Re: [h-cost] Equestrian costuming other period tack

2006-03-09 Thread Kate M Bunting
I searched the archive http://sca.uwaterloo.ca/Fashion/ for this year under 
hunting and found the thread. The picture is
http://www.costumes.org/history/leloir/vol10/48_1692.jpg 

Kate Bunting
Librarian and 17th century reenactor

 [EMAIL PROTECTED] 08/03/2006 23:20 
Thanks, Kate.

Any one have the link to that print, handy, so I can catch up ?

Susan

Slow down. The trail is the thing, not the end of the trail. Travel
too fast and you miss all you are traveling for.  - Ride the Dark
Trail by Louis L'Amour

On Mar 8, 2006, at 11:56 AM, Kate M Bunting wrote:

 We discussed a 17th century print of a lady in a riding habit not long 
 ago. It was in the 1660s that ladies began to wear habits with the 
 upper half copying masculine attire.

 Kate Bunting
 Librarian and 17th century reenactor

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Re: [h-cost] Sorry for this, testing but also latest projects if you are bored.

2006-03-09 Thread michaela
Kia ora Bjarne, Sorry for the delay a nasty stomache bug made me very ill
for the last 48 hours, I'm back to being able to email again!

  Latest projects are:
  http://costumes.glittersweet.com/phantom/wishing.htm

  http://costumes.glittersweet.com/dracula/2mina.htm

  http://costumes.glittersweet.com/sca/k/2cleves.htm

 Hi Michaela,
 Thanks for posting the links. I enjoyed it very much. Loved your bustle
 dresses, and how the h...did you make that picture with changeable
 colours?

Thank you Bjarne, I am looking forward to making thse dresses rather than
just pinning them together on the form:)
The flashing picture for here:
http://costumes.glittersweet.com/sca/k/2cleves.htm
Was made by me taking a portrait and changing the colours in it to make 6
different pictures, then I made them smaller and used a different image
editor to create an animated gif.
I've since simplified the style somewhat and have some progress images here:
http://pinkdiamond.livejournal.com/tag/koeln
Some of those entries haven't yet made it to my website but they will soon.

As to the first part of my initial email.. this one went through immediately
but an earlier email went through after it. I don't know if this was just at
my end though. Hmmm.. I looked here:
http://www.mail-archive.com/h-costume@mail.indra.com/maillist.html
And the posts are arriving there in the same order as I'm getting them, so
the issue seems to be either the indra server or upstream rather than
downstream.

It's just frustrating replying to a topic and finding your post lost and
then found well after the topic has changed;)

One of those things that are notoriously difficult to figure out and then
dealw ith.. it doesn't happen too often though:)

michaela de bruce
http://glittersweet.com



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Re: [h-cost] what do renaissance seamen look like?

2006-03-09 Thread Danielle Nunn-Weinberg
Well, if you're interested in the middle of the 16th century, we have 
a bit of an idea of what was worn on the Mary Rose, which sank in 
1545.  There were a number of leather jerkins found, as well as some 
wool garment fragments, some wool flat caps, leather shoes... that 
sort of thing.  The info shouldn't be too hard to track down if you 
look up the Mary Rose.


Cheers,
Danielle

At 05:13 PM 3/8/2006, you wrote:

Hello All,

The topic of Pirates at Renaissance events has been breached on 
another list, and it has me wondering...


What would pirates or privateers of the English Renaissance looked like?

I know what images of George Clifford, the privateering Earl looks 
like. I know what images of Raleigh, and Drake are like, but what 
would everyday privateers, pirates, or even basic seamen look like 
during the Elizabethan era?


Thanks,

Kimiko Small
http://www.kimiko1.com
Fresno, CA, USA

Lady of the Wardrobe for Isle of Mann Guild
Portraying at California's Central Valley Renaissance Faires
Lady Clifford, Countess of Cumberland
 (Margaret Percy, Eleanor Brandon, or Margaret Russell)


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[h-cost] dilemma ahhhhhhhhhhh.

2006-03-09 Thread Bjarne og Leif Drews

Hi,
I just got an enquiry from a museum. Because this year it is renaissance 
year, a museum has purchased money to get 2 costumes done. I am asked to do 
them. I would make a dress after a portrait of Queen Sophie (the queen they 
remade the wedding dress for) - as a widow. A black dress, small white ruff 
and a black hood.
Then i should also make a prince outfit for a boy, the chosen prince  who 
died in 1647. This is rather late, and i dont think it has much to do with 
renaissance, but..
Oh  and i had promised myself from stopping making costumes, and besides, 
the outfits has to be finished in about 3 months. ..

Ah i really dont know, but would be very tempting

Bjarne





Leif og Bjarne Drews
www.my-drewscostumes.dk

http://home0.inet.tele.dk/drewscph/ 



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Re: [h-cost] Equestrian costuming other period tack

2006-03-09 Thread Susan Data-Samtak

Thanks, Kate.

Since I am new to this group, I must have just missed the January 
discussion of Sidesaddle and clothing.


Does anyone know if the person doing that research for a paper on 
women's equestrian clothing, as mentioned in the archive,  has written 
the paper or is it still in progress?


As far as this picture,
http://www.costumes.org/history/leloir/vol10/48_1692.jpg   what 
makes it a riding habit rather than an everyday outfit?  Any hints in 
the photo that I should be seeing but don't?


Susan

Slow down. The trail is the thing, not the end of the trail. Travel
too fast and you miss all you are traveling for.  - Ride the Dark
Trail by Louis L'Amour

On Mar 9, 2006, at 4:23 AM, Kate M Bunting wrote:

I searched the archive http://sca.uwaterloo.ca/Fashion/ for this year 
under hunting and found the thread. The picture is

http://www.costumes.org/history/leloir/vol10/48_1692.jpg

Kate Bunting
Librarian and 17th century reenactor


[EMAIL PROTECTED] 08/03/2006 23:20 

Thanks, Kate.

Any one have the link to that print, handy, so I can catch up ?

Susan

Slow down. The trail is the thing, not the end of the trail. Travel
too fast and you miss all you are traveling for.  - Ride the Dark
Trail by Louis L'Amour

On Mar 8, 2006, at 11:56 AM, Kate M Bunting wrote:


We discussed a 17th century print of a lady in a riding habit not long
ago. It was in the 1660s that ladies began to wear habits with the
upper half copying masculine attire.

Kate Bunting
Librarian and 17th century reenactor


__


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Re: [h-cost] dilemma ahhhhhhhhhhh.

2006-03-09 Thread Sue Clemenger
Oh go for it, Bjarne! You *know* you want to! grin What a wonderful
opportunity!  Besides, they don't sound as complicated as some of the
wonderful stuff you've shown us over the years, and, heck, you wouldn't have
to worry about shipping it overseas, or wierd fitting issues, or anything!
--Sue in Montana

- Original Message -
From: Bjarne og Leif Drews [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Thursday, March 09, 2006 6:49 AM
Subject: [h-cost] dilemma ahhh.


