It is completely practical to export audio from Finale. It is also completely
practical to add a single audio track (such as a vocal track) to Finale,
provided the tempos match exactly.
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On 6 Feb 2012, at 6:59 AM, Nigel Hanley wrote:
Context would seem to suggest the most vulnerable part. I think my own
inclination would be to aim squarely for the bridge, at least for the first
note.
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On 4 Feb 2012, at 4:06 PM, Whittall, Geoff wrote:
Regardless of the direction
On 3 Feb 2012, at 1:41 PM, Whittall, Geoff wrote:
I think a key question to answer, before you worry about the notated
duration of the note, is what is the bat hitting (or, what is hitting
the bat)?
Did no one read the score Jef sent? It's in French, but he helpfully provided a
translation.
Hi Robert,
I'm not quite understanding what you mean by spacebar playback. You can start
and stop playback using the spacebar whenever the Playback Controls window is
open, and Human Playback works fine. (If screen clutter is an issue for you,
you can drag all but the edge of the window
Hi Aaron,
I never knew this feature existed!
I agree it would be sensible to at least allow the option for spacebar-click
playback to use Human Playback.
Meanwhile, Robert, you can use the Apply Human Playback plugin to write the HP
data into the file, so that playback with HP off sounds the
I have always used the Playback Region: From: Leftmost Measure setting. I never
knew there was another option! But with a Magic Mouse or Magic Trackpad,
horizontal scrolling is so easy that I think I'd still prefer that method to
spacebar-clicking a particular measure.
The ability to instantly
Hi all,
The Score Manager in Finale 2012 appears to have eliminated the Mute Note,
Mute All, Solo None, and Solo All buttons that used to be in the
Instrument List in previous versions. Is there another way to get this
functionality, or are we now stuck manually muting and un-muting individual
, Lawrence wrote:
You can do it in the mixer
Sent from my iPhone
On 28 Jan 2012, at 08:45 PM, Darcy James Argue djar...@earthlink.net wrote:
Hi all,
The Score Manager in Finale 2012 appears to have eliminated the Mute Note,
Mute All, Solo None, and Solo All buttons that used
of the
article.
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On 28 Jan 2012, at 10:57 PM, Rudolf van Berkum wrote:
On 29/01/2012, at 2:00 AM, Darcy James Argue djar...@mac.com wrote:
In Finale 2012a, does anyone know where Finale stores the list of which
sound maps show up
Hi there,
In Finale 2012a, does anyone know where Finale stores the list of which sound
maps show up in the Sound Map Priority dialog? The Garritan Jazz and Big Band
and Garritan Personal Orchestra libraries aren't showing up in that list.
Cheers,
- DJA
-
WEB:
Select a partial measure using the clef tool, then choose Select Clef.
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On 27 Jan 2012, at 1:51 PM, Linda Worsley wrote:
I seem to have lost the way to make a midmeasure clef change. Mac,
Fin.2010. I can't find it anywhere in the
Hi all,
Anyone else having crashing problems with Mac Finale 2012 when (deliberately)
entering measures with too many notes (like real whole rests in a 3/4 measure)?
Finale warns of too many notes, I click ignore as usual, but then I get
Finale Error 177, usually followed by a crash shortly
Hi Aaron,
I saw your original question but I can't help because I never use the
computer-keyboard Speedy method. This method has also been deprecated by
MakeMusic so it's possibly it's not compatible with the new percussion entry
method.
This is the kind of thing you really need to talk to
I haven't actually tried this, so I don't know whether it works, but isn't this
problem theoretically solved by selecting the Use Finale's Page Orientation
instead of printer's Page Orientation option?
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On 21 Jan 2012, at 3:01 PM,
Hi Robert,
Human Playback catches and interprets pizz. and arco expressions
automatically, provided they are NOT defined for playback (which overrides HP).
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On 20 Jan 2012, at 12:21 PM, Robert Patterson wrote:
Anyway, can someone
document, and you
have customized expressions and/or instrument selections.
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On 20 Jan 2012, at 1:18 PM, Robert Patterson wrote:
Is there any way to control what Human Playback does?
On Fri, Jan 20, 2012 at 11:48 AM, Darcy James Argue
That's a UI bug in the installer, related to the size of the Garritan
instruments. You can safely ignore the percentage progress bar -- I think a
standard install tops out at something like 8200%? But if you leave it alone,
it does eventually complete.
