spectrum, more than an increase in intensity. Would it not?
Etienne
--
http://etiennedeleflie.net
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On distance perception:
I don't know if it's still available, but Pavel Zahorik had a paper reviewing
auditory distance perception some years ago. As has been said here, Doppler,
whatever else it is, isn't really a distance cue.
I'd say the 'potential cues' and the 'actual cues' used in any
Hello All, and with apologies for cross-posting, please forward to anyone who
may be interested. Regards, Tom.
///
**Call for Papers Deadline Extension**
The deadline for the call for papers has been extended until **Monday 4
this is not meant to refute all the comments on the over-rated
importance of doppler cues in distance estimation, but: never
under-estimate the suggestive power of faked doppler shift cues.
this humble bear of very little brain once had the exceptional honor to
prepare john chowning's turenas
Jorn,
it turned out that this monster of a piece is unkillable, no matter what we
tried. so this evil little bear of little brain but inexhaustible
mischievousness folded it down to mono, out of pure spite. the sound was
still all over the place. chowning 10, bear 0.
and here's to fake
On 26/02/2013, at 9:01 AM, etienne deleflie wrote:
Jorn,
it turned out that this monster of a piece is unkillable, no matter what we
tried. so this evil little bear of little brain but inexhaustible
mischievousness folded it down to mono, out of pure spite. the sound was
still all over
reverb from specific direction = good sense for distance cue (for very distant
items, reverb is most of what you hear)
directional reverb = 'place modelling' - different thing
identification of sound artefacts that act as
'icons' (Peirce) or 'symbols' of our experience of space =
reverb from specific direction = good sense for distance cue (for very
distant items, reverb is most of what you hear)
directional reverb = 'place modelling' - different thing
yes, I should have said something more like single-direction reverb.
identification of sound artefacts that act
Semiotic frameworks such as that of Charles Peirce indicate that
references
(or signs) work in different ways. For example, mono reverb acts as an
icon (that is, it is similar to) the experience of large spaces. Whereas
the recording of hair clippers acts as an index of close proximity
http://www.grandmontauban.com/yes/95Achieve%20more%20with%20this%20new%20program7
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