
> from about 9 feet to infinity.   Reviews are all very complementary,
> comparing it to the Zeise MF lenses as far as image quality.  Build, is
> another story, but they're not horrible.  The only real disadvantage
> compared to the Pentax DA 15 I can see is size.   They look to be about the
> same size as, or maybe marginally smaller than the A 15mm f3.5.
>
>
> On 12/25/2016 6:18 PM, John wrote:
>>
>> Anyone try this on a K1 yet? I'm considering getting myself a late
>> Christmas present.
>>
>> How badly does it vignette? If it's not too bad, I could probably "fix"
>> it in Camera Raw.
>>
>> An alternative might be the Pentax HD PENTAX-D FA 15-30mm f/2.8 ED SDM
>> WR, which would have roughly the same field of view on the K1 as my
>> Sigma 10-20mm F4-5.6 EX DC has on the K3. The Sigma vignettes like
>> shooting through a port-hole from across the room on the K1.
>>
>> The only problem is the 15-30mm f/2.8 costs 3 times as much as the 15 f/4.
>>
>
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Re: Pentax 15mm F/4 SMC DA ED AL Limited

2016-12-26 Thread P. J. Alling
John, you should look into the Samyang 14mm f2.8.  It's available in K 
mount, full frame and for what it is, very inexpensive. It's manual 
focus, but at f5.6 setting focus at about 30 feet should give acceptable 
in focus from about 5-6 feet to infinity. Even at f 2.8 you can get 
acceptable focus from about 9 feet to infinity.   Reviews are all very 
complementary, comparing it to the Zeise MF lenses as far as image 
quality.  Build, is another story, but they're not horrible.  The only 
real disadvantage compared to the Pentax DA 15 I can see is size.   They 
look to be about the same size as, or maybe marginally smaller than the 
A 15mm f3.5.



On 12/25/2016 6:18 PM, John wrote:

Anyone try this on a K1 yet? I'm considering getting myself a late
Christmas present.

How badly does it vignette? If it's not too bad, I could probably "fix"
it in Camera Raw.

An alternative might be the Pentax HD PENTAX-D FA 15-30mm f/2.8 ED SDM
WR, which would have roughly the same field of view on the K1 as my
Sigma 10-20mm F4-5.6 EX DC has on the K3. The Sigma vignettes like
shooting through a port-hole from across the room on the K1.

The only problem is the 15-30mm f/2.8 costs 3 times as much as the 15 
f/4.





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Re: Pentax 15mm F/4 SMC DA ED AL Limited

2016-12-26 Thread Bill

On 12/25/2016 8:50 PM, Mark Roberts wrote:

On Sun, 25 Dec 2016 18:18:14 -0500, you wrote:


Anyone try this on a K1 yet? I'm considering getting myself a late
Christmas present.

How badly does it vignette? If it's not too bad, I could probably "fix"
it in Camera Raw.


Given the enormous size difference between the DA 15 Ltd and a
full-frame 15mm I would expect the Limited to vignette massively.



The A series has at least a stop of fall off at the corners as well.

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Re: Pentax 15mm F/4 SMC DA ED AL Limited

2016-12-25 Thread John

On 12/25/2016 9:50 PM, Mark Roberts wrote:

On Sun, 25 Dec 2016 18:18:14 -0500, you wrote:


Anyone try this on a K1 yet? I'm considering getting myself a late
Christmas present.

How badly does it vignette? If it's not too bad, I could probably "fix"
it in Camera Raw.


Given the enormous size difference between the DA 15 Ltd and a
full-frame 15mm I would expect the Limited to vignette massively.



Drat! The new HD PENTAX-D FA 15-30mm f/2.8 costs three times as much.
Can't do that just now.

KEH has a couple of 15mm f/4 on offer that I could probably afford, but
I don't want to buy anything that won't work with the K1.

Oh well, if I start saving pennies now, Christmas in July may come early.

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Re: Pentax 15mm F/4 SMC DA ED AL Limited

2016-12-25 Thread Mark Roberts
On Sun, 25 Dec 2016 18:18:14 -0500, you wrote:

>Anyone try this on a K1 yet? I'm considering getting myself a late
>Christmas present.
>
>How badly does it vignette? If it's not too bad, I could probably "fix"
>it in Camera Raw.

Given the enormous size difference between the DA 15 Ltd and a
full-frame 15mm I would expect the Limited to vignette massively.

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Re: Pentax 15mm F/4 SMC DA ED AL Limited

2016-12-25 Thread Paul Stenquist
I haven't tried the DA 15 on the K1, but I would expect it to vignette 
significantly. The DA 12-24 vignettes to a great degree. The D FA 15-30 is a 
superb lens.

Paul via phone

> On Dec 25, 2016, at 6:18 PM, John  wrote:
> 
> Anyone try this on a K1 yet? I'm considering getting myself a late
> Christmas present.
> 
> How badly does it vignette? If it's not too bad, I could probably "fix"
> it in Camera Raw.
> 
> An alternative might be the Pentax HD PENTAX-D FA 15-30mm f/2.8 ED SDM
> WR, which would have roughly the same field of view on the K1 as my
> Sigma 10-20mm F4-5.6 EX DC has on the K3. The Sigma vignettes like
> shooting through a port-hole from across the room on the K1.
> 
> The only problem is the 15-30mm f/2.8 costs 3 times as much as the 15 f/4.
> 
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Pentax 15mm F/4 SMC DA ED AL Limited

2016-12-25 Thread John

Anyone try this on a K1 yet? I'm considering getting myself a late
Christmas present.

How badly does it vignette? If it's not too bad, I could probably "fix"
it in Camera Raw.

An alternative might be the Pentax HD PENTAX-D FA 15-30mm f/2.8 ED SDM
WR, which would have roughly the same field of view on the K1 as my
Sigma 10-20mm F4-5.6 EX DC has on the K3. The Sigma vignettes like
shooting through a port-hole from across the room on the K1.

The only problem is the 15-30mm f/2.8 costs 3 times as much as the 15 f/4.

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Re: K-1 and 77 Limited

2016-12-04 Thread mike wilson
> On 02 December 2016 at 21:41 Mark Roberts  wrote:
> 
> 
> So Lisa and I made our traditional hiking trip to the White Mountains
> in New Hampshire over Thanksgiving. I didn't get a huge number of
> keepers but it was a nice trip anyway. We hiked up Mt Tom (4050 ft)
> and found quite a lot of the birds were well habituated to human
> presence; they were obviously looking for food  and had learned humans
> were only too happy to provide it in many cases.
> Here's a shot of a chickadee taken with the K-1 and the 77/1.8 Ltd,
> ISO 400, 1/500 @ f/2.8
> http://www.robertstech.com/temp/7e005336crop2.jpg
> That's the full image, no cropping, downsized to 800px height.
> 
> And now here's a crop at 100% magnification. No sharpening.
> http://www.robertstech.com/temp/7e005336crop.jpg
>  

Oh dear.  More expense in  my near future.  Time to start hiding the bank
statements, again.

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Re: K-1 and 77 Limited

2016-12-03 Thread Marco Alpert
Wow. You must have really sharp birds.

- Marco

> On Dec 3, 2016, at 3:03 AM, Jack Davis  wrote:
> 
> Nice detail!
> 
> J
> 
> Sent from my iPhone
> 
>> On Dec 2, 2016, at 8:45 PM, Paul Stenquist  wrote:
>> 
>> Excellent! Those birds are well trained! Mine lose it if I breathe from 30 
>> feet away.
>> 
>> Paul via phone
>> 
>>> On Dec 2, 2016, at 11:41 PM, Larry Colen  wrote:
>>> 
>>> K-1 + FA77 is a damned hard combination to beat at what it is good at.
>>> 
>>> Mark Roberts wrote:
 So Lisa and I made our traditional hiking trip to the White Mountains
 in New Hampshire over Thanksgiving. I didn't get a huge number of
 keepers but it was a nice trip anyway. We hiked up Mt Tom (4050 ft)
>>> 
>>> Heh, in the Beigh Arya we have a Mt. Tam.
>>> 
 and found quite a lot of the birds were well habituated to human
 presence; they were obviously looking for food  and had learned humans
 were only too happy to provide it in many cases.
 Here's a shot of a chickadee taken with the K-1 and the 77/1.8 Ltd,
 ISO 400, 1/500 @ f/2.8
 http://www.robertstech.com/temp/7e005336crop2.jpg
>>> 
>>> Impressive on many axis.  On my monitor it looks a bit dark,(2/3-1 stop 
>>> under?) is my monitor dialed up too bright? or is that an artistic choice 
>>> of yours to show that it was a dark and dreary day.
>>> 
 That's the full image, no cropping, downsized to 800px height.
 
 And now here's a crop at 100% magnification. No sharpening.
 http://www.robertstech.com/temp/7e005336crop.jpg
>>> 
>>> That's even more impressive up close.
>>> 
>>> Excellent work.
>>> 
 
>>> 
>>> -- 
>>> Larry Colen  l...@red4est.com (postbox on min4est) http://red4est.com/lrc
>>> 
>>> 
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Re: K-1 and 77 Limited

2016-12-03 Thread Mark Roberts
Paul Stenquist wrote:

>Excellent! Those birds are well trained! Mine lose it if I breathe from 30 
>feet away.

There was a pair that followed us about a quarter of a mile down from
the top of the mountain. They literally ate out of the palms of our
hands.

The one in the photo is a smaller one we saw a little later.

Oh, and Lisa informs me it's a Gray Jay, not a Chickadee.

>>> http://www.robertstech.com/temp/7e005336crop2.jpg
>>> http://www.robertstech.com/temp/7e005336crop.jpg
 
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Re: K-1 and 77 Limited

2016-12-03 Thread David J Brooks
wow

On Fri, Dec 2, 2016 at 4:41 PM, Mark Roberts  wrote:
> So Lisa and I made our traditional hiking trip to the White Mountains
> in New Hampshire over Thanksgiving. I didn't get a huge number of
> keepers but it was a nice trip anyway. We hiked up Mt Tom (4050 ft)
> and found quite a lot of the birds were well habituated to human
> presence; they were obviously looking for food  and had learned humans
> were only too happy to provide it in many cases.
> Here's a shot of a chickadee taken with the K-1 and the 77/1.8 Ltd,
> ISO 400, 1/500 @ f/2.8
> http://www.robertstech.com/temp/7e005336crop2.jpg
> That's the full image, no cropping, downsized to 800px height.
>
> And now here's a crop at 100% magnification. No sharpening.
> http://www.robertstech.com/temp/7e005336crop.jpg
>
> --
> Mark Roberts - Photography & Multimedia
> www.robertstech.com
>
>
>
>
>
> --
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Re: K-1 and 77 Limited

2016-12-03 Thread Jack Davis
Nice detail!

J

Sent from my iPhone

> On Dec 2, 2016, at 8:45 PM, Paul Stenquist  wrote:
> 
> Excellent! Those birds are well trained! Mine lose it if I breathe from 30 
> feet away.
> 
> Paul via phone
> 
>> On Dec 2, 2016, at 11:41 PM, Larry Colen  wrote:
>> 
>> K-1 + FA77 is a damned hard combination to beat at what it is good at.
>> 
>> Mark Roberts wrote:
>>> So Lisa and I made our traditional hiking trip to the White Mountains
>>> in New Hampshire over Thanksgiving. I didn't get a huge number of
>>> keepers but it was a nice trip anyway. We hiked up Mt Tom (4050 ft)
>> 
>> Heh, in the Beigh Arya we have a Mt. Tam.
>> 
>>> and found quite a lot of the birds were well habituated to human
>>> presence; they were obviously looking for food  and had learned humans
>>> were only too happy to provide it in many cases.
>>> Here's a shot of a chickadee taken with the K-1 and the 77/1.8 Ltd,
>>> ISO 400, 1/500 @ f/2.8
>>> http://www.robertstech.com/temp/7e005336crop2.jpg
>> 
>> Impressive on many axis.  On my monitor it looks a bit dark,(2/3-1 stop 
>> under?) is my monitor dialed up too bright? or is that an artistic choice of 
>> yours to show that it was a dark and dreary day.
>> 
>>> That's the full image, no cropping, downsized to 800px height.
>>> 
>>> And now here's a crop at 100% magnification. No sharpening.
>>> http://www.robertstech.com/temp/7e005336crop.jpg
>> 
>> That's even more impressive up close.
>> 
>> Excellent work.
>> 
>>> 
>> 
>> -- 
>> Larry Colen  l...@red4est.com (postbox on min4est) http://red4est.com/lrc
>> 
>> 
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Re: K-1 and 77 Limited

2016-12-02 Thread Paul Stenquist
Excellent! Those birds are well trained! Mine lose it if I breathe from 30 feet 
away.