 Hi,
 I just got an enquiry from a museum. Because this year it is renaissance
 year, a museum has purchased money to get 2 costumes done. I am asked to
do
 them. I would make a dress after a portrait of Queen Sophie (the queen
they
 remade the wedding dress for) - as a widow. A black dress, small white
ruff
 and a black hood.
 Then i should also make a prince outfit for a boy, the chosen prince  who
 died in 1647. This is rather late, and i dont think it has much to do with
 renaissance, but..
 Oh  and i had promised myself from stopping making costumes, and besides,
 the outfits has to be finished in about 3 months. ..
 Ah i really dont know, but would be very tempting

 Bjarne


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Re: [h-cost] dilemma ahhhhhhhhhhh.

2006-03-09 Thread ruthanneb
Bravo, Bjarne. What a fitting recognition for your wonderful skills and 
accomplishments!
You sound as if you're very tempted.
These projects sound like something a bit new for you, a chance to stretch...
You COULD tell yourself that garments for exhibition aren't QUITE 
costumes...and so you wouldn't be breaking your promise to yourself not to 
make any more costumes...
Keep us posted about what you decide!
Best wishes,
Ruth Anne Baumgartner
scholar gypsy and amateur costumer

-Original Message-
From: Bjarne og Leif Drews [EMAIL PROTECTED]
Sent: Mar 9, 2006 8:49 AM
To: [EMAIL PROTECTED]
Subject: [h-cost] dilemma ahhh.

Hi,
I just got an enquiry from a museum. Because this year it is renaissance 
year, a museum has purchased money to get 2 costumes done. I am asked to do 
them. I would make a dress after a portrait of Queen Sophie (the queen they 
remade the wedding dress for) - as a widow. A black dress, small white ruff 
and a black hood.
Then i should also make a prince outfit for a boy, the chosen prince  who 
died in 1647. This is rather late, and i dont think it has much to do with 
renaissance, but..
Oh  and i had promised myself from stopping making costumes, and besides, 
the outfits has to be finished in about 3 months. ..
Ah i really dont know, but would be very tempting

Bjarne





Leif og Bjarne Drews
www.my-drewscostumes.dk

http://home0.inet.tele.dk/drewscph/ 


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Re: [h-cost] Equestrian costuming other period tack

2006-03-09 Thread Bjarne og Leif Drews
I have some portraits with riding costume like this print, 2 to be more 
precise.


Bjarne

- Original Message - 
From: Kate M Bunting [EMAIL PROTECTED]

To: [EMAIL PROTECTED]
Sent: Thursday, March 09, 2006 10:23 AM
Subject: Re: [h-cost] Equestrian costuming  other period tack


I searched the archive http://sca.uwaterloo.ca/Fashion/ for this year under 
hunting and found the thread. The picture is

http://www.costumes.org/history/leloir/vol10/48_1692.jpg

Kate Bunting
Librarian and 17th century reenactor


[EMAIL PROTECTED] 08/03/2006 23:20 

Thanks, Kate.

Any one have the link to that print, handy, so I can catch up ?

Susan

Slow down. The trail is the thing, not the end of the trail. Travel
too fast and you miss all you are traveling for.  - Ride the Dark
Trail by Louis L'Amour

On Mar 8, 2006, at 11:56 AM, Kate M Bunting wrote:


We discussed a 17th century print of a lady in a riding habit not long
ago. It was in the 1660s that ladies began to wear habits with the
upper half copying masculine attire.

Kate Bunting
Librarian and 17th century reenactor


__


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Re: [h-cost] dilemma ahhhhhhhhhhh.

2006-03-09 Thread Bjarne og Leif Drews

It is very tempting.
The style of this gown is late renaissance. With a farthingale a little 
bigger than the original in the spanish book. More like a crinoline style. 
White underskirt is slashed, and overdress has a small peplum skirt over 
the top. Ruff is edged with reticella lace and is not close fitted to the 
neck, but hangs down a little in the front, but it is starched. Cuffs are 
reticella lace. What a luck i baught the reproduktion lace from Michelas 
site in England. Could be very handy here. Style is like the van Dyke 
portraits or Rubens. She wears a hood wich is curved in each side of the 
forehead, black edged with lace.
The museum is located in the county where this queen lived as a widdow, so 
this is why they want it.


Bjarne
- Original Message - 
From: [EMAIL PROTECTED]

To: Historical Costume [EMAIL PROTECTED]
Sent: Thursday, March 09, 2006 4:05 PM
Subject: Re: [h-cost] dilemma ahhh.


Bravo, Bjarne. What a fitting recognition for your wonderful skills and 
accomplishments!

You sound as if you're very tempted.
These projects sound like something a bit new for you, a chance to 
stretch...
You COULD tell yourself that garments for exhibition aren't QUITE 
costumes...and so you wouldn't be breaking your promise to yourself not 
to make any more costumes...

Keep us posted about what you decide!
Best wishes,
Ruth Anne Baumgartner
scholar gypsy and amateur costumer

-Original Message-

From: Bjarne og Leif Drews [EMAIL PROTECTED]
Sent: Mar 9, 2006 8:49 AM
To: [EMAIL PROTECTED]
Subject: [h-cost] dilemma ahhh.

Hi,
I just got an enquiry from a museum. Because this year it is renaissance
year, a museum has purchased money to get 2 costumes done. I am asked to 
do
them. I would make a dress after a portrait of Queen Sophie (the queen 
they
remade the wedding dress for) - as a widow. A black dress, small white 
ruff

and a black hood.
Then i should also make a prince outfit for a boy, the chosen prince  who
died in 1647. This is rather late, and i dont think it has much to do with
renaissance, but..
Oh  and i had promised myself from stopping making costumes, and besides,
the outfits has to be finished in about 3 months. ..
Ah i really dont know, but would be very tempting

Bjarne





Leif og Bjarne Drews
www.my-drewscostumes.dk

http://home0.inet.tele.dk/drewscph/


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[h-cost] mitts

2006-03-09 Thread Bjarne og Leif Drews

Hi,
I am working on making mitts with floral embroidery. I use a pattern from 
Williamsburg. Made a muck up wich fits my hand very nicely, i have small 
hands, so i guess they would fit a woman two. My question is wich stitches 
do you use to make these? And is the lining made seperate and assembled 
later, or do you make the lining same time as the outer layer? The thumb 
must be difficult to assemble and the stitches must be very strong, but wich 
stitches?



Bjarne





Leif og Bjarne Drews
www.my-drewscostumes.dk

http://home0.inet.tele.dk/drewscph/ 



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Re: [h-cost] Equestrian costuming other period tack

2006-03-09 Thread Kate M Bunting
Well, the caption says it's a hunting costume, and the coat, neckcloth, 
hairstyle and hat are copies from those worn by men at that time. A few decades 
earlier Samuel Pepys commented on the new fashion for ladies' riding outfits 
with the upper garments for all the world like mine but with a long skirt 
underneath.

