Re: automatic line-breaking in markup

Jonathan, Look here: http://lilypond.org/doc/v2.19/Documentation/notation/formatting-text#multi_002dpage-markup Best, Abraham On Wed, Feb 3, 2016 at 11:25 AM, jonathan.scholbach [via Lilypond] < ml-node+s1069038n186810...@n5.nabble.com> wrote: > Hi list, > > I want to create a template for a

Re: override default bar width for only one bar

Ryan, You are almost there. Have a look at the previous section in the manual that Pierre pointed you to called "New Spacing Area". The second example there does basically what you are trying to do. You'll just need to play around with the spacing-increment values to get the desired increase in

Re: Piano centered dynamics - dealing with bar collisions

Przemyslaw, On Thu, Jan 28, 2016 at 6:02 PM, Przemyslaw Pawelczyk [via Lilypond] < ml-node+s1069038n186599...@n5.nabble.com> wrote: > Hi! > > There is a piano centered dynamics template that was present in > Lilypond Learning Manual for v2.14, but is not available in recent > versions: >

Re: verbose markups?

Josh, On Wed, Jan 27, 2016 at 7:45 PM, Joshua Nichols [via Lilypond] < ml-node+s1069038n186566...@n5.nabble.com> wrote: > I know that the \set stanza = "" is reformatted to be bold. I would like > to changes this to regular (not bolded). Is this possible? > It is! Two easy ways, actually: 1.

Re: Reversing order of colliding noteheads?

Michael, On Wed, Jan 27, 2016 at 10:51 PM, Michael J. O'Donnell [via Lilypond] < ml-node+s1069038n186567...@n5.nabble.com> wrote: > In the following two-bar snippet, I used \voiceOne and \voiceTwo to > place Tenor and Lead vocal lines on a single staff. The Tenor has a > tied-over note, whose

Re: Font of accidentals changes after line break

Robert, Let me see if I can clarify the confusion going on here. You are using the LilyJAZZ font files/stylesheets that were originally published by Torsten Hämmerle. You are using them correctly, but the stencil overrides found in the stylesheet don't account for everything. Some stencils are

Re: Remove system separator

Pierre, On Mon, Jan 25, 2016 at 8:31 AM, Schneidy [via Lilypond] < ml-node+s1069038n186401...@n5.nabble.com> wrote: > Hi All, > > I need to typeset an orchestral piece showing system separators together > with solo scores without the system separator. > Any idea ? > > %% Snippet: %% >

Re: default note duration

On Fri, Jan 22, 2016 at 12:41 PM, Jacques Menu-3 [via Lilypond] < ml-node+s1069038n186279...@n5.nabble.com> wrote: > You can specify the duration for only the first note, and the following > ones will use the same one: > > { a8 b c d e f g } While this is true, I think the OP was looking for

Re: Access a stem’s notehead

Here's the commands I was told to use (assuming "grob" is the NoteColumn): (let ((notes (ly:grob-object grob 'note-heads))) (if (ly:grob-array? notes) (for-each (lambda (note) ... do something to the NoteHead... HTH, Abraham On Fri, Jan 22, 2016 at 5:47 AM, Simon

Re: how to produce this symbol?

Andrew, Start here and look in the sub-topics for specific function details: http://lilypond.org/doc/v2.19/Documentation/notation/text-markup-commands Best, Abraham On Sunday, January 10, 2016, Andrew Bernard [via Lilypond] < ml-node+s1069038n185780...@n5.nabble.com> wrote: > HI Pierre, > >

Re: not justify page last score to score

Martin, On Fri, Jan 8, 2016 at 4:22 AM, Martin Oboe [via Lilypond] < ml-node+s1069038n185681...@n5.nabble.com> wrote: > Buenos dias! > Soy nuevo por aquí, pero no utilizando frescobaldi. > Mi intención es aprender más poco a poco sobre la finalización de > partituras. > My problema: > Sé

Re: Include total page count in page number

Thank you! That will at least get me by for now. - Abraham On Thu, Jan 7, 2016 at 7:09 AM, Jan-Peter Voigt [via Lilypond] < ml-node+s1069038n185643...@n5.nabble.com> wrote: > Hi Abraham, > > I created a short sketch, how this might be realized. In this example, > the result counts one page high

Re: Ossia with dashed span bars

Ralph, Ralph Palmer wrote > [...] I need dashed span bars between the lower normal staff and > the ossia staff. I've tried everthing I could think of, using the LSR and > the Notation Reference, but no luck. I could see what I want, but with > only > a single bar line, in the Notation Reference,

