Re: \RemoveEmptyStaves for drums?

Hi, Molly! On Sat, Aug 5, 2017 at 7:34 PM, Kieren MacMillan < kieren_macmil...@sympatico.ca> wrote: > > > However I can't seem to get it to \RemoveEmptyStaves for the \DrumStaff. > This is what I tried. > > > > \layout { > > \context { > > \Staff > > \RemoveEmptyStaves > > \DrumStaff > > \RemoveE

Re: Windows 10 and Dropbox

Dear Anders and Guy, Thank you for your responses. Then it looks like some problem with my particular machine. I will try with other Windows 10 machines. ty > Data point --> I also use Windows 10 (Enterprise at work and Home at > home) with Dropbox in both places with no issu

Re: \RemoveEmptyStaves for drums?

Hi Molly, > However I can't seem to get it to \RemoveEmptyStaves for the \DrumStaff. This > is what I tried. > > \layout { > \context { > \Staff > \RemoveEmptyStaves > \DrumStaff > \RemoveEmptyStaves > } To be honest, I'm not even sure *what* that would do… =\ Here's what I just tried, an

\RemoveEmptyStaves for drums?

Hello, I am making parts and have glockenspiel and the non-pitched percussion on one part. However I can't seem to get it to \RemoveEmptyStaves for the \DrumStaff. This is what I tried. \layout { \context { \Staff \RemoveEmptyStaves \DrumStaff \RemoveEmptyStaves } } Thanks! Molly ___

Re: Vertical alignment of custom dynamics

On 06/08/2017 00:19, Gregor Smith wrote: > \version "2.16.0" > > \include "common.ly" > > upper = \relative c'' { > \clef treble > \key c \major > \time 2/4 > c2 > \repeat volta 2 { > d | e > } > } > > > lower = \relative c' { > \clef bass > \key c \major > \time 2/4 >

Vertical alignment of custom dynamics

Hi everyone! I have a repeated section of music with a different dynamic on each repeat. As such, I've used a markup object to create the text "mp - f" in the dynamic font. Because the music is piano music, my dynamics are in their own Dynamics context. My problem is that my custom dynamics don't

Re: Reverting TimeSignature after box notation

Brilliant! Thanks! Erik lör 5 aug. 2017 kl 21:54 skrev Thomas Morley : > 2017-08-05 21:09 GMT+02:00 Erik Natanael Gustafsson > : > > > Here is the MWE I arraived at (I don't know how much of the structure > code > > is usually posted here so I'm posting the whole file with score > definition > >

Re: Reverting TimeSignature after box notation

2017-08-05 21:09 GMT+02:00 Erik Natanael Gustafsson : > Here is the MWE I arraived at (I don't know how much of the structure code > is usually posted here so I'm posting the whole file with score definition > and all): [skipping the "whole file"] A minimal would be: \version "2.18.2" { \time

Re: Reverting TimeSignature after box notation

Sorry for the confusion. Seems like the first reply I got also only went to me and not to the list. This was written by Holland Hopson: "Hi Erik, Your example doesn’t compile for me. Maybe you can make a minimal working example? I’ve had good results using frameEngraver-bars-and-boxes.ily for box

Re: Understanding how \tag works in \relative pitched music

My thanks to all who responded. There were three suggestions offered to "fix" my incorrect code and I confirm that all three produce the expected output. Guy On 8/5/2017 10:40 AM, David Wright wrote: On Fri 04 Aug 2017 at 23:51:49 (-0500), Guy Stalnaker wrote: So it's an Order of Operations

Re: Reverting TimeSignature after box notation

2017-08-05 19:28 GMT+02:00 Erik Natanael Gustafsson : > Whoops, I accidentally sent my reply only to Holland. Here it is again: > > " > Good idea! I made a minimal example Where is it? > and in the process I realised that time > signatures stopped being printed after I used "\set > Staff.timeSign

Re: Reverting TimeSignature after box notation

Whoops, I accidentally sent my reply only to Holland. Here it is again: " Good idea! I made a minimal example and in the process I realised that time signatures stopped being printed after I used "\set Staff.timeSignatureFraction = 4/4" (the box markup had nothing to do with it). Is there any way

Re: Windows 10 and Dropbox

Using the same versions of Windows and Dropbox and opening the file with Frescobaldi there is no problem to create the output files .mid, .pdf is created in the dropbox. // Anders On 2017-08-05 17:55, t...@tylab.org wrote: With a .ly file in Dropbox (local file but connected to the cloud) an

Windows 10 and Dropbox

With a .ly file in Dropbox (local file but connected to the cloud) and with the OS Windows 10, I have never been successful in compiling it. The log stops at "Drawing systems..." and no .pdf or .ps file appears, however long I wait. If the OS is Windows 7, there is no problem. Also if the .ly file

Re: Understanding how \tag works in \relative pitched music

On Fri 04 Aug 2017 at 23:51:49 (-0500), Guy Stalnaker wrote: > So it's an Order of Operations issue. Unfortunately, your capitalisation indicates you haven't really understood the implications of what I wrote. > Pitches entered using \relative are > first converted to absolute then the selection

Re: Reverting TimeSignature after box notation

You'll probably get more responses if you create a Minimal Working Example (MWE). This is the smallest amount of code that will reproduce the problem. I often find that I stumble over a solution when I'm creating my MWE. --- Knute Snortum (via Gmail) On Thu, Aug 3, 2017 at 3:27 AM, Erik Natana

Re: Understanding how \tag works in \relative pitched music

Hi, > Huh, can't say I've heard of \fixed. It may have been a relatively [ha!] recent addition…? See > I always use \transpose c c'', which seems to have the same effect. It looks > stupid in the code, though. A quick

Re: Understanding how \tag works in \relative pitched music

Huh, can't say I've heard of \fixed. I always use \transpose c c'', which seems to have the same effect. It looks stupid in the code, though. And yeah, absolute mode is a lot easier than relative. If I want to duplicate a measure, I prefer just duplicating it instead of having to adjust the oc

Re: Understanding how \tag works in \relative pitched music

Hi Guy, > Which suggests that \tag used with \relative will never work. Whether or not your conclusion is technically accurate — others will be more qualified to confirm or correct — the unpredictability of \relative with \tag (which I used to use heavily, before finding the edition-engraver) w

Re: Understanding how \tag works in \relative pitched music

2017-08-05 6:51 GMT+02:00 Guy Stalnaker : > So it's an Order of Operations issue. Pitches entered using \relative are > first converted to absolute then the selection using \tag conditional. > > Which suggests that \tag used with \relative will never work. > > Thanks. > > On Aug 4, 2017 10:45 PM, "