Kate Bunting
Librarian and 17th century reenactor

 [EMAIL PROTECTED] 09/03/2006 14:45 
As far as this picture,
http://www.costumes.org/history/leloir/vol10/48_1692.jpg   what 
makes it a riding habit rather than an everyday outfit?  Any hints in 
the photo that I should be seeing but don't?

__


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Re: [h-cost] dilemma ahhhhhhhhhhh.

2006-03-09 Thread AlbertCat
 
In a message dated 3/9/2006 10:15:32 A.M. Eastern Standard Time,  
[EMAIL PROTECTED] writes:

What a  tremendous compliment!! It might be worth doing if they pay  well
enough.  Then again, the type of work you do is priceless:)   



Exactly!
 
Demand they pay for a competent assistant!
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Re: [h-cost] dilemma ahhhhhhhhhhh.

2006-03-09 Thread E House

Three months?  Oww.  Is this the portrait of Queen Sophie you'd be doing?
http://www.rosenborgslot.dk/images/pics/a07375wl.jpg (different cap color, 
but I couldn't find anything else in a quick search)
Do you know what the whole dress would look like already?  The wedding dress 
is over 30 years earlier, so it probably wouldn't help... you might have to 
put in some research time, which would make the 3 months time limit harder.

Is this the prince?
http://www.rosenborgslot.dk/images/pics/a03034wl.jpg

I have no doubt you could do it if you set your mind to it, Bjarne, but it 
sounds like a bit of a headache to me!  Would they consider allowing more 
time for it and is the money enough to be tempting?


-E House

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Re: [h-cost] Equestrian costuming other period tack

2006-03-09 Thread Bjarne og Leif Drews
A hunting suit like this would have ben worn on special occations like 
hunting with the king and queen. Masculine fashion like this was only used 
for hunting. The tricorne, her Steinkirke cravate, the jacket with the big 
cuffs, the way the buttonholes are worked and all the buttons. At this time 
when this print was made, women didnt wear tricornes for daily wear, but 
they wore Fontanges wich are caps with high extended starched laces round 
the forehead. Also her wig is masculin, a fully bottomed wig with lots of 
curls, was only worn with this kind of outfit. The only hair shown for 
ladies this time, was small curls on the forehead just below the fontange. 
In the back, the hair was hided in a cape.
The daily wear uniform for women was the mantua, wich was an open robe with 
a matching petticoat. Mantua was mostly draped at each hip (lifted up with 
loops and buttons) Sleaves did have cufs, but these usually was attached by 
the elbows, where the shift showed.
I have seen portraits from this period where women wears a more relaxed 
style of dress, with t-shaped bodices and loose skirts, wich could be daily 
wear.


Bjarne
- Original Message - 
From: Susan Data-Samtak [EMAIL PROTECTED]

To: Historical Costume [EMAIL PROTECTED]
Sent: Thursday, March 09, 2006 3:45 PM
Subject: Re: [h-cost] Equestrian costuming  other period tack


Thanks, Kate.

Since I am new to this group, I must have just missed the January
discussion of Sidesaddle and clothing.

Does anyone know if the person doing that research for a paper on
women's equestrian clothing, as mentioned in the archive,  has written
the paper or is it still in progress?

As far as this picture,
http://www.costumes.org/history/leloir/vol10/48_1692.jpg   what
makes it a riding habit rather than an everyday outfit?  Any hints in
the photo that I should be seeing but don't?

Susan

Slow down. The trail is the thing, not the end of the trail. Travel
too fast and you miss all you are traveling for. - Ride the Dark
Trail by Louis L'Amour

On Mar 9, 2006, at 4:23 AM, Kate M Bunting wrote:

I searched the archive http://sca.uwaterloo.ca/Fashion/ for this year 
under hunting and found the thread. The picture is

http://www.costumes.org/history/leloir/vol10/48_1692.jpg

Kate Bunting
Librarian and 17th century reenactor


[EMAIL PROTECTED] 08/03/2006 23:20 

Thanks, Kate.

Any one have the link to that print, handy, so I can catch up ?

Susan

Slow down. The trail is the thing, not the end of the trail. Travel
too fast and you miss all you are traveling for.  - Ride the Dark
Trail by Louis L'Amour

On Mar 8, 2006, at 11:56 AM, Kate M Bunting wrote:


We discussed a 17th century print of a lady in a riding habit not long
ago. It was in the 1660s that ladies began to wear habits with the
upper half copying masculine attire.

Kate Bunting
Librarian and 17th century reenactor


__


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Re: [h-cost] dilemma ahhhhhhhhhhh.

2006-03-09 Thread AlbertCat
In a message dated 3/9/2006 10:35:36 A.M. Eastern Standard Time,  
[EMAIL PROTECTED] writes:

The  style of this gown is late renaissance. 
She wears a hood wich is curved in each side of the 
forehead, black  edged with lace.


 
A widow's peak. 
 

And the Prince's outfit sounds like it might be fun too. I'm sure they  
dressed him like a little adult, no?
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[h-cost] Ruff - was Bjarne's dilemma

2006-03-09 Thread Suzi Clarke

At 15:43 09/03/2006, you wrote:

Three months?  Oww.  Is this the portrait of Queen Sophie you'd be doing?
http://www.rosenborgslot.dk/images/pics/a07375wl.jpg (different cap 
color, but I couldn't find anything else in a quick search)
Do you know what the whole dress would look like already?  The 
wedding dress is over 30 years earlier, so it probably wouldn't 
help... you might have to put in some research time, which would 
make the 3 months time limit harder.



What a complicated ruff! I've never seen anything like that. I am 
trying really hard to work it out. Am I mad to think it might be two 
layers of fabric, instead of one - one to make the standard ruff and 
one to make the doubles inside?



Is this the prince?
http://www.rosenborgslot.dk/images/pics/a03034wl.jpg

I have no doubt you could do it if you set your mind to it, Bjarne, 
but it sounds like a bit of a headache to me!  Would they consider 
allowing more time for it and is the money enough to be tempting?


-E House

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Re: [h-cost] dilemma ahhhhhhhhhhh.

2006-03-09 Thread AlbertCat
 
In a message dated 3/9/2006 10:44:37 A.M. Eastern Standard Time,  
[EMAIL PROTECTED] writes:

http://www.rosenborgslot.dk/images/pics/a07375wl.jpg 


What a bizzare ruff! A ruff inside a ruff!
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Re: [h-cost] dilemma ahhhhhhhhhhh.

2006-03-09 Thread AlbertCat
 
In a message dated 3/9/2006 10:44:37 A.M. Eastern Standard Time,  
[EMAIL PROTECTED] writes:

_http://www.rosenborgslot.dk/images/pics/a03034wl.jpg_ 
(http://www.rosenborgslot.dk/images/pics/a03034wl.jpg) 





I imagined the prince as a boylike an adolescent. Oh  well.
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Re: [h-cost] dilemma ahhhhhhhhhhh.