Re: Beamed Tremolo + Fermata

Ooooh! I really like this idea as it would solve the horizontally-centered problem, but I just realized that it would inherit the unknown of the fermata's vertical position that escapes collisions with other elements. I don't know if it could still be treated like a Script object (to take care of

Re: Boxed Measure Counter

dtsmarin, How about doing what is recommended in the NR: http://lilypond.org/doc/v2.19/Documentation/notation/bars#bar-numbers Scroll down to the sub-section called "Print bar numbers inside boxes or circles" for the specific commands. If you are using the latest stable (2.18.2), then change

Re: Extending staff lines through key change

Just add a "s8" after the key change. HTH, Abraham On Saturday, December 12, 2015, Cynthia Karl [via Lilypond] < ml-node+s1069038n184706...@n5.nabble.com> wrote: > I’m engraving a piece that ends with a *D.C. al Fine*. Also the key at > the beginning of the piece is different from the key at

Re: trying to write a simple python beaming snippet for Frescobaldi

Leszek, Just thought I'd bring this up (though I know you've already put in a bunch of work. You can add a keyboard shortcut to the "Quick Insert" > "Beam" option. Following the attached image, here's the steps (since it doesn't show up in the default set of keyboard shortcuts in the preferences

Re: problem with "extra" lyrics appearing only sometimes

Oh, and make sure the \context Voice = "Voice_S" appears *before* the associated \new Lyrics block. Best, Abraham On Thu, Dec 10, 2015 at 1:15 PM, Kieren MacMillan [via Lilypond] < ml-node+s1069038n184640...@n5.nabble.com> wrote: > Hello all, > > Apologies in advance: I don’t have time for a

Re: problem with "extra" lyrics appearing only sometimes

Kieren, This doesn't necessarily answer your question, but one thing I've noticed about assigning lyrics to voices, is that if I don't explicitly mention the voice inside the \score block, then it's almost like the lyrics don't know the voice exists. So, If there's a way to show \context Voice =

Re: Vertically centering a song text.

Bill, On Wednesday, December 2, 2015, William Marchant [via Lilypond] < ml-node+s1069038n184395...@n5.nabble.com> wrote: > In the example snippet quoted below, there is a line: > skipFour = \repeat unfold 4 { \skip 8 } > > I have found this useful on its own, and have saved it for future use. >

Re: Better slashed graces

David, On Mon, Nov 30, 2015 at 9:45 AM, David Nalesnik-2 [via Lilypond] < ml-node+s1069038n184294...@n5.nabble.com> wrote: > Hi Gilberto, > > On Mon, Nov 30, 2015 at 10:16 AM, Gilberto Agostinho <[hidden email] > > wrote: > >> Hi all, >> >> I am

Re: Gounod - Le Rendez Vous

Alberto, On Mon, Nov 30, 2015 at 4:25 AM, Alberto Simões-2 [via Lilypond] < ml-node+s1069038n184280...@n5.nabble.com> wrote: > > > > > in a nutshell: > > s2\> s4\! > > instead of > > s2.\> s\! > > > > And I have yet another suggestion: It works as is, but LilyPond would > > have more freedom to

Re: Gounod - Le Rendez Vous

Alberto, On Sunday, November 29, 2015, Alberto Simões-2 [via Lilypond] < ml-node+s1069038n184252...@n5.nabble.com> wrote: > > > On 22/11/15 22:27, tisimst wrote: > > I think there was a misunderstanding about the voicing in Valse 2. The > > beamed groups should NOT b

Re: SVG fonts

Andrew, I have seen similar hit-and-miss results with text fonts when exporting to SVG. I can't tell what's driving the inconsistent results. Best, Abraham On Friday, November 20, 2015, Andrew Bernard [via Lilypond] < ml-node+s1069038n183886...@n5.nabble.com> wrote: > More investigation on

Re: Layout of a (piano) hand indicator

Urs, On Tuesday, November 24, 2015, Urs Liska [via Lilypond] < ml-node+s1069038n18406...@n5.nabble.com> wrote: > Hi all, > > please consider the attached image, especially the "half-bracket" at the > center. This is to indicate that this d' is to be played with the left > hand. > > Is there

Re: Gounod - Le Rendez Vous

Alberto, On Sunday, November 22, 2015, Alberto Simões-2 [via Lilypond] < ml-node+s1069038n183952...@n5.nabble.com> wrote: > Hi all, > > Final version here: > > https://github.com/ambs/music/blob/master/Gounod/LeRendezVous/suite.pdf > > Will submit it to IMSLP later to the end of the week, in

Re: Gounod - Le Rendez Vous

On Sunday, November 22, 2015, Simon Albrecht-2 [via Lilypond] < ml-node+s1069038n183931...@n5.nabble.com> wrote: > On 22.11.2015 14:52, tisimst wrote: > > One other thing I noticed in Valse 2, m. 42-43 - remove staccato from > > tied end notes. They just don't make sense.

