Hankies were certainly bigger in the past, twelve inches or more was common,
whether they were carried by men or women. But I think a hanky would have a
solid centre of fabric rather than lace. A chalice cover might be all lace.
Sent from my iPad
> On 24 Jun 2019, at 05:55, H M Clarke wrote:
The stitching is very close and tight, so I think there is no chance of fraying
over time, as long as the treatment of the lace is reasonably gentle as it
always should be.
Kathleen, in a hot and humid Berkshire, UK, expecting thunder any minute!
Sent from my iPad
> On 23 Jun 2019, at 12:32,
When I was learning Flanders and Binche in Bruges, 30years ago, I was taught by
Anne-Marie Verbeke-Billiet. She taught her students to start at a point in the
lace where a join could be most invisibly placed. The first repeat of the
pattern was to practise and learn the pattern, and the last
Alix, I have never heard that before so thank you for the information. Lead
would certainly damage the silk, and probably intensify the black colour too!
Kathleen
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I visited Grammont many years ago to see Chantilly lace in the museum there -
at least I think it was a museum, I do not remember clearly. But I do remember
that we were told that the lace was made with black silk thread, and that the
silk reacted badly to the dye, therefore the lace did not
I seem to have dropped off the list of recipients of the artefact of the month.
I haven’t had one for a while.
Sent from my iPad
> On 1 Jul 2018, at 10:00, Diana Smith wrote:
>
> Has anyone else received the new look Artefact of the Month page from the
> English Lace Guild?
> It has been
And for a fictional account of the life of one of the lacemakers involved in
the making of the lace for Victoria’s wedding dress read “The Royal Lacemaker”
by Linda Finlay. It is a good read and, as far as I can tell, an accurate
account.
Sent from my iPad
> On 25 May 2018, at 18:10, Jeri
I wonder if it is simply that bobbin lace appeals particularly to scientists
and especially mathematicians. Moving on from this, is it the more “regular”
laces which appeal, I.e. Torchon, Bucks and Flanders, rather than Bedfordshire
for instance?
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Marjory Carter, who I mentioned as my Bucks point tutor, had been a maths
teacher in a grammar school, until she retired. She learned her lace from a
lady with whom she lodged when she was training as a teacher. I started to take
courses with her in 1980, so I guess she would have retired in
I started making lace in 1970, and in 1980 I started to learn Bucks point lace
from Marjory Carter. I joined a week long course with her for several years.
She was a wonderful teacher, and I enjoyed every minute. She certainly believed
that Bucks point should always be traditional in design and
Some years ago I visited a village in southern Belgium which had specialised in
making black Chantilly lace. It’s name escapes me. The lace we saw was
fantastic, but we were told that there was little of it left, because the black
dye used to colour the thread, (or maybe the process used)
I think Nena wrote the needlelace books because she wanted the lace revival to
include needlelace. There were already several bobbin lace books around, but
none on needlelace at that time. I think that needlelace was her favourite
craft!
Sent from my iPad
> On 27 Mar 2018, at 16:47, Jeri Ames
Certainly the craft centre which Nena Lovesey ran received advice from the CAC,
but I don’t think they supplied funding, although they may have done. The
committee which was formed to oversee the centre was chaired by my husband, and
I know he was in correspondence with the CAD, but the centre
Strange how this thread has revived so many memories! When I started making
lace with Nena Lovesey in 1970, with my Belgian bobbins, she not only taught me
to make lace, she taught me all sorts of things about lace. This continued with
talks which she gave to emerging lace groups. So I learned
I started to make bobbin lace in 1970. Nena Lovesey started me off with a
simple pillow, some Belgian bobbins, and excellent basic instruction! I loved
it! When she thought I was able enough, she introduced me to the Swedish
Knipplerscan books. There were two paperback books of patterns,
I too am guilty of enjoying the list, but not responding to messages. I always
enjoy Jeri's historical messages, and have learned from them. I enjoyed the
discussion about lace tells, but have not yet looked up my own notes to see if
I can add anything to it.
Many years ago, when I was
I can't remember when I first used a 'ghost pillow', or where the idea came
from. I think it was when I made Binche, so maybe it was Anne-Marie in Bruges.