2006-03-09 Thread Becky
It's not as complicated as it looks. Make a ruff with 2 layers. Form a main 
ruff that has all layers. When that is properly spaced. bring the inside 
ruff down into points inside the loops of the outter fabric. It's like 
origami. I can visualize it but may not explain it well.
- Original Message - 
From: [EMAIL PROTECTED]

To: [EMAIL PROTECTED]
Sent: Thursday, March 09, 2006 10:52 AM
Subject: Re: [h-cost] dilemma ahhh.




In a message dated 3/9/2006 10:44:37 A.M. Eastern Standard Time,
[EMAIL PROTECTED] writes:

http://www.rosenborgslot.dk/images/pics/a07375wl.jpg


What a bizzare ruff! A ruff inside a ruff!
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Re: [h-cost] Ruff - was Bjarne's dilemma

2006-03-09 Thread Bjarne og Leif Drews
I have a photo i took at the museum some time ago, i could post it if you 
want, but it is a portrait wich hangs very high up, so the angle of the 
photo is not good, but it gives you an idea.
The princes outfit is like a small adult with hat and feathers. Its red and 
slashed.

Anyway just posted the pic for you to see.
http://www.my-drewscostumes.dk/sophie.htm

Bjarne
- Original Message - 
From: Suzi Clarke [EMAIL PROTECTED]

To: Historical Costume [EMAIL PROTECTED]
Sent: Thursday, March 09, 2006 4:49 PM
Subject: [h-cost] Ruff - was Bjarne's dilemma



At 15:43 09/03/2006, you wrote:

Three months?  Oww.  Is this the portrait of Queen Sophie you'd be doing?
http://www.rosenborgslot.dk/images/pics/a07375wl.jpg (different cap color, 
but I couldn't find anything else in a quick search)
Do you know what the whole dress would look like already?  The wedding 
dress is over 30 years earlier, so it probably wouldn't help... you might 
have to put in some research time, which would make the 3 months time 
limit harder.



What a complicated ruff! I've never seen anything like that. I am trying 
really hard to work it out. Am I mad to think it might be two layers of 
fabric, instead of one - one to make the standard ruff and one to make the 
doubles inside?



Is this the prince?
http://www.rosenborgslot.dk/images/pics/a03034wl.jpg

I have no doubt you could do it if you set your mind to it, Bjarne, but it 
sounds like a bit of a headache to me!  Would they consider allowing more 
time for it and is the money enough to be tempting?


-E House

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[h-cost] what do renaissance seamen look like?

2006-03-09 Thread Julie
The temptation to make a rude pun is almost overwhelming...but I'll resist 
G


They would wear what everyone else would wear.  There was no particular 
uniform of a pirate.  I looked into this when my huibby was giving me 
grief about dressing up.  What we think of as pirates is out of 
period...the great coat, the striped clothes, etc.  Darn.  My hubby as 
Captain Jack...hmmm..  Hubby said he'd wear a great coat  tall boots. 
Tunics are dresses...
Julie 



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Re: [h-cost] mitts

2006-03-09 Thread Chiara Francesca Arianna d'Onofrio
Are you overlapping the seams or are you sewing the right sides
together and then turning them over?

I have a one sheet example of stitches used through the periods for
gloves that I can share with you. It is from observational research
as I am not able to go to the various overseas museums that have the
gloves.

One local university recently obtained some gloves that they want me
to come over the catalog for them. I am hoping some are from the
Elizabethan era. :)

Chiara


On Thu, March 9, 2006 9:39 am, Bjarne og Leif Drews said:
 Hi,
 I am working on making mitts with floral embroidery. I use a pattern
 from
 Williamsburg. Made a muck up wich fits my hand very nicely, i have
 small
 hands, so i guess they would fit a woman two. My question is wich
 stitches
 do you use to make these? And is the lining made seperate and
 assembled
 later, or do you make the lining same time as the outer layer? The
 thumb
 must be difficult to assemble and the stitches must be very strong,
 but wich
 stitches?


 Bjarne





 Leif og Bjarne Drews
 www.my-drewscostumes.dk

 http://home0.inet.tele.dk/drewscph/


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 h-costume@mail.indra.com
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Re: [h-cost] dilemma ahhhhhhhhhhh.

2006-03-09 Thread Bjarne og Leif Drews
No worries Albertcat, its not the prince, but the queen you see in the 
portrait from Rosenborg. I dont have a picture of the prince to share right 
now, but i know the portrait, its a boy dressed in a red doublet with 
trunkhoses. All the costume is slashed and the hat wich i dont know how i 
would make is a tall hat naturally leather colour with red feathers.


Bjarne

- Original Message - 
From: [EMAIL PROTECTED]

To: [EMAIL PROTECTED]
Sent: Thursday, March 09, 2006 4:53 PM
Subject: Re: [h-cost] dilemma ahhh.




In a message dated 3/9/2006 10:44:37 A.M. Eastern Standard Time,
[EMAIL PROTECTED] writes:

_http://www.rosenborgslot.dk/images/pics/a03034wl.jpg_
(http://www.rosenborgslot.dk/images/pics/a03034wl.jpg)





I imagined the prince as a boylike an adolescent. Oh  well.
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[h-cost] New pattern

2006-03-09 Thread Five Rivers Chapmanry
Thought some of you who re-enact Victorian and Dickens eras
would be interested in the new pattern from Laughing Moon (I'm just waiting
for my new stock to arrive). It's the Hoops and Bustles package, LM112.
Looks like another fabulous addition to this premiere line of patterns. For
details you can visit http://www.5rivers.org/en-gb/p_1058.html which will
take you to that specific pattern.

 

There's also been a wonderful addition to the Laughing Moon
Men's Frock Coat pattern, in that in now includes a single-breasted, as well
as the double-breasted frock coat, with the original two vests that were
included in the pattern. Again, I'm just waiting for my new stock to arrive.
You can view that pattern at: http://www.5rivers.org/en-gb/p_776.html 

 

Regards,

Lorina

Five Rivers Chapmanry

purveyors of historical sewing patterns, quality hand-crafted cooperage,
re-enactor and embroidery supplies, and more.

519-799-5577 [EMAIL PROTECTED] - www.5rivers.org

 

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[h-cost] RE: what do renaissance seamen look like?

2006-03-09 Thread Marc Carlson

From: Danielle Nunn-Weinberg [EMAIL PROTECTED]

Well, if you're interested in the middle of the 16th century, we have
a bit of an idea of what was worn on the Mary Rose, which sank in
1545.  There were a number of leather jerkins found, as well as some
wool garment fragments, some wool flat caps, leather shoes... that
sort of thing.  The info shouldn't be too hard to track down if you
look up the Mary Rose.


