nah Tim, propa poms
Dave
On 6/21/2011 3:54 PM, Tim Rolls wrote:
Popapoms would be the Australian version then?
Tim
On 21 Jun 2011, at 14:44, Dave S wrote:
Colin, that would be popapoms then, er, hope there are no cheerleaders affronted
Dave
On 6/21/2011 3:31 PM, cwhill wrote:
So popadoms
Thank you Frances.you had me whistling the Radetzky March while
cooking breakfast.I'm probably stuck with it for the day!
Ian
Francis Wood wrote:
On 21 Jun 2011, at 14:54, Tim Rolls wrote:
Popapoms would be the Australian version then?
Well, which country is this? :
P
On 21 Jun 2011, at 15:51, Richard York wrote:
Then there's the Beethoven version- poppopaDOM
Or this, anyone?
Poppadom, Poppadom, Poppadom-pom ?
Francis
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Or
poppaDOMpompompom POPpadom?
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
Francis Wood
Sent: 21 June 2011 16:29
To: Richard York
Cc: NSP group
Subject: [NSP] Re: Deaf/dead
P
On 21 Jun 2011, at 15:51, Richard York wrote:
Then
Quoting richard.hea...@tiscali.co.uk richard.hea...@tiscali.co.uk:
Is that the crispy stuff they put in their toblerone's, then?
Toblerone's? trombones? - whatever!
Who can Tell?
Richard
The Lone Ranger, of course.
Tonto
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I assume all this food based music will be played on a crumpet or a cornetto
--Original Message--
From: Gibbons, John
Sender: lute-...@cs.dartmouth.edu
To: 'Francis Wood'
To: Richard York
Cc: NSP group
Subject: [NSP] Re: Deaf/dead
Sent: Jun 21, 2011 4:36 PM
Or
poppaDOMpompompom
I assume all this food based music will be played on a crumpet or a cornetto
--Original Message--
From: Gibbons, John
Sender: lute-...@cs.dartmouth.edu
To: 'Francis Wood'
To: Richard York
Cc: NSP group
Subject: [NSP] Re: Deaf/dead
Sent: Jun 21, 2011 4:36 PM
Or
poppaDOMpompompom
Served up by Sir Adrian Boulti ?
T
On 21 Jun 2011, at 16:58, si...@leveau8.fsnet.co.uk wrote:
I assume all this food based music will be played on a crumpet or a cornetto
--Original Message--
From: Gibbons, John
Sender: lute-...@cs.dartmouth.edu
To: 'Francis Wood'
To: Richard York
As I need to make a birthday cake for tomorrow I am likely to be doing
some piping.
Ian
si...@leveau8.fsnet.co.uk wrote:
I assume all this food based music will be played on a crumpet or a cornetto
--Original Message--
From: Gibbons, John
Sender: lute-...@cs.dartmouth.edu
To:
Quoting Richard York rich...@lizards.force9.co.uk:
All of which goes to show that it's really, really difficult writing
down on paper the precise quality of something which we hear and/or
play in such a way that other people can do it.
Perhaps Aural Transmission really is the best method.
Nice one Barry.
I particularly like the idea of 'Stairway to heaven' on a castrated!
Lovely vision
Malcolm
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On 21 Jun 2011, at 23:13, barr...@nspipes.co.uk wrote:
PS my spellchecker offered as alternatives to 'stratocaster': 'toastmaster'
or castrated. Ah! the wonders of a digital age.
Don't know about 'toastmaster', but 'castrated' is a proper musical term.
In Italian, that is.
More seriously,
Meanwhile I'm working on my next piece for the competitions later in
the year.
I've got as far as Dum poppapoppapoppadum poppa, but can't decide if
it should be dum or pop next. Thoughtful and considered artistic advice
of a sensitive nature would be most welcome, please.
This is something that no other bagpipe
can do. In fact it would be difficult to think of another wind
instrument capable of silence whilst pressure is applied. At
present I can only identify the ocarina.
Uilleann pipes, chanter stopped on knee, all fingers down?
CB
To get on or off this
Quite!
C
-Original Message-
From: lute-...@cs.dartmouth.edu
[mailto:lute-...@cs.dartmouth.edu] On Behalf Of Dru Brooke-Taylor
Sent: Friday, June 17, 2011 2:07 PM
To: nsp@cs.dartmouth.edu
Subject: [NSP] Tradition
Has it occurred to anyone that once a tradition has started to
get self
Quite, again!