Paul via phone

> On Dec 2, 2016, at 11:41 PM, Larry Colen  wrote:
> 
> K-1 + FA77 is a damned hard combination to beat at what it is good at.
> 
> Mark Roberts wrote:
>> So Lisa and I made our traditional hiking trip to the White Mountains
>> in New Hampshire over Thanksgiving. I didn't get a huge number of
>> keepers but it was a nice trip anyway. We hiked up Mt Tom (4050 ft)
> 
> Heh, in the Beigh Arya we have a Mt. Tam.
> 
>> and found quite a lot of the birds were well habituated to human
>> presence; they were obviously looking for food  and had learned humans
>> were only too happy to provide it in many cases.
>> Here's a shot of a chickadee taken with the K-1 and the 77/1.8 Ltd,
>> ISO 400, 1/500 @ f/2.8
>> http://www.robertstech.com/temp/7e005336crop2.jpg
> 
> Impressive on many axis.  On my monitor it looks a bit dark,(2/3-1 stop 
> under?) is my monitor dialed up too bright? or is that an artistic choice of 
> yours to show that it was a dark and dreary day.
> 
>> That's the full image, no cropping, downsized to 800px height.
>> 
>> And now here's a crop at 100% magnification. No sharpening.
>> http://www.robertstech.com/temp/7e005336crop.jpg
> 
> That's even more impressive up close.
> 
> Excellent work.
> 
>> 
> 
> -- 
> Larry Colen  l...@red4est.com (postbox on min4est) http://red4est.com/lrc
> 
> 
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Re: K-1 and 77 Limited

2016-12-02 Thread Larry Colen

K-1 + FA77 is a damned hard combination to beat at what it is good at.

Mark Roberts wrote:

So Lisa and I made our traditional hiking trip to the White Mountains
in New Hampshire over Thanksgiving. I didn't get a huge number of
keepers but it was a nice trip anyway. We hiked up Mt Tom (4050 ft)


Heh, in the Beigh Arya we have a Mt. Tam.


and found quite a lot of the birds were well habituated to human
presence; they were obviously looking for food  and had learned humans
were only too happy to provide it in many cases.
Here's a shot of a chickadee taken with the K-1 and the 77/1.8 Ltd,
ISO 400, 1/500 @ f/2.8
http://www.robertstech.com/temp/7e005336crop2.jpg


Impressive on many axis.  On my monitor it looks a bit dark,(2/3-1 stop 
under?) is my monitor dialed up too bright? or is that an artistic 
choice of yours to show that it was a dark and dreary day.



That's the full image, no cropping, downsized to 800px height.

And now here's a crop at 100% magnification. No sharpening.
http://www.robertstech.com/temp/7e005336crop.jpg


That's even more impressive up close.

Excellent work.





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Re: K-1 and 77 Limited

2016-12-02 Thread Daniel J. Matyola
On Fri, Dec 2, 2016 at 5:57 PM, Malcolm Smith 
wrote:

> And now here's a crop at 100% magnification


Impressive!

Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola
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RE: K-1 and 77 Limited

2016-12-02 Thread Malcolm Smith
Mark Roberts wrote:

And now here's a crop at 100% magnification. No sharpening.
http://www.robertstech.com/temp/7e005336crop.jpg


Wow! That is sharp.

Malcolm


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K-1 and 77 Limited

2016-12-02 Thread Mark Roberts
So Lisa and I made our traditional hiking trip to the White Mountains
in New Hampshire over Thanksgiving. I didn't get a huge number of
keepers but it was a nice trip anyway. We hiked up Mt Tom (4050 ft)
and found quite a lot of the birds were well habituated to human
presence; they were obviously looking for food  and had learned humans
were only too happy to provide it in many cases.
Here's a shot of a chickadee taken with the K-1 and the 77/1.8 Ltd,
ISO 400, 1/500 @ f/2.8
http://www.robertstech.com/temp/7e005336crop2.jpg
That's the full image, no cropping, downsized to 800px height.

And now here's a crop at 100% magnification. No sharpening.
http://www.robertstech.com/temp/7e005336crop.jpg
 
-- 
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www.robertstech.com





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Re: Tight 40 mm Limited

2016-11-16 Thread Michael Beacom
I’m in Maryland, so Mr. Hendrickson will work well.

Thanks
Mike


> On Nov 15, 2016, at 9:35 PM, P.J. Alling  wrote:
> 
> Where are you.  If you're in the Continental US send it to Eric Hendrickson 
> he has a web site called pentaxs.com.
> 
> Good fast service, reasonable prices and very accommodating of the eccentric, 
> which I suppose you have to be to specialize in repairing Pentax equipment...
> 
> The only thing I don't think he does is work on digital bodies, but AF lenses 
> don't seem to be a problem, especially as it sounds like your lens only needs 
> a CLA.
> 
> He's an independent so parts can be a problem if something has to be replaced.
> 
> his email address is penta...@aol.com.
> 
> On 11/15/2016 5:47 PM, Michael Beacom wrote:
>> Hi-
>> 
>> It’s true, I’ve been ignoring PDML for quite a while.
>> But I’ve discovered a new game- read the threads newest first. You find gems 
>> like this-
>> 
>>  'Thanks. A giraffe is always good. I’ve never seen a picture that included 
>> a giraffe that led me to say, “The giraffe is spoiling the picture.”
>> 
>> You guys suckered me in again...
>> 
>> BTW:
>> My 40mm Limited has gotten very stiff at the close focus end of travel. 
>> Stiff enough that it stalls autofocus. Is this a common problem?
>> Where can I get it fixed?
>> 
>> Cheers
>> Mike
> 
> 
> -- 
> I don't want to achieve immortality through my work; I want to achieve 
> immortality through not dying.
> -- Woody Allen
> 
> 
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Re: Tight 40 mm Limited

2016-11-15 Thread P.J. Alling
Where are you.  If you're in the Continental US send it to Eric 
Hendrickson he has a web site called pentaxs.com.


Good fast service, reasonable prices and very accommodating of the 
eccentric, which I suppose you have to be to specialize in repairing 
Pentax equipment...


The only thing I don't think he does is work on digital bodies, but AF 
lenses don't seem to be a problem, especially as it sounds like your 
lens only needs a CLA.


He's an independent so parts can be a problem if something has to be 
replaced.


his email address is penta...@aol.com.

On 11/15/2016 5:47 PM, Michael Beacom wrote:

Hi-

It’s true, I’ve been ignoring PDML for quite a while.
But I’ve discovered a new game- read the threads newest first. You find gems 
like this-

  'Thanks. A giraffe is always good. I’ve never seen a picture that included a 
giraffe that led me to say, “The giraffe is spoiling the picture.”

You guys suckered me in again...

BTW:
My 40mm Limited has gotten very stiff at the close focus end of travel. Stiff 
enough that it stalls autofocus. Is this a common problem?
Where can I get it fixed?

Cheers
Mike



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immortality through not dying.
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Tight 40 mm Limited

2016-11-15 Thread Michael Beacom
Hi-

It’s true, I’ve been ignoring PDML for quite a while. 
But I’ve discovered a new game- read the threads newest first. You find gems 
like this-

 'Thanks. A giraffe is always good. I’ve never seen a picture that included a 
giraffe that led me to say, “The giraffe is spoiling the picture.”

You guys suckered me in again...

BTW:
My 40mm Limited has gotten very stiff at the close focus end of travel. Stiff 
enough that it stalls autofocus. Is this a common problem? 
Where can I get it fixed?

Cheers
Mike
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Re: For Sale Friday: 77/1.8 Limited, Sigma 150-500, 645 A Series lenses and bits and bobs

2016-05-20 Thread Gonz
Hi Stan, I contacted you off list.

On Fri, May 20, 2016 at 8:19 AM, Stanley Halpin
 wrote:
> Some of these I posted last week. A few extra items. Last chance! eBay 
> listings tonight or tomorrow.
>
> In equipping my 645Z system I started by purchasing some A and some FA 
> lenses. I later decided that FA was the way to go. So I have 3 645 A lenses.
>
> In addition, in preparing for the K-1 I bought a 2nd FA* 24/2.0 and a second 
> FA 77u/1.8 Limited. Back story on the 24/2 and 77/1.8 at the bottom of this 
> message.
>
> Lenses and suggested prices below.  Contact me if you would like to discuss 
> further.
>
> 645 A 45/2.8   $125
> http://photos.stanhalpin.com/p269753714/h725a7054#h7a79fabc
>
> 645 A 150/3.5  $150
> http://photos.stanhalpin.com/p269753714/h725a7054#h7f276a17
>
> 645 A 200/4.0  $75
> http://photos.stanhalpin.com/p269753714/h725a7054#h7402efb0
> (sample images: 
> http://photos.stanhalpin.com/p566717840/h7f9debfd#h7f9debfd)
>
> PK FA* 24/2.0  $350  [Spoken for]
>
> PK FA 77 /1.8 Limited  $650 (Champagne colored)
> http://photos.stanhalpin.com/p269753714/h725a7054#h71982bf2
>
> PK D FA 100/2.8 macro (not the WR newer version)  $275
> http://photos.stanhalpin.com/p269753714/h725a7054#h725a7054
>
> Sigma DG 150-500/5-6.3  $550 [May be spoken for]
> Sample image & downloadable RAW version here: (hover over upper left 
> corner to get dropdown menu for downloading)
> http://photos.stanhalpin.com/p155717848/e7e8bc4fb
>
> Kirk L-bracket for K10 with battery grip $20
>
> Original box and plush leather bag for PK 31/1.8 Limited (the lens was stolen 
> long ago, the box and bag survive…) $10
>
> Prices shown in most cases do not include shipping. Payment by check, credit 
> card or Paypal acceptable.
>
> stan
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For Sale Friday: 77/1.8 Limited, Sigma 150-500, 645 A Series lenses and bits and bobs

2016-05-20 Thread Stanley Halpin
Some of these I posted last week. A few extra items. Last chance! eBay listings 
tonight or tomorrow.

In equipping my 645Z system I started by purchasing some A and some FA lenses. 
I later decided that FA was the way to go. So I have 3 645 A lenses.

In addition, in preparing for the K-1 I bought a 2nd FA* 24/2.0 and a second FA 
77u/1.8 Limited. Back story on the 24/2 and 77/1.8 at the bottom of this 
message.

Lenses and suggested prices below.  Contact me if you would like to discuss 
further.

645 A 45/2.8   $125
http://photos.stanhalpin.com/p269753714/h725a7054#h7a79fabc

645 A 150/3.5  $150
http://photos.stanhalpin.com/p269753714/h725a7054#h7f276a17

645 A 200/4.0  $75
http://photos.stanhalpin.com/p269753714/h725a7054#h7402efb0
(sample images: 
http://photos.stanhalpin.com/p566717840/h7f9debfd#h7f9debfd)

PK FA* 24/2.0  $350  [Spoken for]

PK FA 77 /1.8 Limited  $650 (Champagne colored)
http://photos.stanhalpin.com/p269753714/h725a7054#h71982bf2

PK D FA 100/2.8 macro (not the WR newer version)  $275
http://photos.stanhalpin.com/p269753714/h725a7054#h725a7054

Sigma DG 150-500/5-6.3  $550 [May be spoken for]
Sample image & downloadable RAW version here: (hover over upper left 
corner to get dropdown menu for downloading)
http://photos.stanhalpin.com/p155717848/e7e8bc4fb

Kirk L-bracket for K10 with battery grip $20

Original box and plush leather bag for PK 31/1.8 Limited (the lens was stolen 
long ago, the box and bag survive…) $10

Prices shown in most cases do not include shipping. Payment by check, credit 
card or Paypal acceptable.

stan
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Re: Pentax marketing: Really crappy sample images of Limited lenses

2016-01-05 Thread Rick Womer
What is this word you say... marketing???
http://photo.net/photos/RickW


On Tue, Jan 5, 2016 at 8:36 AM, P.J. Alling  wrote:
> So what you're saying is that Ricoh is following the fine tradition of
> Pentax marketing.
>
> On 1/4/2016 11:59 PM, Darren Addy wrote:
>>
>> I preface this by saying that if I had to choose between a company
>> that had crappy marketing and superb engineering vs a company that had
>> superb marketing and crappy engineering I would certainly take the
>> former... but I continue to be amazed at how poor the Ricoh/Pentax
>> marketing is. Case in point:
>>
>> Here is a page with 4 Limited lenses. Take a look at the Sample Images
>> shown for each of the 4 lenses:
>> http://www.ricoh-imaging.co.jp/japan/products/lens_cmp2/page04.html
>> (the link goes to the 70mm f/2.4, but you can change the URL to
>> page03, page02, page01 (or simply click the link for the other lenses
>> on the page). All are uniformly BLAH.
>>
>> A better way to judge what a lens can do is to go to the Pentax Photo
>> Gallery and click the "Cameras and Lenses" link in the upper right
>> hand corner. Select the lens you want to look at (ignore the cameras,
>> unless you want to limit your search to a particular body) and click
>> the GO button.
>>
>> The images of the lenses themselves on the page are gorgeous. The
>> sample images? Not so much.
>>
>>
>
>
> --
> I don't want to achieve immortality through my work; I want to achieve
> immortality through not dying.
> -- Woody Allen
>
>
>
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Re: Pentax marketing: Really crappy sample images of Limited lenses

2016-01-05 Thread P.J. Alling
So what you're saying is that Ricoh is following the fine tradition of 
Pentax marketing.