I certainly didn't use it when I started making Bucks point- I don't think
Margery Carted would have approved! But I could have found it
I am afraid mine go into a folder and probably never see the light again!
Kathleen
In an unseasonably cold Berkshire, UK
Sent from my iPad
> On 13 Sep 2017, at 22:10, H M Clarke wrote:
>
> I'm wondering what you all do with your lace samples? I'm thinking of
> segments of a
Hi Joepie, I have used this method on both Flanders and Binche, which often
have such excellent enlarged working diagrams. I imagine it could be used for
other laces which have detailed diagrams, which could perhaps be enlarged if
necessary. It certainly helps a great deal!
Kathleen
In an
This list is so valuable to so many people, please do not let this problem
destroy it. I do hope that no one will leave the list because of it. Please,
Jenny, do not leave us - you are so necessary to the list. This problem has
grown out of proportion, and hurt some of us very much, I would
I have received a most beautiful bookmark from Susan Brooks - it is the one
with the swans, which someone has already mentioned from its picture on the web
site. Thank you very much, Susan, I shall treasure it!
It obviously got delayed in the post, but I am so glad it wasn't lost!
Kathleen,
I have received two lovely Torchon bookmarks. The first is from Robyn Denny in
New Zealand and the second from Sue Vossier in France, her own design. They are
so different, which shows how versatile Torchon lace can be. Many thanks to you
both.
Kathleen
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I have received a lovely "spidery" Torchon bookmark from Gail Parish. Thank you
Gail, and for the pretty card which accompanied it.
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I think it was Sulachona who was on the trip from UK to the OIDFA congress in
Finland, some years ago now though. If so, she was a keen lacemaker and a
lovely lady.
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>
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I have spun flax into linen thread, fine enough to make lace, but only just! I
made a small owl with it (Gill Dye's design?). I have discussed linen thread
with tutors from the Kantcentrum in Bruges. They told me that the old varieties
of flax, which were used to produce linen thread fine
Hello everyone,
I have been busy too! I have just been to Bruges for a week, making lace. There
were twenty of us, staying in the Beguinhof, with Anne-Marie Verbeke-Billiet as
our tutor. There were six types of lace being worked, and plenty of fun and
friendship in between times.
This
I seem to remember that there was quite a bit of lace on display in the
ethnographic museum. Can anyone confirm this? It is a few years since I was
there!
Best wishes
Kathleen
In Berkshire, UK, where we have summer at last!
Sent from my iPad
> On 14 Aug 2016, at 13:04, Nathalie
Helen,
This is interesting!
I am 1D, and 2B.
Best wishes
Kathleen
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Thank you Sue and Cynthia for your replies. I am working on a small flat
pillow, and managing quite well. I don't have a problem with the sewings,
though I can see that they would be easier on the curved pillow. I would love
to see a Slovenian pillow being used to see how it is moved about.
I have been inspired by the pictures of lacemakers in Slovenia to start on a
new piece of Idrija lace. I haven't made any for a while! It struck me once
again, how different the way of working is on a Slovenian cylindrical pillow in
a basket. Has anyone, used to working on a flat pillow, tried
I have received a beautiful and delicate point ground bookmark from Lorri
Ferguson. Thank you very much, Lorri, and thank you Lin for the organising!
Kathleen
In a warm, wet and humid Berkshire, UK
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I have used Aurifil 28 and like it very much. It does have a silky sheen to it.
I would have no hesitation in using the other thicknesses. I particularly like
the variegated colours, one of which I have used for one of my exchange
bookmarks.
Kathleen
In a dull, damp Berkshire, UK
Sent from my
I have received a beautiful tatted bookmark from Lin Hudren. It is red and
purple, with added sparkle! Thank you Lin, and for organising the exchange,
which I am enjoying so much.
Kathleen
Berkshire, UK
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I have received a lovely bookmark from Sue T! It is very fine Torchon, mounted
on red, very delicate.
I am just about to package my four, ready for the post on Tuesday.
