Hi,
will there be a .sh file like for older releases?
https://lilypond.org/download/binaries/linux-64/
The Download page https://lilypond.org/development.html links to
https://gitlab.com/lilypond/lilypond/-/releases/v2.23.8/downloads/lilypond-2.23.8-linux-x86_64.tar.gz
whereas it used to link
Dear Werner,
I am all for it and know nothing about Persian music.
One comment: When looking at Fig. 11 in your PDF, two suggestions came
to my mind. The handwritten accidentials show some less sharp edges
because the ink is flowing in the inner angles of the glyph. As you
already take the
Hi David,
you are looking for markup-system-spacing:
\paper {
markup-system-spacing.basic-distance = #10
}
Flexible vertical spacing \paper variables:
http://lilypond.org/doc/v2.20/Documentation/notation/flexible-vertical-spacing-paper-variables
Cheat Sheet:
> How does a pianist do this?
Scores can describe what a player should think or feel even though the
note fades on its own in this case.
> And, even more importantly, how to engrave this?
You can search the list archives for "\after" a small function that can
make it easier to do that
FYI: The new MuseScore version 3.6 comes with a new default music font
and text font.
https://musescore.org/de/node/315523
There is a sample image in this article
https://gnulinux.ch/neue-version-von-musescore
Cheers,
Joram
Hi,
many years ago, I asked for a -dcrop options for SVG for a very similar
usecase: adding SVG images to a website (a markdown extension in
particular). It was then implemented some time later and I was happy
with it (with my single line scores). It might be that Étienne Beaulé
implemented it,
I’ve made the same experience with Wordpress. I’ve contacted Urs some
weeks ago about this. And he pointed me to the admin who is not Urs and
whom I contacted also. So he should know. Knute said he had other
issues. So I guess, currently we cannot do anything.
I might post another blog entry at
Dear Marc,
it's markup-system.minimum-distance
(or basic-distance or padding – depending on what want)
https://joramberger.de/files/LilypondSpacing.pdf
HTH
Joram
Dear Max,
what you describe sounds somewhat similar to gridly:
https://github.com/openlilylib/gridly
I have never been in need for such an approach. Which is why I don't
know enough about gridly to describe it properly. And it is not about
spreadsheets just the time/voice-segmentation sounds
Am 16.06.20 um 14:13 schrieb Federico Bruni:
> IMO Frescobaldi package should not have lilypond as dependency
To be more precise: frescobaldi "recommends" and "enhances" lilypond.
But with default apt settings that means, installing frescobaldi will
install lilypond, too.
Joram
> That sounds very reasonable, given the massive Qt changes we had since
> 2015. As a service to everyone you might get in touch with the Ubuntu
> package maintainers (both python3-poppler-qt and frescobaldi, if
> they're different), file a bug and tell them that the packages must be
> kept in
> Well, the *package* is not by Wilbert, which may be the problem. The
> issue is that the package has to be built against exactly the correct
> Qt/SIP version used in the OS and Frescobaldi. It seems that this is an
> issue that occasionally pops up in distributions.
Well not the package, but
Am 16.06.20 um 10:06 schrieb Urs Liska:
> This may well be true, but the traceback looks like this one:
> https://github.com/frescobaldi/frescobaldi/wiki/Run-Frescobaldi-3-on-Linux#workaround-building-python-poppler-qt5-from-source
> and
> https://github.com/frescobaldi/frescobaldi/issues/838
Hi Urs,
Am 16.06.20 um 00:37 schrieb Urs Liska:
> Rhat diesn't seem too plausible, it looks more like a dependency issue.
I looked at the dependencies of the frescobaldi package and now
installed python3-poppler-qt5. Now Frescobaldi crashes at startup (see
traceback below).
> What about the
> Are you using \bookOutputName / \bookOutputSuffix for controlling the
> names of the pdf files?
No. The PDF never appears, even with the most basic input like:
\version "2.20.0"
{ a }
I guess, the problem is related to the fact that I did not install
Frescobaldi properly but just run the
Hi,
when I compile a file with Frescobaldi, lilypond is invoked and creates
a PDF in the same folder as it should. But Frescobaldi does not show it.
When I go to Tools > Directories > Open current folder, I can open the
PDF there. It worked correctly with Frescobaldi 3.0.0 from the package repo.