C
-Original Message-
From: lute-...@cs.dartmouth.edu
[mailto:lute-...@cs.dartmouth.edu] On Behalf Of Richard York
Sent: Friday, June 17, 2011 2:51 PM
To: Francis Wood; NSP group
Subject: [NSP] Re: Deaf/dead
Hello Francis,
Quite so, but, playing devil's advocate for a
Hear hear, and position has only one s. Adrian of all people talking about
bad spelling! You couldn't make it up.
C
-Original Message-
From: lute-...@cs.dartmouth.edu
[mailto:lute-...@cs.dartmouth.edu] On Behalf Of Julia Say
Sent: Friday, June 17, 2011 3:13 PM
To: nsp@cs.dartmouth.edu;
However, I think we differ over the harpsichord's ability to
play 'long-sustained'.
I was having this discussion with my wife the other day (she plays keyboards
rather better than I can), so I went to the harpsichord and tried it to check.
Just like on a piano, if you hold a key down, the
Joe Hutton seemed a bit lukewarm about that.
Joe didn't exactly play ultrastaccato, did he?
C
I'd forgotten that remark about the skeletons. Thanks for reminding!
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using
all the vocabulary an instrument can offer rather than cutting a bit
out because it's heretical.
Yes!!!
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Oh the perils of using a short-hand term carelessly!
OK, I shouldn't have called it staccato, I was merely characterising
the general sound difference between piano and plucked keyboard
instruments to make my point, a dangerous and un-scholarly thing to do
:)
And all you say is
OK, I shouldn't have called it staccato,
Unfortunately some people do seem to think staccato means short.
C
--
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On 20 Jun 2011, at 09:34, christopher.bi...@ec.europa.eu wrote:
However, I think we differ over the harpsichord's ability to
play 'long-sustained'.
I was having this discussion with my wife the other day (she plays keyboards
rather better than I can), so I went to the harpsichord
Quoting christopher.bi...@ec.europa.eu:
OK, I shouldn't have called it staccato,
Unfortunately some people do seem to think staccato means short.
Chris,
May I point you to the Dolmetsch dictionary
http://www.dolmetsch.com/defss4.htm
Personally, staccato is a word I use for
We had a great Junuary session yesterday here in the Pacific
Northwest. We had two sessions going at one point with G pipes and
concertina in one room, and F sets in the other. Although only one or
two of the group (not me) can play popping fast runs like Chris,
Adrian and Alice,
Barry,
stacc. abbreviated form of staccato (Italian: detached, separated)
staccare(Italian) to detach, to separate each note
The word has its natural meaning, in other words.
Stacatissimo is what some people think it means, but it doesn't!
John
Here is a link to a video clip (kindly supplied by Pete Ashby) of Alice
Emily's controversial playing. It was taken when the band played in
support of The Chantry Museum.
Certain members may wish to delete this message at this point.
The clip is mainly for the benefit of those
And Matt Seattle has published 3 books called 'Airs for Pairs', 'Airs for
Pairs 2', and 'Scottish Airs for Pairs'.
I thought they might be out of print, but a quick google suggests they are
still available - though maybe not with the original delightful cover art.
Chris
To get on or off
Without wanting to start anything - and not referring back to any
particular recent posting ;), I now realise that my total ignorance of
the NSP (putting aside the 38 years I've been making noises with them)
has been a Godsend as I've been able to listen to the sounds alone in
deciding if I
These are now published by [1]www.mally.com
I should think the majority of the tunes and many of the harmonies
would fit NSP
On Sun, Jun 19, 2011 at 8:04 AM, Chris Harris
[2]ch...@harris405.plus.com wrote:
And Matt Seattle has published 3 books called 'Airs for Pairs',
Hello,
Here is a link to Liam O'Flynn discussing the topic of styles.
http://www.youtube.com/watch?v=EQU84O8xZlEfeature=related
and for those who follow LBPS and Paul Roberts winning piece this will
be doubly of interest
I enjoy listening to this musician cresting stories on his pipes --
oops --- creating having problems with seing at the moment
Dave
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There are many tunes, especially slip jigs, and quite a few Peacocks,
which as written, end on a note that implies we're about to go back to
the beginning and start again, but isn't really in itself an endi-
...