On 1/4/2016 11:59 PM, Darren Addy wrote:

I preface this by saying that if I had to choose between a company
that had crappy marketing and superb engineering vs a company that had
superb marketing and crappy engineering I would certainly take the
former... but I continue to be amazed at how poor the Ricoh/Pentax
marketing is. Case in point:

Here is a page with 4 Limited lenses. Take a look at the Sample Images
shown for each of the 4 lenses:
http://www.ricoh-imaging.co.jp/japan/products/lens_cmp2/page04.html
(the link goes to the 70mm f/2.4, but you can change the URL to
page03, page02, page01 (or simply click the link for the other lenses
on the page). All are uniformly BLAH.

A better way to judge what a lens can do is to go to the Pentax Photo
Gallery and click the "Cameras and Lenses" link in the upper right
hand corner. Select the lens you want to look at (ignore the cameras,
unless you want to limit your search to a particular body) and click
the GO button.

The images of the lenses themselves on the page are gorgeous. The
sample images? Not so much.





--
I don't want to achieve immortality through my work; I want to achieve 
immortality through not dying.
-- Woody Allen


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Pentax marketing: Really crappy sample images of Limited lenses

2016-01-04 Thread Darren Addy
I preface this by saying that if I had to choose between a company
that had crappy marketing and superb engineering vs a company that had
superb marketing and crappy engineering I would certainly take the
former... but I continue to be amazed at how poor the Ricoh/Pentax
marketing is. Case in point:

Here is a page with 4 Limited lenses. Take a look at the Sample Images
shown for each of the 4 lenses:
http://www.ricoh-imaging.co.jp/japan/products/lens_cmp2/page04.html
(the link goes to the 70mm f/2.4, but you can change the URL to
page03, page02, page01 (or simply click the link for the other lenses
on the page). All are uniformly BLAH.

A better way to judge what a lens can do is to go to the Pentax Photo
Gallery and click the "Cameras and Lenses" link in the upper right
hand corner. Select the lens you want to look at (ignore the cameras,
unless you want to limit your search to a particular body) and click
the GO button.

The images of the lenses themselves on the page are gorgeous. The
sample images? Not so much.


-- 
Life is too short to put up with bad bokeh.

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Re: A side-by-side Pixel Shift Resolution comparison with 77mm Limited atf/11

2015-11-01 Thread Rob Studdert
There are apps specifically designed to produce similar results using
image bursts and it's actually not overly tedious to stack images in
LR, you can choose to have them auto-aligned too. Personally my
preference would be to have access to the images stack as discrete
images so that I could easily remedy any aberrations that were
introduced by subject movement.

I understand the theory but I think that there is way too much
emphasis put on the limited advantage leveraged by the PSR tech,
scaling down an image from a larger sensor will yield similar results.
The sample you provided a link to comes nowhere near filling my screen
so I'm not sure where a 5k screen would differ in the appraisal of
your samples?

Lastly if the scene lends its self to tripod shooting I tend to shoot
a pano sequence if I wish to generate a file with greater resolution,
again this takes very little effort to post process these days and
arguably yields a higher resolution file for the same data space.

Interesting inclusion none the less.

On 2 November 2015 at 11:17, Darren Addy  wrote:
> Appreciate the comments Rob. I'd be curious to know what Paul
> Stenquist sees on his new 5K Mac display. (See original post in this
> thread, if you are wanting a diversion, Paul). Just a guess, but I
> think he may see more than "subtle" differences.
>
> Regarding your 2nd paragraph, it would be difficult to duplicate PSR
> with just 4 shots. I'm no statistician, but PSR overcomes the Bayer
> array with its 4 precise shots. Simply put, taking a theoretical
> pixelsite-sized section of your overall image, any handheld shot you
> take has a 50% chance of being a green one, a 25% chance of being a
> red one, and a 25% chance of being a blue one. That does not equal
> 100% chance of getting that exact distribution with 4 random handheld
> shots.
>
> Also, you are going to have to deal with any subject movement from the
> time you take your first exposure to the time you end your last one
> (same problem for PSR).
> In any event, the point is that the camera takes care of your exercise
> FOR you. You don't HAVE to do the tedious combination of separate
> images that you describe. The camera does it for you. Although you can
> work with the huge RAW file yourself, if you wish. I have yet to
> experiment with that.
>
> That being said, I'd be interested in seeing what a burst of 8 shots
> at 8 fps would look like compared to PSR. Might have to put that on my
> list of things to do, unless someone beats me to it.
>
>
> On Sun, Nov 1, 2015 at 5:33 PM, Rob Studdert  wrote:
>> It's subtle but it's there, whether it's going to make a discernible
>> difference in a print for instance depends on crop size vs print size
>> I guess but it's a tool with very limited scope from my perspective
>> given the artifacts created when there is any movement in the frame.
>>
>> I have yet to test but I would assume that similar results would be
>> gained by shooting a series of four images using the high speed mode
>> then combining them in LR or some similarly capable package, there
>> would be sufficient camera shift between each shot to create a similar
>> effect I expect.
>>
>> On 25 October 2015 at 03:51, John  wrote:
>>> The lettering on the wire appears (to me) a tiny bit crisper in the
>>> pixel shift version.
>>>
>>> On 10/23/2015 12:01 AM, Alan C wrote:
>>>>
>>>> Am I missing something? Can't see a difference.
>>>>
>>>> Alan C
>>>>
>>>> -Original Message- From: Darren Addy
>>>> Sent: Thursday, October 22, 2015 11:04 PM
>>>> To: Pentax-Discuss Mail List
>>>> Subject: A side-by-side Pixel Shift Resolution comparison with 77mm
>>>> Limited atf/11
>>>>
>>>> My K-3II arrived today and so I had to try out the Pixel Shift
>>>> Resolution during afternoon break. Found an obliging dusty rack of
>>>> electrical wire that agreed to serve as my subject. The 77mm f/1.8
>>>> limited is a very sharp lens (as anyone who has one will tell you).
>>>>
>>>> What you see in the link below is an image blown up to 100% (actual
>>>> pixels). Each is an 863 pixel x 994 pixel crop of the full 6016 x 4000
>>>> pixel image.
>>>>
>>>> Conditions: Same exposure (2 sec. f/11, ISO 100) focused manually,
>>>> shutter fired with the 12 second self-timer. The only thing that
>>>> changed between shots was that I turned on Pixel Shift Resolution
>>>> (without moving anything). On the left is a standard out of camera
>>>> JPEG and on t

Re: A side-by-side Pixel Shift Resolution comparison with 77mm Limited atf/11

2015-11-01 Thread Darren Addy
Appreciate the comments Rob. I'd be curious to know what Paul
Stenquist sees on his new 5K Mac display. (See original post in this
thread, if you are wanting a diversion, Paul). Just a guess, but I
think he may see more than "subtle" differences.

Regarding your 2nd paragraph, it would be difficult to duplicate PSR
with just 4 shots. I'm no statistician, but PSR overcomes the Bayer
array with its 4 precise shots. Simply put, taking a theoretical
pixelsite-sized section of your overall image, any handheld shot you
take has a 50% chance of being a green one, a 25% chance of being a
red one, and a 25% chance of being a blue one. That does not equal
100% chance of getting that exact distribution with 4 random handheld
shots.

Also, you are going to have to deal with any subject movement from the
time you take your first exposure to the time you end your last one
(same problem for PSR).
In any event, the point is that the camera takes care of your exercise
FOR you. You don't HAVE to do the tedious combination of separate
images that you describe. The camera does it for you. Although you can
work with the huge RAW file yourself, if you wish. I have yet to
experiment with that.

That being said, I'd be interested in seeing what a burst of 8 shots
at 8 fps would look like compared to PSR. Might have to put that on my
list of things to do, unless someone beats me to it.


On Sun, Nov 1, 2015 at 5:33 PM, Rob Studdert  wrote:
> It's subtle but it's there, whether it's going to make a discernible
> difference in a print for instance depends on crop size vs print size
> I guess but it's a tool with very limited scope from my perspective
> given the artifacts created when there is any movement in the frame.
>
> I have yet to test but I would assume that similar results would be
> gained by shooting a series of four images using the high speed mode
> then combining them in LR or some similarly capable package, there
> would be sufficient camera shift between each shot to create a similar
> effect I expect.
>
> On 25 October 2015 at 03:51, John  wrote:
>> The lettering on the wire appears (to me) a tiny bit crisper in the
>> pixel shift version.
>>
>> On 10/23/2015 12:01 AM, Alan C wrote:
>>>
>>> Am I missing something? Can't see a difference.
>>>
>>> Alan C
>>>
>>> -Original Message- From: Darren Addy
>>> Sent: Thursday, October 22, 2015 11:04 PM
>>> To: Pentax-Discuss Mail List
>>> Subject: A side-by-side Pixel Shift Resolution comparison with 77mm
>>> Limited atf/11
>>>
>>> My K-3II arrived today and so I had to try out the Pixel Shift
>>> Resolution during afternoon break. Found an obliging dusty rack of
>>> electrical wire that agreed to serve as my subject. The 77mm f/1.8
>>> limited is a very sharp lens (as anyone who has one will tell you).
>>>
>>> What you see in the link below is an image blown up to 100% (actual
>>> pixels). Each is an 863 pixel x 994 pixel crop of the full 6016 x 4000
>>> pixel image.
>>>
>>> Conditions: Same exposure (2 sec. f/11, ISO 100) focused manually,
>>> shutter fired with the 12 second self-timer. The only thing that
>>> changed between shots was that I turned on Pixel Shift Resolution
>>> (without moving anything). On the left is a standard out of camera
>>> JPEG and on the right the JPEG produced with Pixel Shift Resolution.
>>>
>>> Click on it with your browser cursor to see it at 100%:
>>> http://www.antiqueauto.org/assets/PSRComparison.jpg
>>>
>>> At least for cooperative subjects, it looks (to me) like all my lenses
>>> just magically got significantly better.
>>>
>>
>> --
>> Science - Questions we may never find answers for.
>> Religion - Answers we must never question.
>>
>>
>> --
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>
>
>
> --
> Rob Studdert (Digital  Image Studio)
> Tel: +61-418-166-870 UTC +10 Hours
> Gmail, eBay, Skype, Twitter, Facebook, Picasa: distudio
>
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Re: A side-by-side Pixel Shift Resolution comparison with 77mm Limited atf/11

2015-11-01 Thread Rob Studdert
It's subtle but it's there, whether it's going to make a discernible
difference in a print for instance depends on crop size vs print size
I guess but it's a tool with very limited scope from my perspective
given the artifacts created when there is any movement in the frame.

I have yet to test but I would assume that similar results would be
gained by shooting a series of four images using the high speed mode
then combining them in LR or some similarly capable package, there
would be sufficient camera shift between each shot to create a similar
effect I expect.