Re: Gounod - Le Rendez Vous

Alberto, On Saturday, November 21, 2015, Simon Albrecht-2 [via Lilypond] < ml-node+s1069038n18391...@n5.nabble.com> wrote: > On 21.11.2015 20:21, Alberto Simões wrote: > > > > > > > On 20/11/15 11:30, Alberto Simões wrote: > >> Hey > >> > >> On 20/11/2015 05:49, Abraham Lee wrote: > >>> That

Re: Clashing ties & slurs with tieWaitForNote

Steve, On Sat, Nov 21, 2015 at 10:29 AM, Urs Liska [via Lilypond] < ml-node+s1069038n183906...@n5.nabble.com> wrote: > > > Am 21.11.2015 um 18:18 schrieb Steve Lacy: > > Any thoughts on avoiding these clashes without having to manually tweak > all the slurs? > > > Yes, writing semantically

Re: Aligning a tempo marking with a note

David, On Thu, Nov 19, 2015 at 10:22 AM, David Sumbler [via Lilypond] < ml-node+s1069038n18380...@n5.nabble.com> wrote: > Although many scores use a similar italic font for "rit.", "accel." etc. > as they do for dynamic changes such as "cresc.", I prefer to use an > upright bold font - the same

Re: sponsorship offer: Lyric fixes (GSoC, etc.)

Kieren, On Thursday, November 19, 2015, Kieren MacMillan [via Lilypond] < ml-node+s1069038n183811...@n5.nabble.com> wrote: > Hello all, > > I’m looking at my composition schedule for the next three years, and it > includes a huge number of pieces with lyrics: two new stage musicals, plus > a

Re: feta and emmentaler font

Federico, On Thursday, November 19, 2015, Federico Bruni-2 [via Lilypond] < ml-node+s1069038n183773...@n5.nabble.com> wrote: > Hi > > What's the difference between the two fonts? > > This appendix is a bit confusing, since under the title Feta fonts it > says that the following symbols are

Re: ChordNames: Brandt & Roemer exceptions

Kieren, On Tue, Nov 17, 2015 at 9:39 AM, Kieren MacMillan [via Lilypond] < ml-node+s1069038n183688...@n5.nabble.com> wrote: > Before I reinvent the wheel here… > Has anyone built a complete Brandt & Roemer chord exceptions list? > If not, I’m happy to take a bullet for the Pond. > I've been

Re: Gounod - Le Rendez Vous

Alberto, On Thu, Nov 12, 2015 at 10:54 AM, Simon Albrecht-2 [via Lilypond] < ml-node+s1069038n183480...@n5.nabble.com> wrote: On 12.11.2015 16:52, Alberto Simões wrote: > > > Hello, Simon! > > > > On 12/11/15 11:21, Simon Albrecht wrote: > >> > >> Two annotations: > >> – Sometimes it would be

Re: change font of page numbers

Jean, On Thursday, November 12, 2015, Jean Menezes da Rocha [via Lilypond] < ml-node+s1069038n183485...@n5.nabble.com> wrote: > Hello, > > is there any way by which I can change the font used to render page > numbers? > I tried to search into the docs but lilypond.org seems to be down by now. >

Re: Semibreve rests look like breve rests

Bockett, On Wed, Nov 11, 2015 at 5:05 PM, Bockett Hunter [via Lilypond] < ml-node+s1069038n183452...@n5.nabble.com> wrote: > Thank you! > That did the trick! > > Less rest for the wicked now... > > On Wed, Nov 11, 2015 at 6:57 PM, David Wright <[hidden email] >

Re: addlyrics does not work properly

Niels, On Wed, Nov 11, 2015 at 8:42 AM, Niels [via Lilypond] < ml-node+s1069038n183426...@n5.nabble.com> wrote: > If I comment out the line with the text (cor -- di -- ae su ) the last > line (eis 4. eis8 cis4 a4. a8 cis4) will be compiled and appear in the pdf > file. However, If I want the

