Hi, surely my problem has been discussed before but I cannot recall if a
solution was found.
I have a score in Db major where a section goes in A major. Applying the
trasposition to the
alto sax part, the result is Bb major F# major. Is it possible that
the section in F# major could
be
On 5/3/2013 5:32 AM, Marcello Noia wrote:
Hi, surely my problem has been discussed before but I cannot recall if a
solution was found.
I have a score in Db major where a section goes in A major. Applying the
trasposition to the
alto sax part, the result is Bb major F# major. Is it possible
Thanks for the reply, I also recall this kind of trick, but as the
problem involves only a part
of the score, the problem could be not so easily solved. The alto player
will have to deal
with that wood of sharps!
Il 03/05/2013 12:15, David H. Bailey ha scritto:
On 5/3/2013 5:32 AM, Marcello
-Original Message-
From: marcellon...@gmail.com
The alto player will have to deal
with that wood of sharps!
Alto sax players prefer playing in sharps
compared to playing in flats.
FREE 3D MARINE AQUARIUM SCREENSAVER -
Hmm, I'm not so sure, I play sax and don't like very much having to play
lots
of E# considering them natural F's...
Il 03/05/2013 14:38, Phil Daley ha scritto:
-Original Message-
From: marcellon...@gmail.com
The alto player will have to deal
with that wood of sharps!
Alto sax
True. But I wouldn't want to play Gb's instead of F#'s
-Original Message-
From: marcellon...@gmail.com
Sent: Fri, 3 May 2013 14:49:05 +0200
To: finale@shsu.edu
Subject: Re: [Finale] FinWin 2011 - Transposing instruments
Hmm, I'm not so sure, I play sax and don't like very much
You can use a staff style to change the transposition for only the passage you
need. I don't remember how the interval and key alter boxes work, but I
remember that it is not exactly intuitive. You may have to look it up.
Christopher
On Fri May 3, at FridayMay 3 7:46 AM, Marcello Noia wrote:
I'm sure there's a more elegant way to do this, but one quick and dirty
trick is to give the Alto staff an independent key sig (in the staff
attributes box in my version). Of course you have to remember it's
independent and won't change key automatically like the other parts, but for
only one
Christopher is right, as usual - this is the way to go.
Set up a staff style with the transposition set to other and these numbers:
interval=2 and Key alter= -9, Apply it to your Alto part when you change to the
A major section.
JB
On May 3, 2013, at 8:06 AM, Christopher Smith wrote:
You
Mny thanks! To all, of course
Il 03/05/2013 15:27, John Blane ha scritto:
Christopher is right, as usual - this is the way to go.
Set up a staff style with the transposition set to other and these numbers:
interval=2 and Key alter= -9, Apply it to your Alto part when you change to
the
I have JABB V3 (the current version. I think the saxes and various
basses are pretty good. Trumpets are horrendous -- sound more like a
reed organ than a trumpet.. I have worked mostly with the individual
trumpet sounds of the notation - keyswitch category. so maybe some of
the other
Wait - that was wrong (it got the right key sig but wrong transposition for
Alto Sax) - make it interval=6, key alter -9
On May 3, 2013, at 8:35 AM, Marcello Noia wrote:
Mny thanks! To all, of course
Il 03/05/2013 15:27, John Blane ha scritto:
Christopher is right, as usual - this is
Hi Craig...
How's your cimbasso? ;-)
It does take a fair amount of processing to make any sound library work.
What are you doing with respect to panning? That can help greatly. So can
reverb--how are you routing it? Are you using the stereo stage feature of ARIA?
How about EQ?
Also--what are
Craig,
I agree that these sounds improve the chance of catching orchestration and
composition errors, but they do require the suspension of disbelief in order to
interpret the results of Finale playback and imagine how a band will sound.
When I wrote an arranging book for Garritan using
Craig,
The articulation playback is determined locally by the articulation definition.
Open up the articulation definition window, find Playback Effect, choose Change
Duration from the dropdown menu, and make both Top and Bottom 50% (or more, if
you like your marcatos extra fat like Montreal
Hey, come to think of it, there are no cimbasso sounds on the Garritan
libraries. How could they have missed that? :)
I'm not doing many of the things you mentioned. I am using a little
reverb, but I got frustrated when I couldn't control that from Aria.
The Aria player has a tab for
Thanks for the suggestion. But I can't get out of the starting gate.
Where is this articulation definition window? Is that in document
options, somewhere in HP settings or somewhere else? I can't find any
reference to it in the documentation.
On 5/3/2013 11:18 AM, Christopher Smith wrote:
As I am digging deeper into trying to get a realistic playback, I am
struggling with the Aria mixer. I expected the fader levels to be
static, like an un-motorized control surface. I want the dynamics to
adjust up and down with the dynamic expressions I have entered in the score.
But what I
Craig,
If you engage the articulation tool you can right click on the selection box
over the note and call up the edit articulation definition dialogue where you
find the various parameters to edit: Symbols, Symbol Options, Playback Effect,
Positioning, etc. The playback effect is where you
I posted this on another thread, but maybe it deserves its own thread.
I am looking for practical advice on how Aria (i.e. the Garritan sounds)
relates to the normal Finale mixer window.
It appears to me that if I use the faders on either one, they have an
effect, but they are not linked. So
This post on another forum suggests that you should never use the pan or
fader controls on the ARIA player.
http://www.northernsounds.com/forum/showthread.php/102602-Finale-Garritan-Aria-faders-reset-on-play
I created a new default score from scratch (using the wizard, and then
assigning all
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