Many players stop there on the last time through, and don't play the
Richard
I'm not going to answer your question directly, but draw your attention
to the difference in aesthetic between Harmonic Direction and Harmonic
Proportion. And rather than elaborate here now, add that I have
pondered this long and hard and given the results of my ponderings
Hello Richard
I have to bow to Matt's much greater academic knowledge on this one but
I still offer a lesser mortal's thoughts:
The old guys I played with were dance driven and would invariably
resolve tunes in the manner you describe.
As far as my own preference is concerned I
And, bowing to Anthony's greater experience of kirn suppers, this
lesser mortal's thoughts are pretty much the same as his about ending
such tunes - dancers expect an ending, listeners can happily sit in the
air. Felton Lonnen for ex. would IMO be awful with a 'resolution' on
the
I know there have been some books published in the past that include
tune arrangements for Northumbrian pipes and other instruments though as
someone who is normally a solo player I haven't taken much
notice..until now.
I need to encourage an 11 year old flautist and 12 year old cellist
Hi Ian -- I think there are some books by Derek Hobbs on the NSP site
cheers
Dave S
On 6/18/2011 6:59 PM, Ian Lawther wrote:
I know there have been some books published in the past that include
tune arrangements for Northumbrian pipes and other instruments though
as someone who is normally a
On 18 Jun 2011, Ian Lawther wrote:
tune arrangements for Northumbrian pipes and other instruments
http://www.rossleighmusic.co.uk/
Those who use them seem to think highly of them.
Aren't there a couple of LBPS books of such duets etc as well?
Hope this helps
Julia
To get on or off this
Having done a lot of dancing and playing for dancing, allow me to
suggest that the decision might depend on whether or not there are a
bunch of sweaty people out there in front of you saying, That didn't
sound like the end of the tune. Should I bow/curtsie? Or keep
dancing? If
a couple
of the best plpers are trying to make people understand how to
play their instrument properly.
No prizes for identifying the following quote:
She is a very good teacher, demanding accurate staccato playing.
C
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I'm risking a lot here I know but who actually decided how the pipes
should be played?
Good question!
C
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Well said, Anthony! The fact that you can play should be obvious to anyone who
doesn't have their ego where their ears should be.
C
-Original Message-
From: lute-...@cs.dartmouth.edu
[mailto:lute-...@cs.dartmouth.edu] On Behalf Of Anthony Robb
Sent: Friday, June 17, 2011 9:00 AM
To:
!DOCTYPE HTML PUBLIC -//W3C//DTD HTML 3.2//EN
HTML
HEAD
META HTTP-EQUIV=Content-Type CONTENT=text/html; charset=utf-8
META NAME=Generator CONTENT=MS Exchange Server version 6.5.7655.2
TITLERE: [NSP] Re: The Dartmouth Competitions/TITLE
/HEAD
BODY
!-- Converted from text/rtf format --
PSPAN
Bugger! Dartmouth doesn't like rich text. Here's a proper e-mail:
__
From: BIRCH Christopher (DGT)
Sent: Friday, June 17, 2011 10:15 AM
To: 'Dave S'; Inky- Adrian
Cc: nsp@cs.dartmouth.edu
On 17 Jun 2011, at 01:13, cwhill wrote:
I've often heard it said that Beethoven wouldn't recognise his own works if
he were to hear them played now.
Well that's because he was deaf...
Tim
To get on or off this list see list information at
if he were to hear them played now.
Well that's because he was deaf...
In that case he wouldn't hear them at all, but I reckon being dead is an even
greater impediment to hearing them played now.
He's been decomposing ever since according to a very old joke. Praps that could
OK OK I see I just got Visa'd
ciao
On 6/17/2011 10:17 AM, christopher.bi...@ec.europa.eu wrote:
Bugger! Dartmouth doesn't like rich text. Here's a proper e-mail:
__
From: BIRCH Christopher (DGT)
Sent: Friday, June 17,
On 17 Jun 2011, at 09:24, christopher.bi...@ec.europa.eu wrote:
I reckon being dead is an even greater impediment to hearing them played now.
Well, if he hadn't been the late Beethoven, how could he have composed the Late
Quartets?
Francis
To get on or off this list see list information
Lotsa fun here - Adrian's inspired '6 classes' made me laugh out loud
As for 'tradition', it is a neutral, value-free term, there are good
traditions and bad - human sacrifice was traditionally practised in
some cultures..
