How old is the Bescor belt? It may need recelling. I know Bescor makes
those belts that have a builtin output cable, which is usually kindof
skimpy compared to a four pin xlr type cable, so it could be cable damage.
NiCad batteries sometimes indicate a full charge and then suffer from lack
of powe
Ooof. Sorry, I was imagining a battery belt. Sorry, I think my info is bad.
Isaac
On Thursday, September 18, 2014, Isaac Brooks
wrote:
> How old is the Bescor belt? It may need recelling. I know Bescor makes
> those belts that have a builtin output cable, which is usually kindof
&g
lease let me know. I've already tried Visual Products in
OH.
Thanks in advance,
Isaac Brooks
617-460-4165
Milwaukee, WI
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Hi,
I was hoping that someone on the list could suggest a service person,
preferably in North America, who works on Nagras. The machine in question
is an early IV-series. Best holiday wishes to everyone everywhere.
Isaac Brooks
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FrameWorks mailing
Hi Frameworkers,
I recently inquired about Nagra IV series repair / service in North America
here on FW. Thought I'd share what was found subsequently.
Dan Dugen does not service Nagra tape machines anymore. Not sure whether he
has parts to sell, but a colleague of his confirmed that he is not
cu
1999. Their XTR Prod was still enjoying updates around then too.
On Sunday, January 18, 2015, Beebe, Roger W. wrote:
> When was the Aaton A-Minima introduced? Early 2000s? Late 1990s?
> That’s the most recent big film camera launch I remember. But doesn’t it
> seem like there are kickstarter
em produced in small
batches but I know nothing of the specs or anyone's success. Thanks!
Isaac Brooks
UWM Film Tech Office
On Friday, March 13, 2015, Paul Dickinson wrote:
> Is anybody else on this list using the Lomo UPB-1 (50/100') 8/16mm
> processing tank?
>
> The Lomo tank i
Hi,
Sounds like the camera may need the mirror movement serviced or repaired. I
am no authority on digital / still timelapse either, However, we have a few
cameras (Canons) where I work that are used for single frame purposes
exclusively, and that activity really flattens them. It's only a matter
Dwight Cody used to service them. Maybe still.
http://www.cutfilm.com
IB
On Monday, August 10, 2015, Francisco Torres wrote:
> used to be that most machine shops could do it for cheap
>
> 2015-08-10 14:16 GMT-04:00 JB Mabe >:
>
>> Know any hunters, whittlers, or chefs? I had a co-worker w
Hi,
If you do use an Aaton XTR there's the chance there will be a glass
in there for both 16/Super 16. You can use it for either / both and
everything just has to be centered.
Any good rental house should recenter it for you with some prior notice,
and they will likely have more than one ground g
Hi,
Yes, I agree with previous comments about adding yet another layer to the
film: don't, at least not as a long lasting projection solution.
If break-down / image degeneration during exhibition is your thing, then
that's another story. But it sounds like you want what you've made to stay
more o
Hey Adrian,
Congrats on your initiative. I recommend continuing with your efforts to
get yourself set up if you are interested in 16mm coming to your school,
and just have some organized plan for outreach. Get the help of other folks
who are interested.
If you have to pitch this to someone to get
Hi Jason,
I'd try Urbanski Film in Illinois. Not sure what their DJL selection is,
but they have a lot of stuff and are pretty consistent. That said, eBay may
have more varied deals.
*
*
*www.urbanskifilm.com *
*
*
Isaac
On Wed, Sep 11, 2013 at 1:03 PM, Sean Weitzel wrote:
> The cheapest optio
Hi Pablo,
CineLab (MA) is not all that near Chicago, but they affordably and reliably
process 7266 in super 8. Midwest has almost no large volume labs left.
IB
On Mon, Sep 16, 2013 at 4:08 PM, Pablo Marin wrote:
> Hi all,
>
> I'm sure this question has been posted here more than a thousand ti
Hi,
I second the motion to ask Dwight, and also recommend checking
with Urbanski Film in Illinois, as they used to carry lots of Steenbeck
lamps, so they might have something laying around that could help you.
Steenbeck did have a site up awhile ago that listed available machines, so
they may hav
Hi,
This was awhile ago, but I used a flex file that came with the transfer of
my material, which had a keycode burn in. I believe this was Media Composer
5 in about 2010.
Not to ask the obvious, but do your dailies actually include keycode
running along with the video? Feel free to message me of
+1 on Tobin motors. I have never owned one, but I used them extensively at
one point, and the build quality & usability factor are excellent. Clive
Tobin is reachable too, in case if questions or in sourcing them.
On Thursday, November 28, 2013, Roger Wilson wrote:
> I own a Time Flow motor for m
Yeah, they should be fine if stored consistently. Avoid moving them around
a lot between spaces with different temps, as that can lead to issues.
On Saturday, January 4, 2014, wrote:
> I have often left exposed film undeveloped for several weeks without any p
> roblems that I can see,
>
> Nicky.
Yes, the usual synchronizer/squawkbox setup is for mag.
IB
On Saturday, January 25, 2014, Rebekka Erin Moran
wrote:
> Hi,
>
> I am collecting 16mm synchronizers for an installation project. Does
> anybody know if the synchronizers with sound heads are for reading Mag only
> or do any exist tha
+1 on Epson. My partner and I have a Powerlite 78, purchased in 2010.