Re: Scorio Software

I wouldn't say I've been "seduced" :-P. I cannot vouch for anything they have or produce. I was more or less thinking out loud since I have little experience dealing with MusicXML files. Best, Abraham On Mon, Nov 9, 2015 at 3:17 AM, Richard Shann-2 [via Lilypond] <

Re: Gounod - Le Rendez Vous

On Wed, Nov 11, 2015 at 12:29 PM, Alberto Simões-2 [via Lilypond] < ml-node+s1069038n183435...@n5.nabble.com> wrote: > Although not doubting your suggestion, I would be very interested to > know if there is such a thing like a document describing a "best > practices" for writing/engraving music.

Re: Gounod - Le Rendez Vous

Alberto, On Wed, Nov 11, 2015 at 7:39 AM, Alberto Simões-2 [via Lilypond] < ml-node+s1069038n183419...@n5.nabble.com> wrote: > Dear list, > > Again, I am both pleased to announce the transcription of the Gounod > Suite of Valses, "Le Rendez Vous" [1] and asking for any correction you > might

Re: Gounod - Le Rendez Vous

On Wed, Nov 11, 2015 at 2:18 PM, David Wright [via Lilypond] < ml-node+s1069038n183444...@n5.nabble.com> wrote: > On Wed 11 Nov 2015 at 12:22:32 (-0700), tisimst wrote: > > > This is looking MUCH better (nice work with the extended dynamic lines > ;-). > > I'll look at

Re: Re: misleading message and exit code when "program too old"

Johannes, On Wed, Nov 11, 2015 at 1:54 PM, Johannes Waldmann [via Lilypond] < ml-node+s1069038n183442...@n5.nabble.com> wrote: > Hi, > > it's really not a big deal since I have a work-around > (ignore the exit code in my Makefile) > > I understand that specifying and checking the version > can

Re: fatal error on MetronomeMark font-name override

tisimst wrote > Does it just happen with 2.19.30? It worked for me with 2.19.29 on > Windows. > Wasn't able to check 2.19.30 yet. Will try in a few minutes. Yeah, it works for me with .30 and .31 as well. Sorry. If there aren't too many instances you need to un-bolden, then you can a

Re: fatal error on MetronomeMark font-name override

Does it just happen with 2.19.30? It worked for me with 2.19.29 on Windows. Wasn't able to check 2.19.30 yet. Will try in a few minutes. - Abraham On Tuesday, November 10, 2015, Jacques Menu-3 [via Lilypond] < ml-node+s1069038n183356...@n5.nabble.com> wrote: > > > Le 10 nov. 2015 à 17:53,

Re: Removing "cautionary" natural

\once \omit Accidental Best, Abraham On Sunday, November 8, 2015, Alberto Simões-2 [via Lilypond] < ml-node+s1069038n183251...@n5.nabble.com> wrote: > Hello > > I have a melody where, somewhere, there is a bes > a little later, the is a bes' > then a b' > and later a b > this last b has a

Re: Pair of eyes needed

Alberto Simões-2 wrote > Just finished a transcription of a simple piece (four pages, for piano). > I took all my care to correctly transcribe it, but I would love if > someone could help proofreading it. > ... > If you are willing to help, you do not need to mess with the lilypond > code. You

Re: Help with accaciatura

As in \acciacciatura s8 Or whatever the right duration is. Best, Abraham On Saturday, October 31, 2015, Simon Albrecht-2 [via Lilypond] < ml-node+s1069038n183014...@n5.nabble.com> wrote: > Hello Alberto, > > On 31.10.2015 22:46, Alberto Simões wrote: > > Hello > > > > In a piano piece, I have

Re: chord symbol styling

You are close. The correct context is "ChordNames" (with an "s"). This is what is done in the jazzchords.ily stylesheet: \layout { \context { \ChordNames \override ChordName.font-name = #"lilyjazz-chord" } } HTH, Abraham On Monday, October 26, 2015, Bric [via Lilypond] <

Re: Using a semi-bold font

Joram, There's not a convenient pango interface (yet) for selecting variants outside the Regular/Italic/Bold/Bold Italic styles. However, with the way you are doing it, you should be able to just add "Semibold" to the original font name and mostly work (i.e., you can then also select the 'italic