As for 'can you play' - in one sense, of course Anthony can
Is talking good sense traditional?
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
Matt Seattle
Sent: 17 June 2011 10:49
To: Dartmouth NPS
Subject: [NSP] Re: The Dartmouth Competitions
Lotsa fun here - Adrian's inspired '6
Ok, bad choice of composer!
He was, however, only deaf in later life.
Still good excuse for some bad jokes :)
It was a genuine question though. If there is a correct was to play,
that must have been decided at sometime by someone.
I'm thinking here of the closed fingering techniques, one finger
On 17 Jun 2011, at 12:39, cwhill wrote:
I'm thinking here of the closed fingering techniques, one finger off at a
time, no choyting etc.
Hi Colin and others,
The closed-fingering technique derives much more from the nature of the
instrument rather than any opinions about style.
Since the
Has it occurred to anyone that once a tradition has started to get self
conscious about it's identity, it's got problems? A tradition that is
still fully living as a tradition, is just 'how things are', without
needing to ask itself what is traditional and what isn't. It even
decides what it
Yes!
Richard.
On 17/06/2011 10:49, Matt Seattle wrote:
Lotsa fun here - Adrian's inspired '6 classes' made me laugh out loud
As for 'tradition', it is a neutral, value-free term, there are good
traditions and bad - human sacrifice was traditionally practised in
some cultures..
Yes!
Richard
On 17/06/2011 10:49, Matt Seattle wrote:
Lotsa fun here - Adrian's inspired '6 classes' made me laugh out loud
As for 'tradition', it is a neutral, value-free term, there are good
traditions and bad - human sacrifice was traditionally practised in
some cultures..
Sorry, Julia,
Sorry - I got in late yesterday, read a few, but hadn't seen that you'd
already done this one!
Richard.
The oil of the little known Ont Rhubbledwarterz tree may be suggested.
Richard
By the way, does anyone have any good ideas about the right kind of oil
to
Hello Francis,
Quite so, but, playing devil's advocate for a minute, (and loving
tradition except where it becomes tribal), does the fact that we can
play staccato and 99% of other pipes can't, mean it's all we should do?
The harpsichord, after all, could only really play staccato or slightly
it's its. Define.
Get's me s'o cross.
Date: Fri, 17 Jun 2011 10:31:57 +0200
To: christopher.bi...@ec.europa.eu
CC: nsp@cs.dartmouth.edu
From: david...@pt.lu
Subject: [NSP] Re: The Dartmouth Competitions
OK OK I see I just got Visa'd
ciao
On
Adrian - if you wish to insult people, please do so offlist.
The rest of us (I hope I can safely generalise here) find it embarrassing.
Anyone who wishes to contact me, please do so offlist for a while.
Julia
To get on or off this list see list information at
Since the NSP chanter has a stopped end, there would be little point in
adopting anything other than this fingering style, which allows separate
notes with (usually) a distinguishable silence between each. This is
something that no other bagpipe can do. In fact it would be difficult to
think
I was responding to this post.
-- Forwarded message --
From: Kyle Eckmann [1]eckmanncustomt...@hotmail.com
Date: Jun 17, 2011 1:33 PM
Subject: RE: [NSP] Billy Pigg
To: [2]inkyadr...@googlemail.com
Hello everyone,
I've made several requests over the last
I have received no emails via the list from Kyle Eckmann, who doesn't seem to
be on it.
Why would he ask you to be removed from a list which you don't administer?
I think you have been wound up
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On
I am afraid that it is a classic schoolboy error to reply on list to
an off list message. I have seen this a lot on other lists and it is
often a source of rancour. If you look at the heading of the
offending email it is clear that was sent only to inky
Mike
Quoting Gibbons, John
Kyle was on the list - he signed up a couple of years
ago. Now he is off. If anyone else wants to leave the
list send 'em to me.
Wayne
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Hello Richard,
I think we pretty much agree.
Who, for example, would want to play Rothbury Hills in a staccato manner?
(Who, indeed would want to play RH in any manner whatsoever, some might
interject.)
However it was composed by a significant piper who happened to be the official
piper to
On 17 Jun 2011, at 14:14, ch...@harris405.plus.com wrote:
The Uilleann pipe chanter can be, and often is, played closed, by resting
the chanter on the knee.
