-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Behalf
Of Noel Stoutenburg
Hello, How do I sensibly incorporate an occasional # or b or
natural, or mP or mF for that matter, in a paragraph of text (in a
text block)?
Don't use a notation font. there is a
Owain Sutton wrote:
I've had the same problem in the past as Charles Small is
experiencing. ...snip
I consider it both a shame (for Finale and its reputation) if it's
necessary to use a different font because it shows a limitation in the
software,
I disagree that it is a limitation. The
In message [EMAIL PROTECTED]
Jim Mays [EMAIL PROTECTED] writes:
I have the Windows version and it works just fine for me. I don't use some
of the frills they keep adding, but I like the additional flexibility of
expression creation and application.
It's the Mac folks who seem to have the
On 28/04/04 20:22, Noel Stoutenburg [EMAIL PROTECTED] wrote:
Don't use a notation font. there is a font available for free download,
called, IIRC, Bach, which has the symbols in proper size and
orientation to be used in a paragraph of text.
I use a font called Rousseau for this matter and
At 06:25 PM 4/28/04 -0700, Mark D Lew wrote:
Split points are absolute hell. The UI is awful, non-wysiwyg, and it's
buggy. I avoid them as much as possible, even if it means breaking
into smaller measures with invisible barlines and measure numbers
redone.
I gave up. Since it's my own music,
Johannes Gebauer wrote:
On 29.04.2004 2:47 Uhr, Owain Sutton wrote
I consider it both a shame (for Finale and its reputation) if it's
necessary to use a different font because it shows a limitation in the
software, and a shame (in presentational terms) that there is no
coherence between the
I don't know the Windows side of things, but on the Mac there is a system
option which prevents unexpected cursor movements if the touchpad is touched
while you type. This does not work together with Metatools in Finale, and
has to be switched off. If not very jerky mouse cursor movement is the
On 29.04.2004 15:18 Uhr, Dennis Bathory-Kitsz wrote
I had forgotten how nasty split points could be. They're probably not used
often, but an improved tool with a simple auto-splitting sliding bar
feature (and full-time visual cue) would be great. It might also solve
those staggered measure
On 29.04.2004 16:04 Uhr, Owain Sutton wrote
What's wrong with using the Bach font?
It's not the same! Maybe I'm being petty or overly-fussy, but I want
all of the symbols on the page to look identical - the accidentals in
the Bach font are very different to any in a regular font. To my
Thanks for responses to my earlier questions. Does anyone have views on
Patch Librarians and Editors for OSX, a) that can be used with Finale and
b) that can be used with Nuendo.
Thanks.
John
John Armstrong
University of Ottawa
[EMAIL PROTECTED]
Check out my web page at
Hello, How do I sensibly incorporate an occasional # or b or
natural, or mP or mF for that matter, in a paragraph of text (in a
text block)?
The required symbols are there in whatever music font (Maestro,
say) but-- for reasons I don't understand-- getting a # the correct
size to match 12
I'm just wondering what the list's opinion of Gardner Read's Music
Notation: A Manual of Modern Practice is. I'm thinking of acquiring it for
myself and I'd like to get some opinions from people I trust instead of a
bookseller's website.
Thanks,
Taris
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Outgoing mail is certified Virus
On 29 Apr 2004 at 11:29, Johannes Gebauer wrote:
On 29.04.2004 2:47 Uhr, Owain Sutton wrote
I consider it both a shame (for Finale and its reputation) if it's
necessary to use a different font because it shows a limitation in
the software, and a shame (in presentational terms) that there
On 29 Apr 2004 at 10:52, Ken Moore wrote:
Because my desktop PC
is old, and still running under Windows 95, I have implemented Finale
on my new HP pavilion 4500 laptop, which has a touch pad instead of a
mouse and runs under XP Home Edition Version 5.1. The consequence is
that the
On 29 Apr 2004 at 9:18, Dennis Bathory-Kitsz wrote:
At 06:25 PM 4/28/04 -0700, Mark D Lew wrote:
Split points are absolute hell. The UI is awful, non-wysiwyg, and
it's buggy. I avoid them as much as possible, even if it means
breaking into smaller measures with invisible barlines and
On 4/14/2004 11:11 AM (GMT -5) I posted my findings about the EPS
creation (and this could affect Acrobat format since I believe the
Acrobat is either derived from a temporary postscript file, or handled
by the same routines that generates the EPS) on Make Music's finale
forum. Basically
Hi, Y'all -
I'm writing something in 7/8, 2+2+3. When I put in the compound
time signature I put in 1/4+1/4+3/8, and the two quarters are beamed
together nicely, but the 3 eighth notes are separate, and then I have to
Speedy the beams together, every measure. In fact, when I'm copying a
I have some specific questions about these junior versions for an
educational project. Can I contact you directly rather than via this
list?
Tom Jordan
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I keep Read's book close by and refer to it frequently. It has very rarely
(if ever) failed to provide the solution I needed.
I'm not sure if I'm that trustworthy in these matters :) but FWIW, I write
and/or edit a variety of choral, orchestral, opera, piano/vocal scores, so I
need a pretty
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