Hi Gleb,
when I asked a similar question in April, Harm replied with this code:
https://lists.gnu.org/archive/html/lilypond-user/2020-04/msg00061.html
Best,
Joram
Dear Hans van Eck,
you can add this to the \with block of your altoSaxPart:
\override VerticalAxisGroup.default-staff-staff-spacing.basic-distance = #30
The following overview could have helped you to find the right command:
https://joramberger.de/files/LilypondSpacing.pdf
Best,
Joram
Hi Rita,
you can put the chord names below the fret-boards:
\version "2.20.0"
chrd = \chordmode { a1 c1 }
<<
\new FretBoards \chrd
\new ChordNames \chrd
\chrd
>>
By the way, in the second word of your lyrics, a space is missing and
you can see the double hyphen in the image. It should be
Hi David,
> lilypond-book is a regular part of the LilyPond distribution, not a mere
> build dependency.
Yes, I understood. Perhaps my wording was not clear.
When Jonas explained that lilypond-book needs python2, I understood the
lilypond deb-package dependency on python2.
Cheers,
Joram
Hi Jonas,
Am 26.04.20 um 16:30 schrieb Jonas Hahnfeld:
> Yes, 2.20.0 "requires" Python2 for building and scripts like lilypond-
> book (not for running lilypond itself though).
Ah, lilypond-book makes sense. Because a deb-package does not provide
the whole building environment, does it? So the
Hi,
Ubuntu 20.04 comes with lilypond 2.20.0-1
https://packages.ubuntu.com/focal/lilypond
It lists python2 as a dependency (it is actually the only package on my
system requiring python2).
>From recent lilypond-devel mails, I got the impression that there was a
complete switch to python3 (at
Am 26.04.20 um 09:13 schrieb Thomas Morley:
> In "Times New Roman" the "Roman" is taken as font-family of font
> "Times New", which does not exists, thus a fall-back font is used.
What? :)
(Well, I think I know some background why, but that is still really
unexpected.)
Hi Ignacio,
it is better to send a minimal working example (MWE) instead of
screenshots. Here is one. This should work:
\version "2.20.0"
\markup {
\override #'(font-name . "Ubuntu Thin") "Test"
}
As you are using Frescobaldi (I hope a recent version), you can search
for the
Hallo,
das hier hat schon manchen mit Catalina geholfen
(this one did it for some users):
https://lists.gnu.org/archive/html/lilypond-user/2019-11/msg00295.html
Es gab schon einige Fragen dazu, ich habe sie aber nicht so genau
verfolgt, weil ich keinen Mac habe:
Am 23.04.20 um 18:33 schrieb Kieren MacMillan:
> I think your best bet is packed-spacing:
Which is extremely packed when used with
\paper { ragged-last = ##t }
Cheers,
Joram
It sounds like you could pick or adapt one of those:
http://lsr.di.unimi.it/LSR/Item?id=204
I should have said that you need to adjust this value to your needs.
> \override InstrumentName.X-offset = -1
You can move the InstrumentName to the left (-) and to the right (+).
Instrument names are right aligned with the left staff edge by default.
You can change that using either
I think I’ve seen solutions for that problem on this list or in the
snippets. Perhaps someone has a link.
But how about his?
\version "2.20.0"
\score {
<<
\new Staff \new Voice = "sop" {
\clef "treble"
c'4 \bar "" \break c'
}
\new Lyrics \lyricsto sop {
Hi
Am 17.04.20 um 00:40 schrieb Noeck:
> Parsing...git: /…path/to…/lilypond-2.20.0-1/lilypond/usr/lib/libz.so.1:
> no version information available (required by git)
It seems to be a library issue. The shared library exists. It is a
symlink to libz.so.1.2.3
It could not adapt this
Hi Aaron,
thanks a lot. This line was what I was looking for
(ly:grob-parent grob X)
Cheers,
Joram
Hi,
I have redefined the \clef command to sneak in an override to the
ClefModifier. That works but I can't use it as a layout as it is "baked
in" the music expression.
I guess there is some "after-line-breaking" solution with a lambda
function operating on the grob (ClefModifier). But I could
Hi,
I am using the function below which is adapted from
http://lilypondblog.org/2014/01/why-use-version-control-for-engraving-scores/#more-2151
While it works and the .ly files compile successfully, the function
issues a warning (?) I’d like to get rid of.