Re: Font shapes for different sizes

Joram, On Sat, Oct 24, 2015 at 3:01 PM, Noeck [via Lilypond] < ml-node+s1069038n182656...@n5.nabble.com> wrote: > Dear Abraham, > > I have a question to you, but I thought perhaps lilypond-users are also > interested: > > When I use smaller glyphs in a score (change clefs, cue clefs, a solo >

Re: Frescobaldi creates the pdf but doesn't export it?

ld do that before closing. > > Personally I've never stumbled over this, but I can see that it may be > confusing or non-intuitive. > > Urs > > Am 22.10.2015 um 23:07 schrieb tisimst: > > Michael, et al, > > I think this thread has too many conflicting topics,

Re: Frescobaldi creates the pdf but doesn't export it?

I just think that if you could get used to working with these concepts, you'll find that they are pretty handy. I certainly have grown to like it because if I need to prototype something or I just want to try something out, I can do it without messing up a single file on my hard drive, knowing that any

Re: Frescobaldi creates the pdf but doesn't export it?

BB, I've been using Frescobaldi (Windows & Linux) for a long time now and I've never experienced what you describe (in terms of needing to close the file and reopening to get the output files I specify). What kind of computer/OS specs are you using? - Abraham On Wednesday, October 21, 2015,

Re: independent time signatures

Michael Collins wrote > I'm trying to write a piece for two staves in independent time signatures. Michael, I'm totally confused by your score. They only thing I've been able to figure out is that there are 16 notes in each staff that I (ignorantly) assume are supposed to line up vertically with

Re: any slur after-line-breaking [automated] hacks?

Kieren, If such an ideal hack existed, any ideas on what it might look like in use? What's frustrating with the current one (i.e., \shape)? Best, Abraham On Sunday, October 18, 2015, Kieren MacMillan [via Lilypond] < ml-node+s1069038n182446...@n5.nabble.com> wrote: > Hello all, > > I know that

Re: error message

Mind sharing the source (file) that is being used when you get this error? Thanks, Abraham On Friday, October 9, 2015, Mark Stephen Mrotek [via Lilypond] < ml-node+s1069038n182215...@n5.nabble.com> wrote: > Hello, > > > > Using Lilypond2.18.0, Frescobaldi 2.18.1. > > When clicking the Lilypond

Re: frescobaldi output file location

Gerard and Edward, On Thu, Oct 8, 2015 at 10:35 AM, Noeck [via Lilypond] < ml-node+s1069038n182166...@n5.nabble.com> wrote: > Hi Gerard and Edward, > > I guess the reasoning is: if you don't save the input ly file, you are > probably not doing something persistent but just an interactive test. >

Re: How write cross-staff slur (in combination with lyrics)

My daughter is learning the piano right now and the very simple songs she is learning all are very "cleaned up", meaning that there are no key signatures, no rests, etc. There are only clefs, notes, and lyrics (besides the two piano staves). It all seems to be working out. As she progresses, more

Re: Upgrade to 2.18 from...a long time ago

Edward, Not sure which version you are used to using, but yes, I can verify the use of \tempo inside of the \midi block in any of the recent stable and unstable versions. I've found it quite handy when the printed score just uses tempo text (like "Andante"), but since that doesn't carry a numeric

Re: left pointing note heads

Johan, Did you look at the Walker shape-notes? See http://lilypond.org/doc/v2.18/Documentation/notation/note-heads#shape-note-heads. You can always create the triangles using the \path or \postscript markup command to create the stencil and then assign them in a NoteHead override. See

Re: Bar lines in polyphonic music and words under split voices

Spencer, Not completely sure what you mean in #1, but in #2 the polyphonic shorthand << {} \\ {} >> should NEVER be used in a place where there are lyrics involved. This is because it creates completely new voices during that section, hence the skips you are seeing. I'd definitely use explicit

Re: double time signature with single-digit

Andreas, On 9/23/2015 10:28 AM, Andreas Stenberg [via Lilypond] wrote: > Hi! > > I need a way to modify the double time signature snippet in LSR to > produce something where the numerical part looks like the single-digit > time signature style: something lice > C 3 with both mensural sign and

Re: Compiling Nenuvar Editions

Did you read the documentation at fonts.openlilylib.org? There's a section that tells you precisely where to put them (and make sure you install all the scorlatti-XX files, not just one of them. - Abraham On Wednesday, September 23, 2015, thedoctor818 [via Lilypond] <