There are also the excavations from Red Bay, Labrador and the wreck of the 
San Juan (1565).  Although I haven't found documentation on more than the 
shoes, I'm told that the graves of the Basque seamen had clothes that were 
excavated.


BTW, it is most likely (speaking of shoes) that common seamen were wearing 
turnshoes like: 
http://www.personal.utulsa.edu/~marc-carlson/shoe/SHOES/redbay5.html.  
Non-turned shoes, when found, being more expensive possibly denote officers.


Marc


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Re: [h-cost] mitts

2006-03-09 Thread Chiara Francesca Arianna d'Onofrio
So long as you are not using a glover's needle backstitcing is fine.
The glovers needle has that three sided cutting edge to it for
leather and will cut the thread.

For the thumb, you want to put that in first. You can do an overlap
seam for that if you wish. That is, place the thumb piece inside the
trank of the mitt and sew on the first layer down into the second
layer that is the thumb.

Are these fabric or leather?

Any chance you can send us a thumbnail of what the finished product
should look like? Or a museum link of a pair of mitts these were
based on?

Chiara


On Thu, March 9, 2006 10:15 am, Bjarne og Leif Drews said:
 Thanks Chiara,
 I think i would like to sew the right sides together and turn, but i
 really
 would like to know more, if you have any informations about the
 stitches i
 would be very happy :-)
 I am thinking about you cant sew on the thumbs and then turn, how do
 you
 attach these last, and wich stitches do you do for this?
 Rubbish, off cause i can sew on the tumbs and turn, i am a little
 confused
 right now, its the museum dress in my head!
 No problems then, but do you think backstitching would be ok to use?

 Bjarne
 - Original Message -
 From: Chiara Francesca Arianna d'Onofrio [EMAIL PROTECTED]
 To: Historical Costume [EMAIL PROTECTED]
 Sent: Thursday, March 09, 2006 5:07 PM
 Subject: Re: [h-cost] mitts


 Are you overlapping the seams or are you sewing the right sides
 together and then turning them over?

 I have a one sheet example of stitches used through the periods
 for
 gloves that I can share with you. It is from observational
 research
 as I am not able to go to the various overseas museums that have
 the
 gloves.

 One local university recently obtained some gloves that they want
 me
 to come over the catalog for them. I am hoping some are from the
 Elizabethan era. :)

 Chiara


 On Thu, March 9, 2006 9:39 am, Bjarne og Leif Drews said:
 Hi,
 I am working on making mitts with floral embroidery. I use a
 pattern
 from
 Williamsburg. Made a muck up wich fits my hand very nicely, i
 have
 small
 hands, so i guess they would fit a woman two. My question is wich
 stitches
 do you use to make these? And is the lining made seperate and
 assembled
 later, or do you make the lining same time as the outer layer?
 The
 thumb
 must be difficult to assemble and the stitches must be very
 strong,
 but wich
 stitches?


 Bjarne





 Leif og Bjarne Drews
 www.my-drewscostumes.dk

 http://home0.inet.tele.dk/drewscph/


 ___
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 h-costume@mail.indra.com
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Re: [h-cost] mitts

2006-03-09 Thread Bjarne og Leif Drews

Dear Dhiara,
Many thanks for your help.
I want to make them in ivory silk taffeta. You can see the design i made 
here, with colours of embroiderysilks:

http://www.my-drewscostumes.dk/purse.htm
Scroll down to the buttom.
I want to make the outer layer in silk taffeta, and a shite silk satin wich 
is thinner and softer for the lining.


Bjarne
- Original Message - 
From: Chiara Francesca Arianna d'Onofrio [EMAIL PROTECTED]

To: Historical Costume [EMAIL PROTECTED]
Sent: Thursday, March 09, 2006 5:28 PM
Subject: Re: [h-cost] mitts



So long as you are not using a glover's needle backstitcing is fine.
The glovers needle has that three sided cutting edge to it for
leather and will cut the thread.

For the thumb, you want to put that in first. You can do an overlap
seam for that if you wish. That is, place the thumb piece inside the
trank of the mitt and sew on the first layer down into the second
layer that is the thumb.

Are these fabric or leather?

Any chance you can send us a thumbnail of what the finished product
should look like? Or a museum link of a pair of mitts these were
based on?

Chiara


On Thu, March 9, 2006 10:15 am, Bjarne og Leif Drews said:

Thanks Chiara,
I think i would like to sew the right sides together and turn, but i
really
would like to know more, if you have any informations about the
stitches i
would be very happy :-)
I am thinking about you cant sew on the thumbs and then turn, how do
you
attach these last, and wich stitches do you do for this?
Rubbish, off cause i can sew on the tumbs and turn, i am a little
confused
right now, its the museum dress in my head!
No problems then, but do you think backstitching would be ok to use?

Bjarne
- Original Message -
From: Chiara Francesca Arianna d'Onofrio [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Thursday, March 09, 2006 5:07 PM
Subject: Re: [h-cost] mitts



Are you overlapping the seams or are you sewing the right sides
together and then turning them over?

I have a one sheet example of stitches used through the periods
for
gloves that I can share with you. It is from observational
research
as I am not able to go to the various overseas museums that have
the
gloves.

One local university recently obtained some gloves that they want
me
to come over the catalog for them. I am hoping some are from the
Elizabethan era. :)

Chiara


On Thu, March 9, 2006 9:39 am, Bjarne og Leif Drews said:

Hi,
I am working on making mitts with floral embroidery. I use a
pattern
from
Williamsburg. Made a muck up wich fits my hand very nicely, i
have
small
hands, so i guess they would fit a woman two. My question is wich
stitches
do you use to make these? And is the lining made seperate and
assembled
later, or do you make the lining same time as the outer layer?
The
thumb
must be difficult to assemble and the stitches must be very
strong,
but wich
stitches?


Bjarne





Leif og Bjarne Drews
www.my-drewscostumes.dk

http://home0.inet.tele.dk/drewscph/


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Re: [h-cost] Equestrian costuming other period tack

2006-03-09 Thread Dawn

Bjarne og Leif Drews wrote:

A hunting suit like this would have ben worn on special occations like 
hunting with the king and queen. Masculine fashion like this was only 
used for hunting. The tricorne, her Steinkirke cravate, the jacket with 
the big cuffs, the way the buttonholes are worked and all the buttons. 




http://www.costumes.org/history/leloir/vol10/48_1692.jpg



Does anyone know what portrait this drawing is based on? From what I can 
determine, Leloir's costume books came out in the mid 1800's. I'd like 
to see some of his sources, including the ones for this image:



http://www.costumes.org/history/leloir/vol10/47_1693-98.jpg


Dawn



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Re: [h-cost] Equestrian costuming other period tack

2006-03-09 Thread Suzi Clarke

At 18:14 09/03/2006, you wrote:

Bjarne og Leif Drews wrote:

