to see it for what it is.
- Daniel
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Are.
On Tue, Oct 24, 2017 at 7:00 AM, <netbehaviour-requ...@netbehaviour.org>
wrote:
> Send NetBehaviour mailing list submissions to
> netbehaviour@netbehaviour.org
>
> To subscribe or unsubscribe via the World Wide Web, visit
> http://www.netbehaviour
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, terror, etc. extremes play large part do).
10:00PM up 42 days, 20:55, 37 users, load averages: 0.06, 0.10,
0.08
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w.marioSantamaria.net>
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nter;
> vertical-align: middle;
> background-color: #000;
> width: 100%;
> line-height: 100%;
> }
> body,td,th {
> color: #999;
> }
> body {
> background-color: #000;
> }
>
>
>
>
> nothing
>
>
>
> --
>
> - *Anthony Stephenson*
;
vertical-align: middle;
background-color: #000;
width: 100%;
line-height: 100%;
}
body,td,th {
color: #999;
}
body {
background-color: #000;
}
nothing
--
- *Anthony Stephenson*
*http://anthonystephenson.org/* <http://anthonystephenson.org/>
gt;>>>>
>>>>>>>> On 11/10/17 18:56, Rob Myers wrote:
>>>>>>>>> On Wed, 11 Oct 2017, at 12:58 AM, ruth catlow wrote:
>>>>>>>>>> Perfectly put Helen!
>>>>>>>>>> Art reframed as a new asset class for fractional ownership ain't my
>
for fractional ownership
>>>>>>>>> ain't my idea of utopia.
>>>>>>>>
>>>>>>>> """Marly studied the quotations. Pollock was down again. This,
>>>>>>>> she suppo
on
> AGF: twitter @poemproducer
> www.poemproducer.com
> www.antyegreie.com
>
> DOCUMENTA14 > #DISembTEChyb
> https://www.mixcloud.com/SAVVY_Funk/playlists/disembtechyb/
>
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of up arrows in g2
is this incomprehensibly large number g1.
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ld be something
peas
agee
***sound & curation
AGF: twitter @poemproducer
www.poemproducer.com
www.antyegreie.com
DOCUMENTA14 > #DISembTEChyb
https://www.mixcloud.com/SAVVY_Funk/playlists/disembtechyb/
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-newstrom-cbc
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> Currently writing a PhD at Birkbeck University, London
> https://birkbeck.academia.edu/MarcGarrett
> Just published: Artists Re:thinking the Blockchain
> Eds, Ruth Catlow, Marc Garrett, Nathan Jones, & Sam Skinner
> Liverpool Press - http://bit.ly/2x8XlMK
>
> Sent with ProtonMai
iverpool Press - http://bit.ly/2x8XlMK
Sent with [ProtonMail](https://protonmail.com) Secure Email.
> Original Message
> Subject: Re: [NetBehaviour] Maecenas
> Local Time: 18 October 2017 11:52 AM
> UTC Time: 18 October 2017 10:52
> From: gretta.elise.l...@gmail
Picard, if that was the man's name, was speaking with a
> broker in New York, arranging the purchase of a certain number of "points"
> of the work of a particular artist. A "point" might be defined in any
> number of ways, depending on the medium involved, but it was almost c
one saw them at all. Days or
years later, Picard might pick up that same phone and order the
broker to sell. """
- William Gibson, "Count Zero", 1986.
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workers who make illegal disclosures of classified information,
one of the things we are doing is reviewing policies affecting media
subpoenas.
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had been lit, perhaps with an occult or
ceremonial significance. As this disturbance was not an isolated
incident, the cemetery managers are considering sealing the
grave. (Wikipedia)
+++
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http
//www.furtherfield.org
>>
>> Furtherfield Gallery & Commons in the park
>> Finsbury Park, London N4 2NQ
>> http://www.furtherfield.org/gallery
>> Currently writing a PhD at Birkbeck University, London
>> https://birkbeck.academia.edu/MarcGarrett
>> Just publis
d in.
> I wonder what changed?? ;)
No machine learning algorithm could possibly find a correlation... ;-)
- Rob.
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ss - http://bit.ly/2x8XlMK
Sent with ProtonMail Secure Email.
Original Message ----
Subject: Re: [NetBehaviour] Maecenas
Local Time: 16 October 2017 2:11 PM
UTC Time: 16 October 2017 13:11
From: sondh...@panix.com
To: NetBehaviour for networked distributed creativity
<netbehav
ress - http://bit.ly/2x8XlMK <http://bit.ly/2x8XlMK>
>
> Sent with ProtonMail <https://protonmail.com/> Secure Email.