Re: Multiple scores in a single document

On 9/22/2015 12:06 PM, Simon Albrecht-2 [via Lilypond] wrote: > On 22.09.2015 19:53, T. Michael Sommers wrote: > > Is it possible to have multiple independent scores in a single > document, > > Of course it’s possible: just use more than one \score {} block. > > > with each score having its own

Re: Multiple scores in a single document

On 9/22/2015 12:40 PM, Kieren MacMillan [via Lilypond] wrote: > Hi Wol (et al.), > > > Multiple scores are for multiple movements of the same work. > > Not precisely… \bookpart will always start a new page, and sometimes > you want/need to start a new piece (n.b., not just another movement of >

Re: How to correctly compile the Messiah from Neuvar's Site.

On 9/22/2015 10:15 AM, BB-3 [via Lilypond] wrote: > > > On 22.09.2015 18:02, Michael Gerdau wrote: > > Issuing > > make Haendel/Oratorio/Messiah > > Seems to work with some warnings. But at least > > schwerer Fehler: Schriftart kann nicht gefunden werden: »scorlatti-11« > make: ***

Re: triplets across staves in piano scores

Erich, On Wednesday, September 16, 2015, Erich Neuwirth [via Lilypond] < ml-node+s1069038n181182...@n5.nabble.com> wrote: > %% How can I put the last note of each triplet on the lower stave > %% on the upper stave of the piano staff? > > Like this: > \tuplet 3/2 { g8 c \change Staff =

Re: question about font size

Haipeng, All font sizes are in pt units. Normally, they are scaled with the staff-height, but \abs-fontsize does allow you to bypass that effect. HTH, Abraham On Thursday, September 10, 2015, Haipeng Hu [via Lilypond] < ml-node+s1069038n180950...@n5.nabble.com> wrote: > Hello, > I'm

OT: Barenreiter Plate Engraving Pictures

Not sure how many of you follow Barenreiter-Verlag on Facebook, but if you don't you will have missed an awesome post today (English and German) showing a handful of beautiful hand-engraved plates and the tools they used. I always love to see this kind of thing and hate losing them, so I created a

Re: OT: Barenreiter Plate Engraving Pictures

On 9/10/2015 1:01 PM, Johan Vromans [via Lilypond] wrote: > On Thu, 10 Sep 2015 11:02:36 -0700 (MST) > tisimst <[hidden email] > > wrote: > > > > http://leighverlag.blogspot.com/2015/09/gorgeous-plate-engraving-pics.html > > Isn't this from the video? Possib

Re: OT: Barenreiter Plate Engraving Pictures

On 9/10/2015 2:05 PM, bobr...@centrum.is [via Lilypond] wrote: > ----- tisimst <[hidden email] > > wrote: > > > On 9/10/2015 1:01 PM, Johan Vromans [via Lilypond] wrote: > > > On Thu, 10 Sep 2015 11:02:36 -0700 (MST) > > > tisimst <[hidden email]

Re: Lyric in popular score

On 9/2/2015 7:46 AM, Marcos Press [via Lilypond] wrote: > 2015-09-02 9:33 GMT+02:00 Phil Holmes <[hidden email] > >: > > I'm not sure you're getting this right. Singers sing words to the > notes they have. When there are notes with no words, what is the > singer supposed to do?

Re: Profondo: note symbols in TupletBracket

David, On 8/31/2015 5:55 AM, David Stephen Grant [via Lilypond] wrote: > Hi all, > I'm using Abraham's Profondo font, but having some trouble with > TupletBrackets. > > I would like to indicate the duration of some feathered beamed groups > with a TupletBracket showing the total duration. The

Re: Gallery of Interesting Music Notation

On 8/31/2015 1:33 PM, Steve Lacy [via Lilypond] wrote: > I found this fascinating: > > http://homes.soic.indiana.edu/donbyrd/InterestingMusicNotation.html > > I wonder if anyone here (or elsewhere) has tried to engrave some of > these, even as musical fragments? I'm sure it would be an

Re: slurs and articulation

\override Script.avoid-slur = #'inside - Abraham On 8/31/2015 4:14 PM, Martin Tarenskeen-2 [via Lilypond] wrote: > > Ok, the issue is now reported in the bug-lilypond list. I originally > bumped into the issue while trying to engrave "Pavane de la Belle au bois > dormant" from Ravel's La Mere de

