Hi all,
Does anyone have an email address for Jennifer Reeves? I can’t seem to find it
and need to get in touch with her quite urgently.
Thanks!
Kim
Kim Knowles
Experimental Film Programmer
EIFF is an accredited Real Living Wage employer
and I’ll do my best
to send confirmation of receipt.
I won’t be at Rotterdam this year but Lydia will, and she’ll be happy to meet
up. Drop her a line if you’re attending: lydia.bei...@edfilmfest.org.uk.
All the very best for 2020!
Kim Knowles
Experimental Film Programmer, Edinburgh International
Dear Frameworkers,
Does anyone have any published references to the relationship between handmade
film/cameraless film and the cinematic close-up?
Thanks!
Kim
Kim Knowles
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-rules-and-regulations.
I will be attending the Rotterdam Film Festival from Thursday 24th to Monday
28th. Come and say hello. I look forward to seeing your work/chatting to
you/having a beer together etc.
Peace and love, as always.
Kim Knowles
Experimental Film Programmer
and it would be helpful if you could include
this email in your response (without sending it to the entire list!).
Please get in touch if you have any questions.
All the best,
Kim Knowles
Experimental Film Programmer, EIFF
===
KEEP IN TOUCH
to receiving your work.
All the very best for 2018!
Kim Knowles
Experimental Film Programmer, Edinburgh International Film Festival
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Become a web member for FREE and receive news and offers:
http://www.edfilmfest.org.uk
submitting online)? I don't
need any more than that at this stage. Consider the fee waived!
All the best,
Kim
From: Jacob Dwyer <jacobdwy...@hotmail.com>
Sent: Monday, February 6, 2017 3:10:25 PM
To: Kim Knowles; frameworks@jonasmekasfilms.com
Subject: Bla
from February 26-30 so
come and chat to me there if you're around.
All the very best,
Kim Knowles
Experimental Film Programmer, EIFF
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Become a web member for FREE and receive news and offers:
http://www.edfilm
Wow, thanks everyone for this! I'll start working through your responses now.
Always really appreciated.
Kim x
From: FrameWorks on behalf of Jeff
Kreines
Sent: Thursday, July 14, 2016 6:32:05 AM
To:
Hi there Frameworkers,
I wonder if anyone can help: I'm writing about the use of 16mm in experimental
filmmaking of the 1970s and am looking for texts that deal with the history of
film technology. Not technical manuals necessarily but scholarly sources -
books or articles that look, for
Hi Frameworkers,
I'm looking for a contact for Rosa Barba. If anyone out there is able to put me
in touch with her could you email me off-list?
Many thanks as always,
Kim
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Dear Frameworkers,
I'm looking for a film by Chuck Workman called 'Precious Images' (1986). Does
anyone know who distributes this in the US or Canada?
Many thanks!
Kim
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of whether you would like to submit online or by post.
Happy holidays to you all!
Kim Knowles
Experimental Programmer
Edinburgh International Film Festival
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?This is the kind of vitriol that once made me leave Frameworks. I came back
because I missed the otherwise healthy exchanges, the generosity, the sense of
community and shared interest. It's disheartening to see it once again descend
into hostility and name-calling. People have different
?The problem with this list, as is often the case, is that women filmmakers are
written out of the 'canon'. Please include Maya Deren! (as per Vicky Smith's
post)
From: FrameWorks frameworks-boun...@jonasmekasfilms.com on behalf of Gene
Youngblood
online
(i.e., not password-protected) will not be eligible.
We screen 16mm, 35mm and digital formats.
Best wishes,
Kim Knowles
Experimental Film Programmer, EIFF
Submissions | Edinburgh International Film Festival 2015
The official site of the Edinburgh International Film Festival, the true
to chat with you there.
As always, I look forward to receiving your films.
Best wishes,
Kim Knowles
Experimental Film Programmer, EIFF
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Become a web member for FREE and receive news and offers:
http
AM, Kim Knowles
kim.know...@edfilmfest.org.ukmailto:kim.know...@edfilmfest.org.uk wrote:
Dear Frameworkers,
Does anyone have any suggestions of films that involve remediation of some
sort? I'm thinking the fusion of analogue-digital (which I've posted about
before so I have some titles already
Dear Frameworkers,
Does anyone have any suggestions of films that involve remediation of some
sort? I'm thinking the fusion of analogue-digital (which I've posted about
before so I have some titles already - Shambhavi Kaul's Scene 32, Thorsten
Fleisch's Wound Footage, Jurgen Reble, Dietmar
Thanks Roger, and apologies to all those people to whom I haven't yet replied.
I've been without a computer for the past week. Bear with me!
Kim
From: FrameWorks frameworks-boun...@jonasmekasfilms.com on behalf of Beebe,
Roger roge...@ufl.edu
Sent: Monday,
at this address. You will most likely receive a
generic response with the fee waiver form attached. Don't take it personally!
Looking forward to receiving your films, as always.
Best wishes,
Kim Knowles
Experimental Film Programmer
===
KEEP
Further to my email yesterday, EIFF have extended the submissions deadline to
next Monday February 25. Apologies for alarming those of you that have/had
still to submit, especially since yesterday was a US public holiday. So, the
good news is that there is still time to get your films sent -
BLACK BOX @ EDINBURGH INTERNATIONAL FILM FESTIVAL JUNE 19 - 30 2013DEADLINE
TODAY!!
Dear Frameworkers,
Today is the deadline for submissions for EIFF's experimental section BLACK
BOX, curated by my good self. If you'd like to submit please get in touch with
me asap on
Dear Frameworkers,
CALL FOR SUBMISSIONS:67th EDINBURGH INTERNATIONAL FILM FESTIVAL JUNE 19 - 30
2013BLACK BOX (EXPERIMENTAL SECTION) DEADLINE: MONDAY FEBRUARY 18
EIFF is currently seeking submissions for its experimental section BLACK BOX.
Short and medium-length works on any format. As always,
Dear Frameworkers,
The EDINBURGH INTERNATIONAL FILM FESTIVAL (20TH JUNE - 1ST JULY 2012) invites
submissions of experimental films of any length and on either film (16mm, 35mm)
or video. As always, EIFF greatly encourages films on 16mm or 35mm.
This year's festival places even more emphasis on
Don't know if anyone has suggested this: 'The Quick Brown Fox Jumps Over the
Lazy Dog' by Johann Lurf. Also a great little film I screened at Edinburgh this
year - 'Achtung/Hallo 35' by Viktoria Schmid. I'm sure I can think of more but
these pop into my head right now.
Kim
From:
I'm wondering how to think through some of these issues on a theoretical level,
a way of teasing out the complexities around medium-specificity, aura,
nostalgia etc. Someone mentioned hybrid works, those that bring together the
qualities of film and (digital) video and the different things
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