>
>> Original Message
>> Subject: Re: [NetBehaviour] Maecenas
>> Local Time: 16 October 2017 2:11 PM
>> UTC Time:
re Email.___
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an Jones, & Sam Skinner
Liverpool Press - http://bit.ly/2x8XlMK
Sent with [ProtonMail](https://protonmail.com) Secure Email.
> Original Message
> Subject: Re: [NetBehaviour] Maecenas
> Local Time: 16 October 2017 2:11 PM
> UTC Time: 16 October 2017 13:11
&g
;>>>> speaking with a broker in New York, arranging the purchase of a
>>>>>> certain number of "points" of the work of a particular artist. A
>>>>>> "point" might be defined in any number of ways, depending on the
>>>&g
I will play my bosun whistle for you and
surely some crow will sing. And together we will fight the
current regime and raise a flag. And the flag will have a bosun
whistle and crow on it. And we will win. The crow will win.
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ot; might be defined in any
>> number of ways, depending on the medium involved,
>> but it was almost certain that Picard would never
>> see the works he was purchasing. If the artist
>> enjoyed sufficient status, the originals
ttps://issuu.com/home/publisher). All contents by Digicult Editions are
circulating under CC Licences: Attribution-NonCommercial-ShareAlike 3.0.
<http://www.digicult.it/digimag> <http://www.marcomancuso.net/>
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creams thinking makes octop
odbci odyes odyss odyss offdr offic ofhou ohioa ohsig oil
wonderful...becomes eye
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did Gertrude Stein, or Anita Berber). I
enclose a photo
of Nkanga's "Wetin You Go Do?" - currently at Tate Modern's Tanks. quite a
heavy work!
best
Johannes Birringer
dap-lab
____
From: netbehaviour-boun...@netbehaviour.org
[netbehaviour-boun...@ne
Days or years later, Picard might pick
up that same phone and order the broker to sell. """
- William Gibson, "Count Zero", 1986.
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– The Attic
270 Mare Street, E8 1HE Hackney, Hackney, United Kingdom
PRESS CONTACT Laura Plana E: laurapl...@artfutura.org M: 07 505 922 748
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it was almost
>>>> certain that Picard would never see the works he was purchasing. If the
>>>> artist enjoyed sufficient status, the originals were very likely crated
>>>> away in some vault, where no one saw them at all. Days or years later,
>>>>
some vault,
where no one saw them at all. Days or years later, Picard might
pick up that same phone and order the broker to sell. """
- William Gibson, "Count Zero", 1986.
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ascist, what mistaking
http://www.alansondheim.org/fasc02.png
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ere very likely crated away in some vault, where no
one saw them at all. Days or years later, Picard might pick up that
same phone and order the broker to sell. """
- William Gibson, "Count Zero", 1986.
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the broker to sell. """
- William Gibson, "Count Zero", 1986.
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ited by Guarantee
registered in England and Wales under the Company No.7005205.
Registered business address: Ballard Newman, Apex House, Grand Arcade,
Tally Ho Corner, London N12 0EH.
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Hi Stanza,
Sounds like fun.
We have our own thing on that day (meditating with mushrooms in Finsbury
Park;)
But tweet it @furtherfield and we will spread the word.
Also do join the Netbehaviour email list
http://www.netbehaviour.org/mailman/listinfo/netbehaviour
You may catch some interest
of
[...]
(Mike Gurstein, one of the founders of community informatics,
died today)
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Really sad news, such a lovely guy.
Through the years, Michael contributed some excellent ideas and texts on the
Netbehaviour email list, in the UK.
He has been involved on some of the most important discussions on Netbehaviour
and contributing with in depth, some critical insights, whether
ing?list,?please unsubscribe. T.Y.
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' don'
5 yo sondheim
6 cat .hey >> zz
6 cat .hey >> zz
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purchasing. If the artist enjoyed sufficient status, the originals
were very likely crated away in some vault, where no one saw them at
all. Days or years later, Picard might pick up that same phone and
order the broker to sell. """
- William Gibson, "Count Zero", 1986.
ry likely crated away in some vault, where no one saw them at
all. Days or years later, Picard might pick up that same phone and
order the broker to sell. """
- William Gibson, "Count Zero", 1986.
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w them at
all. Days or years later, Picard might pick up that same phone and
order the broker to sell. """
- William Gibson, "Count Zero", 1986.