A hunting suit like this would have ben worn on special occations 
like hunting with the king and queen. Masculine fashion like this 
was only used for hunting. The tricorne, her Steinkirke cravate, 
the jacket with the big cuffs, the way the buttonholes are worked 
and all the buttons.




http://www.costumes.org/history/leloir/vol10/48_1692.jpg


Does anyone know what portrait this drawing is based on? From what I 
can determine, Leloir's costume books came out in the mid 1800's. 
I'd like to see some of his sources, including the ones for this image:



http://www.costumes.org/history/leloir/vol10/47_1693-98.jpg



This is one of the series I am talking about, and it is by Bonnart!

http://www.allposters.com/-sp/The-Summer-city-dress-1678_i1344960_.htm?aid=974174

Suzi




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Re: [h-cost] Equestrian costuming other period tack

2006-03-09 Thread Bjarne og Leif Drews

Dear Dawn,
I dont think i have ever seen the portraits made after these prints. But it 
could be, that they are real fashion prints. There was a series in the 
1680ies called Mercure Gallante, wich showed handcoloured fashion prints. I 
have photographed all they have at the museum of fine arts in Copenhagen, 
but it is only about 35 prints, not the entire range.
In one of my costume books wich is in danish, dont know the english title, 
it is written by an italian lady called Mila Contini, there is a portrait 
very like the same style, of Marie Adelaide de Savoye, duchesse of Burgundy. 
Its painted in the last part of 17th century, red with gold laces. Her large 
cufs are entirely covered with gold laces  and her waistcoat is entirely 
gold two.
Another portrait from Ribeiros Dress in 18th century Europe, page 47 shows 
Frances Pierrepoint, Countess of Mar, ca. 1715. Her hunting suit is made of 
a very pale rose colloured outfit, and her trimmings are made of silver 
bobbin laces. She also has the masculine wig on.+ tricorne under her right 
arm.


Bjarne

- Original Message - 
From: Dawn [EMAIL PROTECTED]

To: Historical Costume [EMAIL PROTECTED]
Sent: Thursday, March 09, 2006 7:14 PM
Subject: Re: [h-cost] Equestrian costuming  other period tack



Bjarne og Leif Drews wrote:

A hunting suit like this would have ben worn on special occations like 
hunting with the king and queen. Masculine fashion like this was only 
used for hunting. The tricorne, her Steinkirke cravate, the jacket with 
the big cuffs, the way the buttonholes are worked and all the buttons.




http://www.costumes.org/history/leloir/vol10/48_1692.jpg



Does anyone know what portrait this drawing is based on? From what I can 
determine, Leloir's costume books came out in the mid 1800's. I'd like to 
see some of his sources, including the ones for this image:



http://www.costumes.org/history/leloir/vol10/47_1693-98.jpg


Dawn



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RE: [h-cost] dilemma ahhhhhhhhhhh.

2006-03-09 Thread Sharon at Collierfam.com
Are you looking for patterns?
Sharon

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On
Behalf Of Bjarne og Leif Drews
Sent: Thursday, March 09, 2006 8:21 AM
To: Historical Costume
Subject: Re: [h-cost] dilemma ahhh.


No worries Albertcat, its not the prince, but the queen you see in the 
portrait from Rosenborg. I dont have a picture of the prince to share right 
now, but i know the portrait, its a boy dressed in a red doublet with 
trunkhoses. All the costume is slashed and the hat wich i dont know how i 
would make is a tall hat naturally leather colour with red feathers.

Bjarne

- Original Message - 
From: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Thursday, March 09, 2006 4:53 PM
Subject: Re: [h-cost] dilemma ahhh.



 In a message dated 3/9/2006 10:44:37 A.M. Eastern Standard Time, 
 [EMAIL PROTECTED] writes:

 _http://www.rosenborgslot.dk/images/pics/a03034wl.jpg_
 (http://www.rosenborgslot.dk/images/pics/a03034wl.jpg)





 I imagined the prince as a boylike an adolescent. Oh  well. 
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Re: [h-cost] Equestrian costuming other period tack

2006-03-09 Thread michaela
 A hunting suit like this would have ben worn on special occations like
 hunting with the king and queen. Masculine fashion like this was only used
 for hunting.

I was wondering what your thoughts on this costume were:
http://ec1.images-amazon.com/images/P/B4YWXG.01._SCLZZZ_.jpg

It's the cover of the cd Pavaniglia by The Kings Noyse.

It looks very late 17thC or very early 18thC and I would guess they are in
costume for some performance, based mostly on her shoulder cloak and ruff
and his costume.
I'm thinking of something like this or a regular hunting style outfit for a
costume I need in April (I'm singing How Would I Play This Part, from The
Grand Duke by for a GS singing competition) and I want something evocative
of the period but not a mantua or other general 18thC style. In fact the
original costume is very much a Victorian restyling of Swiss/German national
costume;)  It even has a little jacket worn with it, so this style isn't
really too far off the mark and should help establish some character before
I even open my mouth.
It will be not be completely historically correct as it will be worn over a
kilted skirt, but more like a mix of late Victorian and early 18thC.
Oh and the character singing the song is an actress.

michaela de bruce
http://glittersweet.com



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Re: [h-cost] New pattern

2006-03-09 Thread Deredere Galbraith

Somehow I find the hoops and bustles a bit weird looking.
I am not sure what it is.


Five Rivers Chapmanry wrote:


   Thought some of you who re-enact Victorian and Dickens eras
would be interested in the new pattern from Laughing Moon (I'm just waiting
for my new stock to arrive). It's the Hoops and Bustles package, LM112.
Looks like another fabulous addition to this premiere line of patterns. For
details you can visit http://www.5rivers.org/en-gb/p_1058.html which will
take you to that specific pattern.



   There's also been a wonderful addition to the Laughing Moon
Men's Frock Coat pattern, in that in now includes a single-breasted, as well
as the double-breasted frock coat, with the original two vests that were
included in the pattern. Again, I'm just waiting for my new stock to arrive.
You can view that pattern at: http://www.5rivers.org/en-gb/p_776.html 




Regards,

Lorina

Five Rivers Chapmanry

purveyors of historical sewing patterns, quality hand-crafted cooperage,
re-enactor and embroidery supplies, and more.

519-799-5577 [EMAIL PROTECTED] - www.5rivers.org



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Re: [h-cost] dilemma ahhhhhhhhhhh.

2006-03-09 Thread Debloughcostumes
There's only really one question to answer - do you really want to do the 
outfits?

If you do then go for it, because you'll only regret it afterwards if you 
don't.

And the worst thing would be to end up thinking 'what if I had...'.

Well that's what I always tell myself when I take orders for things at short 
notice, anyway  

:-D

Debbie
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Re: [h-cost] mitts

2006-03-09 Thread Franchesca
Beautiful as always Bjarne!