Re: Print Double Percent Repeat inside a markup

Caio, On 8/28/2015 9:14 AM, Caio Barros [via Lilypond] wrote: Hello! I want to print a double percent repeat inside a markup so I can use it as a graphic in a footnote. How can I do that? I read in the manual - lilypond.org/doc/v2.19/Documentation/notation/short-repeats under

Re: Print Double Percent Repeat inside a markup

On 8/28/2015 12:18 PM, Stephen MacNeil [via Lilypond] wrote: how is % inspired by: http://lsr.di.unimi.it/LSR/Item?id=908 \version 2.18.2 percentRepeat = \markup { \combine \translate #'(0.2 . 1.5) \draw-circle #0.22 #0 ##t \combine

Re: Equal spacing of notes in a bar

How about this: http://www.lilypond.org/doc/v2.18/Documentation/notation/proportional-notation - Abraham On 8/24/2015 12:55 PM, William Marchant [via Lilypond] wrote: I have looked though the documentation without finding what I need. The attached code gives me a triplet whose notes are

Re: LilyJAZZ

Hi! No, it's not a problem with Linux. Here's what you need to do: 1. Delete any LilyJAZZ files you currently have (they are old and error-prone as you've discovered). There are old files and instructions on the web and lilypondblog.org that just don't apply anymore. 2. Go back to

Re: LilyJAZZ

Tim, Would you mind expounding a little further on what you feel has degraded since the original was published? I will tell you what I've done, but I would appreciate hearing your thoughts, especially if many others feel similarly. In bringing the original LilyJAZZ font up to speed, I don't

Re: Randomness in layout

On 8/21/2015 5:40 AM, Andrew Bernard [via Lilypond] wrote: ... I am sorry this is not the technical answer you require, but part of your answer is that lilypond can't irregularise (I am going to make this a new word) scores, out of the box, as it stands now. Andrew and Sharon, et al, To

Re: Randomness in layout

On 8/21/2015 4:14 PM, David Nalesnik-2 [via Lilypond] wrote: Hi, On Fri, Aug 21, 2015 at 2:37 PM, David Kastrup [hidden email] /user/SendEmail.jtp?type=nodenode=179907i=0 wrote: tisimst [hidden email] /user/SendEmail.jtp?type=nodenode=179907i=1 writes: On 8/21/2015 5:40 AM

Re: Ensemble full score annotations and parts

On Friday, August 21, 2015, Andrew Bernard [via Lilypond] ml-node+s1069038n179866...@n5.nabble.com wrote: We have a full score for an ensemble of several instruments that has a top line of extensive annotations. How does one go about creating this so that it appears not only in the full

Re: Lining up notes in staves with different rhythms and time signatures

Malte Meyn-3 wrote Am 20.08.2015 um 20:07 schrieb Jack Taylor: I have managed to make the time signatures for each song independent, but I'm having problems making the notes line up (and with stopping the music from running off the page). I've dumped my current code at PasteBin

Re: problem with installed font when set-global-staff-size is changed

Jonathan On 8/11/2015 5:15 PM, jonathan.scholbach [via Lilypond] wrote: (Setting the font-sizes manually is necessary since for some unknown reason, the font-size decreases.) This is because virtually everything that has any kind of font property is scaled relative to the staff-height. So, at

Re: heads-up: Unsubscribing

On 8/12/2015 3:43 AM, hanwenn [via Lilypond] wrote: Hi guys, I haven't been reading the users list for quite a while now, and to simplify my life, I am going to unsubscribe from the users and bug list. If you need my input on anything lilypond related, please send a message to me

Re: extending an OttavaBracket to the left?

Bruno, On 8/12/2015 6:07 PM, Bruno Ruviaro [via Lilypond] wrote: Hi ​ all​ , ​ Is there a simpler way to extend an ottava bracket a bit to the left? In the snippet below, the first bar is the default p ​ lacement with no tweaks​ . The second bar achieves what I want by adapting the

Re: How to adjust the padding between a StemTremolo and a NoteHead?

On 8/11/2015 10:59 AM, Robin Bannister [via Lilypond] wrote: Malte Meyn wrote: But unfortunately it doesn’t work properly in 2.19.24 (and 2.18.2) Yes, I think stems were reworked a lot around 2.16? Here is that override approach with a duration condition: ... (clipped) ... Looking into

Re: How to adjust the padding between a StemTremolo and a NoteHead?