On 25 October 2015 at 03:51, John  wrote:
> The lettering on the wire appears (to me) a tiny bit crisper in the
> pixel shift version.
>
> On 10/23/2015 12:01 AM, Alan C wrote:
>>
>> Am I missing something? Can't see a difference.
>>
>> Alan C
>>
>> -Original Message- From: Darren Addy
>> Sent: Thursday, October 22, 2015 11:04 PM
>> To: Pentax-Discuss Mail List
>> Subject: A side-by-side Pixel Shift Resolution comparison with 77mm
>> Limited atf/11
>>
>> My K-3II arrived today and so I had to try out the Pixel Shift
>> Resolution during afternoon break. Found an obliging dusty rack of
>> electrical wire that agreed to serve as my subject. The 77mm f/1.8
>> limited is a very sharp lens (as anyone who has one will tell you).
>>
>> What you see in the link below is an image blown up to 100% (actual
>> pixels). Each is an 863 pixel x 994 pixel crop of the full 6016 x 4000
>> pixel image.
>>
>> Conditions: Same exposure (2 sec. f/11, ISO 100) focused manually,
>> shutter fired with the 12 second self-timer. The only thing that
>> changed between shots was that I turned on Pixel Shift Resolution
>> (without moving anything). On the left is a standard out of camera
>> JPEG and on the right the JPEG produced with Pixel Shift Resolution.
>>
>> Click on it with your browser cursor to see it at 100%:
>> http://www.antiqueauto.org/assets/PSRComparison.jpg
>>
>> At least for cooperative subjects, it looks (to me) like all my lenses
>> just magically got significantly better.
>>
>
> --
> Science - Questions we may never find answers for.
> Religion - Answers we must never question.
>
>
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Tel: +61-418-166-870 UTC +10 Hours
Gmail, eBay, Skype, Twitter, Facebook, Picasa: distudio

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Re: A side-by-side Pixel Shift Resolution comparison with 77mm Limited atf/11

2015-10-24 Thread John

The lettering on the wire appears (to me) a tiny bit crisper in the
pixel shift version.

On 10/23/2015 12:01 AM, Alan C wrote:

Am I missing something? Can't see a difference.

Alan C

-Original Message- From: Darren Addy
Sent: Thursday, October 22, 2015 11:04 PM
To: Pentax-Discuss Mail List
Subject: A side-by-side Pixel Shift Resolution comparison with 77mm
Limited atf/11

My K-3II arrived today and so I had to try out the Pixel Shift
Resolution during afternoon break. Found an obliging dusty rack of
electrical wire that agreed to serve as my subject. The 77mm f/1.8
limited is a very sharp lens (as anyone who has one will tell you).

What you see in the link below is an image blown up to 100% (actual
pixels). Each is an 863 pixel x 994 pixel crop of the full 6016 x 4000
pixel image.

Conditions: Same exposure (2 sec. f/11, ISO 100) focused manually,
shutter fired with the 12 second self-timer. The only thing that
changed between shots was that I turned on Pixel Shift Resolution
(without moving anything). On the left is a standard out of camera
JPEG and on the right the JPEG produced with Pixel Shift Resolution.

Click on it with your browser cursor to see it at 100%:
http://www.antiqueauto.org/assets/PSRComparison.jpg

At least for cooperative subjects, it looks (to me) like all my lenses
just magically got significantly better.



--
Science - Questions we may never find answers for.
Religion - Answers we must never question.

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Re: A side-by-side Pixel Shift Resolution comparison with 77mm Limited atf/11

2015-10-23 Thread John Francis
On Fri, Oct 23, 2015 at 07:43:08AM -0400, Collin B wrote:
> > Am I missing something? Can't see a difference.
> > Alan C
> 
> > Ditto
> >Kenneth Waller
> 
> I had to study it for a while.  Looking at the pitting on the column the
> edges are a bit sharper. Note also that white dot on the right edge of the
> column, to the right of the axle.  It's not like you're going to see an
> improvement akin to making it into a 40Mp camera.
> 
> From what I can see it reminds me of doing some edge enhancements
> in PS. 

I can definitely see a difference, but looking at two almost identical images
like this on a middle-of-the-road monitor (a HP ZR24w) also shows me that the
differences are easily masked by differences caused by other factors (such as
the angle at which you are viewing the image).  If I shift my head from side
to side (by about one quarter of the viewing distance) there is a significant
change in contrast (which, of course, affects perceived sharpness) which makes
it much harder to spot any actual changes.

As others have said, the pitting on the upright (and details visible through
the small hole in the spool near the top of the image) do show differences.

I don't think much of the photography I do would benefit from this kind of
thing (not to mention that I'm already concerned that if I do get a K-3 the
increase in file size is going to put a strain on my computer system).
How many MB are needed to store a full pixel-shift resolution image?

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Re: A side-by-side Pixel Shift Resolution comparison with 77mm Limited at f/11

2015-10-23 Thread Larry Colen



Darren Addy wrote:

My K-3II arrived today and so I had to try out the Pixel Shift
Resolution during afternoon break. Found an obliging dusty rack of
electrical wire that agreed to serve as my subject. The 77mm f/1.8
limited is a very sharp lens (as anyone who has one will tell you).

What you see in the link below is an image blown up to 100% (actual
pixels). Each is an 863 pixel x 994 pixel crop of the full 6016 x 4000
pixel image.


On my 27" Apple monitor the differences are pretty subtle. Likewise on 
my second Dell monitor that I use in vertical format.
I suspect that a lot of that has to do with the subject matter not 
making it clear exactly what the plane of focus is.


Perhaps, if you took a book and set it up so that the page was at an 
angle to the plane of the image and shot it at mtr optimal f-stop then 
it would be easier to tell where the sharpest bit was to compare the two.


I also wonder how PSR also affects other characteristics such as noise 
and dynamic range.  In theory, it makes each pixel effectively three (or 
four?) times the area.  As such it would also be interesting to compare 
a test photo shot at both ISO 100 and ISO 10,000.


Since most of us don't tend to show, or look at, much of our work zoomed 
in at the pixel peeping level, I do wonder if there is any difference to 
the subjective experience, and if it would be different for different 
lenses.


For example, would the magic pixie dust of the FA77 (or the FA31) be 
more noticeable with PSR than without?




Conditions: Same exposure (2 sec. f/11, ISO 100) focused manually,
shutter fired with the 12 second self-timer. The only thing that


12 second selftimer, not the 2 second?


changed between shots was that I turned on Pixel Shift Resolution
(without moving anything). On the left is a standard out of camera
JPEG and on the right the JPEG produced with Pixel Shift Resolution.


I also wonder if the difference would be more, or less, noticeable after 
carefully processing the two raw files.




Click on it with your browser cursor to see it at 100%:
http://www.antiqueauto.org/assets/PSRComparison.jpg

At least for cooperative subjects, it looks (to me) like all my lenses
just magically got significantly better.


I don't know about that, but I do know that your upgrading made a 
significant improvement to the resolving power of all of my lenses.






--
Larry Colen  l...@red4est.com (postbox on min4est)

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Re: A side-by-side Pixel Shift Resolution comparison with 77mm Limited atf/11

2015-10-23 Thread P.J. Alling

Hey, I got a grammar error and a spelling error in one.  A bargain!

On 10/23/2015 2:11 PM, Darren Addy wrote:

And I need a grammar checker.
:\

On Fri, Oct 23, 2015 at 1:06 PM, P.J. Alling  wrote:

That should be "your display", damned f!&@$#n' spell checker, you'd think by
now that I'd have learned to watch how it corrects suspect words...


On 10/23/2015 1:54 PM, P.J. Alling wrote:

Probably you're display can't actually show the differences.  I don't see
any differences either.  I know that the display I'm using isn't nearly as
good as the Hitachi SuperScan CRT that it replaced.

On 10/23/2015 12:01 AM, Alan C wrote:

Am I missing something? Can't see a difference.

Alan C

-Original Message- From: Darren Addy
Sent: Thursday, October 22, 2015 11:04 PM
To: Pentax-Discuss Mail List
Subject: A side-by-side Pixel Shift Resolution comparison with 77mm
Limited atf/11

My K-3II arrived today and so I had to try out the Pixel Shift
Resolution during afternoon break. Found an obliging dusty rack of
electrical wire that agreed to serve as my subject. The 77mm f/1.8
limited is a very sharp lens (as anyone who has one will tell you).

What you see in the link below is an image blown up to 100% (actual
pixels). Each is an 863 pixel x 994 pixel crop of the full 6016 x 4000
pixel image.

Conditions: Same exposure (2 sec. f/11, ISO 100) focused manually,
shutter fired with the 12 second self-timer. The only thing that
changed between shots was that I turned on Pixel Shift Resolution
(without moving anything). On the left is a standard out of camera
JPEG and on the right the JPEG produced with Pixel Shift Resolution.

Click on it with your browser cursor to see it at 100%:
http://www.antiqueauto.org/assets/PSRComparison.jpg

At least for cooperative subjects, it looks (to me) like all my lenses
just magically got significantly better.





--
I don't want to achieve immortality through my work; I want to achieve
immortality through not dying.
-- Woody Allen


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I don't want to achieve immortality through my work; I want to achieve 
immortality through not dying.
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Re: A side-by-side Pixel Shift Resolution comparison with 77mm Limited atf/11

2015-10-23 Thread Darren Addy
And I need a grammar checker.
:\

On Fri, Oct 23, 2015 at 1:06 PM, P.J. Alling  wrote:
> That should be "your display", damned f!&@$#n' spell checker, you'd think by
> now that I'd have learned to watch how it corrects suspect words...
>
>
> On 10/23/2015 1:54 PM, P.J. Alling wrote:
>>
>> Probably you're display can't actually show the differences.  I don't see
>> any differences either.  I know that the display I'm using isn't nearly as
>> good as the Hitachi SuperScan CRT that it replaced.
>>
>> On 10/23/2015 12:01 AM, Alan C wrote:
>>>
>>> Am I missing something? Can't see a difference.
>>>
>>> Alan C
>>>
>>> -Original Message- From: Darren Addy
>>> Sent: Thursday, October 22, 2015 11:04 PM
>>> To: Pentax-Discuss Mail List
>>> Subject: A side-by-side Pixel Shift Resolution comparison with 77mm
>>> Limited atf/11
>>>
>>> My K-3II arrived today and so I had to try out the Pixel Shift
>>> Resolution during afternoon break. Found an obliging dusty rack of
>>> electrical wire that agreed to serve as my subject. The 77mm f/1.8
>>> limited is a very sharp lens (as anyone who has one will tell you).
>>>
>>> What you see in the link below is an image blown up to 100% (actual
>>> pixels). Each is an 863 pixel x 994 pixel crop of the full 6016 x 4000
>>> pixel image.
>>>
>>> Conditions: Same exposure (2 sec. f/11, ISO 100) focused manually,
>>> shutter fired with the 12 second self-timer. The only thing that
>>> changed between shots was that I turned on Pixel Shift Resolution
>>> (without moving anything). On the left is a standard out of camera
>>> JPEG and on the right the JPEG produced with Pixel Shift Resolution.
>>>
>>> Click on it with your browser cursor to see it at 100%:
>>> http://www.antiqueauto.org/assets/PSRComparison.jpg
>>>
>>> At least for cooperative subjects, it looks (to me) like all my lenses
>>> just magically got significantly better.
>>>
>>
>>
>
>
> --
> I don't want to achieve immortality through my work; I want to achieve
> immortality through not dying.
> -- Woody Allen
>
>
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Re: A side-by-side Pixel Shift Resolution comparison with 77mm Limited atf/11

2015-10-23 Thread P.J. Alling
That should be "your display", damned f!&@$#n' spell checker, you'd 
think by now that I'd have learned to watch how it corrects suspect words...


On 10/23/2015 1:54 PM, P.J. Alling wrote:
Probably you're display can't actually show the differences.  I don't 
see any differences either.  I know that the display I'm using isn't 
nearly as good as the Hitachi SuperScan CRT that it replaced.


On 10/23/2015 12:01 AM, Alan C wrote:

Am I missing something? Can't see a difference.

Alan C

-Original Message- From: Darren Addy
Sent: Thursday, October 22, 2015 11:04 PM
To: Pentax-Discuss Mail List
Subject: A side-by-side Pixel Shift Resolution comparison with 77mm 
Limited atf/11


My K-3II arrived today and so I had to try out the Pixel Shift
Resolution during afternoon break. Found an obliging dusty rack of
electrical wire that agreed to serve as my subject. The 77mm f/1.8
limited is a very sharp lens (as anyone who has one will tell you).

What you see in the link below is an image blown up to 100% (actual
pixels). Each is an 863 pixel x 994 pixel crop of the full 6016 x 4000
pixel image.

Conditions: Same exposure (2 sec. f/11, ISO 100) focused manually,
shutter fired with the 12 second self-timer. The only thing that
changed between shots was that I turned on Pixel Shift Resolution
(without moving anything). On the left is a standard out of camera
JPEG and on the right the JPEG produced with Pixel Shift Resolution.