Resolution is OK. I'd think that by now you could get a better one for what
we paid 4 years ago (600 usd, about). What has impressed me most about it
is the build quality and the absolute lack of any issues.
For solid group view
Moira,
I've received and sent both unexposed and exposed film quite a few times
through the mail, more usually domestically as opposed to overseas, but I
have never once had a problem with either x-rays or handling. I think both
Francisco and Marco are in good practice however, as they're encourag
nak Elmendorf
wrote:
> Hi Isaac,
> When you use FedEx do you( is it necessary to) mention unexposed film and
> do you request special handling?
>
> On Feb 1, 2014, at 10:06 AM, Isaac Brooks
> >
> wrote:
>
> Moira,
>
> I've received and sent both unexpose
Hi Roger,
There are probably some deals to be had on eBay, or via a CML mailing list
inquiry. CML unearths some surprising deals on older analog gear from folks
who are eager to turn in the old for the new.
Dwight Cody sells editing supplies, and I believe he stocks splicers. If
you want somethin
Hi Mariah,
It's been awhile since I have compared their rates, but Cineliscious is in
LA, and they are more than film friendly. Wide variety of services in
transferring film, last time I checked. Supervised sessions may still be
slightly steep, there but they do top shelf work and are very small
g
Hi Philippe,
Duall Camera services most small(er) gauge cameras/systems, I'm assuming
Kern lenses would be within their repertoire. Not sure if there is a
devoted resident lens tech there, but they seem to work on everything.
Maybe Abel Cine? Jeff Marzigliano does their servicing, or oversees the
Hi Mark,
If you do mean the Vario Switar 16-100 POE zoom, I had the same experience.
Wide end of the zoom vignettes and f-stop range is a bit more limited. I
did, I think, also find try that same Schneider and it performed about the
same as a Kern 10mm Switar would have, with some cut-off in the c
Edward,
DuAll camera sold me some 2x2 filters about a year ago. They had a casual
assortment that were pretty reasonably priced, depending on condition.
Since you have the matte box, I'd agree with previous posts about stockings
or maybe a piece of acetate (gets from blick's) in one of the filter
Hi Kevin,
I'm my experience, it's fairly impractical to covert the Arri S series -
The theoretical shutter, mount, and gate adjustments make it more or less
the most difficult camera to consider for Super 16. Visual Products in Ohio
developed a conversion process, which supposedly yielded a few su
Hi -
Can anyone advise on eradicating or reducing fixed pattern noise in a 2K
scan that I have of some 16mm selects? The original is 7285, and during the
darker shots - especially when the camera is moving - the vertical white
lines are noticeable. The file is a ProRes .
If rescanning is it,
Dieter does sell Rex 5 cameras.
Some well known 16mm camera retailers have reduced their prices for sync
cameras and less feature-rich MOS camera alternatives to the Bolex.
The Bolex’s overall level of quality for the money and it’s spring drive
have made it seemingly less prone to the up/down of
Commonly, in working terminology, “rolls” tend to imply factory
sealed/originated raw stock, which is yet to be or recently shot (including
daylight camera spools, which sometimes do exceed 100’). Generally. Super 8
could be an exception but I still say roll.
Reels usually imply projection. “Rolle
Scott I can pay for media shipping unless it is an insanely big box.
Thanks, IB
On Thu, Apr 30, 2020 at 12:07 PM Scott Dorsey wrote:
>
> I have here a box that mostly contains interviews on original reversal film
> with magfilm sound tracks on each. Lots of people talking about UFOs and
> vario
Jeff & Co,
I’m sorry for the aside, but do you know of a technician that could put a
PL hard front on an Arri 16S? Asked Les Bosher once and he said he didn’t
offer it as an option. Thank you!
Isaac
On Wed, May 27, 2020 at 10:05 PM Jeff Kreines wrote:
> I hate to disagree with Scott.
>
> First
sell. (If that matters to
> you.)
>
> Converting a 16S to S16 is difficult. I’d be wary of most repair people
> who claim they can do it.
>
> Jeff Kreines
> Kinetta
> j...@kinetta.com
> kinetta.com
>
> Sent from iPhone.
>
> On May 27, 2020, at 10:53 PM, Isaac Brook
Bernie O’Doherty / Super 16 Inc does. Located in NY State. IB
On Sun, Oct 25, 2020 at 8:25 PM Christopher Ball wrote:
> Does anyone know of any repair or maintenance provider for CP16 cameras.
> I am asking for someone in Vancouver, so within Canada would be great, but
> US also.
>
> Christopher
ProCam / Bolex USA has always done consistent, top shelf Bolex work. Not
the cheapest.
Bernie O’Doherty at Suoer 16 Inc is great. Both contacts below. Both work
consistently with higher ed programs.
http://www.bolexusa.com/
http://www.super16inc.com/page4.html
On Thu, Oct 26, 2017 at 1:27 PM Lyn
For the D19 treatment/negative I've rated it at a 25 ASA with consistent
results. If you have sealed D19, use it with that film.
Isaac
On Fri, Apr 20, 2018 at 5:30 PM Colin Brant wrote:
> Dear Frameworks,
>
> I am having trouble finding consensus on how to shoot and process Kodak's
> now discon
To Zach -
Interesting to see this info.
I have yet to shoot with this new batch, and the emulsion type 292 is not
something I can speak to regarding consistency with the older stuff. That
said, I would assume an ASA of around 24 would apply to daylight, if you
are developing as negative. Reversal
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