Cheers,
- DJA
-
WEB:
Hi there,
As Chuck said, NO you should NOT use landscape orientation for bigband scores,
let alone bigband scores with extra instruments added. Scores using a
significant number of instruments should always use portrait orientation, to
maximize visibility.
Cheers,
- DJA
-
WEB:
Hi Lawrence,
It doesn't work -- don't bother.
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On 3 Jan 2012, at 3:11 PM, Lawrence Yates wrote:
Has anybody had any luck getting smart page turns to work. If so, could
you give me a clue on how to do it. I've found nothing in the
Hi Ryan,
You want to make the minimum width larger, not smaller.
Try making the minimum width 150 points or similar.
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On 29 Dec 2011, at 4:56 PM, Ryan Beard wrote:
I've tried that. Even with a minimum width of 1 space the empty
default measure
width for a single measure of rest. That value has to be somewhere, right?
You can specify how wide you want a multi-measure rest, so I think you
should be able to specify how wide you want single measure rest.
On Thu, Dec 29, 2011 at 5:00 PM, Darcy James Argue
djar
, Darcy James Argue
djar...@earthlink.netwrote:
Hi Ryan,
Your maximum width is set artificially low (which you did not mention).
You should make it as big as Finale will allow.
This setting doesn't seem to have any bearing on Finale's default measure
width for a single measure of rest
Hi Jari,
* Does anyone use the accidentals with arrows up/down?
Yes, and that's always been my preferred style of quarter-tone notation.
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On 28 Dec 2011, at 3:49 PM, Jari Williamsson wrote:
Hello!
In the plug-in JW Change
Hi Jari,
That is all good news! Thanks for sharing.
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On 20 Dec 2011, at 1:20 PM, Jari Williamsson wrote:
Quite a lot seem to have happened the last month at MM.
About a month ago, they acquired Recordare and the MusicXML
Actually you can add in C to a text box that is set to be hidden in all
part(s) except the one(s) you specify. You can also add staves that are linked
to additional parts, but are not visible in the score, then just copy
everything over from e.g., the in C staff to the in Bb staff.
Lawrence, I
Hi Linda,
I'll reiterate Chris's observation that using the articulation tool to create
courtesy accidentals is not the optimal solution. The existing shortcuts in
Speedy/Simple are much faster and more reliable in a greater variety of
situations (transposing instruments, transposed passages),
Hi Chris,
Actually, it's easier (and you get better beaming results) to use the new
shortcut, which is (on Mac) opt-shift-down arrow/opt-shift-up arrow with notes
selected in the Selection Tool:
http://blog.finalemusic.com/post/2011/06/28/Finale-QuickTips-Cross-Staff-Beaming.aspx
Cheers,
-
Hi Dean,
All batteries wear out over time.
If you live near an Apple Store, you can probably take your iPod in for a
battery replacement, but you are almost certainly better off buying a new
device.
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On 10 Nov 2011, at 5:05 PM,
Hello all,
Just saw the news... I'm deeply saddened by David Fenton's passing, and I
regret that I never had the opportunity to meet him in person. My condolences
to his family and loved ones.
Sincerely,
- DJA
-
WEB: http://www.secretsocietymusic.org
Use the OpenType (.OTF) versions, not TrueType.
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On 23 Oct 2011, at 8:57 PM, Neal Gittleman wrote:
Thanks, Eric… Now the follow up.
Opened Font Book, clicked on Add Fonts, chose the True Type ones, and got
this message from
:08 AM, Darcy James Argue djar...@earthlink.net wrote:
Use the OpenType (.OTF) versions, not TrueType.
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On 23 Oct 2011, at 8:57 PM, Neal Gittleman wrote:
Thanks, Eric… Now the follow up.
Opened Font Book, clicked
On 15 Oct 2011, at 6:29 AM, David H. Bailey wrote:
On 10/14/2011 7:24 PM, Darcy James Argue wrote:
That's not actually correct. In recent versions of Finale, the Aria player
also plays back the SmartMusic SoftSynth sounds.
Thanks for that knowledge -- I was wrong. Interesting, since I
Hi Chris,
I don't believe you can drop the Aria player from Finale 2012 if you still want
playback. And Giz could easily get a portable bus-powered HD.
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On 14 Oct 2011, at 12:17 PM, christopher.sm...@videotron.ca
That's not actually correct. In recent versions of Finale, the Aria player also
plays back the SmartMusic SoftSynth sounds.