1) If the document is in a git
Dear Brian,
here you are:
\version "2.20.0"
\paper {
#(define fonts
(set-global-fonts
#:music "mtf-arnold"
#:brace "emmentaler"
#:roman "Futura"
#:sans "sans-serif"
#:typewriter "monospace"
#:factor (/ staff-height pt 20)
))
#(add-music-fonts
Dear Sylvia,
Am 12.04.20 um 17:39 schrieb Sylvia Cassel:
> f1:maj7 a1:aug7 bes1:maj7 d1:aug7
Your harmonies have a duration of 1 (whole note) but your measures are
only 3 quarters long (time 3/4):
f2.:maj7 a2.:aug7 …
and you can write the duration only once if it is the same as previously:
Am 10.04.20 um 14:12 schrieb Valentin Villenave:
> (* 4 (ly:output-def-lookup
This yields 16 for a default staff here. Should the factor be 5?
Cheers,
Joram
:Cristopher Bonn
An: Noeck
Hi Joram,
Thanks for your answer. I want a measure without rests beamed like it's
traditionally done (2 groups of 4), is this possible? In short, three
8th notes would never be beamed together in any case. I hope I'm clear...
New image attached for clarification
Hi Christopher,
>> 1) How can I have this beaming in 4/4 as default? see attached image.
> http://lilypond.org/doc/v2.19/Documentation/learning/automatic-and-manual-beams
\version "2.20.0"
\relative {
\overrideTimeSignatureSettings
4/4 % whenever you use \time 4/4
1/8 % use 8th
Hi,
Am 08.04.20 um 14:38 schrieb Werner LEMBERG:
>
>> A combination of makam.ly and this definitions.ily should be easy to
>> do. But as Werner said, having them in the Emmentaler font (one way
>> or the other) would be better.
>
> Well, here's the question: Shall we add such glyphs at all?
Of
Dear Klaus,
thanks a lot for your work, the great improvements to this extension and
for getting out this new version!
Happy Easter!
Joram
Am 09.04.20 um 18:18 schrieb Bernhard Kleine:
> This would be worth mentioning in the manual!
Hi Bernhard,
glad it works. What exactly would you mention in the manual?
1) How to use the \lyricsto construct? It is explained here:
Am 09.04.20 um 17:04 schrieb Bernhard Kleine:
> \new Lyrics \lyricsto „SI“
Did you copy that verbatim or use the correct "normal quotes":
\new Lyrics \lyricsto "SI"
Just to rule out that simple problem.
Joram
FWIW, SMuFL defines these code points and you can see the style in the
Bravura font. There is a sharp with the number 5, too.
The attachment shows, that they define a fixed glyph combination.
The code in bravura-smufl.ly uses the openlilylib/snippets¹ and it
requires the Bravura font to be
Hi Paolo,
well there are pros and cons both ways.
Am 07.04.20 um 18:51 schrieb Paolo Prete:
> as said to Kieren, this is not a good rule.
I know that you said it already but I disagree. I find it easier to read.
> I never saw any music engraver who uses it.
and most of my piano scores of
Hi Paolo and Kieren,
I am currently running into the same issues. I also find jumping pedal
marks irritating, even the Ped * variant. My preferred algorithm for
pedal spacing and alignment (not backed up by any notation standard)
would be this:
1. Pedal marks are vertically aligned per system
2.
This is a longstanding issue. You need to add invisible grace notes in
the other staves:
http://lilypond.org/doc/v2.20/Documentation/notation/special-rhythmic-concerns.html#Known-issues-and-warnings-58
Joram
> Hm. Can it be made breakable in a way that the glissando line appears on
> both ends?
Found it: \override Glissando.after-line-breaking = #'()
Hm. Can it be made breakable in a way that the glissando line appears on
both ends?
Joram
Wow. Thanks Harm! That makes sense and looks good.
I never thought of a glissando here. But it actually makes sense. Now I
wonder if a straight glissando line would even be more appropriate than
a slur … I would read it more easily.
Joram
Hi,
can Lilypond draw ties between fingerings?
I can fake it by using a slur and putting it above the fingering:
\version "2.20.0"
{
% fake what I want
\override Fingering.avoid-slur = #'inside
cis''-4( c''-4) r
% ties possible on one note
c''^\markup \finger \overtie "43"
}
Is that
Hi,
how can I address timesteps in an upbeat (partial) with the edition
engraver? Am I correct that this is still not possible?
https://lists.gnu.org/archive/html/lilypond-user/2017-04/msg00574.html
Best,
Joram
Hi,
I am transcribing piano music and I see a lot of ugly situations with
fingering and slurs.