Kathleen
Berkshire, UK
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Dear Jeri,
How I wish I could be in Slovenia attending the congress and meeting you and
other Arachne members. I have made some Idrija lace and want to do more and
would love to have learned more about it and the lacemakers who make it. But I
am a few years ahead of you in age and not an
Some of the patterns are lovely, and I noticed that some prickings are marked
ROK. I think that is a Spanish lace organisation or is it a pattern producer?
Are these patterns available in the UK? Maybe they belong to a Spanish lace
organisation.
Kathleen, in sunny Berkshire, UK
Sent from my
Sue,
Sukanec za Klekljanje Idrija is in Brenda Paternoster's book as Textil za
Turizem, Sukanec za Klekljanje Idrija No 60 and is 25 w/cm. so, I think your
Idrija thread would be suitable for any lace that requires a thread of about 25
w/cm.
For Idrija lace, I am using Filato per Tombola di
I think that many laces are worked with the back uppermost, so that swings etc
are on the back when the lace is complete. With Torchon, it makes sense, as
Jean says, to work it in this way, if you are making a square mat, for
instance, which will have a long join across a corner. But for many
I was sitting at my lace pillow, moving pins from the back of my lace to my
pincushion, when I started wondering. How long do other lacemakers leave the
pins in their work? When making Torchon or Flanders lace, I leave the pins
round the edge, and push them right down. I start to remove pins
Hi Sue,
I don't belong to a class or group, so I have developed my own way of working
over the years. I was curious about how other lacemakers worked. The pin
question isn't the sort of thing that is taught - except that I was told always
to leave pins in for 24 hours, to allow the thread
I agree that you cannot always leave the pins in if working a narrow edging on
a roller pillow. For that reason, I changed to a block pillow. But I do think
that thread sets in its position in lace. If you come to your lace one morning,
and find that you made a mistake the previous day, and
I was in Bruges last October, and can confirm what Achim says. The Kantcentrum
and its museum have indeed moved, because the owners of the property, in which
it used to be, wanted to sell the building. The new centre is modern, light and
friendly, and the museum is excellent. There is modern
It would certainly happen both while you were making the lace and later, when
it was being used, if you used sharp bugle beads. With the metal ones, I am not
so sure. It would probably be fine in the making, but wear through the thread
later. I don't think it would matter what thread you used -
I have not used beads in my lace very often, but I find that bugle beads -
the long slim ones - often cut the thread when I am beading! And that is
nylon beading thread. I think that bugle beads are cut from a tube and,
unless they are very good quality, have sharp edges. It doesn't seem to
happen
I am sure it is Bedfordshire, because of the pattern, the pillow ( an East
Midlands bolster) and because of the bobbins which are Bedfordshire thumpers.
Kathleen
In a dull but unfortunately still dry ( for the gardens) Berkshire.
Sent from my iPad
On 25 May 2015, at 17:02,
Yes, there are two pieces of lace being made, and, presumably, two lace makers.
The patterns are similar, but one has tallies and one doesn't, and it is the
different pillow covers which give the game away, as well as the fact that one
lace maker puts her pins in more tidily than the other!
The Kantcentrum museum in Bruges has been moved (only a little way) and
remodelled . It opened last year and I visited last October. I was very
impressed. It is modern, with exhibits of fantastic lace, and interactive
displays of how lace, both bobbin and needle, is made. Well worth a visit.
I received my copy on Saturday.
Kathleen, in equally dreary Berkshire.
-Original Message-
From: owner-l...@arachne.com [mailto:owner-l...@arachne.com] On Behalf Of
Diana Smith
Sent: 01 December 2014 09:45
To: Arachne
Subject: [lace] Lace society
Is it just me or has anyone received
I feel I must stop lurking and pass on my opinions on this topic.
The best teacher I ever had was the late Marjery Carter, who taught me Bucks
point. She had been a maths teacher, and her opinion was that if you could
teach one subject, then you could teach anything, because you had the
I do receive Jeri's posts, and they are all useful and informative, and always
seem to teach me something new. So please do not stop sending them, Jeri.