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On 14 Oct 2011, at 3:47 PM, David H. Bailey wrote:
On 10/14/2011 12:49 PM, Noel Stoutenburg wrote:
Giz:
Plug-ins - Notes and Rests - Single Pitch
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On 13 Oct 2011, at 11:32 PM, dershem wrote:
I have a fairly (ridiculously) complex soli section where I'd like to
copy the rhythmic patterns of the trumpet 1 line to the drum part - all
Hi Chuck,
Rather than make new templates, you should make yourself a brand-new Document
Style. You can then select that style when creating new documents via the Setup
Wizard. Otherwise, you will not get many of the new benefits of the Score
Manager system. Having a bunch of templates for
:
On Oct 8, 2011, at 1:02 PM, Darcy James Argue wrote:
Rather than make new templates, you should make yourself a brand-new
Document Style. You can then select that style when creating new documents
via the Setup Wizard. Otherwise, you will not get many of the new benefits
of the Score Manager
), the file manager reports an
error and it doesn't import. Ideas on that one?
The usual thanks,
Chuck
On Oct 8, 2011, at 1:02 PM, Darcy James Argue wrote:
Hi Chuck,
Rather than make new templates, you should make yourself a brand-new
Document Style. You can then select that style when
Hi Mark,
It is possible to edit your Human Playback settings to get the Garritan JABB
instruments to recognize mute changes by triggering keyswitches, but I agree
that Finale should support this out of the box without users having to manually
adjust their settings.
Please register your
as
an instrument change? Is that easier than configuring HP (which I once got
working right but then lost the way to do it)?
Chuck
On Oct 8, 2011, at 8:46 PM, Darcy James Argue wrote:
Hi Mark,
It is possible to edit your Human Playback settings to get the Garritan JABB
On 7 Oct 2011, at 10:54 PM, Eric Dannewitz wrote:
Wouldn't it be cool if they perhaps redid the playback system so if you have
the expression solo it will automatically bring up the volume of the
instrument and bring down the others?
Human playback already does this -- and has done this
Hi Jef,
Unfortunately, Pages doesn't support this. If you need an image to be exactly
75% of its original size, you have to calculate the dimensions manually and
enter them into the size boxes.
It hasn't been an issue for me -- most often I know the specific dimensions I
want and I don't
Hi Chuck,
Do you have the Audio MIDI Setup window open, by any chance? Does it go away if
you close it or deselect Test Setup?
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On 5 Oct 2011, at 7:58 PM, Chuck Israels wrote:
Experts:
I just had to trash and rebuild my
, but I don't know what.
Chuck
On Oct 5, 2011, at 5:15 PM, Darcy James Argue wrote:
Hi Chuck,
Do you have the Audio MIDI Setup window open, by any chance? Does it go away
if you close it or deselect Test Setup?
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
Hi Robert:
In the key of C:
Ger 6th: Ab7
Fr 6th: Ab7 (#11) or Ab7 (#4)
It 6th: Ab7 (omit 5)
In jazz theory, these would all be considered tritone substitutions for the
applied dominant of V (V7 of V).
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On 1 Oct 2011, at 4:16 PM,
Hi all,
Just a heads-up that if you take a look at the official Finale Music Twitter
stream, they've been posting variations on Finale 2012 coming soon since
yesterday:
https://twitter.com/#!/finale_music
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
My experience is that drummers like *everything* in their part written the same
layer -- hihat/cymbal, snare, toms, bass drum, etc -- all with stems up. It's
much easier to see how things line up that way. Most drumers do not like having
the part separated into multiple layers.
However, if you
this isn't gospel truth. I can see
both arguments, so I'm pleased to hear both sides.
cheers,
Nigel Hanley
On 28/09/2011, at 2:25 AM, Darcy James Argue wrote:
My experience is that drummers like *everything* in their part written the
same layer -- hihat/cymbal, snare, toms, bass
Hi Brian,
Actually, my argument is for everything all in the same layer. This way, any
drums or cymbals that are played simultaneously share the same stem. It's
definitely preferred by every drummer I've talked to. Chris mentioned Modern
Drummer -- this is how they do it. Here's an example:
Hello David,
I sell my CDs at shows in New York and elsewhere. My advice to you is to listen
to what Mark Lew said, as he has given you extremely sound and accurate advice.
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On 27 Sep 2011, at 8:18 PM, David W. Fenton wrote:
On 27
Hi Jef,
What version of Word are you using? I remember Office 2004 for Mac being
particularly bad about image quality.