Click on it with your browser cursor to see it at 100%:
http://www.antiqueauto.org/assets/PSRComparison.jpg

At least for cooperative subjects, it looks (to me) like all my lenses
just magically got significantly better.







--
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immortality through not dying.
-- Woody Allen


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Re: A side-by-side Pixel Shift Resolution comparison with 77mm Limited atf/11

2015-10-23 Thread P.J. Alling
Probably you're display can't actually show the differences.  I don't 
see any differences either.  I know that the display I'm using isn't 
nearly as good as the Hitachi SuperScan CRT that it replaced.


On 10/23/2015 12:01 AM, Alan C wrote:

Am I missing something? Can't see a difference.

Alan C

-Original Message- From: Darren Addy
Sent: Thursday, October 22, 2015 11:04 PM
To: Pentax-Discuss Mail List
Subject: A side-by-side Pixel Shift Resolution comparison with 77mm 
Limited atf/11


My K-3II arrived today and so I had to try out the Pixel Shift
Resolution during afternoon break. Found an obliging dusty rack of
electrical wire that agreed to serve as my subject. The 77mm f/1.8
limited is a very sharp lens (as anyone who has one will tell you).

What you see in the link below is an image blown up to 100% (actual
pixels). Each is an 863 pixel x 994 pixel crop of the full 6016 x 4000
pixel image.

Conditions: Same exposure (2 sec. f/11, ISO 100) focused manually,
shutter fired with the 12 second self-timer. The only thing that
changed between shots was that I turned on Pixel Shift Resolution
(without moving anything). On the left is a standard out of camera
JPEG and on the right the JPEG produced with Pixel Shift Resolution.

Click on it with your browser cursor to see it at 100%:
http://www.antiqueauto.org/assets/PSRComparison.jpg

At least for cooperative subjects, it looks (to me) like all my lenses
just magically got significantly better.




--
I don't want to achieve immortality through my work; I want to achieve 
immortality through not dying.
-- Woody Allen


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Re: A side-by-side Pixel Shift Resolution comparison with 77mm Limited atf/11

2015-10-23 Thread Collin B
> Am I missing something? Can't see a difference.
> Alan C

> Ditto
>Kenneth Waller

I had to study it for a while.  Looking at the pitting on the column the
edges are a bit sharper. Note also that white dot on the right edge of the
column, to the right of the axle.  It's not like you're going to see an
improvement akin to making it into a 40Mp camera.

From what I can see it reminds me of doing some edge enhancements
in PS. 

Remember also: These are 100% crops, a small part of the original.  The
"timbre" improvement over the whole of the image would toward improved
realism.  I wonder -- will this feature be in the FF camera?  Had better be.
It appears to be a valuable addition.  The value of that value is ... ymmv.

The lens didn't get better.  The medium got better and could resolve the
light from the lens.  Like going from TriX to APX25.  Sort of. :-)



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Re: A side-by-side Pixel Shift Resolution comparison with 77mm Limited at f/11

2015-10-23 Thread Darren Addy
My intent in showing the side by side comparison is not to make anyone
unhappy with their current equipment. Heaven knows that I believe that
very cool images can be created with ANY camera of ANY kind of
technology all the way down to a plastic Holga or home made pinhole
camera. You can have a lifetime of fun with anything, especially if
you have an imagination. And I'm not arguing that Pixel Shift
Resolutution, is, by itself, a good enough reason to justify the
purchase of a K-3II. It depends what you shoot and most people think
about the kind of photography subjects that they shoot and don't see a
use for it. Personally, I happen to have some subjects that I think it
is going to work very well on.

As to why people cannot see the difference, I can't say. I don't know
if it is their eyes, the size of the monitor they are looking at it
on, the quality of the montior they are looking at it on (or its
settings)... too many variables. The difference is clear to me, both
on my 24" work monitor and my 15" laptop (though it becomes unclear if
I turn the brightness on my laptop down).. Or they aren't clicking on
the image to actually see it at 100% pixels.

As to Boris question of print size, to see the difference, I can't
say, particularly given that some people apparently can't see the
difference on their monitors, which are 96dpi devices. To see the full
aps-c frame at 96dpi you would have a 42 x 63" print. The crop I took
for the side by side would be approximately a vertical 8x10 crop from
that 42x63" image.

PSR is simply another tool in the toolbox. Once you have the tool in
your toolbox you start thinking about different ways that it could be
used.

 It is like a sharpening tool in post-processing, only much better
because that method produces artifacts when the subject is moving and
oversharpening also produces artifacts. Speaking of PSR artifacts, I
don't see why it would'n't be practical to take two images of a scene
(PSR and "normal") and put the PSR layer over the normal layer in
Photoshop and simply DROP OUT any PSR artifacts that resulted from
moving. I think that would make an image that would make those pixels
imperceptible.

Pixel Shift Resolution should make any Pentax user (or fanboy)
seriously proud of the Pentax engineers that came up with this system
and pulled it off. Pentax engineers have been figuring out how to
leverage the SR system for all kinds of amazingly innovative things
like the AstroTracer and the user-selectable AA simulator. I'd put the
Pentax designers, from ergonomics, to menu design, to the camera
itself, up against anybody's. If having the SR in the body made a lot
of sense to you and is one of the reason you picked Pentax, then pat
yourself on the back. You picked the winning horse.

And based upon my experience and what I see in the specs and (so far
in practice) the K-3 II has the potential to be objectively called the
Ultimate APS-C DSLR on the planet for versatility and image quality.

On Fri, Oct 23, 2015 at 12:22 AM, Boris Liberman  wrote:
> Darren, can you please enlighten me and indicate - what size of print would
> be necessary for the common viewer to look at it and say - "hmmm, I think
> that this picture is more pleasant to look at than that one"?
>
> Naturally, I don't mean to say that the new technology does not better the
> old one or that Pentax makes bad gear. However, I am still perfectly happy
> with my good old K-5.
>
> Not long ago, I has a picture of mine printed 40x60 cm (<-- notice, cm, not
> inch) from 12 MP Ricoh GXR shot at rather high ISO handheld at night with
> Nokton 40/1.4 at f/1.8, if my memory does not fail me. It looks so good,
> that I have absolutely no desire for any kind of upgrade of my gear. I think
> it will be a waste of my money, energy and time, as personally me - I will
> not be able to extract any reasonable technical improvement over my current
> gear. Doubtless, it will make me feel good, though.
>
> Ok, back to my lurking.
>
> Boris
>
> On 10/23/2015 5:59, Darren Addy wrote:
>>>
>>> I must resist the temptation of purchase.
>>
>> Why? YOLO!
>>
>>
>
>
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Re: A side-by-side Pixel Shift Resolution comparison with 77mm Limited at f/11

2015-10-22 Thread Boris Liberman
Darren, can you please enlighten me and indicate - what size of print 
would be necessary for the common viewer to look at it and say - "hmmm, 
I think that this picture is more pleasant to look at than that one"?


Naturally, I don't mean to say that the new technology does not better 
the old one or that Pentax makes bad gear. However, I am still perfectly 
happy with my good old K-5.


Not long ago, I has a picture of mine printed 40x60 cm (<-- notice, cm, 
not inch) from 12 MP Ricoh GXR shot at rather high ISO handheld at night 
with Nokton 40/1.4 at f/1.8, if my memory does not fail me. It looks so 
good, that I have absolutely no desire for any kind of upgrade of my 
gear. I think it will be a waste of my money, energy and time, as 
personally me - I will not be able to extract any reasonable technical 
improvement over my current gear. Doubtless, it will make me feel good, 
though.


Ok, back to my lurking.

Boris

On 10/23/2015 5:59, Darren Addy wrote:

I must resist the temptation of purchase.

Why? YOLO!





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Re: A side-by-side Pixel Shift Resolution comparison with 77mm Limited atf/11

2015-10-22 Thread Alan C

Am I missing something? Can't see a difference.

Alan C

-Original Message- 
From: Darren Addy

Sent: Thursday, October 22, 2015 11:04 PM
To: Pentax-Discuss Mail List
Subject: A side-by-side Pixel Shift Resolution comparison with 77mm Limited 
atf/11


My K-3II arrived today and so I had to try out the Pixel Shift
Resolution during afternoon break. Found an obliging dusty rack of
electrical wire that agreed to serve as my subject. The 77mm f/1.8
limited is a very sharp lens (as anyone who has one will tell you).

What you see in the link below is an image blown up to 100% (actual
pixels). Each is an 863 pixel x 994 pixel crop of the full 6016 x 4000
pixel image.

Conditions: Same exposure (2 sec. f/11, ISO 100) focused manually,
shutter fired with the 12 second self-timer. The only thing that
changed between shots was that I turned on Pixel Shift Resolution
(without moving anything). On the left is a standard out of camera
JPEG and on the right the JPEG produced with Pixel Shift Resolution.

Click on it with your browser cursor to see it at 100%:
http://www.antiqueauto.org/assets/PSRComparison.jpg

At least for cooperative subjects, it looks (to me) like all my lenses
just magically got significantly better.

--
Life is too short to put up with bad bokeh.

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Re: A side-by-side Pixel Shift Resolution comparison with 77mm Limited at f/11

2015-10-22 Thread Darren Addy
> I must resist the temptation of purchase.

Why? YOLO!

On Thu, Oct 22, 2015 at 9:45 PM, Bob Sullivan  wrote:
> You're killing me here!
> I must resist the temptation of purchase.
> Regards,  Bob S.
>
> On Thu, Oct 22, 2015 at 4:04 PM, Darren Addy  wrote:
>> My K-3II arrived today and so I had to try out the Pixel Shift
>> Resolution during afternoon break. Found an obliging dusty rack of
>> electrical wire that agreed to serve as my subject. The 77mm f/1.8
>> limited is a very sharp lens (as anyone who has one will tell you).
>>
>> What you see in the link below is an image blown up to 100% (actual
>> pixels). Each is an 863 pixel x 994 pixel crop of the full 6016 x 4000
>> pixel image.
>>
>> Conditions: Same exposure (2 sec. f/11, ISO 100) focused manually,
>> shutter fired with the 12 second self-timer. The only thing that
>> changed between shots was that I turned on Pixel Shift Resolution
>> (without moving anything). On the left is a standard out of camera
>> JPEG and on the right the JPEG produced with Pixel Shift Resolution.
>>
>> Click on it with your browser cursor to see it at 100%:
>> http://www.antiqueauto.org/assets/PSRComparison.jpg
>>
>> At least for cooperative subjects, it looks (to me) like all my lenses
>> just magically got significantly better.
>>
>> --
>> Life is too short to put up with bad bokeh.
>>
>> --
>> PDML Pentax-Discuss Mail List
>> PDML@pdml.net
>> http://pdml.net/mailman/listinfo/pdml_pdml.net
>> to UNSUBSCRIBE from the PDML, please visit the link directly above and 
>> follow the directions.
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Re: A side-by-side Pixel Shift Resolution comparison with 77mm Limited at f/11

2015-10-22 Thread Bob Sullivan
You're killing me here!
I must resist the temptation of purchase.
Regards,  Bob S.

On Thu, Oct 22, 2015 at 4:04 PM, Darren Addy  wrote:
> My K-3II arrived today and so I had to try out the Pixel Shift
> Resolution during afternoon break. Found an obliging dusty rack of
> electrical wire that agreed to serve as my subject. The 77mm f/1.8
> limited is a very sharp lens (as anyone who has one will tell you).
>
> What you see in the link below is an image blown up to 100% (actual
> pixels). Each is an 863 pixel x 994 pixel crop of the full 6016 x 4000
> pixel image.
>
> Conditions: Same exposure (2 sec. f/11, ISO 100) focused manually,
> shutter fired with the 12 second self-timer. The only thing that
> changed between shots was that I turned on Pixel Shift Resolution
> (without moving anything). On the left is a standard out of camera
> JPEG and on the right the JPEG produced with Pixel Shift Resolution.
>
> Click on it with your browser cursor to see it at 100%:
> http://www.antiqueauto.org/assets/PSRComparison.jpg
>
> At least for cooperative subjects, it looks (to me) like all my lenses
> just magically got significantly better.
>
> --
> Life is too short to put up with bad bokeh.
>
> --
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> PDML@pdml.net
> http://pdml.net/mailman/listinfo/pdml_pdml.net
> to UNSUBSCRIBE from the PDML, please visit the link directly above and follow 
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A side-by-side Pixel Shift Resolution comparison with 77mm Limited at f/11

2015-10-22 Thread Darren Addy
My K-3II arrived today and so I had to try out the Pixel Shift
Resolution during afternoon break. Found an obliging dusty rack of
electrical wire that agreed to serve as my subject. The 77mm f/1.8
limited is a very sharp lens (as anyone who has one will tell you).