The lining is attached at the finger tips for gloves. The same would
apply here. Attach at the top of the mitt and at the top of the
thumb. Then attach it at the cuff. Leave the side seams unattached.

Make sure you allow the fabric for the mitt and the lining to hang
so that it stretches out first. You do not want something this
delicate to have a lininig no longer fit because one or the other
stretched out over time.

Definitely right sides together on the thumb. :)

Chiara


On Thu, March 9, 2006 11:11 am, Bjarne og Leif Drews said:
 Dear Dhiara,
 Many thanks for your help.
 I want to make them in ivory silk taffeta. You can see the design i
 made
 here, with colours of embroiderysilks:
 http://www.my-drewscostumes.dk/purse.htm
 Scroll down to the buttom.
 I want to make the outer layer in silk taffeta, and a shite silk
 satin wich
 is thinner and softer for the lining.

 Bjarne
 - Original Message -
 From: Chiara Francesca Arianna d'Onofrio [EMAIL PROTECTED]
 To: Historical Costume [EMAIL PROTECTED]
 Sent: Thursday, March 09, 2006 5:28 PM
 Subject: Re: [h-cost] mitts


 So long as you are not using a glover's needle backstitcing is
 fine.
 The glovers needle has that three sided cutting edge to it for
 leather and will cut the thread.

 For the thumb, you want to put that in first. You can do an
 overlap
 seam for that if you wish. That is, place the thumb piece inside
 the
 trank of the mitt and sew on the first layer down into the second
 layer that is the thumb.

 Are these fabric or leather?

 Any chance you can send us a thumbnail of what the finished
 product
 should look like? Or a museum link of a pair of mitts these were
 based on?

 Chiara


 On Thu, March 9, 2006 10:15 am, Bjarne og Leif Drews said:
 Thanks Chiara,
 I think i would like to sew the right sides together and turn,
 but i
 really
 would like to know more, if you have any informations about the
 stitches i
 would be very happy :-)
 I am thinking about you cant sew on the thumbs and then turn, how
 do
 you
 attach these last, and wich stitches do you do for this?
 Rubbish, off cause i can sew on the tumbs and turn, i am a little
 confused
 right now, its the museum dress in my head!
 No problems then, but do you think backstitching would be ok to
 use?

 Bjarne
 - Original Message -
 From: Chiara Francesca Arianna d'Onofrio [EMAIL PROTECTED]
 To: Historical Costume [EMAIL PROTECTED]
 Sent: Thursday, March 09, 2006 5:07 PM
 Subject: Re: [h-cost] mitts


 Are you overlapping the seams or are you sewing the right sides
 together and then turning them over?

 I have a one sheet example of stitches used through the periods
 for
 gloves that I can share with you. It is from observational
 research
 as I am not able to go to the various overseas museums that have
 the
 gloves.

 One local university recently obtained some gloves that they
 want
 me
 to come over the catalog for them. I am hoping some are from the
 Elizabethan era. :)

 Chiara


 On Thu, March 9, 2006 9:39 am, Bjarne og Leif Drews said:
 Hi,
 I am working on making mitts with floral embroidery. I use a
 pattern
 from
 Williamsburg. Made a muck up wich fits my hand very nicely, i
 have
 small
 hands, so i guess they would fit a woman two. My question is
 wich
 stitches
 do you use to make these? And is the lining made seperate and
 assembled
 later, or do you make the lining same time as the outer layer?
 The
 thumb
 must be difficult to assemble and the stitches must be very
 strong,
 but wich
 stitches?


 Bjarne





 Leif og Bjarne Drews
 www.my-drewscostumes.dk

 http://home0.inet.tele.dk/drewscph/


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Re: [h-cost] Equestrian costuming other period tack

2006-03-09 Thread Suzi Clarke

At 18:14 09/03/2006, you wrote:

Bjarne og Leif Drews wrote:

A hunting suit like this would have ben worn on special occations 
like hunting with the king and queen. Masculine fashion like this 
was only used for hunting. The tricorne, her Steinkirke cravate, 
the jacket with the big cuffs, the way the buttonholes are worked 
and all the buttons.




http://www.costumes.org/history/leloir/vol10/48_1692.jpg


Does anyone know what portrait this drawing is based on? From what I 
can determine, Leloir's costume books came out in the mid 1800's. 
I'd like to see some of his sources, including the ones for this image:



http://www.costumes.org/history/leloir/vol10/47_1693-98.jpg


Dawn




I suspect these are redrawn from a series of fashion plates which 
were published in France in the late 17th century. I have copies of 
others in a similar style. The artist Bonnart springs to mind, but I 
don't guarantee anything, as I am currently having a hot  flush 
(English version) and am as a consequence in the brainsaremush state.


Suzi 



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Re: [h-cost] New pattern

2006-03-09 Thread Lloyd Mitchell
These hoops and bustles are wonderful, Lorena!  I have the first one and the
last as antiques and you have made them up just as they should be. The last
one differs only from mine in that the train part button of mine buttons
onto the hem of the main hoop shape.  Bravo

Kathleen
- Original Message - 
From: Deredere Galbraith [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Thursday, March 09, 2006 12:00 PM
Subject: Re: [h-cost] New pattern


 Somehow I find the hoops and bustles a bit weird looking.
 I am not sure what it is.


 Five Rivers Chapmanry wrote:

 Thought some of you who re-enact Victorian and Dickens eras
 would be interested in the new pattern from Laughing Moon (I'm just
waiting
 for my new stock to arrive). It's the Hoops and Bustles package, LM112.
 Looks like another fabulous addition to this premiere line of patterns.
For
 details you can visit http://www.5rivers.org/en-gb/p_1058.html which will
 take you to that specific pattern.
 
 
 
 There's also been a wonderful addition to the Laughing Moon
 Men's Frock Coat pattern, in that in now includes a single-breasted, as
well
 as the double-breasted frock coat, with the original two vests that were
 included in the pattern. Again, I'm just waiting for my new stock to
arrive.
 You can view that pattern at: http://www.5rivers.org/en-gb/p_776.html
 
 
 
 Regards,
 
 Lorina
 
 Five Rivers Chapmanry
 
 purveyors of historical sewing patterns, quality hand-crafted cooperage,
 re-enactor and embroidery supplies, and more.
 
 519-799-5577 [EMAIL PROTECTED] - www.5rivers.org
 
 
 
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Re: [h-cost] New pattern

2006-03-09 Thread AlbertCat
 
In a message dated 3/9/2006 7:47:34 P.M. Eastern Standard Time,  
[EMAIL PROTECTED] writes:

Somehow  I find the hoops and bustles a bit weird looking.
I am not sure what it  is.



*
 
Me too.
 
The only thing I can put my finger on is, the oblong hoop needs a pad at  the 
back to keep it from tipping up in front.
 
The round hoop is a bit small for a petticoat hoop with so many hoops in  it. 
I have period ones this size but they are all cage hoops and the wires start  
at a little above the knee height. But I like the shape of that  pattern.
 