Anyway, Apple's Pages application will import your existing Word file (and even
save in Word format, if that's important), and also allow you to place PDFs
without any image
Hi Jef,
Pages is a really excellent app. I use it exclusively and the Word
import/export does the trick (for my purposes, at least).
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On 17 Sep 2011, at 8:31 AM, SN jef chippewa wrote:
What version of Word are you using? I
.
Christopher
On Sat Sep 17, at SaturdaySep 17 12:40 PM, Darcy James Argue wrote:
Hi Jef,
Pages is a really excellent app. I use it exclusively and the Word
import/export does the trick (for my purposes, at least).
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
Hi Jef,
You can just buy it from the App Store, or download it from Apple's website.
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On 17 Sep 2011, at 2:01 PM, SN jef chippewa wrote:
ok, will look into it, am convinced to take the time now. just need
to find the damn iWork
Hi Jef,
My suggestion is to not EPS from Finale. Instead, make a PDF, crop as needed,
and insert the PDF graphics into the Word file.
Or you could use a graphics program to convert the existing EPS files to PDF.
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On 16 Sep 2011, at
Hi Chuck,
This is actually an excellent point -- my own take on this would be that
bigband flute parts within the staff often sound better on alto flute, whereas
flute parts above the staff often sound better on piccolo (especially when
doubling lead tpt, either at pitch or 8va).
Good piccolo
Yes. Also because solo music for tenor voice is frequently written in Treble
8vb instead of bass clef.
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On 14 Sep 2011, at 10:53 AM, Chuck Israels wrote:
Is it because of ledger lines in bass clef running into the lyrics on the
Modify - Transfer - Layout
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On 9 Sep 2011, at 2:00 AM, Giovanni Andreani wrote:
I tried to look trough all the TGTools features but can't find the one you
mentioned...
Giovanni Andreani
www.giovanniandreani.eu
Hi Chuck,
Yes. It's worth taking a close look at the Leslie in person next time you see a
Hammond player using one -- watching the rotating speaker go round and round is
hypnotic and fascinating.
As for whether the Leslie speaker is a defining part of the Hammond sound,
the only possible
On 31 Aug 2011, at 4:51 PM, Ryan wrote:
Hi List,
Doing some cleaning. I don't see any reason why I'd need to keep my
old Finale 3.7 manuals around anymore. But, I'm hesitant to toss them.
Is there any reason I should keep these around?
No.
I haven't used them in
MANY years. Will I be
Hi all,
I thought that some might be interested to have a heads-up that apparently
MakeMusic customer support have been instructed to be more... inquisitive,
I'll say... when you call up and ask to deauthorize all versions of Finale
associated with your serial number.
This has never been a
On 9 Aug 2011, at 12:02 PM, Michael L Meyer wrote:
On Aug 9, 2011, at 11:51 AM, Darcy James Argue wrote:
Hi all,
I thought that some might be interested to have a heads-up that apparently
MakeMusic customer support have been instructed to be more... inquisitive,
I'll say... when you
://www.secretsocietymusic.org
On 9 Aug 2011, at 7:02 PM, David W. Fenton wrote:
On 9 Aug 2011 at 12:11, Darcy James Argue wrote:
But it's obviously frustrating when you have defend yourself to
customer support as legitimate user who just wants access to your own
software.
Darcy, you've surely read
Hi Brian,
MM has a database with the name and contact information of each registered
owner and their associated serial.
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On 9 Aug 2011, at 7:13 PM, Brian Williams wrote:
Maybe MM is just trying to make sure that unscrupulous people
Hi Adam,
It hardly sounds like a piece that uses just four accidentals will be anything
remotely like a mess of sharps and flats -- and regardless, writing the
accidentals out will be *much* more performer-friendly than insisting on a
nonstandard key signature.
Cheers,
- DJA
-
WEB:
/2011 8:37 PM, Darcy James Argue wrote:
Hi Adam,
The definition of middle C has nothing to do with it. HP works by triggering
MIDI note numbers, which are the same across the board. Open playing is
always MIDI note #0 and muted is MIDI note #2 on all Garritan KS wind
instruments.
HP
Hi Adam,
First -- you may have realized this already, so apologies if I'm stating the
obvious, but it's important you to know that it's not enough to use the
Notation version of the instruments, you need to use the ones with KS in
their name, e.g., n-Trumpet 1 KS.
Second, your version of GPO
Hi Adam,
The definition of middle C has nothing to do with it. HP works by triggering
MIDI note numbers, which are the same across the board. Open playing is always
MIDI note #0 and muted is MIDI note #2 on all Garritan KS wind instruments.