Lilypond seems to draw the slur and then puts the fingering on the
inside if there is space and on the outside if not. From the score, I am
reading, I deduce these rules:
- fingering above the slur at
Hi Torsten,
well, there are various other issues. That's why I wanted to clarify
*how* to address them before I list all I found.
> has to be "*das*", not "*dass*".
Of course.
> I'd also prefer "sich /genau so/ wie […] verhält" over "sich /genauso/ wie
> […] verhält" in this case.
If this¹ is
Hi,
tl;dr
- Zusätzlich kann noch "||:" verwendet werden, dass sich genauso wie
- "|:" verhält
+ Zusätzlich kann noch ".|:-||" verwendet werden, dass sich genauso wie
+ ".|:" verhält
___
the German docs read
http://lilypond.org/doc/v2.20/Documentation/notation/bars.de.html
>
Hi Torsten,
Am 28.03.20 um 16:55 schrieb Torsten Hämmerle:
> Only for non-zero gaps, the gap will start at the inside of stems
That sounds fine. You always show notes with the same pitch. It might
make sense to look at slanted beams, too. But as there is no problem
currently, I would not expect
Hi Torsten,
> *What do you think?*
> Wouldn't it be better to have "gap" actually mean "free space"?
I would also expect the "gap" to be the free space between stem and beam.
In your attached image, I wonder if you have drawn the upper beam from
the inner edge of the stem only for demonstration
Hi,
is this behaviour intentional?
\version "2.20.0"
{ r4 8 a b }
The "8" is equivalent to c'8. I think I understand what happens: the
isolated duration is given a default pitch c'.
What I would expect is that it is another rest, equivalent to
{ r4 r8 a b }
Was this just easier to
Hi Martin,
there is ly2video by Adam Spiers:
https://github.com/aspiers/ly2video
And you will find more in this thread from 2016:
http://lilypond.1069038.n5.nabble.com/Generation-of-Notation-Videos-with-Lilypond-Tool-Chain-td188204.html
One main idea is to use an infinitely wide page and just
> My question: how can I get the StaffSymbol to continue through the 4/4
> marking at the end of the first \score (and through the key change at the end
> of the second), as it does through the 2/4 at the end of the line above?
You could add an invisible spacer rest in both cases:
\time 4/4 s
> What did I do wrong?
You didn't finish the bar line definition in line 24:
\defineBarLine "|-!" #'("|-dashedSpan" "|-dashedSpan" "
Hi,
Am 13.03.20 um 20:36 schrieb Noeck:
>> Finally, \fromproperty is important as it defers the evaluation of the
>> property. Using \title would give you the current value whereas
>> \fromproperty #'header:title can accommodate changes to the property.
> And that’s exac
Dear Aaron,
thank you for your mail.
> It may be your intention, but markup->string strips out formatting.
Yes, it is my intention. I want to work with strings and not markup as I
want to completely separate the formatting from the header fields.
> Next, why use strings and string-append at
17:42 schrieb Francisco Vila:
> This shows that header fields behave just like plain markups and can be
> used inside other markups:
>
> \header {
> title="The title"
> composer=\markup{Composer of \italic\title }
> }
> { b }
>
>
> On 7/3/20 18:5
Am 11.03.20 um 22:00 schrieb Pablo Cordal:
> In my Lilypond version both expression work, but are different (see
> attached image)
I get an error with 2.20.0 and a warning with 2.18.2:
warning: Spurious garbage following chord: (chord-colon #
# #)
which tells you that the part after the
Am 11.03.20 um 19:22 schrieb Carl Sorensen:
> I have no idea what f,,2/+c:3.5.8 is supposed to mean, and that gives me
> an error when I run your file.
The order is important. The correct (working) syntax is:
\chordmode { f,,2:3.5.8/+c }
which is an f major chord with an additionall octave on
> Does this solve your problem?
> …
> copyright = \markup \concat { "© " \fromproperty #'header:author }
Thank you, Timothy,
this is how far I got already. It is probably a step in the right
direction. But there are two issues with it:
1) I would like to use some Scheme code on the fields
Hi,
I would like to populate header fields based on other header fields
(copyright based on author is just an example):
\version "2.20.0"
\header {
author = "Name"
}
% call a function here equivalent to writng
\header {
copyright = #(string-append "© " "Name")
% where "Name" is the
Hi Steff,
I guess you want more system-system-spacing which is set in the \paper
block and not in a Staff context:
\paper {
system-system-spacing =
#'((basic-distance . 30)
(minimum-distance . 20)
(padding . 8)
(stretchability . 10))
}
The values are probably too
Hi,
> How can I print the copyright info on every page.