The bustles seem functionallord knows there were so many  contraptions to 
achieve that silhouette. But there is something alien about  them.
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RE: [h-cost] dilemma ahhhhhhhhhhh.

2006-03-09 Thread Sharon at Collierfam.com
These also might be easier because the fit doesn't have to be as fussy as
when it's for a live person. Dress forms don't complain.

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On
Behalf Of [EMAIL PROTECTED]
Sent: Thursday, March 09, 2006 7:06 AM
To: Historical Costume
Subject: Re: [h-cost] dilemma ahhh.


Bravo, Bjarne. What a fitting recognition for your wonderful skills and
accomplishments! You sound as if you're very tempted. These projects sound
like something a bit new for you, a chance to stretch... You COULD tell
yourself that garments for exhibition aren't QUITE costumes...and so you
wouldn't be breaking your promise to yourself not to make any more
costumes... Keep us posted about what you decide! Best wishes, Ruth Anne
Baumgartner scholar gypsy and amateur costumer

-Original Message-
From: Bjarne og Leif Drews [EMAIL PROTECTED]
Sent: Mar 9, 2006 8:49 AM
To: [EMAIL PROTECTED]
Subject: [h-cost] dilemma ahhh.

Hi,
I just got an enquiry from a museum. Because this year it is 
renaissance
year, a museum has purchased money to get 2 costumes done. I am asked to do

them. I would make a dress after a portrait of Queen Sophie (the queen they

remade the wedding dress for) - as a widow. A black dress, small white ruff

and a black hood.
Then i should also make a prince outfit for a boy, the chosen prince  who 
died in 1647. This is rather late, and i dont think it has much to do with 
renaissance, but..
Oh  and i had promised myself from stopping making costumes, and besides, 
the outfits has to be finished in about 3 months. ..
Ah i really dont know, but would be very tempting

Bjarne





Leif og Bjarne Drews
www.my-drewscostumes.dk

http://home0.inet.tele.dk/drewscph/


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RE: [h-cost] Ruff - was Bjarne's dilemma

2006-03-09 Thread Sharon at Collierfam.com
Looking at the ruff, it may be that the painter just made up the ruff
pattern, so it kind of looked like the real ruff. Remember, it's a
painting, not a photo, and there is probably a bit of creative license.

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On
Behalf Of Suzi Clarke
Sent: Thursday, March 09, 2006 7:50 AM
To: Historical Costume
Subject: [h-cost] Ruff - was Bjarne's dilemma


At 15:43 09/03/2006, you wrote:
Three months?  Oww.  Is this the portrait of Queen Sophie you'd be 
doing? http://www.rosenborgslot.dk/images/pics/a07375wl.jpg (different 
cap color, but I couldn't find anything else in a quick search) Do you 
know what the whole dress would look like already?  The wedding dress 
is over 30 years earlier, so it probably wouldn't help... you might 
have to put in some research time, which would make the 3 months time 
limit harder.


What a complicated ruff! I've never seen anything like that. I am 
trying really hard to work it out. Am I mad to think it might be two 
layers of fabric, instead of one - one to make the standard ruff and 
one to make the doubles inside?

Is this the prince? 
http://www.rosenborgslot.dk/images/pics/a03034wl.jpg

I have no doubt you could do it if you set your mind to it, Bjarne,
but it sounds like a bit of a headache to me!  Would they consider 
allowing more time for it and is the money enough to be tempting?

-E House

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RE: [h-cost] dilemma ahhhhhhhhhhh.

2006-03-09 Thread Sharon at Collierfam.com
OK, that makes sense, but what a lot of work! Lovely, though. Gives me an
idea for my costume...
Sharon

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On
Behalf Of Becky
Sent: Thursday, March 09, 2006 7:58 AM
To: Historical Costume
Subject: Re: [h-cost] dilemma ahhh.


It's not as complicated as it looks. Make a ruff with 2 layers. Form a main 
ruff that has all layers. When that is properly spaced. bring the inside 
ruff down into points inside the loops of the outter fabric. It's like 
origami. I can visualize it but may not explain it well.
- Original Message - 
From: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Thursday, March 09, 2006 10:52 AM
Subject: Re: [h-cost] dilemma ahhh.



 In a message dated 3/9/2006 10:44:37 A.M. Eastern Standard Time, 
 [EMAIL PROTECTED] writes:

 http://www.rosenborgslot.dk/images/pics/a07375wl.jpg


 What a bizzare ruff! A ruff inside a ruff! 
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[h-cost] RE bizarre ruff was : dilemma ahhhhhhhhhhh.

2006-03-09 Thread otsisto
It looks like 3 layers with one thick layer between two sheer layers

-Original Message-
http://www.rosenborgslot.dk/images/pics/a07375wl.jpg 


What a bizzare ruff! A ruff inside a ruff!


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RE: [h-cost] Ruff - was Bjarne's dilemma

2006-03-09 Thread Wanda Pease
Looking at this ruff I actually see three layers.  One big outer layer, then
two ruched together so that one fills the top arches of the large ruff and
the other fills the bottom.  Of course, all the layers may actually be the
same size and you get the rather heart shape of the inner layers as they
become bunched within the outer one.

Ow!  My brain hurts.  I can't wait to see what you do with this one Bjarne!

Regina

 What a complicated ruff! I've never seen anything like that. I am
 trying really hard to work it out. Am I mad to think it might be two
 layers of fabric, instead of one - one to make the standard ruff and
 one to make the doubles inside?

 Is this the prince?


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Re: [h-cost] Equestrian costuming other period tack

2006-03-09 Thread michaela
 In one of my costume books wich is in danish, dont know the english title,
 it is written by an italian lady called Mila Contini, there is a portrait
 very like the same style, of Marie Adelaide de Savoye, duchesse of
Burgundy.
 Its painted in the last part of 17th century, red with gold laces. Her
large
 cufs are entirely covered with gold laces  and her waistcoat is entirely
 gold two.

That would be Fashion, by Mila Contini, I just had another look through my
copy and realised there are in fact a lovely number of images I've really
liked over the years. I found a used copy a couple of years ago and bought
it as it was one of the first costuming books I got hold of. It was in my
school library.

Marie is on page 184. One of my favourite gowns is on page 181 (part of a
two page image) and it's pretty clearly mourning garb. I'm not keen on the
headdress, but the gown is really lovely.
Louis XIV receiving Frederick Augustus of Saxony, Louis Silvestre,
Versailles Museum.

michaela de bruce
http://glittersweet.com



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[h-cost] Ruff RE: dilemma ahhhhhhhhhhh.

2006-03-09 Thread otsisto
To achieve the look you need 3 layers. Otherwise it will only have the heart
frills in the top loops or the bottom.
You will need to have excess of the frill material to achieve the desired
effect.

De
-Original Message-
It's not as complicated as it looks. Make a ruff with 2 layers.


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