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for the current age, and not
on 4chan?
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;> >>>
>> >>> I have a question brewing - that I want to run by everyone -
>> >>> about>> >>> the value of art and artists now and in the future.
>> >>>
>
> --
> - *Anthony Stephenson*
> *http://anthonystep
in california
and we can't do anything about anything anymore
===
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Everyone knows the real money is in administration ;-)
On Thu, Oct 12, 2017 at 7:00 AM, <netbehaviour-requ...@netbehaviour.org>
wrote:
>
> >>>
> >>> I have a question brewing - that I want to run by everyone - about
> >>> the v
gt; Direct line: +44 (0)20 8232 1012 <>
> Admin: +44 (0)20 8232 1020 <>
>
> www.watermans.org.uk <http://www.watermans.org.uk/>
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;>>>
>>>>>> This does NOT democratise access to art; it's nothing more than a secure
>>>>>> way to protect and exchange's one investment - which plays into the
>>>>>> notion of enclaving described in Mike Davis' City of Quartz (think it
>>>>>> was written in the 80s). Art has to
re than a secure
>> way to protect and exchange's one investment - which plays into the notion
>> of enclaving described in Mike Davis' City of Quartz (think it was written
>> in the 80s). Art has to RESIST enclaving, unless one accepts useless
>> decoration and connoisseur
- - -
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bed in Mike Davis' City of Quartz (think it was written
> in the 80s). Art has to RESIST enclaving, unless one accepts useless
> decoration and connoisseurship as the only form of art worth considering.
>
> One of the amazing things about Furtherfield is, at least as far as I ca
is a form of resistance! I'd thank God
for this, but given the state of things on the planet, I wouldn't
want to burden Her with more communication.
- Alan
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der the broker to sell. """
- William Gibson, "Count Zero", 1986.
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wishes
Irini
--
Irini Papadimitriou
Head of New Media Arts Development
Watermans
40 High Street
Brentford
TW8 0DS
Direct line: +44 (0)20 8232 1012
Admin: +44 (0)20 8232 1020
www.watermans.org.uk
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be of interest and looking forward to seeing some of you
there.
Regards,
Fabio.
--
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https://fabionatali.com
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phemeral. Even the highest wall, the
>> biggest
>> museum, and grandest civilization...
>>
>> so it goes.
>>
>> jh
>>
>> --
>> ++
>> Dr. John Hopkins, BSc, MFA, PhD
>> hanging on to the Laramide Orogeny
>
;>> secure way to protect and exchange's one investment - which plays
>>>> into the notion of enclaving described in Mike Davis' City of
>>>> Quartz (think it was written in the 80s). Art has to RESIST
>>>> enclaving, unless one accepts useless decoration and
>
t slow
computers or non-coders.
On Wed, Oct 11, 2017 at 7:00 AM, <netbehaviour-requ...@netbehaviour.org>
wrote:
>
> Subject: Re: [NetBehaviour] An Abstraction?
>
--
- *Anthony Stephenson*
*http://anthonystephenson.org/* <http://anthonystephenson.org/>
__
t;> in the 80s). Art has to RESIST enclaving, unless one accepts useless
>>> decoration and connoisseurship as the only form of art worth considering.
>>>
>>> One of the amazing things about Furtherfield is, at least as far as I can
>>> tell, it itself is a form
wouldn't want to
burden Her with more communication.
- Alan
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--
helen varley jamieson
he...@creative-catalyst.com <mailto:he...@crea
ly model-dependent.
>
> - Anthony Stephenson
>
>
> > On Oct 9, 2017, at 7:00 AM, netbehaviour-requ...@netbehaviour.org wrote:
> >
> > An Abstraction?
> ___
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>
.
>
> so it goes.
>
> jh
>
> --
> ++
> Dr. John Hopkins, BSc, MFA, PhD
> hanging on to the Laramide Orogeny
> twitter: @neoscenes
> http://tech-no-mad.net/blog/
> +
the nature of attention or of
---
No (0),(1), no beginnings and endings, (but) what might pass for
--
<
---
--
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scenes
http://tech-no-mad.net/blog/
++
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not seeing it, but abstraction is typically
model-dependent.
- Anthony Stephenson
> On Oct 9, 2017, at 7:00 AM, netbehaviour-requ...@netbehaviour.org wrote:
>
> An Abstraction?
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://www.alansondheim.org/cccafe.mp3 version 1
http://www.alansondheim.org/cccafe2.mp3 version 2
The lyrics are in http://www.alansondheim.org/ux.txt
And thanks for listening.