It's possible, but more difficult, to get just as clean, detatched playing
as with nsp.
However this isn't seen as a fundamental
Quoting Francis Wood oatenp...@googlemail.com:
Hello Richard,
I think we pretty much agree.
Who, for example, would want to play Rothbury Hills in a staccato manner?
Detached playing is not necessarily staccato. When the notes are long,
the spaces seem even shorter.
(Who, indeed
Love it -- copulating skeletons eh bien 'enri c'est formidable
Thanks for that Barry
cheers
Dave S
On 6/17/2011 10:44 PM, barr...@nspipes.co.uk wrote:
Quoting Francis Wood oatenp...@googlemail.com:
Ah. harpsichord duets. The sound of skeletons copulating on a
corrugated tin roof.
On 17 Jun 2011, at 21:44, barr...@nspipes.co.uk wrote:
The sound of skeletons copulating on a corrugated tin roof.
Rattling the parrot's cage with a toasting fork is another.
What a good thing nobody would ever say anything so cruel about our magnificent
instrument. Positive remarks only,
Positive remarks only, about it's neatness of execution.
When I said it's, I hope it's obvious that its real meaning was its.
Francis
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I do have a set of UPs (nasty cheap ones which I bought reasonably as
they had been over 5 years on the shop shelf and nobody knew anything
about them (yes, from Hobgoblin) - no regulators) but they still weigh a
ton.
The fingering chart I managed to find may give you an idea
Quoting smallpi...@machineconcepts.co.uk:
Can anyone remember which famous smallpiper once fitted a regulator
to a set of smallpipes and reinvented the melodian (or at least the
sound of one)?
Yes, I can.
As I remember, to my ears it sounded rather like a harmonium.
Barry
To get on
Francis,
I think the tuning of modern UP is optimised when they're played closed.
If the chanter's played open, it drinks more air, and plays sharper.
Johnny Doran played off the knee a lot,
and when Willie Clancy 1st heard him, he thought he was out of tune -
a heresy which he repented in
Robbie Greensit, wasn't it?
On Fri, Jun 17, 2011 at 3:07 PM, [1]barr...@nspipes.co.uk wrote:
Quoting [2]smallpi...@machineconcepts.co.uk:
Can anyone remember which famous smallpiper once fitted a regulator
to a set of smallpipes and reinvented the melodian (or at least the
I did play the NSPs with regulators and won in the other category, not trad.
NSPing.
Adrian
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-Original Message-
From: BIRCH Christopher (DGT)
Sent: Thursday, June 16, 2011 9:53 AM
To: 'Dave S'
Subject: RE: [NSP] divorce
Well said, Dave!
C
-Original Message-
From: lute-...@cs.dartmouth.edu
[mailto:lute-...@cs.dartmouth.edu] On Behalf Of Dave S
Sent: Thursday, June
Hello Dave and others,
I see things a little differently.
Two things have happened here, the first being a move to have opinions,
information and other resources made permanently available in the form of a
forum. This is currently happening in the NPS Forum and the Traditional NSP
Forum
On 16 Jun 2011, Francis Wood wrote:
By the way, does anyone have any good ideas about the right kind of oil to
use?
Definitely. The sort appropriate for pouring on troubled waters!
JUlia
To get on or off this list see list information at
On 16 Jun 2011, Dave S wrote:
This list served the purpose of introducing the beginner(shy
fence-sitter to brash young expert) to light
conversation/disagreement/proposition on all subjects around the
wonderful instrument known as the NSP. It has done this well for a good
number of
Dear All
Hear, Hear! Julia!
Alan Corkett
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu]On
Behalf Of Julia Say
Sent: 16 June 2011 09:43
To: Dartmouth nsp list N.P.S. site; Dave S
Subject: [NSP] Re: divorce
On 16 Jun 2011, Dave S wrote:
This list
What follows is testimonial.
The forum certainly has value in my book. It was through this forum and the
NPS that I found the encouragement and advice necessary to start playing the
NSP. In Mississippi, USA no less. It is also how I found my set which arrived
from Italy. Talk about
On 16/06/2011 09:55, Alan Corkett wrote:
Dear All
Hear, Hear! Julia!
Alan Corkett
I have to confess to being an outsider wherever I am.