The default footer is this:
oddFooterMarkup = \markup {
\column {
\fill-line {
%% Copyright header field only on first page in each bookpart.
\on-the-fly #part-first-page \fromproperty #'header:copyright
}
Dear Urs,
it’s great that you found time for that. It looks nice and I think
MkDocs is a good choice (would have been my first choice, too).
While speaking about documentation, I very much like this approach:
https://www.divio.com/blog/documentation/
Some nitpicks from me:
- Should everyone
What happens if you compile the file? Is \fixed just marked red or is
there an error when compiling? Older versions of Frescobaldi did not
know some commands and treat them as a warning in syntax highlighting
even though the installed LilyPond version might understand the syntax.
That being said,
Hi,
as others said, font-name overwrites all of font-family, font-series and
font-shape. You can set the font family like this:
\version "2.19.84"
\paper {
% define a font ‘arial’ from the font called ‘Arial’
#(add-pango-fonts fonts 'arial "Arial"
(/ (* staff-height pt) 2.5))
}
% use
Hi David,
> Is SVG the file format Inkscape saves in?
Yes, SVG is the Inkscape file format. Inkscape adds some Inkscape
specific name spaces but within the spec of SVG. To quote the website¹:
Perfectly compliant SVG format file generation and editing
> Or is it only an export format
Hi David,
> Is there a source? Or is it hand-written SVG? If we are trying to
> follow the spirit of the GPL, source is defined as "preferred form for
> modification". For a cobbled-together version, that is tricky to
> define, but we would not want to make it harder than necessary to come
>
Dear Michael,
Am 10.02.20 um 22:14 schrieb Michael Käppler:
> Would you share the source code for the visual index?
Yes, sure. I setup a small repository for it:
https://github.com/joram-berger/visualindex/blob/master/visualindex.ly
The code is not beautiful. It's 700 lines. I just got it to a
Hi Michael and Karlin,
thank you for your positive reaction. There are 3 files¹:
- a cheat sheet: https://joramberger.de/files/lilypond_sheet_2.18_en.pdf
- “visual index”: https://joramberger.de/files/lilypond_visualindex.pdf
- spacing overview: https://joramberger.de/files/LilypondSpacing.pdf
Hi Anthony,
> \transposition c''
What you are looking for here is \transpose:
http://lilypond.org/doc/v2.18/Documentation/notation/changing-multiple-pitches#transpose
> Now I want also the time signature "C" to disappear... I've read the doc
>
> Does this workaround/hack suit your needs?
Hi Kieren,
unfortunately not, because the "music" voice should behave like a
\oneVoice. But the following works for me:
\new Staff <<
{ \oneVoice \music } \\ { \voiceThree \shiftOff \upper } >>
Why did you use \voices 1,2 in your example?
And I’d
Hi,
I would like to add small notes into an already populated staff.
It is the right hand of a piano staff and I don’t want real voices with
their shifts. The tiny font size distinguishes the "upper" voice
already. It should have the least impact possible on the "music" voice.
Here is one
… and if you want this footer on every page, you can have it shorter:
oddFooterMarkup = \markup \fill-line {
\line {
\fromproperty #'page:page-number-string
"–"
\fromproperty #'header:title
}
}
Best,
Joram
Dear Marco,
is this close to what you want?
%%
\version "2.19.84"
\paper {
print-first-page-number = ##t
oddHeaderMarkup = \markup \null
evenHeaderMarkup = \markup \null
oddFooterMarkup = \markup \fill-line {
\line {
\on-the-fly
Thanks a lot! I installed it and tested it on my scores.
Everything works as expected.
Joram
Hi,
I am not really familiar with the parser, but I think LilyPond uses
Bison¹ and the input syntax is defined in lilypond/lily/parser.yy
¹: https://www.gnu.org/software/bison/
Best,
Joram
Hi David,
thanks a lot!
> Technically, I think that's .lilypond-fonts.cache-2 which means, of
> course, that it's a "hidden" dotfile.
Of course, the missing dot was just a typo.