HP will call those notes C-2 and D-2 in the HP Prefs
Hi all,
FinMac2011c.
In an important orchestral score I'm currently working on, Finale has slowed to
a crawl. The cause, it appears, is the INSANE multiplication of groups -- the
file contains literally THOUSANDS of groups.
Has anyone else seen this behavior? Is there any quick way of
wouldn't
be an issue anymore.
On Mon, Aug 1, 2011 at 7:21 PM, Darcy James Argue djar...@mac.com wrote:
Hi all,
FinMac2011c.
In an important orchestral score I'm currently working on, Finale has
slowed to a crawl. The cause, it appears, is the INSANE multiplication of
groups
Hi all,
FinMac2011c.
In an important orchestral score I'm currently working on, Finale has slowed to
a crawl. The cause, it appears, is the INSANE multiplication of groups -- the
file now contains literally THOUSANDS of duplicated groups.
Has anyone else seen this behavior? Is there any quick
Hi Jef,
If you are using *voiced* linked parts (multiple parts/staff), grace note
spacing cannot be adjusted in the parts. That is the longstanding bug we are
complaining about.
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On 28 Jul 2011, at 5:16 AM, SN jef chippewa wrote:
Hi Jef,
Adjust it how? Special tools and Speedy are disabled in *voiced* linked parts.
Try it and see.
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On 28 Jul 2011, at 9:46 AM, SN jef chippewa wrote:
you can in fact adjust it in
the PT
Jef,
You are still not understanding. I think it's likely that you've never tried
the specific thing we are talking about. I'm assuming it must not come up in
your work.
We aren't talking about voices. Or layers.
We are talking about *voiced* linked parts -- i.e., 1 staff, two parts. For
Hi all,
This is huge. The three fundamental UI problems I had with Sibelius (lack of
scroll view, no pitch-before-rhythm entry, and those awful modal tool palettes)
have now all been implemented.
I can't see myself switching entirely unless my hand was forced, but it's
encouraging that
Or, rather: FIXES TO the three fundamental UI problems...
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On 27 Jul 2011, at 3:00 PM, Darcy James Argue wrote:
The three fundamental UI problems I had with Sibelius (lack of scroll view,
no pitch-before-rhythm entry, and those
Hi John,
I meant an equivalent to Finale's Scroll View, i.e. Panorama. I'm aware that
feature was introduced in an earlier version.
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On 27 Jul 2011, at 8:25 PM, John Howell wrote:
At 3:00 PM -0400 7/27/11, Darcy James Argue wrote
Hi Chuck,
Ouch. I can confirm that the opt-ctrl-click for copying multiple times
horizontally/vertically is broken under OS X10.7.
Justin, hopefully there is a fix forthcoming! But meanwhile please add that to
the MM info page on Lion.
Cheers,
- DJA
-
WEB:
Hi Matthew,
Really? WOW. You mean 5 = quarter note instead of the longstanding Sib standard
of 4 = quarter note?
I'm actually not even sure how I feel about that. Seems like it could be a bit
confusing for new Sibelius users who might want to experiment with both
rhythm-then-pitch vs.
Hi Neal,
Grace notes do not space correctly with linked voiced parts (i.e. multiple
parts per staff). This is a problem going back to the very beginning of linked
parts.
Please file a bug report with Finale.
Meanwhile, you will need to either (A) extract out the staff into individual
parts,
] On Behalf Of
Darcy James Argue
Sent: Wednesday, July 20, 2011 11:55 AM
To: finale@shsu.edu
Subject: [Finale] OS X Lion
Hi all,
So, anyone try installing the new OS yet? Obviously I'd be interested to hear
about any issues with Finale -- especially considering that only
Intel
On 26 Jul 2011, at 6:46 PM, Chuck Israels wrote:
And this feature works for me. It seems pretty convenient.
To be clear -- this Resume feature does not work (yet) in Finale, or any other
application that has not been updated to take advantage of it.
One helpful tip I found to temporarily
...@shsu.edu [mailto:finale-boun...@shsu.edu] On Behalf Of
Darcy James Argue
Sent: Wednesday, July 20, 2011 11:55 AM
To: finale@shsu.edu
Subject: [Finale] OS X Lion
Hi all,
So, anyone try installing the new OS yet? Obviously I'd be interested to hear
about any issues with Finale
Hi Eric,
Beaming eighth notes in groups of four is of course completely correct in 4/4.