What you see in the link below is an image blown up to 100% (actual
pixels). Each is an 863 pixel x 994 pixel crop of the full 6016 x 4000
pixel image.

Conditions: Same exposure (2 sec. f/11, ISO 100) focused manually,
shutter fired with the 12 second self-timer. The only thing that
changed between shots was that I turned on Pixel Shift Resolution
(without moving anything). On the left is a standard out of camera
JPEG and on the right the JPEG produced with Pixel Shift Resolution.

Click on it with your browser cursor to see it at 100%:
http://www.antiqueauto.org/assets/PSRComparison.jpg

At least for cooperative subjects, it looks (to me) like all my lenses
just magically got significantly better.

-- 
Life is too short to put up with bad bokeh.

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Ricoh Imaging (USA) redesigned web site shows very limited lens line up.

2015-09-22 Thread P.J. Alling
As in very few lenses.  Stupidly organized as well by the way. Really if 
I'm interested in K mount DSLRs and click on the lenses link, you'd 
think they'd filter by only K mount lenses, but no, you get a listing 
that includes all the lenses, such as they are. Either they're dropping 
a lot of product in the US or their web site manager is an idiot, and I 
wouldn't make a bet either way, at this point.  The Canadian Web site is 
much better, with a much more fully represented line of Pentax products 
represented, so Go Canada.


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Re: PESO - Limited View

2015-08-11 Thread Rick Womer
Gee, thanks folks!  One never knows which photos will "grab" people.

Rick
http://photo.net/photos/RickW


On Tue, Aug 11, 2015 at 9:30 AM, ann sanfedele  wrote:
> I love that!  Also, your PUG this month is my fave
> ann
>
>
> On 8/7/2015 9:43 PM, Rick Womer wrote:
>>
>> The last in the UK series for now:
>>
>> http://photo.net/photodb/photo?photo_id=18049307&size=lg
>>
>> (K-5, DA 16-45)
>>
>> Comments appreciated.
>>
>> Rick
>>
>>
>>
>>
>>
>
>
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Re: PESO - Limited View

2015-08-11 Thread ann sanfedele

I love that!  Also, your PUG this month is my fave
ann

On 8/7/2015 9:43 PM, Rick Womer wrote:

The last in the UK series for now:

http://photo.net/photodb/photo?photo_id=18049307&size=lg

(K-5, DA 16-45)

Comments appreciated.

Rick








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Re: PESO - Limited View

2015-08-10 Thread Darren Addy
Wowsers, RICK! This is perfect in every way.
I have the feeling we will be seeing this one in next year's Annual.
Love wisteria and your composition and rendering are spot on.

On Fri, Aug 7, 2015 at 8:43 PM, Rick Womer  wrote:
> The last in the UK series for now:
>
> http://photo.net/photodb/photo?photo_id=18049307&size=lg
>
> (K-5, DA 16-45)
>
> Comments appreciated.
>
> Rick
>
>
>
>
>
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Re: PESO - Limited View

2015-08-08 Thread John

On 8/7/2015 9:43 PM, Rick Womer wrote:

The last in the UK series for now:

http://photo.net/photodb/photo?photo_id=18049307&size=lg

(K-5, DA 16-45)

Comments appreciated.

Rick



A fairly delightful way of limiting the view.

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Re: PESO - Limited View

2015-08-08 Thread Mark C

Lovely!

On 8/7/2015 9:43 PM, Rick Womer wrote:

The last in the UK series for now:

http://photo.net/photodb/photo?photo_id=18049307&size=lg

(K-5, DA 16-45)

Comments appreciated.

Rick








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Re: PESO - Limited View

2015-08-08 Thread Rick Womer
They're related. Mass wysteria erupted when Dennis Moore brought in one bundle 
of lupins too many.


On Aug 7, 2015, at 11:06 PM, Bob W-PDML wrote:

> It's certainly a nice scene.
> 
> That's mass wisteria, Frank. Lupins grow from the ground up, which is why 
> they are so easily gathered and transported to peasants' hovels.
> 
> B
> 
>> On 8 Aug 2015, at 03:32, Knarf  wrote:
>> 
>> Wow, you saved your best for last! Certainly among my faves from this 
>> series. Beautiful colours, very well composed, interesting subject matter 
>> and so very, very English.
>> 
>> By the way, I'm no botanist, but could this have possibly been titled, "Your 
>> Lupins or your Life"?
>> 
>> ;-)
>> 
>> Cheers,
>> 
>> frank
>> 
>>> On 7 August, 2015 9:43:11 PM EDT, Rick Womer  wrote:
>>> The last in the UK series for now:
>>> 
>>> http://photo.net/photodb/photo?photo_id=18049307&size=lg
>>> 
>>> (K-5, DA 16-45)
>>> 
>>> Comments appreciated.
>>> 
>>> Rick
>> 
>> -- 
>> 
> 
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http://photo.net/photos/RickW



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Re: PESO - Limited View

2015-08-08 Thread Jack Davis
Dramatic shot, very nicely rendered, Rick!

J

- Original Message -
From: "Rick Womer" 
To: "Pentax-Discuss Mail List" 
Sent: Friday, August 7, 2015 6:43:11 PM
Subject: PESO - Limited View

The last in the UK series for now:

http://photo.net/photodb/photo?photo_id=18049307&size=lg

(K-5, DA 16-45)

Comments appreciated.

Rick





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Re: PESO - Limited View

2015-08-08 Thread Eric Weir

> On Aug 7, 2015, at 9:43 PM, Rick Womer  wrote:
> 
> The last in the UK series for now:
> 
> http://photo.net/photodb/photo?photo_id=18049307&size=lg

I missed the earlier ones. This one’s lovely—and interesting. I go with what 
Frank said.

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Re: PESO - Limited View

2015-08-08 Thread Alan C
I've enjoyed your series, Rick. Not the sort of places occasional visitors 
like me would see. The "pong" one was double edged with those garbage bins 
in the background & the Wisteria is magnificent.


Alan C

-Original Message- 
From: Rick Womer

Sent: Saturday, August 08, 2015 3:43 AM
To: Pentax-Discuss Mail List
Subject: PESO - Limited View

The last in the UK series for now:

http://photo.net/photodb/photo?photo_id=18049307&size=lg

(K-5, DA 16-45)

Comments appreciated.

Rick





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Re: PESO - Limited View

2015-08-07 Thread Daniel J. Matyola
I love the wysteria!.

Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola


On Fri, Aug 7, 2015 at 9:43 PM, Rick Womer  wrote:
> The last in the UK series for now:
>
> http://photo.net/photodb/photo?photo_id=18049307&size=lg
>
> (K-5, DA 16-45)
>
> Comments appreciated.
>
> Rick
>
>
>
>
>
> --
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Re: PESO - Limited View

2015-08-07 Thread Knarf
Mass wisteria.

I learned something new today.

Thanks! 

Cheers,

frank

On 7 August, 2015 11:06:55 PM EDT, Bob W-PDML  wrote:
>It's certainly a nice scene.
>
>That's mass wisteria, Frank. Lupins grow from the ground up, which is
>why they are so easily gathered and transported to peasants' hovels.
>
>B
>
>> On 8 Aug 2015, at 03:32, Knarf  wrote:
>> 
>> Wow, you saved your best for last! Certainly among my faves from this
>series. Beautiful colours, very well composed, interesting subject
>matter and so very, very English.
>> 
>> By the way, I'm no botanist, but could this have possibly been
>titled, "Your Lupins or your Life"?
>> 
>> ;-)
>> 
>> Cheers,
>> 
>> frank
>> 
>>> On 7 August, 2015 9:43:11 PM EDT, Rick Womer 
>wrote:
>>> The last in the UK series for now:
>>> 
>>> http://photo.net/photodb/photo?photo_id=18049307&size=lg
>>> 
>>> (K-5, DA 16-45)
>>> 
>>> Comments appreciated.
>>> 
>>> Rick
>> 
>> -- 
>> 

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Re: PESO - Limited View

2015-08-07 Thread Bob W-PDML
It's certainly a nice scene.

That's mass wisteria, Frank. Lupins grow from the ground up, which is why they 
are so easily gathered and transported to peasants' hovels.

B

> On 8 Aug 2015, at 03:32, Knarf  wrote:
> 
> Wow, you saved your best for last! Certainly among my faves from this series. 
> Beautiful colours, very well composed, interesting subject matter and so 
> very, very English.
> 
> By the way, I'm no botanist, but could this have possibly been titled, "Your 
> Lupins or your Life"?
> 
> ;-)
> 
> Cheers,
> 
> frank
> 
>> On 7 August, 2015 9:43:11 PM EDT, Rick Womer  wrote:
>> The last in the UK series for now:
>> 
>> http://photo.net/photodb/photo?photo_id=18049307&size=lg
>> 
>> (K-5, DA 16-45)
>> 
>> Comments appreciated.
>> 
>> Rick
> 
> -- 
> 

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Re: PESO - Limited View

2015-08-07 Thread Knarf
Wow, you saved your best for last! Certainly among my faves from this series. 
Beautiful colours, very well composed, interesting subject matter and so very, 
very English.

By the way, I'm no botanist, but could this have possibly been titled, "Your 
Lupins or your Life"?

;-)

Cheers,

frank

On 7 August, 2015 9:43:11 PM EDT, Rick Womer  wrote:
>The last in the UK series for now:
>
>http://photo.net/photodb/photo?photo_id=18049307&size=lg
>
>(K-5, DA 16-45)
>
>Comments appreciated.
>
>Rick

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PESO - Limited View

2015-08-07 Thread Rick Womer
The last in the UK series for now:

http://photo.net/photodb/photo?photo_id=18049307&size=lg

(K-5, DA 16-45)

Comments appreciated.

Rick





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Re: K-3II announcement and new FA Limited primes coming...

2015-07-26 Thread Jens Bladt
The clip on Pentax GPS is brilliant :-) But of course it's more 
convenient to have it built in. Also, it prevents the use of other hot 
shoe equipment, such as a remote trigger.


I seriously consider getting the K-3II - or should I wait for the Full 
Frame body to appear ?


Regards

Jens

Den 22-04-2015 kl. 01:13 skrev Ralf R Radermacher:

Am 22.04.15 um 00:09 schrieb Brian Walters:


... it will have "The high-resolution image by pixel shifting."


...and built-in GPS. Not enough to make me flog off my K-3 and buy the
K-3 II but annoying just as well. The display of my Garmin portable is
slowly dying and the clip-on GPS module for the K-3 is awfully big.
Ralf



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Re: PESO with the 77mm Limited

2015-05-27 Thread Ken Waller

A great take on the subject !

Kenneth Waller
http://www.pentaxphotogallery.com/kennethwaller

- Original Message - 
From: "Darren Addy" 

Subject: PESO with the 77mm Limited



Haven't had an abundance of opportunity to use my recently procured
FA77 but it was the perfect focal length for this shot, taken on
Monday. Of course I'm using it at f/11, where most every lens should
perform at its best, but I was still pretty amazed at its incredible
sharpness (paired with the K-3). I think I will need to look for more
opportunities to use it.

B&W conversion with Silver Efex Pro 2.

https://www.flickr.com/photos/pixelsmithy/17536006034/
For those interested in looking at it at 100%:
https://www.flickr.com/photos/pixelsmithy/17536006034/sizes/o/
(It was cropped slightly from the full APS-C frame to allow for a
slight straightening.)

Comments and criticism welcome in equal measure.

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Re: PESO with the 77mm Limited

2015-05-27 Thread Jack Davis
A sharp, beautiful conversion, Darren!

J

- Original Message -
From: "Darren Addy" 
To: "Pentax-Discuss Mail List" 
Sent: Wednesday, May 27, 2015 5:47:37 AM
Subject: PESO with the 77mm Limited

Haven't had an abundance of opportunity to use my recently procured
FA77 but it was the perfect focal length for this shot, taken on
Monday. Of course I'm using it at f/11, where most every lens should
perform at its best, but I was still pretty amazed at its incredible
sharpness (paired with the K-3). I think I will need to look for more
opportunities to use it.

B&W conversion with Silver Efex Pro 2.

https://www.flickr.com/photos/pixelsmithy/17536006034/
For those interested in looking at it at 100%:
https://www.flickr.com/photos/pixelsmithy/17536006034/sizes/o/
(It was cropped slightly from the full APS-C frame to allow for a
slight straightening.)