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http
et, I wouldn't want to burden
> Her with more communication.
>
> - Alan
> ___
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>
--
helen varley jamieson
he...@creative-catalyst.com
e can alter the code and overwrite the original as well
> > as
> > > taking ownership by applying their own name to it.
> > >
> > > The work is
> > here:?http://pallthayer.dyndns.org/stealthiscodeart
> > > --
> > > P Thayer, Artist
hiscodeart
> --
> P Thayer, Artist
> http://pallthayer.dyndns.org
>
> ___
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&
others who visit
> > the site can alter the code and overwrite the original as well as
> > taking ownership by applying their own name to it.
> >
> > The work is here:?http://pallthayer.dyndns.org/stealthiscodeart
> > --
> > P Thayer, Artist
> > http://pallt
http://www.alansondheim.org/yearning2.mp3
and
http://www.alansondheim.org/cccafe.mp3 version 1
http://www.alansondheim.org/cccafe2.mp3 version 2
The lyrics are in http://www.alansondheim.org/ux.txt
Thanks for listening.
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t
--
P Thayer, Artist
http://pallthayer.dyndns.org
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--
Qu'est-ce et pourquoi agency art ? 12/10 18h Conf?rence, festival M?q, hTh,
Montpellier.
L?
name to it.
>
> The work is here: http://pallthayer.dyndns.org/stealthiscodeart
> --
> P Thayer, Artist
> http://pallthayer.dyndns.org
>
> ___
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http://pallthayer.dyndns.org/stealthiscodeart/index.php?id=12
--
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http://pallthayer.dyndns.org
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allthayer.dyndns.org
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Everywhere among the stars
And someones striking someone
Someones world is disappearing^
O smoke, O human, O smoke of others embers
O songs, O singing, O smoke of dying embers
---
(please share)
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location failure). always
fatal. "US"/"user canceled" handshake being some reason
unrelated failure. complete, just closing pthread_join wait
termination ...results multiple simultaneous specifying same
undefined. detached. exited remains unjoined counts
[ ...
the state of things on the planet, I wouldn't want to burden Her with more
communication.
- Alan
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More about the blockchain - this time an article about Maecenas, a 'new
art registry and trading platform'.
https://artreview.com/home/ar_october_2017_opinion_will_the_blockchain_will_make_art_disappear
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thought they saw, well then, maybe they did, maybe they didn't,
well, no 'grasp' now, no 'known,' i wrote that in 2017
- - -
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yesore.com/catalog.php?pg=3=138
email archive http://sondheim.rupamsunyata.org/
web http://www.alansondheim.org / cell 718-813-3285
current text http://www.alansondheim.org/uw.txt
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they didn't,
well, no 'grasp' now, no 'known,' i wrote that in 2017
- - -
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might be relevant here?
https://blog.p2pfoundation.net/data-technologies-colonize-the-ontological-frontier/2017/10/04
(from Michel Bauwens on G+)
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again. we will walk and we will end up, here, and now and
< we will wander, and we will call this 'and such it is.'
we will wonder, and we will call this 'and such it is.'
+++
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http:
process behind
the artistic creation, affected by new intelligent Neural Networks?
<http://www.digicult.it/digimag>
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f Employee Relations at
(518) 474-6988 or via email at i...@goer.ny.gov. Application Deadline:
10/16/2017 Date to be Filled: 01/02/2018 Job posted at: purchase.edu/hr
--
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http://pallthayer.dyndns.org
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.
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with "Video festival
submission" in the subject-line.
Edward
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--
Co-founder Co-director
Furtherfield
www.furtherfield.org
+44 (0) 77370 02879
Bitcoin Address 197BBaXa6M9PtHhhNTQkuHh1pVJA8RrJ2i
Furtherfield is the UK's leading
there are still real plants.
Edward
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New CD:- LIMIT:
http://www.publiceyesore.com/catalog.php?pg=3=138
email archive
re Email.___
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AR"
[16:57] Julu Twine: reedsar/
[16:57] Julu Twine: reads
[16:57] Julu Twine: reeds
sadness and misery of AR
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peeking here and there
http://www.alansondheim.org/universe9.png
it is time, the universe says, nothing now to happen
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://www.alansondheim.org/walking72.jpg
===
*//Azure walking through our place, paths of memory
of Ossi Oswalda The Cat from 2016, Ossi's places,
Ossi's homeland
https://youtu.be/01hi1eywoqU
(new url, moved from my home directory)//*
===
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