On 8/11/2015 1:12 PM, Dominic [via Lilypond] wrote: Thanks everyone! tisimst, I slightly modified your solution and it seems to work great - thanks! For reasons I don't understand, it only changed the first StemTremolo in my score, but when I changed 'after-line-breaking' to 'before-line

Re: \epsfile fails

Kyle, On Fri, Jul 31, 2015 at 12:15 PM, Kyle Shaw [via Lilypond] ml-node+s1069038n179189...@n5.nabble.com wrote: Hi: I attempt to compile this: %% \version 2.18.2 \markup { \epsfile #X #10 #MaximLogo2.eps } %% ...and I get this: warning: `(gs -q -dSAFER

Re: Fwd: [smufl-discuss] SMuFL development moves to the new W3C Music Notation Community Group

On Wed, Jul 29, 2015 at 10:49 AM, Noeck [via Lilypond] ml-node+s1069038n179135...@n5.nabble.com wrote: Hi, a small side note on this: Of course, the W3C and Wikipedia are much different levels in terms of web standards. But at least there is some type of music representation available for

Re: Fwd: [smufl-discuss] SMuFL development moves to the new W3C Music Notation Community Group

On Wed, Jul 29, 2015 at 11:32 AM, Steve Lacy [via Lilypond] ml-node+s1069038n179137...@n5.nabble.com wrote: You're incorrect in saying that this requires Lilypond on the Users machine. It does require LilyPond on the serving machine(s), but not on the desktop machines of the editors. Thank

Re: any suggestions how to typeset a lip slur bend in the middle of the note?

Take a look at this snippet in the LSR: http://lsr.di.unimi.it/LSR/Item?id=233 Change the code to override the Slur grob instead of the Hairpin grob. - Abraham On Wednesday, July 29, 2015, user3871075 [via Lilypond] ml-node+s1069038n179150...@n5.nabble.com wrote: Hi all, I'm transposing

Re: Aligning lyrics

Clarissa, On Wed, Jul 29, 2015 at 11:26 PM, Clarissa Lohr [via Lilypond] ml-node+s1069038n179152...@n5.nabble.com wrote: Hi, I'm a beginner. I apologize if my question is dumb. I used this template: http://www.lilypond.org/doc/v2.19/Documentation/learning/satb-on-four-staves Bar #3 and

Re: Font search path (Linux)

On Tue, Jul 28, 2015 at 8:37 AM, Urs Liska [via Lilypond] ml-node+s1069038n179126...@n5.nabble.com wrote: Am 28.07.2015 um 15:06 schrieb Ralf Mattes: Am Dienstag, 28. Juli 2015 13:58 CEST, Wols Lists [hidden email] http:///user/SendEmail.jtp?type=nodenode=179126i=0 schrieb: Don't

Re: Tweaking in an engraver

Timothy, That is absolutely fantastic! What a great way to set up and use instruments! Great work! - Abraham On 7/23/2015 2:59 PM, Timothy Lanfear-2 [via Lilypond] wrote: On 19/07/15 18:27, Timothy Lanfear wrote: On 19 Jul 2015, at 19:12, Peter Gentry [hidden email]

Re: Italics in headers

Tim, On Wed, Jul 22, 2015 at 11:54 AM, Tim Slattery [via Lilypond] ml-node+s1069038n178953...@n5.nabble.com wrote: Tim Slattery [hidden email] http:///user/SendEmail.jtp?type=nodenode=178953i=0 wrote: How can I italicize just part of a header? What I want is a subhead that reads: (From

Re: Two-Syllable Beam with Sharp and Slur

On Tue, Jul 21, 2015 at 10:04 AM, BGM [via Lilypond] ml-node+s1069038n178891...@n5.nabble.com wrote: My hymn has a key signature of B Major, so I have to manually sharp all the naturals in the code. On this one syllable - the cha- in Eucharist, I need to have the beamed 8th notes span for

Re: Two-Syllable Beam with Sharp and Slur

By the way, and you can ignore this if you want, LilyPond can put in a properly placed lyric hyphen if you set the lyrics like this: We Cru -- sa -- ders of the Eu -- cha -- _ rist, With joy we _ con -- se -- crate to Your Heart Also, if you use slurs in the notes then you shouldn't need to put

Re: Attachment size

You are probably doing this already, but in GIMP, go to Image Scale Image and change the Width/Height units to Percent and change it to something smaller than 100% and hit Scale. This should reduce the size of the image nicely. For reference, though, when saving to an image format, remember that

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