Comments and criticism welcome in equal measure.

-- 
Life is too short to put up with bad bokeh.

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PESO with the 77mm Limited

2015-05-27 Thread Darren Addy
Haven't had an abundance of opportunity to use my recently procured
FA77 but it was the perfect focal length for this shot, taken on
Monday. Of course I'm using it at f/11, where most every lens should
perform at its best, but I was still pretty amazed at its incredible
sharpness (paired with the K-3). I think I will need to look for more
opportunities to use it.

B&W conversion with Silver Efex Pro 2.

https://www.flickr.com/photos/pixelsmithy/17536006034/
For those interested in looking at it at 100%:
https://www.flickr.com/photos/pixelsmithy/17536006034/sizes/o/
(It was cropped slightly from the full APS-C frame to allow for a
slight straightening.)

Comments and criticism welcome in equal measure.

-- 
Life is too short to put up with bad bokeh.

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Re: K-3II announcement and new FA Limited primes coming...

2015-04-24 Thread John Francis
On Fri, Apr 24, 2015 at 01:33:44PM -0600, steve harley wrote:
> On 2015-04-24 6:25 , Darren Addy wrote:
> >It is possible, assuming that the flash would only use 25% of full
> >manual power on the 4 consecutive shots.
> 
> i would think each of the 4 exposures would require the nominal amount of
> flash, as you'd need a good "histogram" on each of them to get the best
> result after merging

Each of the four exposures would get the same amount of flash (up to 25%
of the total power the flash has available). (That, of course, reduces the
effective guide number of the flash).  The camera will tell the flash unit
how much power it should use.

That's what is done nowadays when using high speed sync - multiple firings
of the flash as the open slit in the shutter moves across the sensor. I'm
always impressed that the shutter mechanism is precise enough that there
are no visible artifacts of this - that means the timing of the flash has
to be precise to the microsecond, and the shutter curtains have to remain
parallel, with a constant separation, to within the dimension of a pixel.

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Re: K-3II announcement and new FA Limited primes coming...

2015-04-24 Thread steve harley

On 2015-04-24 6:25 , Darren Addy wrote:

It is possible, assuming that the flash would only use 25% of full
manual power on the 4 consecutive shots.


i would think each of the 4 exposures would require the nominal amount of 
flash, as you'd need a good "histogram" on each of them to get the best 
result after merging



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Re: K-3II announcement and new FA Limited primes coming...

2015-04-24 Thread Darren Addy
It is possible, assuming that the flash would only use 25% of full
manual power on the 4 consecutive shots. However, if you are taking a
studio portrait, I think we can pretty much assume that the last three
pixel shifts will capture the subject with their eyes closed. (Only
half joking there).

On Fri, Apr 24, 2015 at 2:33 AM, John Francis  wrote:
>
> I don't see why you think this means it won't work with flash.
> I'd expect the camera to be quite capable of triggering the flash
> each time it 'opens' the electronic shutter.  And, as I point out,
> any high speed sync capable flash is capable of being triggered
> multiple times during the 1/180 sec or so of a fast exposure.
>
> On Thu, Apr 23, 2015 at 04:49:15PM -0500, Darren Addy wrote:
>> I don't think this (the pixel shift resolution) is going to work with
>> flash period. The pixel shift resolution is not using the focal plane
>> shutter for anything more than opening and closing the "window". The 4
>> exposures taken while that window are open will be done by electronic
>> shutter (basically a turning on and off of the sensor electronically).
>> The mirror will go up and focal length shutter open at the
>> beginning... the 4 exposures will be taken and the shutter will close
>> and mirror come down again afterwards (making it feel something like a
>> 1/2 second exposure).
>>
>> On Thu, Apr 23, 2015 at 4:14 PM, John Francis  wrote:
>> > On Thu, Apr 23, 2015 at 05:35:59AM -0400, Glen Berry wrote:
>> >> Yeah, in the other K-3 II thread, I had mentioned this myself. I suppose
>> >> they could do something where each of the four sub-exposures gets 1/4 of 
>> >> the
>> >> total flash power, with the flash firing a total of 4 times for each
>> >> resolution-enhanced image. For TTL flash, that would probably require a
>> >> special flash unit with special programming.
>> >
>> > As Pentax already offer a high speed flash sync mode (basically firing the
>> > flash multiple times, synced with the shutter motion, to expose the image
>> > in strips as the shutter slit moves across the frame), I don't see there
>> > being any problem in using flash for the four sub-exposures. I would assume
>> > that any flash that supports high-speed sync mode today (such as an 
>> > AF540FGZ,
>> > or one of several third-party units) would have no problems supporting 
>> > this.
>> >
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Re: K-3II announcement and new FA Limited primes coming...

2015-04-24 Thread John Francis

I don't see why you think this means it won't work with flash.
I'd expect the camera to be quite capable of triggering the flash
each time it 'opens' the electronic shutter.  And, as I point out,
any high speed sync capable flash is capable of being triggered
multiple times during the 1/180 sec or so of a fast exposure.

On Thu, Apr 23, 2015 at 04:49:15PM -0500, Darren Addy wrote:
> I don't think this (the pixel shift resolution) is going to work with
> flash period. The pixel shift resolution is not using the focal plane
> shutter for anything more than opening and closing the "window". The 4
> exposures taken while that window are open will be done by electronic
> shutter (basically a turning on and off of the sensor electronically).
> The mirror will go up and focal length shutter open at the
> beginning... the 4 exposures will be taken and the shutter will close
> and mirror come down again afterwards (making it feel something like a
> 1/2 second exposure).
> 
> On Thu, Apr 23, 2015 at 4:14 PM, John Francis  wrote:
> > On Thu, Apr 23, 2015 at 05:35:59AM -0400, Glen Berry wrote:
> >> Yeah, in the other K-3 II thread, I had mentioned this myself. I suppose
> >> they could do something where each of the four sub-exposures gets 1/4 of 
> >> the
> >> total flash power, with the flash firing a total of 4 times for each
> >> resolution-enhanced image. For TTL flash, that would probably require a
> >> special flash unit with special programming.
> >
> > As Pentax already offer a high speed flash sync mode (basically firing the
> > flash multiple times, synced with the shutter motion, to expose the image
> > in strips as the shutter slit moves across the frame), I don't see there
> > being any problem in using flash for the four sub-exposures. I would assume
> > that any flash that supports high-speed sync mode today (such as an 
> > AF540FGZ,
> > or one of several third-party units) would have no problems supporting this.
> >
> > --
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Re: K-3II announcement and new FA Limited primes coming...

2015-04-23 Thread Larry Colen



Darren Addy wrote:

I don't think this (the pixel shift resolution) is going to work with
flash period. The pixel shift resolution is not using the focal plane
shutter for anything more than opening and closing the "window". The 4
exposures taken while that window are open will be done by electronic
shutter (basically a turning on and off of the sensor electronically).
The mirror will go up and focal length shutter open at the
beginning... the 4 exposures will be taken and the shutter will close
and mirror come down again afterwards (making it feel something like a
1/2 second exposure).


I wonder if the electronic shutter can be used to give flash sync at 
over 1/160th second.




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Re: K-3II announcement and new FA Limited primes coming...

2015-04-23 Thread Darren Addy
I don't think this (the pixel shift resolution) is going to work with
flash period. The pixel shift resolution is not using the focal plane
shutter for anything more than opening and closing the "window". The 4
exposures taken while that window are open will be done by electronic
shutter (basically a turning on and off of the sensor electronically).
The mirror will go up and focal length shutter open at the
beginning... the 4 exposures will be taken and the shutter will close
and mirror come down again afterwards (making it feel something like a
1/2 second exposure).

On Thu, Apr 23, 2015 at 4:14 PM, John Francis  wrote:
> On Thu, Apr 23, 2015 at 05:35:59AM -0400, Glen Berry wrote:
>> Yeah, in the other K-3 II thread, I had mentioned this myself. I suppose
>> they could do something where each of the four sub-exposures gets 1/4 of the
>> total flash power, with the flash firing a total of 4 times for each
>> resolution-enhanced image. For TTL flash, that would probably require a
>> special flash unit with special programming.
>
> As Pentax already offer a high speed flash sync mode (basically firing the
> flash multiple times, synced with the shutter motion, to expose the image
> in strips as the shutter slit moves across the frame), I don't see there
> being any problem in using flash for the four sub-exposures. I would assume
> that any flash that supports high-speed sync mode today (such as an AF540FGZ,
> or one of several third-party units) would have no problems supporting this.
>
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Re: K-3II announcement and new FA Limited primes coming...

2015-04-23 Thread John Francis
On Thu, Apr 23, 2015 at 05:35:59AM -0400, Glen Berry wrote:
> Yeah, in the other K-3 II thread, I had mentioned this myself. I suppose
> they could do something where each of the four sub-exposures gets 1/4 of the
> total flash power, with the flash firing a total of 4 times for each
> resolution-enhanced image. For TTL flash, that would probably require a
> special flash unit with special programming.

As Pentax already offer a high speed flash sync mode (basically firing the
flash multiple times, synced with the shutter motion, to expose the image
in strips as the shutter slit moves across the frame), I don't see there
being any problem in using flash for the four sub-exposures. I would assume
that any flash that supports high-speed sync mode today (such as an AF540FGZ,
or one of several third-party units) would have no problems supporting this.

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Re: K-3II announcement and new FA Limited primes coming...

2015-04-23 Thread Darren Addy
I'm curious also. Since SR should be turned on when on tripod I think
they might be avoiding that whole can of worms. On the other hand, no
one has talked about the Panning Compensation in which the SR still
works to give you the steadiest shot possible even though it detects
(from camera movements and your choice of shutter speed, no doubt)
that you are taking a panning shot. That's potentially some pretty
sophisticated programming also!

On Thu, Apr 23, 2015 at 8:18 AM, P.J. Alling  wrote:
> What about anti shake, is that available in this mode or is a tripod
> assumed?  The sensor movement and control is probably becoming quite complex
> programmatically at this point.
>
> On 4/23/2015 5:22 AM, Dario Bonazza wrote:
>>
>> I'm also worried about the flash exposure, assuming the flash will only
>> hit one exposure out of four.
>> This has to be investigated.
>>
>> Dario
>>
>> -Messaggio originale- From: Larry Colen
>> Sent: Thursday, April 23, 2015 11:12 AM
>> To: Pentax-Discuss Mail List
>> Subject: Re: K-3II announcement and new FA Limited primes coming...
>>
>>
>>
>> Glen Berry wrote:
>>>
>>> Since we're only talking about a senor shift of one pixel, would a
>>> little subject movement necessarily ruin your shot? I'd think in many
>>> cases, the resulting quality wouldn't be that much different than
>>> shooting a normal image without the resolution enhancement turned on.
>>>
>>
>> Let's say you take a picture of a street scene.  For some reason you don't
>>
>> notice the reflection in the window of someone walking past.  They are
>> moving
>> well more than one pixel per shot. What does that end up looking like?
>> It's not just blur, it would be like a quadruple exposure?
>>
>> Or, you are taking a landscape photo. You don't even notice the wind, or
>> that the tree branches and leaves, or the flowers, or the grass, is
>> moving.  Now rather than having more color depth at each pixel, a lot of
>> the frame has the blur of a quadruple exposure.
>>
>> I do wonder how it would work in connection with the astrotracer, or if
>> it would.
>>
>
>
> --
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> immortality through not dying.
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>
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Re: K-3II announcement and new FA Limited primes coming...

2015-04-23 Thread P.J. Alling
What about anti shake, is that available in this mode or is a tripod 
assumed?  The sensor movement and control is probably becoming quite 
complex programmatically at this point.


On 4/23/2015 5:22 AM, Dario Bonazza wrote:
I'm also worried about the flash exposure, assuming the flash will 
only hit one exposure out of four.

This has to be investigated.

Dario

-Messaggio originale- From: Larry Colen
Sent: Thursday, April 23, 2015 11:12 AM
To: Pentax-Discuss Mail List
Subject: Re: K-3II announcement and new FA Limited primes coming...



Glen Berry wrote:

Since we're only talking about a senor shift of one pixel, would a
little subject movement necessarily ruin your shot? I'd think in many
cases, the resulting quality wouldn't be that much different than
shooting a normal image without the resolution enhancement turned on.



Let's say you take a picture of a street scene.  For some reason you 
don't


notice the reflection in the window of someone walking past.  They are
moving
well more than one pixel per shot. What does that end up looking like?
It's not just blur, it would be like a quadruple exposure?