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On 14 Jul 2011, at 3:21 AM, Eric Fiedler wrote:
M ...
Can anyone on the list confirm this beaming issue? (FinMac 2011, OS 10.6.8)
Enter
The Esc key is already a shortcut for the Selection tool. Double-clicking a
handle in the Selection tool is already a shortcut to take you to the relevant
tool.
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On 17 Jun 2011, at 12:10 PM, Doug Walter wrote:
Sounds like a great
useful
getting to and from tools. Doug, your comment led me to believe you may not
be aware of those either.
Don Hart
On Fri, Jun 17, 2011 at 12:29 PM, Darcy James Argue
djar...@earthlink.netwrote:
The Esc key is already a shortcut for the Selection tool. Double-clicking a
handle
Hi Robert,
Is there a reason why you can't cut the paper first, then print?
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On 9 Jun 2011, at 11:34 PM, Robert Patterson wrote:
So I've known for some time that Fin08 Mac has a bug that it prints blank
pages under certain
I'm afraid not. It's a known problem, and connecting an external monitor will
not help. You need to rebuild your prefs.
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On 31 May 2011, at 11:30 PM, Mark D Lew wrote:
Is there any way I can get that one dialog box back without
Klaus, Ryan,
Guys, this is a known problem and Mark's hypothesis about the dialog boxes
being located off-screen, while a sensible conclusion, is mistaken. More pixels
won't help. He needs to rebuild his prefs.
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On 1 Jun 2011, at
, then the box will
appear. It then can be dragged to the home screen.
Klaus
From: Darcy James Argue djar...@earthlink.net
To: finale@shsu.edu
Sent: Wednesday, June 1, 2011 7:49 AM
Subject: Re: [Finale] dialog box off screen
Klaus, Ryan,
Guys
.
Is there a way to avoid this problem?
On May 31, 2011, at 10:49 PM, Darcy James Argue djar...@earthlink.net wrote:
Klaus, Ryan,
Guys, this is a known problem and Mark's hypothesis about the dialog boxes
being located off-screen, while a sensible conclusion, is mistaken. More
pixels
Use the keyswitched GPO instruments (the ones with KS in the name) and HP
switches automatically from arco to pizz.
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On 24 May 2011, at 12:13 PM, Noel Stoutenburg wrote:
Michael,
After some further investigation, I found that if
Turn Human Playback on and use pizz. and arco expressions that are NOT defined
for playback. HP will catch your pizz. and arco expressions and interpret
accordingly.
Keep in mind that pizz. volume for GPO strings is absurdly loud, so you will
have to use hidden dynamics if you want realistic
Just turn off chord playback. It's completely useless since it doesn't know
about voice-leading. If you really need chord playback for some reason, input
properly voice-led chords in a hidden layer.
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On 17 May 2011, at 10:08 AM, Don
It's probably easier to just lower the expression baselines globally (they are
set far too high by default). The Entry Offset will take care of collisions
with high notes if it's set correctly.
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On 16 May 2011, at 3:21 PM,
Turn off playback for whatever layer your cues are in (I use Layer 4 or Layer
3).
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On 17 Apr 2011, at 12:37 PM, Dean M. Estabrook wrote:
I used to remember this, but (no surprise here) I have forgotten. How do I
get a cued part to
Use the Instrument List to set pan settings.
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On 15 Apr 2011, at 8:19 PM, Leigh Daniels wrote:
Hi All,
Here's my setup: FinMac2010b, Mac OS X 10.6.7, ARIA Player 1.111.
With both GPO 4 and JABB, the ARIA Player (both
Hi Chris,
On 13 Apr 2011, at 9:04 PM, Christopher Smith wrote:
And Darcy, you wouldn't have preferred dotted-quarter tied to dotted-eighth,
then dotted-eighth tied to dotted-quarter? That makes the beat placement more
clear.
I offered that as an option in Ryan's subsequent replies.
If
Hi Ryan,
That works, but I'd be inclined to use a half-tied-to-sixteenth +
sixteenth-tied-to-half if it's important that the second note be placed
accurately.
BTW, I have never seen (and would never use) two half notes with a duple
bracket in 3/4. That seems like a totally obtuse way to
Hi Ryan,
Since Finale doesn't offer an option of putting X Dotted half notes in the
space of X Dotted half notes in the tuplet dialogue box, I ended up using
a dotted quarter tied to the first of an eighth note duple, and the second
duple tied to a dotted quarter on beat three.
That works,
401 - 500 of 3363 matches
Mail list logo