>> I currently use a symlink (on Ubuntu, ext3 file system) and that seems
>> to work. But can I change it somewhere
Hi,
is the path of the lilypond-fonts.cache-2 folder hardcoded somewhere or
can I have it in a different place?
I currently use a symlink (on Ubuntu, ext3 file system) and that seems
to work. But can I change it somewhere else?
Cheers,
Joram
___
Am 31.12.18 um 14:34 schrieb Noeck:
> Hi,
>
> How can I move syllables closer together?
>
> In the example, the word "przyjaciele" (one word) is written like "przy
> ja cie le" and looks like four words. When I remove the minimum-length
> override,
Dear Markus,
there are probably other solutions that center the coda glyphs and the
dash more elegantly, but this works. \line combines several markup-parts
into one line:
\relative c''
{
c c ^\markup{
\center-column {
"D.S." "Nach der 2. Str."
\line {
\musicglyph
Hi,
I probably don't understand all the implications and I am certainly not
suggesting to change the function signature. But while we are at it:
A definition is usually “name” = “the thing to be defined”.
In the current \defineBarLine function, I always wondered why the first
argument contains
Hi,
How can I move syllables closer together?
In the example, the word "przyjaciele" (one word) is written like "przy
ja cie le" and looks like four words. When I remove the minimum-length
override, I get hyphens like "przy-ja-cie-le". Both versions don't look
good to me. I would prefer
Hi,
you are looking for \with-url (it is a bit hidden under the section
“Graphic”):
http://lilypond.org/doc/v2.18/Documentation/notation/graphic#index-_005cwith_002durl-1
\with-url #"http://lilypond.org/; "LilyPond"
Best,
Joram
___
lilypond-user
Hi Mark,
I can only speculate what your problem was. But in case it was the order
of ' ! ? 4 etc. This is why I put one possible fixed order of note entry
elements here on my cheat sheet (upper right):
http://joramberger.de/files/lilypond_sheet_2.18_en.svg
Hi Mark,
do you have a minimal example? This works for my with 2.19.80:
\version "2.19.80"
{
\key d \major
fis' fis'! fis' fis'?
}
Cheers,
Joram
___
lilypond-user mailing list
lilypond-user@gnu.org
Dear Sean,
the Staff needs to start with a capital S: \new Staff
LilyPond is case-sensitive. That’s all.
Two other points:
1. You have some arbitrarily placed braces. I’d suggest to use them only
where they are needed.
2. Are you really using LilyPond 2.14? That’s really old. I’d suggest to
Am 11.11.18 um 12:13 schrieb Thomas Morley:
> A very quick glance offered only one snippet where stemUp/Down is reasonable:
> Stem and Slur in different directions.
I think \stemUp/Down has its place as a fine tuning not a replacement
for voices.
Here is a snippet where I actually think it is
Hi,
is there a way to check the validity of a .ly file?
I am thinking of a syntax check – so basically if the parser/lexer can
read it. It should (a) be quick and (b) not produce any output (could be
deleted as a last resort).
Is there something in python-ly that does that? It looks like the
Dear David,
Am 12.10.2018 um 18:02 schrieb David Sumbler:
> \set Staff.shortInstrumentName =
> \markup { \override #'(baseline-skip . 6)
> \column { "2." "3." "4." } }
Well, that works here.
{
\set Staff.shortInstrumentName = \markup {
\override #'(baseline-skip . 1.2)
Hi,
Am 07.10.2018 um 19:01 schrieb Mason Hock:
> \override Voice.Accidental.stencil = ##f
> % music that doesn't need accidentals
> \override Voice.Accidental.stencil = ##t
While you can omit accidentals with the first line, you cannot set the
stencil to true. This prints a warning:
> warning:
Am 02.10.2018 um 19:34 schrieb csmcd:
> When I try to hide the fingering using either of these methods, I get a core
> dump.
Both versions compile fine and hide the fingering number here.
LilyPond 2.18.2 on Ubuntu (Linux).
Joram
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Dear Bernhard,
how about this?
{ a }
\pageBreak
\markup \null
\pageBreak
{ b }
Best,
Joram
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Hi Kaj,
Am 25.09.2018 um 14:34 schrieb 70147pers...@telia.com:
> Noeck: You suggested to print the stop character in white, the assumed
> paper colour. But what happens if you would print your score on a
> coloured paper, e.g. yellow.
Nothing happens, because a space has no colour. So t
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