Or, you are taking a landscape photo. You don't even notice the wind, or
that the tree branches and leaves, or the flowers, or the grass, is
moving.  Now rather than having more color depth at each pixel, a lot of
the frame has the blur of a quadruple exposure.

I do wonder how it would work in connection with the astrotracer, or if
it would.




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Re: K-3II announcement and new FA Limited primes coming..(price)

2015-04-23 Thread Larry Colen


B&H has it for pre-order for $1100 IIRC.

Malcolm Smith wrote:

I've had an e-mail in from one of the UK dealers stating the body only
option is £769, which is better than I thought it would be launched at.

Malcolm





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RE: K-3II announcement and new FA Limited primes coming..(price)

2015-04-23 Thread Malcolm Smith
I've had an e-mail in from one of the UK dealers stating the body only
option is £769, which is better than I thought it would be launched at.

Malcolm



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Re: K-3II announcement and new FA Limited primes coming...

2015-04-23 Thread Glen Berry
Yeah, in the other K-3 II thread, I had mentioned this myself. I suppose 
they could do something where each of the four sub-exposures gets 1/4 of 
the total flash power, with the flash firing a total of 4 times for each 
resolution-enhanced image. For TTL flash, that would probably require a 
special flash unit with special programming. I suppose a thyristor flash 
in manual mode, at a low enough power setting, could also keep up with 
the four sub-exposures. Since this feature is for stationary objects, 
and not for action, shooting flash in manual mode wouldn't be too much 
of a drawback for me personally.


On 4/23/2015 5:22 AM, Dario Bonazza wrote:
I'm also worried about the flash exposure, assuming the flash will 
only hit one exposure out of four.

This has to be investigated.

Dario



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Re: K-3II announcement and new FA Limited primes coming...

2015-04-23 Thread Dario Bonazza
I'm also worried about the flash exposure, assuming the flash will only hit 
one exposure out of four.

This has to be investigated.

Dario

-Messaggio originale- 
From: Larry Colen

Sent: Thursday, April 23, 2015 11:12 AM
To: Pentax-Discuss Mail List
Subject: Re: K-3II announcement and new FA Limited primes coming...



Glen Berry wrote:

Since we're only talking about a senor shift of one pixel, would a
little subject movement necessarily ruin your shot? I'd think in many
cases, the resulting quality wouldn't be that much different than
shooting a normal image without the resolution enhancement turned on.



Let's say you take a picture of a street scene.  For some reason you don't

notice the reflection in the window of someone walking past.  They are
moving
well more than one pixel per shot. What does that end up looking like?
It's not just blur, it would be like a quadruple exposure?

Or, you are taking a landscape photo. You don't even notice the wind, or
that the tree branches and leaves, or the flowers, or the grass, is
moving.  Now rather than having more color depth at each pixel, a lot of
the frame has the blur of a quadruple exposure.

I do wonder how it would work in connection with the astrotracer, or if
it would.

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Re: K-3II announcement and new FA Limited primes coming...

2015-04-23 Thread Larry Colen



Glen Berry wrote:

Since we're only talking about a senor shift of one pixel, would a
little subject movement necessarily ruin your shot? I'd think in many
cases, the resulting quality wouldn't be that much different than
shooting a normal image without the resolution enhancement turned on.



Let's say you take a picture of a street scene.  For some reason you don't

notice the reflection in the window of someone walking past.  They are 
moving

well more than one pixel per shot. What does that end up looking like?
It's not just blur, it would be like a quadruple exposure?

Or, you are taking a landscape photo. You don't even notice the wind, or 
that the tree branches and leaves, or the flowers, or the grass, is 
moving.  Now rather than having more color depth at each pixel, a lot of 
the frame has the blur of a quadruple exposure.


I do wonder how it would work in connection with the astrotracer, or if 
it would.


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Re: K-3II announcement and new FA Limited primes coming...

2015-04-23 Thread Glen Berry
Since we're only talking about a senor shift of one pixel, would a 
little subject movement necessarily ruin your shot? I'd think in many 
cases, the resulting quality wouldn't be that much different than 
shooting a normal image without the resolution enhancement turned on.


On 4/23/2015 4:31 AM, Larry Colen wrote:

On Thu, Apr 23, 2015 at 01:46:23AM -0400, John Francis wrote:

On Wed, Apr 22, 2015 at 12:46:59PM -0700, Larry Colen wrote:

What would be really nifty would be the option of getting all three or four
low resolution raw files in addition to the superresolution final file, on
the off chance the merge doesn't work, you'd still have unmerged files that
would be usable.

I don't see a lot of point to that.  The logic that combines the four original
images into a a single multi-channel image is pretty straigntforward; with the
exception of the green component, which is the sum (or average) of values from
two of the original images, each component value in the merged image is just a
copy of the value in one of the four input images (possibly offset by one pixel
horizontally and/or vertically).  I consider it extremely unlikely that errors
would occur in doing this combining (and suspect there may, in fact, be custom
hardware such as a one-scanline shift register to support doing this rapidly).

If there are things moving in the image enought to screw up the blend, but for 
some reason you just don't notice them.





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Re: K-3II announcement and new FA Limited primes coming...

2015-04-23 Thread Glen Berry
If I had the new K-3 II, I wouldn't miss the pop-up flash at all. I 
generally use either hot shoe flashes or monolights when I need flash. 
Speaking of hot shoes, this new internal GPS unit won't tie up your hot 
shoe like the older external model does. Using both GPS and a hot shoe 
flash at the same time should be easy now.


Those of you who never shoot outdoors in the wilderness probably don't 
need the GPS features so much. It should be a big benefit to those 
wanting to capture stars as point sources instead of trails though. The 
compass and logging features might also come in handy while hiking 
through remote areas. I'd definitely make use of the GPS unit for some 
of my shooting.



On 4/23/2015 2:51 AM, John Coyle wrote:

Just occasionally I've wished I had recorded the GPS location of a shot - once 
for sure in the White
Desert, east of Cairo. We were camping under the stars, at least an hour from 
the nearest town, and
it would be interesting to see exactly where we were.
I guess it's one of those features that's great to have when you really need 
it, but not much missed
otherwise.  Not sure about taking out the popup flash, I used mine today to 
throw some balancing
light into a contrasty scene.


John in Brisbane





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Re: K-3II announcement and new FA Limited primes coming...

2015-04-23 Thread Ralf R Radermacher

Am 23.04.15 um 08:51 schrieb John Coyle:


I guess it's one of those features that's great to have when you really need 
it, but not much missed
otherwise.


I've been tagging my photos using a Garmin hand-held and Houdah Geo for 
a number of years now. My main use is in Lightroom to find all pictures 
I've taken at a particular location for illustrating my blog posts. 
Wouldn't want to be without it anymore.


Ralf

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Re: K-3II announcement and new FA Limited primes coming...

2015-04-23 Thread Larry Colen
On Thu, Apr 23, 2015 at 01:46:23AM -0400, John Francis wrote:
> On Wed, Apr 22, 2015 at 12:46:59PM -0700, Larry Colen wrote:
> > 
> > What would be really nifty would be the option of getting all three or four
> > low resolution raw files in addition to the superresolution final file, on
> > the off chance the merge doesn't work, you'd still have unmerged files that
> > would be usable.
> 
> I don't see a lot of point to that.  The logic that combines the four original
> images into a a single multi-channel image is pretty straigntforward; with the
> exception of the green component, which is the sum (or average) of values from
> two of the original images, each component value in the merged image is just a
> copy of the value in one of the four input images (possibly offset by one 
> pixel
> horizontally and/or vertically).  I consider it extremely unlikely that errors
> would occur in doing this combining (and suspect there may, in fact, be custom
> hardware such as a one-scanline shift register to support doing this rapidly).

If there are things moving in the image enought to screw up the blend, but for 
some reason you just don't notice them.


-- 
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RE: K-3II announcement and new FA Limited primes coming...

2015-04-22 Thread John Coyle
Just occasionally I've wished I had recorded the GPS location of a shot - once 
for sure in the White
Desert, east of Cairo. We were camping under the stars, at least an hour from 
the nearest town, and
it would be interesting to see exactly where we were.
I guess it's one of those features that's great to have when you really need 
it, but not much missed
otherwise.  Not sure about taking out the popup flash, I used mine today to 
throw some balancing
light into a contrasty scene.


John in Brisbane



-Original Message-
From: PDML [mailto:pdml-boun...@pdml.net] On Behalf Of P.J. Alling
Sent: Wednesday, 22 April 2015 9:39 AM
To: Pentax-Discuss Mail List
Subject: Re: K-3II announcement and new FA Limited primes coming...

Had not seen that view before, so Pentax is putting the GPS module where the 
pop up flash used to
be.  On the other hand Canon removes the built in GPS from one of their models 
because no one cared.
Honestly, I sometimes use the pop up flash, but I don't think I've ever missed 
having GPS, and if I
needed it, an add on device that Pentax already makes seems like a pretty good 
option.

On 4/21/2015 7:10 PM, Darren Addy wrote:
> On Tue, Apr 21, 2015 at 5:34 PM, P.J. Alling  
> wrote:
>> I wonder what "Flash not equipped" means, no built in flash or 
>> something else, since there seems to be a flash deployment button on 
>> most of the leaked pictures...
> The button is now labeled "GPS" if the photos are accurate:
> http://photorumors.com/wp-content/uploads/2015/04/Pentax-K-3-II-DSLR-c
> amera-2.jpg
>


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immortality through not
dying.
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Re: K-3II announcement and new FA Limited primes coming...

2015-04-22 Thread John Francis
On Wed, Apr 22, 2015 at 12:46:59PM -0700, Larry Colen wrote:
> 
> What would be really nifty would be the option of getting all three or four
> low resolution raw files in addition to the superresolution final file, on
> the off chance the merge doesn't work, you'd still have unmerged files that
> would be usable.

I don't see a lot of point to that.  The logic that combines the four original
images into a a single multi-channel image is pretty straigntforward; with the
exception of the green component, which is the sum (or average) of values from
two of the original images, each component value in the merged image is just a
copy of the value in one of the four input images (possibly offset by one pixel
horizontally and/or vertically).  I consider it extremely unlikely that errors
would occur in doing this combining (and suspect there may, in fact, be custom
hardware such as a one-scanline shift register to support doing this rapidly).

Where I think there is far more possibility for error is in the accuracy of the
sensor shift mechanism in shifting by exactly one pixel.  If such an error does
occur the final image may not have quite the full spatial resolution that would
be possible, but it's still going to be better than a Bayer-transformed result
derived from just a single one of the four input images. And, in any case, it's
pretty simple to pick apart the combined image to get the four original images
(except for some slight uncertainty in the green channel).


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Re: K-3II announcement and new FA Limited primes coming...

2015-04-22 Thread Brian Walters

Quoting "P.J. Alling" :

Well, yes, but both require multiple separate exposures, hand held  
that would be "difficult".



Yes, although Olympus is said to be working on a hand-held high res mode:

http://www.dpreview.com/articles/5476551037/interview-with-setsuya-kataoka-from-olympus-om-d-high-resolution-mode


Cheers

Brian

++
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Western Sydney Australia
http://lyons-ryan.org/southernlight/




On 4/22/2015 9:21 AM, Bill wrote:

On 22/04/2015 6:33 AM, P.J. Alling wrote:

I'm pretty sure that the Ricoh implementation needs a static subject and
a tripod as well.


From what I've been able to find out, the Pentax version of pixel  
shifting works somewhat differently from Olympus.
The Olympus moves the sensor to enable a 50mp file, the Pentax  
moves the sensor to give each pixel point benefit of all three  
colors, thereby improving color depth.


bill




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Re: K-3II announcement and new FA Limited primes coming...

2015-04-22 Thread John

On 4/21/2015 7:13 PM, Ralf R Radermacher wrote:

Am 22.04.15 um 00:09 schrieb Brian Walters:


... it will have "The high-resolution image by pixel shifting."


...and built-in GPS. Not enough to make me flog off my K-3 and buy the
K-3 II but annoying just as well. The display of my Garmin portable is
slowly dying and the clip-on GPS module for the K-3 is awfully big.

Ralf



I expect the built in GPS & high-resolution pixel shifting will be in
the FF DSLR semi-announced for this fall, along with the built in flash
going away.

Makes more sense of why the mockup they showed didn't have the lines you
would expect for the pop-up flash.

--
Science - Questions we may never find answers for.
Religion - Answers we must never question.

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