But not every message, which appears on my PC, appears on my iPad. I haven't
yet worked out which one's don't come through because there seems
Can anyone tell me whether the prickings for the patterns in the
Knypplerskan books are still available, and, if so, from where? I have the
books (parts I and II which were bound together and part III) and many of
the prickings, which I purchased from Mace and Nairn in the seventies. Now I
would
I told my daughter about this discussion, and she immediately confirmed that
lavender oil or eucalyptus oil will remove greasy stains from silk! Some
years ago she had a lodger who leaned against a dirty chain and got a bad
stain on the sleeve of a silk shirt. He told her to throw the shirt away
I too remember the bran treatment for tweeds and upholstery! I also know
that talcum powder (powdered magnesium silicate) was recommended to clean
lace and other delicate fabrics. I am sure that I have heard that
recommendation a lot more recently than the 1940's. I believe it is also
recommended
I also started my lacemaking (in 1970) with pre-prepared prickings on glazed
card. These were sometimes bought, or made by pricking very carefully and
accurately through another pricking. The books I started with were Maidment,
and Mincoff and Marriage. Then came new books by Doreen Wright and Pam
Sorry - that should be linen ends, not line ends!
Kathleen
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I was lucky enough to start my lace-making life with Nena Lovesey. She lent
me bobbins and a pillow and started me off on Torchon lace. I couldn't
attend a regular class, but saw Nena quite often, and learned so much from
her, not only about making lace but about its history. I carried on on my
A couple of points have occurred to me while reading this subject. Firstly,
not every teacher will click with every student. Some students will learn
better from one teacher than from another.
The second point is that some teachers are not so good at teaching the
techniques of lace-making, but
Dear David and all,
I have been in contact with Rhona, Frank Newborn's daughter. She and her
mother have been delighted to hear how his work is valued by lacemakers and
tatters. But she told me that she never made bobbins. Her contribution was
to advise her father about lace and to test his
Could I suggest that many lace makers are problem solvers. This would
include mathematicians, and many scientists. I love puzzles of any kind but
especially logic problems, and when I am making lace, I can see a
problem-solving element in the process, even in a simple piece of Torchon. I
can also
Tess's comments on the differences between boys and girls in making lace,
and the differences between men and women watching lace being made prompt me
to relate my experiences when demonstrating spinning. If a boy is
interested, he wants to know first how the wheel works. Some boys work it
out for
The correspondence about Frank Newborn inspired me to examine my two silver
bobbins - I wondered if they had been made by him. They were given to me by
my late husband to commemorate our silver wedding in 1985. One has an
inscription, the other is turned and decorated. They both have birdcage
by her
initials.
Kathleen
-Original Message-
From: David C COLLYER [mailto:dccoll...@ncable.net.au]
Sent: 29 May 2013 15:56
To: Kathleen Harris; lace@arachne.com
Subject: Re: [lace] Silver bobbins
Dear Kathleen,
Now, of course, I want to know who made my bobbins, who RKN is! I wonder
I make mainly bobbin lace, but I also tat and learned about 70 years ago,
but tatting took a back seat when I discovered bobbin lace. I have made and
enjoyed needlelace, and have always intended to do more, but again, I am
afraid bobbin lace comes first. I can crochet and I do a lot of knitting,
I post very rarely. I am an experienced lacemaker (43 years) but I am not a
teacher. I usually find that, by the time I have put my reply to a query
into words, someone more used to teaching has replied to the query in a
clearer way!
But I do enjoy reading the list very much, and the last few
Thank you Margery, I will try to remember that next time I think I may be
able to offer some information.
Kathleen
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Some years ago, I used to dye silk scarves with acid dyes in a microwave.
After dyeing, I washed them in a good quality washing up liquid, or a hand-
wash liquid, rinsed once, and then rinsed again with a small quantity of
vinegar in the water. I still have some of these scarves myself, and always
I usually try to finish one piece at a time, but must admit to having two
unfinished at the moment. One is a large Bruges flower lace mat, and I have
just run out of team on that, and the other is a free lace piece that I
know is going to be difficult to finish off - it is waiting for me to have
I would think that the worst of the poverty happened at the period when
machine made lace was taking over from most of the hand made lace, so that
the lace workers were paid very little for a skill no longer of value to
most people. The lace dealers must have gone out of business too.
The
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