Being in Liverpool, I'm well outside the regular piping fraternity of
the North East plus, despite having been a piper for 38 years I'm not
very good and,
Hi Reid -
An aside here - every posting of this list has [NSP] in the Subject:
line, and most mail readers will let you filter these messages into
a special mailbox, which you can read when you want. Of course most
mail readers do this in different ways, so you will have the challenge
of
Thanks Francis, ---
Original Message
Subject: Re: [NSP] divorce
Date: Thu, 16 Jun 2011 14:16:16 +0200
From: Dave S [1]david...@pt.lu
To: Francis Wood [2]oatenp...@googlemail.com
Hi Francis,
I concur with all of your points, it's not bad at all that
I must admit that I am at a loss to understand the fuss about styles
of playing. I have always been aware that there are almost as many
styles as there are influential players. When I listen to good
players like Joe Hutton, Anthony, Andy, Kathryn, Alice, Alistair,
Adrian etc (why do so
Hi All,
When you go to sign up to the NPS forum Mike mentions, can you please do so
using your own name, or a recognisable form of it.
We've had problems in the past with strange pseudonyms, (including some this
week from 1...@bestmoneysavingtips.com based in Latvia, and the like).
thanks
On 16 Jun 2011, smallpi...@machineconcepts.co wrote:
why do so many good players have names starting with an A
Totally flippant aside
To get to the front of the queue / top of the list, perhaps?
v. big grin
(I have a relative whose surname began Abe - and always found themselves picked
The annual smallpipe Bitch and Bite comps. will be in July. There will
be 6 classes: absolute sloppyness and running-your-notes-in, just damn
right easy-playing, almost there, nearly normal, can't play like
that-it's too hard and tight as a cats arsehole.
Tommy Breckons would be
Hi Inky,
-- glad you keep one eye open and nope I can't play proper - I don't
have the wrapper of the tradition anywhere near - so I don't even bother
with any form of competition, I just like great instruments.
Dave S
On 6/16/2011 8:08 PM, Inky- Adrian wrote:
The annual smallpipe Bitch
I don't understand the rift between the proper pipers and the NPS. Don't they
owe much of their fame to winning and judging competitions there? Doesn't the
NPS publish and sell their books? I'm sorry to see fractious elitism born
again. I thought we had gone beyond that a couple of years
John,
I try to stay out of these public debates, as it seems nothing good ever comes
of them. But I really think it is unfair of you to categorize the argument as
elitism because a couple of the best plpers are trying to make people
understand how to play their instrument properly.
I'll stop
The oil of the little known Ont Rhubbledwarterz tree may be suggested.
Richard
By the way, does anyone have any good ideas about the right kind of oil to use?
Francis
---
Text inserted by Panda
What should we call it? Properism?
Sent from my iPhone
On Jun 16, 2011, at 12:23 PM, Rick Damon richard.a.damon@dartmouth.edu
wrote:
John,
I try to stay out of these public debates, as it seems nothing good ever
comes of them. But I really think it is unfair of you to categorize
Hello Rick
I have great difficulty with your implication that Billy Pigg was not a
'proper' piper.
Best wishes
Anthony
--- On Thu, 16/6/11, Rick Damon richard.a.damon@dartmouth.edu
wrote:
From: Rick Damon richard.a.damon@dartmouth.edu
Subject: [NSP] Re:
Fortunately, when I was wanting to play the Union pipes, I ended up at
DGBs in Longfram. I ended up buying the NSPs. Billy Pigg was the piper
I went for because he was sympathetic to Irish music, having been
influenced by Irish musicians and their music, and Scottish music.
Pigg
Just checking my send connection
Dave S
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Hi People -
I took a few days off last weekend and the server decided to
act up, and it swallowed and messages sent to up. I am back
now, and I believe that the problem has been fixed. I
apologise to those people who lost their postings.
Wayne
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It sounds like Adrian synchronised to what he heard of Chris,
but Chris can only have ignored what he heard of Adrian,
as it would have been half a bar later than what he was playing.
Proof of concept, anyway...
John
-Original Message-
From: lute-...@cs.dartmouth.edu
Well the day the NPS starts dictating how I have to play my pipes will be the
day I pick up my chanter and drones and go home. I certainly don't want any
elders of that church telling me about being boiled eternally in hot oil (of
any variety) because of my fingering technique - (forgive me)
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